It’s easy to love a deer But try to care about bugs and scrawny trees Love the puddle of lukewarm water From last week’s rain. Leave the mountains alone for now. Also the clear lakes surrounded by pines. People are lined up to admire them. Get close to the things that slide away in the dark. Be grateful even for the boredom That sometimes seems to involve the whole world. Think of the frost That will crack our bones eventually. ~Tom Hennen “Love for Other Things”
My only purpose this moment is looking at a lizard. Does he know he’s not alone?
He breathes with tiny push-ups, his skin all hairline caverns soaking up the sun.
I doubt, alive, I’m liable to get closer to timelessness than this, looking at a little lizard breathing. ~Barry Spacks “Looking at a Lizard”fromShaping Water
Oh, it is easy to love the beautiful things of God’s creation~ we drive long hours to stand in awe, gaping at mountains and valleys and waterfalls and kaleidoscopes of color
so if God decides He wants a slug or lizard or bug and allows drought and mud and frost and ice storms and hurricanes then I guess, if He so chooses, He could look at each of us and say I need one of you too.
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Now before the Feast of the Passover, when Jesus knew that his hour had come to depart out of this world to the Father, having loved his own who were in the world, he loved them to the end.
During supper, when the devil had already put it into the heart of Judas Iscariot, Simon’s son, to betray him, Jesus, knowing that the Father had given all things into his hands, and that he had come from God and was going back to God, rose from supper. He laid aside his outer garments, and taking a towel, tied it around his waist. Then he poured water into a basin and began to wash the disciples’ feet and to wipe them with the towel that was wrapped around him.
He came to Simon Peter, who said to him, “Lord, do you wash my feet?”
Jesus answered him, “What I am doing you do not understand now, but afterward you will understand.”
Peter said to him, “You shall never wash my feet.”
Jesus answered him, “If I do not wash you, you have no share with me.”
Simon Peter said to him, “Lord, not my feet only but also my hands and my head!”
Jesus said to him, “The one who has bathed does not need to wash, except for his feet, but is completely clean. And you are clean, but not every one of you.”
For he knew who was to betray him; that was why he said, “Not all of you are clean.” John 13: 1-11
sculpture by Mark Greine
What e’er the soul has felt or suffered long, Oh, heart! this one thing should not be forgot: Christ washed the feet of Judas. ~George Marion McClellan from “The Feet of Judas” in The Book of American Negro Poetry 1922
artist Otto Stemler
Being thorough, I remove a holey sock to view a diabetic man’s filthy feet. I use the time to complete our talk of what drove him to live on the street as I wonder how any of this can help.
While he tells me more of his medical past, I run warm water into a stainless bowl. I immerse both his feet and begin to ask myself what good it does for this poor soul to allow himself to undergo this ablution.
Silently I sluice the water between his toes and soap the crusty callous at his heel. I marvel at his arch and notice how closely it fits my palm. I know he can feel this proximity too. He shuts his eyes.
Months of useless layers peel away, revealing layers useless weeks ago. Removing the tough brown hide of yesterday yields clean pink skin, but we both know this ritual will be useless days from now.
Still, this moment may withstand time’s test, teaching us each lessons unknown before. I learn the medicine of selflessness. He learns what medicine is really for– the hope that basin, soap and touch can bear. ~Robert Fawcett “Washing Feet”
Jesus washing the feet of his disciples by Finnish artist Albert Gustaf Edelfelt
I’ve washed feet as part of my job, learning the medicine of selflessness:
…as an aide in a rest home caring for the crippled feet of the elderly, as a medical student in an inner city hospital seeing the homeless whose socks had to be peeled off carefully to avoid pulling off gangrenous toes, as a doctor working with the down and out detox patients from the streets who had no access to soap and water for weeks.
People always protest, knowing the futility of washing when feet will only become grimy again. Like Peter, we never believe our feet, those homely gnarled bunioned claw-toed calloused parts of us, deserve that attention, and certainly not love.
We are ashamed to have someone care about them, care for them, when we don’t care enough on our own.
I have never washed the feet of someone about to betray me, leading me to my death.
