A Mosaic of Four Seasons

Autumn

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz
, a poem in Readers’ Digest Nov. 1983

Winter
Winter

L’Inverno (Winter)
Opus 8, No. 4, in F minor

I. Allegro non molto–
Frozen and trembling in the icy snow,
In the severe blast of the horrible wind,
As we run, we constantly stamp our feet,
And our teeth chatter in the cold.
II. Largo–
To spend happy and quiet days near the fire,
While, outside, the rain soaks hundreds.
III. Allegro–
We walk on the ice with slow steps,
And tread carefully, for fear of falling.
Symphony, If we go quickly, we slip and fall to the ground.
Again we run on the ice,
Until it cracks and opens.
We hear, from closed doors,
Sirocco, Boreas, and all the winds in battle.
This is winter, but it brings joy.

~Vivaldi (Winter poem)

Spring
Spring
Spring
Spring

La Primavera (Spring)
Opus 8, No. 1, in E Major

I. Allegro–
Festive Spring has arrived,
The birds salute it with their happy song.
And the brooks, caressed by little Zephyrs,
Flow with a sweet murmur.
The sky is covered with a black mantle,
And thunder, and lightning, announce a storm.
When they are silent, the birds
Return to sing their lovely song.
II. Largo e pianissimo sempre–
And in the meadow, rich with flowers,
To the sweet murmur of leaves and plants,
The goatherd sleeps, with his faithful dog at his side.
III. Danza pastorale. Allegro–
To the festive sound of pastoral bagpipes,
Dance nymphs and shepherds,
At Spring’s brilliant appearance.

~Vivaldi (Spring poem)

Summer
Summer
Summer
Summer

L’Estate (Summer)
Opus 8, No. 2, in G minor

I. Allegro non molto–
Under the heat of the burning summer sun,
Languish man and flock; the pine is parched.
The cuckoo finds its voice, and suddenly,
The turtledove and goldfinch sing.
A gentle breeze blows,
But suddenly, the north wind appears.
The shepherd weeps because, overhead,
Lies the fierce storm, and his destiny.
II. Adagio; Presto–
His tired limbs are deprived of rest
By his fear of lightning and fierce thunder,
And by furious swarms of flies and hornets.
III. Presto–
Alas, how just are his fears,
Thunder and lightening fill the Heavens, and the hail
Slices the tops of the corn and other grain.
~Vivaldi (Summer poem)

Autumn
Autumn
Autumn
Autumn
Autumn
Autumn

L’Autunno (Autumn)
Opus 8, No. 3, in F Major

I. Allegro–
The peasants celebrate with dance and song,
The joy of a rich harvest.
And, full of Bacchus’s liquor,
They finish their celebration with sleep.
II. Adagio molto–
Each peasant ceases his dance and song.
The mild air gives pleasure,
And the season invites many
To enjoy a sweet slumber.
III. Allegro–
The hunters, at the break of dawn, go to the hunt.
With horns, guns, and dogs they are off,
The beast flees, and they follow its trail.
Already fearful and exhausted by the great noise,
Of guns and dogs, and wounded,
The exhausted beast tries to flee, but dies.

~Vivaldi (Autumn poem)

I walk this farm lane to stand at the same spot
countless times through the year,
as witness to the changing palette around me.

The Artist lovingly chooses His color and technique
with a gentle touch for each season.

So too, He paints my life with richness and variety:
from the austere lines in winter,
to a green emergence in spring,
a summer of sweet fruitfulness
and a mosaic crescendo in autumn.

The Artist’s signature can be spotted on each masterpiece,
gracing the transforming canvas of each of our lives.

When Old and Lame

All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;

and after noon’s heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun’s muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground – old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
~Donald Hall “Name of Horses”

Today, we said goodbye to our last Haflinger mare after four decades of being a breeding farm. We have two geldings left on the farm, in their early 20’s.

I was dreading this day but knew it would eventually come.

Belinda, who I have written about here, flew from the Netherlands as a baby with her mother in 1998, bringing new bloodlines to North America from an East German Haflinger breeding program, at the time only recently accessible to breeders with the opening of the Berlin Wall.

