Still and calm, In purple robes of kings, The low-lying mountains sleep at the edge of the world. The forests cover them like mantles; Day and night Rise and fall over them like the wash of waves. Asleep, they reign. Silent, they say all. Hush me, O slumbering mountains – Send me dreams. ~Harriet Monroe “The Blue Ridge”
I live where the surrounding hills circle like wagons, strong shoulders promising protection, lying steadfast day after day, while the palette of sky changes with the season.
These are friends in whose shadows I sleep; they will be here long after I take my rest, but I will remember, even in my dreams, I will long remember how light emerges hopeful over the crest at the breaking of dawn.
This is the grip, like this: both hands. You can close your eyes if you like. When I say, “Now,” it’s time. Don’t wait or it’s all over. But not too soon, either—just right. Don’t worry. Let’s go. Both hands. ~William Stafford, “Survival Course” from Even in Quiet Places.
I know well the feeling of pulling against a momentum determined to break free of the strength I can muster to keep it under control. This is how my life, personally and professionally has often felt over the decades. It seems I am barely hanging on, at times losing my grip, my feet braced but slipping beneath me.
The full-uddered cow in the painting is compelled to join her herd in a pastoral scene just across the creek, but the milk maid must resist the cow’s escape. For the cow’s benefit and comfort, she must be milked. The cow has another agenda. She has snapped her rope tie, almost pulled up the stake, and in a show of strength and determination, the maid braces to pull a much larger animal around to retie her and restore things to how they were.
The action suggests the maid may succeed, but the cow’s attention is directed far afield. She doesn’t even feel the tug on her halter. We’re not fully convinced the cow won’t suddenly pull loose and break away from the maid’s grip, leaping the stream, tail raised straight in the air like a flag of freedom.
Right now, as spring advances rapidly with grass growing thick in the pastures, our horses smell that richness in the air. Sometimes this tug of war takes place when my plan is different than the horse’s. The fields are too wet for them to be out full time yet, so they must wait for the appropriate time to be released to freedom. The grass calls to them like a siren song as I feed them their portion of last summer’s uninviting hay. They can pull my shoulders almost out of joint when they are determined enough, they break through fences in their pursuit of green, they push through stall doors and lift gates off hinges. Right now I’m barely an adequate counterbalance to the pursuit of their desires and I struggle to remind them I’m on the other end of their lead rope.
Each day I find I try too hard to restore order in my life, on the farm, in the house, in my work, with my family. I want to pull that cow back around, get her tied up and relieved of her burden of milk so that it can nurture and replenish others. Sometimes I hang on, only to be pulled roughly along on the ground, scraped and yelling in the process.
Sometimes I just let go and have to try to catch that cow all over again.
Once in awhile I successfully get the cow turned around and actually milked without a spill.
I’ve held on with both hands. I’m clasping them together in prayer and petition that I won’t get pulled into the mud. I’ve got a grip. And maybe, just maybe, I will make cheese….
From the petal’s edge a line starts that being of steel infinitely fine, infinitely rigid penetrates the Milky Way without contact–lifting from it–neither hanging nor pushing–
The fragility of the flower unbruised penetrates space ~William Carlos Williams from Spring and All (1923)
Here is the fringey edge where elements meet and realms mingle, where time and eternity spatter each other with foam. ~Annie Dillard from Holy the Firm
It is common to look for love only inside the heart of things, watching it pulse as both showpiece and show off, reverberating from deep within, yet loud enough for all the world to bear witness.
But as I advance on life’s road, I find love lying waiting at the periphery of my heart, fragile and easily torn as a petal edge – clinging to the fringe of my life, holding on through storms and trials.
This love is ever-present, protects and cherishes, fed by fine little veins which branch out from the center to the tender margins of infinity.
It is on that delicate edge of forever I dwell, waiting to be fed and trembling with anticipation.
It’s frail, this spring snow, it’s pot cheese packing down underfoot. It flies out of the trees at sunrise like a flock of migrant birds. It slips in clumps off the barn roof, wingless angels dropped by parachute. Inside, I hear the horses knocking aimlessly in their warm brown lockup, testing the four known sides of the box as the soul must, confined under the breastbone. Horses blowing their noses, coming awake, shaking the sawdust bedding out of their coats. They do not know what has fallen out of the sky, colder than apple bloom, since last night’s hay and oats. They do not know how satisfactory they look, set loose in the April sun, nor what handsprings are turned under my ribs with winter gone. ~Maxine Kumin “Late Snow” from Selected Poems: 1960 – 1990
This past weekend we had it all: sun, rain, windstorm, hail, and some local areas even reported a late April snowfall. It is indeed disorienting to have one foot still in winter and the other firmly on grass that needs mowing.
It is also disorienting to look at pandemic data and hear varying experts’ interpretations about what is happening, what they predict and what strategies are recommended.
It may be time to loosen the tight grip on social distancing yet many are reticent to emerge from their confinement, for good reason.
Just last week, we released the Haflingers from their winter lock-in back onto the fields – their winter-creaky barn-confined joints stretched as they joyfully ran the perimeter of the fields before settling their noses into fresh clover. Their ribs sprung with the fragrance of the apple blossom perfume of the orchard and it lifted my sagging spirit to see them gallop. But even the horses are not ready for complete freedom either – I whistled them in after two hours, not wanting them to eat themselves sick with too much spring grass. Their time on the outside will be tightly controlled until it is safe for them to be out unrestricted.
Surprisingly, the horses come in willingly to settle back into their stalls and their confinement routine.
I’m not so different. I long to be set loose in the April sun and the freedom to go when and where I wish. But the new reality means winter is not entirely gone yet and may not be for some time. There are still tragic and untimely losses of life, still plenty of weeping and lament from the grief-stricken who have been robbed prematurely of loved ones due to a virus that is circulating indiscriminately.
So we must ease out slowly, carefully and cautiously, with one ear cocked and ready to be whistled back in when we are called to return to safety.
We human beings do real harm. History could make a stone weep. ~Marilynne Robinson from Gilead
As humankind was created with the freedom to choose our own way, we tend to opt for the path of least resistance with the highest return.
Hey, after all, we’re human and that’s our excuse and we’re sticking to it.
No road less traveled on for most of us–instead we blindly head down the superhighway of what’s best for #1, no matter what the means of transportation, what it costs to get there, how seedy the billboards or how many warning signs appear, or where the ultimate destination takes us.
History is full of the piled-high wrecking yards of demolition remnants from crashes along the way.
It’s enough to make a stone weep.
Certainly God wept.
And He wept even after creating man in His own image, emphatically declaring our creation good, even knowing how everything was going to turn out.
Despite the harm we continue to cause, despite our suffering too many crashes along the way, we are declared good only because His breath remains full within us while His tears never fail to wash us clean.
Lined with light the twigs are stubby arrows. A gilded trunk writhes Upward from the roots, from the pit of the black tentacles.
In the book of spring a bare-limbed torso is the first illustration.
Light teaches the tree to beget leaves, to embroider itself all over with green reality, until summer becomes its steady portrait and birds bring their lifetime to the boughs.
Then even the corpse light copies from below may shimmer, dreaming it feels the cheeks of blossom. ~May Swenson “April Light”
This April we are surrounded by corpse light: the threat of untimely death, so we distance ourselves one from the other, awaiting the “all clear” which may be a long time coming ~
We have already forgotten the unprecedented illumination that walked from the tomb on a bright Sabbath morning to guarantee that we people, we who are no more than bare twigs and stubs, we who feel hardly alive, are now begotten green, ready to burst into blossom, our cheeks pink with life, promising future fruitfulness.