I have never had my feet washed by someone who understood my heart needed cleansing even more than my feet, who loved me that much.
So, I must not forget:
He kneels before us, the humility and towels of a servant as His only raiments.
He gently cups our heels in His palms, washes and dries our soles and arches and toes,
but what is truly cleansed is our beating heart, held with such care in His loving hands.
I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.
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Poetry is a life-cherishing force. For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry. ~Mary Oliver from A Poetry Handbook
…I want to write with quiet hands. I want to write while crossing the fields that are fresh with daisies and everlasting and the ordinary grass. I want to make poems while thinking of the bread of heaven and the cup of astonishment; let them be songs in which nothing is neglected, not a hope, not a promise. I want to make poems that look into the earth and the heavens and see the unseeable. I want them to honor both the heart of faith, and the light of the world; the gladness that says, without any words, everything. ~Mary Oliver from “Everything” from New and Selected Poems: Volume Two
Poetry may make us from time to time a little more aware of the deeper, unnamed feelings which form the substratum of our being, to which we rarely penetrate; for our lives are mostly a constant evasion of ourselves. —T.S. Eliotfrom The Use of Poetry and the Use of Criticism
Much of the time, on the surface, we appear a tangled mess – a jumble of unarticulated feelings and desires, needs and wants.
Deeper down, there is a hungry soul in a place that can’t be seen.
We rarely dip in there; it can be a sore spot we are tempted to touch but avoid doing so because of its tenderness.
The bright light of a few well chosen words can ring us like a bell; we are struck dumb finding such clarion clarity comes to a place so well hidden.
A rope of words drops to lift up the lost and sad and empty – a reminder mere words can rescue and revive.
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Winter is an etching, spring a watercolor, summer an oil painting and autumn a mosaic of them all. ~Stanley Horowitz, a poem in Readers’ Digest Nov. 1983
WinterWinter
L’Inverno (Winter) Opus 8, No. 4, in F minor
I. Allegro non molto– Frozen and trembling in the icy snow, In the severe blast of the horrible wind, As we run, we constantly stamp our feet, And our teeth chatter in the cold. II. Largo– To spend happy and quiet days near the fire, While, outside, the rain soaks hundreds. III. Allegro– We walk on the ice with slow steps, And tread carefully, for fear of falling. Symphony, If we go quickly, we slip and fall to the ground. Again we run on the ice, Until it cracks and opens. We hear, from closed doors, Sirocco, Boreas, and all the winds in battle. This is winter, but it brings joy. ~Vivaldi (Winter poem)
SpringSpringSpringSpring
La Primavera (Spring) Opus 8, No. 1, in E Major
I. Allegro– Festive Spring has arrived, The birds salute it with their happy song. And the brooks, caressed by little Zephyrs, Flow with a sweet murmur. The sky is covered with a black mantle, And thunder, and lightning, announce a storm. When they are silent, the birds Return to sing their lovely song. II. Largo e pianissimo sempre– And in the meadow, rich with flowers, To the sweet murmur of leaves and plants, The goatherd sleeps, with his faithful dog at his side. III. Danza pastorale. Allegro– To the festive sound of pastoral bagpipes, Dance nymphs and shepherds, At Spring’s brilliant appearance. ~Vivaldi (Spring poem)
SummerSummerSummerSummer
L’Estate (Summer) Opus 8, No. 2, in G minor
I. Allegro non molto– Under the heat of the burning summer sun, Languish man and flock; the pine is parched. The cuckoo finds its voice, and suddenly, The turtledove and goldfinch sing. A gentle breeze blows, But suddenly, the north wind appears. The shepherd weeps because, overhead, Lies the fierce storm, and his destiny. II. Adagio; Presto– His tired limbs are deprived of rest By his fear of lightning and fierce thunder, And by furious swarms of flies and hornets. III. Presto– Alas, how just are his fears, Thunder and lightening fill the Heavens, and the hail Slices the tops of the corn and other grain. ~Vivaldi (Summer poem)
AutumnAutumnAutumnAutumnAutumnAutumn
L’Autunno (Autumn) Opus 8, No. 3, in F Major
I. Allegro– The peasants celebrate with dance and song, The joy of a rich harvest. And, full of Bacchus’s liquor, They finish their celebration with sleep. II. Adagio molto– Each peasant ceases his dance and song. The mild air gives pleasure, And the season invites many To enjoy a sweet slumber. III. Allegro– The hunters, at the break of dawn, go to the hunt. With horns, guns, and dogs they are off, The beast flees, and they follow its trail. Already fearful and exhausted by the great noise, Of guns and dogs, and wounded, The exhausted beast tries to flee, but dies. ~Vivaldi (Autumn poem)
I walk this farm lane to stand at the same spot countless times through the year, as witness to the changing palette around me.