She proved to be a great broodmare here on our farm and her foals all sold quickly to other breeders. However, her last twelve years of retirement were complicated by metabolic imbalance and a tendency toward laminitis. We finally had to make the hard choice to bring out the vet to gently help her pass with intravenous medication into eternal lush pastures she could tolerate. Then the local hauler picked her up for cremation. No bullets to the brain, no hole to be dug.

We have done our final parting with our horses in this way over our forty years of Haflinger ownership. It is certainly different from how it was done when I was a kid on a small cow and horse farm. Our family mare, Dolly, in 1965, was put down by a vet’s bullet to the head after an agonizing bout with colic. My dad sent me back to the house beforehand, not wanting me to watch. Still, I could not help but hear the gunshot as if it had gone right through me as well. It took Dad the rest of the day to dig a hole deep enough so she could be buried on our farm.

At first her grave was my place to cry where no one but the trees and wild flowers could see.

When my tears finally dried up, it was a place to sing loudly where no one but chipmunks and my dog could hear.

And before I left for college, it became the sanctuary where I retreated to talk to God when my church no longer was.

I suspect her bones lie there still, with tall trees now growing through her ribs. That dent in the ground will always betray the spot.

We’ll remember you fondly, Belinda. You traveled far to come here and gave us your best. We promised you would live here on this farm, in peace, until your last breath.

Belinda’s last evening out on pasture

What Else is There?

The way the trees empty themselves of leaves,
let drop their ponderous fruit,
the way the turtle abandons the sun-warmed log,
the way even the late-blooming aster
succumbs to the power of frost—


this is not a new story.
Still, on this morning, the hollowness
of the season startles, filling
the rooms of your house, filling the world
with impossible light, improbable hope.


And so, what else can you do
but let yourself be broken
and emptied? What else is there
but waiting in the autumn sun?

~Carolyn Locke “What Else?” from The Place We Become

So this is how life goes:

we are sowed, set down roots, bud and grow and flower and bloom and fruit and flourish,

then dry and change and wither and empty and break away
to be carried off beyond this air and water and soil.

We thrive where we are planted,
do what we could with a little nurture,
then transcend the here and now.

So shall we plant the next generation in healthy soil.
May we weed and water and feed as needed.
May we never seek to overshadow the sun
but step aside so its light fully shines on whoever comes next.

The Full Tide of Grandparenthood

We walked downhill
to the beach, her hand in mine,
small step after small step.
She said Hi to the doggie on the leash,
Hi Mommy to a woman passing
on the street, Hi Daddy to a bearded man.
On the sand, she stared transfixed
at the water, the slight waves,
the tide not yet pulling out.
She looked up toward a flap of wings.
Bird, I said, pointing at the seagull,
and she mimicked, Bird,
then turned her gaze back
to the waves’ slow slapping.
Later I sat, looking at trees below me,
a hint of haze burning off the far bay,
the world busy working and sailing,
waking, while I sat waiting as Evie napped
that quiet Maine morning,
the full tide of grandmotherhood

lapping my shore.
~Laura Foley, “Full Tide” from It’s This

They each carried a balloon from a special event for kids and their families.

It had been a morning of our family being together, just because. Being a grandparent needs no other reason other than “just because.”

Big sister was saying how she planned to take her balloon to school on Monday to show her friends. She was enjoying the balloon’s bobbing and weaving in the air … until suddenly it popped, causing her to jump and then she had nothing left but tatters in her hand.

Her face crumpled and the tears began to flow.

Little brother gripped his balloon more tightly, looking at his sister’s tears and worrying the same thing might happen to his balloon. His face contorted, ready to cry right along with her. And then there was a moment of clarity and insight in his eyes.

He handed his balloon to her. He said, “here, you can have mine.”

Though he was clearly sad at the thought of having no balloon himself, his eyes were shining with proud tears.

He had discovered what it meant to sacrifice, to comfort and care for someone he loved.

She was speechless. She held his balloon gently, struggling to know how to respond. If it was even possible, she loved him so much more in that moment.