The Artist lovingly chooses His color and technique with a gentle touch for each season.
So too, He paints my life with richness and variety: from the austere lines in winter, to a green emergence in spring, a summer of sweet fruitfulness and a mosaic crescendo in autumn.
The Artist’s signature can be spotted on each masterpiece, gracing the transforming canvas of each of our lives.
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All winter your brute shoulders strained against collars, padding and steerhide over the ash hames, to haul sledges of cordwood for drying through spring and summer, for the Glenwood stove next winter, and for the simmering range.
In April you pulled cartloads of manure to spread on the fields, dark manure of Holsteins, and knobs of your own clustered with oats. All summer you mowed the grass in meadow and hayfield, the mowing machine clacketing beside you, while the sun walked high in the morning;
and after noon’s heat, you pulled a clawed rake through the same acres, gathering stacks, and dragged the wagon from stack to stack, and the built hayrack back, uphill to the chaffy barn, three loads of hay a day from standing grass in the morning.
Sundays you trotted the two miles to church with the light load a leather quartertop buggy, and grazed in the sound of hymns. Generation on generation, your neck rubbed the windowsill of the stall, smoothing the wood as the sea smooths glass.
When you were old and lame, when your shoulders hurt bending to graze, one October the man, who fed you and kept you, and harnessed you every morning, led you through corn stubble to sandy ground above Eagle Pond, and dug a hole beside you where you stood shuddering in your skin,
and lay the shotgun’s muzzle in the boneless hollow behind your ear, and fired the slug into your brain, and felled you into your grave, shoveling sand to cover you, setting goldenrod upright above you, where by next summer a dent in the ground made your monument.
For a hundred and fifty years, in the Pasture of dead horses, roots of pine trees pushed through the pale curves of your ribs, yellow blossoms flourished above you in autumn, and in winter frost heaved your bones in the ground – old toilers, soil makers: O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost. ~Donald Hall “Name of Horses”
Today, we said goodbye to our last Haflinger mare after four decades of being a breeding farm. We have two geldings left on the farm, in their early 20’s.
I was dreading this day but knew it would eventually come.
Belinda, who I have written about here, flew from the Netherlands as a baby with her mother in 1998, bringing new bloodlines to North America from an East German Haflinger breeding program, at the time only recently accessible to breeders with the opening of the Berlin Wall.
She proved to be a great broodmare here on our farm and her foals all sold quickly to other breeders. However, her last twelve years of retirement were complicated by metabolic imbalance and a tendency toward laminitis. We finally had to make the hard choice to bring out the vet to gently help her pass with intravenous medication into eternal lush pastures she could tolerate. Then the local hauler picked her up for cremation. No bullets to the brain, no hole to be dug.
We have done our final parting with our horses in this way over our forty years of Haflinger ownership. It is certainly different from how it was done when I was a kid on a small cow and horse farm. Our family mare, Dolly, in 1965, was put down by a vet’s bullet to the head after an agonizing bout with colic. My dad sent me back to the house beforehand, not wanting me to watch. Still, I could not help but hear the gunshot as if it had gone right through me as well. It took Dad the rest of the day to dig a hole deep enough so she could be buried on our farm.
At first her grave was my place to cry where no one but the trees and wild flowers could see.
When my tears finally dried up, it was a place to sing loudly where no one but chipmunks and my dog could hear.
And before I left for college, it became the sanctuary where I retreated to talk to God when my church no longer was.
I suspect her bones lie there still, with tall trees now growing through her ribs. That dent in the ground will always betray the spot.
We’ll remember you fondly, Belinda. You traveled far to come here and gave us your best. We promised you would live here on this farm, in peace, until your last breath.
Belinda’s last evening out on pasture
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The way the trees empty themselves of leaves, let drop their ponderous fruit, the way the turtle abandons the sun-warmed log, the way even the late-blooming aster succumbs to the power of frost—
this is not a new story. Still, on this morning, the hollowness of the season startles, filling the rooms of your house, filling the world with impossible light, improbable hope.
And so, what else can you do but let yourself be broken and emptied? What else is there but waiting in the autumn sun? ~Carolyn Locke “What Else?” from The Place We Become
So this is how life goes:
we are sowed, set down roots, bud and grow and flower and bloom and fruit and flourish,
then dry and change and wither and empty and break away to be carried off beyond this air and water and soil.
We thrive where we are planted, do what we could with a little nurture, then transcend the here and now.
So shall we plant the next generation in healthy soil. May we weed and water and feed as needed. May we never seek to overshadow the sun but step aside so its light fully shines on whoever comes next.
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We walked downhill to the beach, her hand in mine, small step after small step. She said Hi to the doggie on the leash, Hi Mommy to a woman passing on the street, Hi Daddy to a bearded man. On the sand, she stared transfixed at the water, the slight waves, the tide not yet pulling out. She looked up toward a flap of wings. Bird, I said, pointing at the seagull, and she mimicked, Bird, then turned her gaze back to the waves’ slow slapping. Later I sat, looking at trees below me, a hint of haze burning off the far bay, the world busy working and sailing, waking, while I sat waiting as Evie napped that quiet Maine morning, the full tide of grandmotherhood lapping my shore. ~Laura Foley, “Full Tide” from It’s This
They each carried a balloon from a special event for kids and their families.
It had been a morning of our family being together, just because. Being a grandparent needs no other reason other than “just because.”
Big sister was saying how she planned to take her balloon to school on Monday to show her friends. She was enjoying the balloon’s bobbing and weaving in the air … until suddenly it popped, causing her to jump and then she had nothing left but tatters in her hand.
Her face crumpled and the tears began to flow.
Little brother gripped his balloon more tightly, looking at his sister’s tears and worrying the same thing might happen to his balloon. His face contorted, ready to cry right along with her. And then there was a moment of clarity and insight in his eyes.
He handed his balloon to her. He said, “here, you can have mine.”
Though he was clearly sad at the thought of having no balloon himself, his eyes were shining with proud tears.
He had discovered what it meant to sacrifice, to comfort and care for someone he loved.
She was speechless. She held his balloon gently, struggling to know how to respond. If it was even possible, she loved him so much more in that moment.
So their parents said to her brother, “we think that gift deserves stopping for a hot chocolate on the way home.”
Big sister looked at her parents, looked again at her little brother, and handed the balloon back to him, saying “why don’t we share?”
Hot chocolate makes all things wonderful and cozy and better, when shared.
Especially for weeping, laughing, full-to-the-brim-with-love grandparents.
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And that is just the point… how the world, moist and beautiful, calls to each of us to make a new and serious response.
That’s the big question, the one the world throws at you every morning. “Here you are, alive. Would you like to make a comment?” ~Mary Oliver“The Morning Poem”
It is impossible to stay a silent observer of the world when you awake still alive.
An autumn morning demands a response.
I would like to make a comment.
It isn’t only nature pulling what was once lush and young into the ground: we witness flying leaves and dropping temperatures giving way to brisk winds and chill rains.
Humankind, like the change in seasons, is skilled at dying: we face violence across borders, nurture hatred which blusters, rips, drenches, encompasses, buries.
Nothing can remain as it was.
Yet I awake, lit and alive, struck and wrung by vanishing darkness, a witness to the sun rising up to catch the moon.
Called to comment. Dying to respond.
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Even after Jesus had performed so many signs in their presence, they still would not believe in him. This was to fulfill the word of Isaiah the prophet:
“Lord, who has believed our message and to whom has the arm of the Lord been revealed?”