So their parents said to her brother, “we think that gift deserves stopping for a hot chocolate on the way home.”

Big sister looked at her parents, looked again at her little brother, and handed the balloon back to him, saying “why don’t we share?”

Hot chocolate makes all things wonderful and cozy and better, when shared.

Especially for weeping, laughing, full-to-the-brim-with-love grandparents.

That is Just the Point…

And that is just the point…
how the world, moist and beautiful,
calls to each of us to make a new and serious response.

That’s the big question,
the one the world throws at you every morning.
“Here you are, alive.
Would you like to make a comment?”
~Mary Oliver
“The Morning Poem”

It is impossible to stay a silent observer of the world when you awake still alive.

An autumn morning demands a response.

I would like to make a comment.

It isn’t only nature
pulling what was once lush and young into the ground:
we witness flying leaves and dropping temperatures
giving way to brisk winds and chill rains.

Humankind, like the change in seasons, is skilled at dying:
we face violence across borders, nurture hatred
which blusters, rips, drenches, encompasses, buries.

Nothing can remain as it was.

Yet I awake, lit and alive,
struck and wrung by vanishing darkness,
a witness to the sun rising up
to catch the moon.

Called to comment.
Dying to respond.

Come and See: Wanting Human Praise More Than Praise From God

Even after Jesus had performed so many signs in their presence, they still would not believe in him. This was to fulfill the word of Isaiah the prophet:

“Lord, who has believed our message and to whom has the arm of the Lord been revealed?”

For this reason they could not believe, because, as Isaiah says elsewhere:

“He has blinded their eyes
and hardened their hearts,
so they can neither see with their eyes,
nor understand with their hearts,
nor turn—and I would heal them.”

Isaiah said this because he saw Jesus’ glory and spoke about him.

Yet at the same time many even among the leaders believed in him. But because of the Pharisees they would not openly acknowledge their faith for fear they would be put out of the synagogue; for they loved human praise more than praise from God.

Then Jesus cried out, “Whoever believes in me does not believe in me only, but in the one who sent me. The one who looks at me is seeing the one who sent me. I have come into the world as a light, so that no one who believes in me should stay in darkness.

“If anyone hears my words but does not keep them, I do not judge that person. For I did not come to judge the world, but to save the world. There is a judge for the one who rejects me and does not accept my words; the very words I have spoken will condemn them at the last day. For I did not speak on my own, but the Father who sent me commanded me to say all that I have spoken. I know that his command leads to eternal life. So whatever I say is just what the Father has told me to say.”
John 12: 37-50

…glory means good report with God,
acceptance by God, response, acknowledgment,
and welcome into the heart of things.
The door on which we have been knocking all our lives

will open at last.

The promise of glory is the promise,
almost incredible and only possible by the work of Christ,
that some of us, that any of us who really chooses,
shall actually survive that examination,
shall find approval, shall please God.

To please God…to be a real ingredient in the divine happiness…
to be loved by God, not merely pitied,
but delighted in as an artist delights in his work or a son—
it seems impossible, a weight or burden of glory

which our thoughts can hardly sustain.
But so it is.

~C.S. Lewis from The Weight of Glory

 

Riches I heed not, nor vain, empty praise;
Thou mine inheritance, now and always.
Thou and thou only, first in my heart,
High King of Heaven, my treasure thou art.

~Eleanor Hull – 4th stanza of Be Thou My Vision

We all love praise, even vain empty praise which rings hollow in our ears. Even so, it feels as glorious as the transient golden light of October – gilded and alluring.

After all, the next step is withering and dying unto winter.

In our desire to be loved, too often we demand proof we have value, either by an impressive salary, or the number of “followers” we have on social media, our name placed on a building, or surrounding ourselves with people who tell us only what we want to hear.

Jesus is well aware that publicly acknowledging a belief in Him alone can come at great cost: it means turning away from the passing praise and admiration from others.

Instead, Christ came into the world to save us with His promise of glory — not for a temporary “feel-good” moment — but so we would forever truly understand the Father’s delight in us, His children.

Nothing can be more glorious than that.

I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.