For this reason they could not believe, because, as Isaiah says elsewhere:
“He has blinded their eyes and hardened their hearts, so they can neither see with their eyes, nor understand with their hearts, nor turn—and I would heal them.”
Isaiah said this because he saw Jesus’ glory and spoke about him.
Yet at the same time many even among the leaders believed in him. But because of the Pharisees they would not openly acknowledge their faith for fear they would be put out of the synagogue; for they loved human praise more than praise from God.
Then Jesus cried out, “Whoever believes in me does not believe in me only, but in the one who sent me. The one who looks at me is seeing the one who sent me. I have come into the world as a light, so that no one who believes in me should stay in darkness.
“If anyone hears my words but does not keep them, I do not judge that person. For I did not come to judge the world, but to save the world. There is a judge for the one who rejects me and does not accept my words; the very words I have spoken will condemn them at the last day. For I did not speak on my own, but the Father who sent me commanded me to say all that I have spoken. I know that his command leads to eternal life. So whatever I say is just what the Father has told me to say.” John 12: 37-50
…glory means good report with God, acceptance by God, response, acknowledgment, and welcome into the heart of things. The door on which we have been knocking all our lives will open at last.
The promise of glory is the promise, almost incredible and only possible by the work of Christ, that some of us, that any of us who really chooses, shall actually survive that examination, shall find approval, shall please God.
To please God…to be a real ingredient in the divine happiness… to be loved by God, not merely pitied, but delighted in as an artist delights in his work or a son— it seems impossible, a weight or burden of glory which our thoughts can hardly sustain. But so it is. ~C.S. Lewis from The Weight of Glory
Riches I heed not, nor vain, empty praise; Thou mine inheritance, now and always. Thou and thou only, first in my heart, High King of Heaven, my treasure thou art. ~Eleanor Hull – 4th stanza of Be Thou My Vision
We all love praise, even vain empty praise which rings hollow in our ears. Even so, it feels as glorious as the transient golden light of October – gilded and alluring.
After all, the next step is withering and dying unto winter.
In our desire to be loved, too often we demand proof we have value, either by an impressive salary, or the number of “followers” we have on social media, our name placed on a building, or surrounding ourselves with people who tell us only what we want to hear.
Jesus is well aware that publicly acknowledging a belief in Him alone can come at great cost: it means turning away from the passing praise and admiration from others.
Instead, Christ came into the world to save us with His promise of glory — not for a temporary “feel-good” moment — but so we would forever truly understand the Father’s delight in us, His children.
Nothing can be more glorious than that.
I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.
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After Van Gogh Things are growing strange these days, like Van Gogh’s yellow trees. Oh, do not be surprised by these yellow immensities, how out of proportion things in the picture seem. What you see in a way makes sense: the enormous, barren trees eclipsing the unimportant buildings at Arles station, the people all small, shadow-like, cast to the side. Perhaps Van Gogh should have left us out entirely, but then who would be left to blame for the strange blurring of the seasons in the forefront, the way summer bleeds into autumn, the forests burning deep into the winter, those winters where the snow piled so high, we were all nearly buried alive. Soon we’ll vanish, and no picture will even exist—unless, unless someone will answer (who will dare to answer), where in the world is spring? ~Jodi Hollander “Avenue of Plane Trees”
Who might dare to answer: where in the world is spring?
Who can know with any certainty? Sometimes it feels like time skips forward and a whole season is left behind.
The signs of the seasons might blur so there is no telling whether it is fall or spring without a calendar.
Are those trees just leafing out or simply trying to shed? Is the sunset’s golden glow from an early October light or April?
I can’t feel the movement of the earth under my feet. It needs to slow its spin on its axis and lengthen its orbital oval trip around the sun so I have more minutes in the day and more weeks in a year.
But, of course, that would make a huge mess of things. It is a good thing I’m not the design engineer.
It is as it is, and meant to be this way.
Though it may be blurry to me, it is clear and good and intentional to God. So He dares to answer where in the world is spring? Only He knows precisely where we are in the heavens…
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