A Strange Blurring of Seasons

Van Gogh – “Avenue of Plane Trees near Arles Station”

After Van Gogh
Things are growing strange these days,
like Van Gogh’s yellow trees. Oh, do not
be surprised by these yellow immensities,
how out of proportion things in the picture seem.
What you see in a way makes sense:
the enormous, barren trees eclipsing
the unimportant buildings at Arles station,
the people all small, shadow-like, cast
to the side. Perhaps Van Gogh should have
left us out entirely, but then who would
be left to blame for the strange blurring
of the seasons in the forefront, the way
summer bleeds into autumn, the forests
burning deep into the winter, those winters
where the snow piled so high, we were all
nearly buried alive. Soon we’ll vanish,
and no picture will even exist—unless,
unless someone will answer (who will dare
to answer), where in the world is spring?
~Jodi Hollander “Avenue of Plane Trees”

Who might dare to answer:
where in the world is spring?


Who can know with any certainty?
Sometimes it feels like time skips forward
and a whole season is left behind.

The signs of the seasons might blur so there is no telling
whether it is fall or spring without a calendar.

Are those trees just leafing out or simply trying to shed?
Is the sunset’s golden glow from an early October light or April?

I can’t feel the movement of the earth under my feet.
It needs to slow its spin on its axis
and lengthen its orbital oval trip around the sun
so I have more minutes in the day and more weeks in a year.

But, of course, that would make a huge mess of things.
It is a good thing I’m not the design engineer.

It is as it is,
and meant to be this way.

Though it may be blurry to me,
it is clear and good and intentional to God.
So He dares to answer where in the world is spring?
Only He knows precisely where we are in the heavens…

A Map of Dark Places

St. Cyril of Jerusalem, in instructing catechumens, wrote:
“The dragon sits by the side of the road, watching those who pass.
Beware lest he devour you. We go to the Father of Souls,
but it is necessary to pass by the dragon.”

No matter what form the dragon may take,
it is of this mysterious passage past him, or into his jaws,
that stories of any depth will always be concerned to tell,
and this being the case, it requires considerable courage
at any time, in any country, not to turn away from the storyteller.
~Flannery O’Connor from “Mystery and Manners: Occasional Prose”

How close the clouds press this October first
and the rain—a gray scarf across the sky.
In separate hospitals my father and a dear friend
lie waiting for their respective operations,
hours on a table as surgeons crack their chests.
They were so brave when I talked to them last
as they spoke of the good times we would share
in the future. To neither did I say how much
I loved them, nor express the extent of my fear.
Their bodies are delicate glass boxes
at which the world begins to fling its stones.
Is this the day their long cry will be released?
How can I live in this place without them?
But today is also my son’s birthday.
He is eight and beginning his difficult march.
To him the sky is welcoming, the road straight.
Far from my house he will open his presents—
a book, a Swiss army knife, some music. Where
is his manual of instructions? Where is his map
showing the dark places and how to escape them?

~Stephen Dobyns “No Map” from Velocities:New and Selected Poems

Fairy tales do not tell children the dragons exist.
Children already know that dragons exist.
Fairy tales tell children the dragons can be killed.
~G.K. Chesterton from Tremendous Trifles

No, this is not the end—
hardly an end,
but a hard beginning.
There will always be 
a morning—
a rebirth.

So, here in the dark—
in a night bleaker than bleak—
in a time outside of time—
there is a mark
on the Holy map
of your soul
where you found
your Maker
in the hard, dark night—
and then lived to see
the light of dawn.

~Kimberly Phinney from “An Ode to Hard, Dark Nights

May it be a light to you in dark places, when all other lights go out. ~J.R.R. Tolkien, The Fellowship of the Ring

<Here there be dragons>
was any place on the ancient maps
that was unknown and unexplored,
a place to avoid at all costs~
or for the daring and carefree,
pointing to exactly the place to explore.

<Here there be dragons>
marks the remainder of our days
that dwell at the edge of life’s roadmap
~ scary, unpredictable, impenetrable ~
and often full of peril.

So many are lost without a map,
unable to find their way in the dark,
wrecked and wandering, weeping and wretched,
believing they have come to the end.

Yet this is not the end,
only the beginning.
A hard start – all rebirths are hard.

As I have been shown mercy, so
I must become mercy,
be loving where others show hate,
be giving when others take away,
build up while others tear down.

We walk together into the emerging light –
it’s right there where darkness used to dwell…
following God’s holy map of our soul.

On a rusty iron throne
Past the furthest star of space
I saw Satan sit alone,
Old and haggard was his face;
For his work was done and he
Rested in eternity.

And to him from out the sun
Came his father and his friend
Saying, now the work is done
Enmity is at an end:
And he guided Satan to
Paradises that he knew.

Gabriel without a frown,
Uriel without a spear,
Raphael came singing down
Welcoming their ancient peer,
And they seated him beside
One who had been crucified.
~James Stephens “The Fullness of Time”

The Lingering Sky

At times these days I think of the way the sun would set on the farmland around our small house in the autumn.

A view of the horizon,
the entire circle of it, if you turned,
the sun setting behind you,
the sky in front becoming pink and soft,
then slightly blue again,
as though it could not stop going on in its beauty,
then the land closest to the setting sun would get dark,
almost black against the orange line of the horizon,
but if you turn around,
the land is still available to the eye with such softness,
the few trees, the quiet fields of cover crops already turned,
and the sky lingering, lingering, then finally dark.

As though the soul can be quiet for those moments.
All life amazes me.
~Elizabeth Strout, from My Name is Lucy Barton

I have learned,
from those much wiser than I am,
to recognize moments meant for quieting.

The news of the world constantly rushes past;
there is suffering beyond imagining
in the lives of a few I know well
and for millions I don’t know at all.

What little can I do to make a difference?
So much need lies beyond my short reach.

Instead of feeling abandoned on the shores of overwhelm,
I seek out the familiar, the routine, and the ordinary,
lingering immersed in the recurring patterns of the day and night
as the world keeps on spinning on its axis.

I too turn around to witness that which surrounds me,
and in so doing, my soul is quieted.
And amazed.

One year ago, my teacher and mentor Jane Goodall passed into eternity, leaving behind this message for us all…

Longing to Reach the Mountain

Mountains are giant, restful, absorbent.
You can heave your spirit into a mountain
and the mountain will keep it, folded,
and not throw it back as some creeks will.
The creeks are the world with all its stimulus and beauty;
I live there. But the mountains are home.
~Annie Dillard from Pilgrim at Tinker Creek

He found himself wondering at times, especially in the autumn, about the wild lands, and strange visions of mountains that he had never seen came into his dreams.

He loved mountains, or he has loved the thought of them marching on the edge of stories brought from far away; but now he was borne down by the insupportable weight of Middle-earth. He longed to shut out the immensity in a quiet room by a fire.
~J.R.R. Tolkien
from The Lord of the Rings

This time of year, we feel a call to drive up the highway an hour or so to witness grander things than our own worries or the chaos of yet another election season.

There is always that moment as we turn the bend into Heather Meadows when Mount Shuksan suddenly appears, overwhelming the landscape and everything and everyone else.

There is simply nothing else to look at so I stand there gawking, forgetting to breathe.

Then I realize that I become more self-conscious rather than less: here I am at the foot of this incredible creation, wondering at how blessed I am to be there; that moment becomes all about me. Yet the mountain has been here for eons and will continue to be here for eons. Just a mere blip in that continuum, I feel summoned.

We leave behind all the political divisiveness and drama and talking heads: up in the mountains there is such sheer stillness all around us – nary a breeze or a bird call or even a bug making ripples on the lakes to spoil the perfect reflection.

I bring these images back with me to remember that moment of awestruck witness. The photographic image isn’t the real mountain or the pristine perfect reflection. Yet it means I was privileged to watch this mountain watching me back, welcoming me home.

The sweetest thing in all my life has been the longing — to reach the Mountain, to find the place where all the beauty came from — my country, the place where I ought to have been born. Do you think it all meant nothing, all the longing? The longing for home? For indeed it now feels not like going, but like going back.
~ C. S. Lewis from Till We Have Faces