A Mosaic of Four Seasons

Autumn

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz
, a poem in Readers’ Digest Nov. 1983

Winter
Winter

L’Inverno (Winter)
Opus 8, No. 4, in F minor

I. Allegro non molto–
Frozen and trembling in the icy snow,
In the severe blast of the horrible wind,
As we run, we constantly stamp our feet,
And our teeth chatter in the cold.
II. Largo–
To spend happy and quiet days near the fire,
While, outside, the rain soaks hundreds.
III. Allegro–
We walk on the ice with slow steps,
And tread carefully, for fear of falling.
Symphony, If we go quickly, we slip and fall to the ground.
Again we run on the ice,
Until it cracks and opens.
We hear, from closed doors,
Sirocco, Boreas, and all the winds in battle.
This is winter, but it brings joy.

~Vivaldi (Winter poem)

Spring
Spring
Spring
Spring

La Primavera (Spring)
Opus 8, No. 1, in E Major

I. Allegro–
Festive Spring has arrived,
The birds salute it with their happy song.
And the brooks, caressed by little Zephyrs,
Flow with a sweet murmur.
The sky is covered with a black mantle,
And thunder, and lightning, announce a storm.
When they are silent, the birds
Return to sing their lovely song.
II. Largo e pianissimo sempre–
And in the meadow, rich with flowers,
To the sweet murmur of leaves and plants,
The goatherd sleeps, with his faithful dog at his side.
III. Danza pastorale. Allegro–
To the festive sound of pastoral bagpipes,
Dance nymphs and shepherds,
At Spring’s brilliant appearance.

~Vivaldi (Spring poem)

Summer
Summer
Summer
Summer

L’Estate (Summer)
Opus 8, No. 2, in G minor

I. Allegro non molto–
Under the heat of the burning summer sun,
Languish man and flock; the pine is parched.
The cuckoo finds its voice, and suddenly,
The turtledove and goldfinch sing.
A gentle breeze blows,
But suddenly, the north wind appears.
The shepherd weeps because, overhead,
Lies the fierce storm, and his destiny.
II. Adagio; Presto–
His tired limbs are deprived of rest
By his fear of lightning and fierce thunder,
And by furious swarms of flies and hornets.
III. Presto–
Alas, how just are his fears,
Thunder and lightening fill the Heavens, and the hail
Slices the tops of the corn and other grain.
~Vivaldi (Summer poem)

Autumn
Autumn
Autumn
Autumn
Autumn
Autumn

L’Autunno (Autumn)
Opus 8, No. 3, in F Major

I. Allegro–
The peasants celebrate with dance and song,
The joy of a rich harvest.
And, full of Bacchus’s liquor,
They finish their celebration with sleep.
II. Adagio molto–
Each peasant ceases his dance and song.
The mild air gives pleasure,
And the season invites many
To enjoy a sweet slumber.
III. Allegro–
The hunters, at the break of dawn, go to the hunt.
With horns, guns, and dogs they are off,
The beast flees, and they follow its trail.
Already fearful and exhausted by the great noise,
Of guns and dogs, and wounded,
The exhausted beast tries to flee, but dies.

~Vivaldi (Autumn poem)

I walk this farm lane to stand at the same spot
countless times through the year,
as witness to the changing palette around me.

The Artist lovingly chooses His color and technique
with a gentle touch for each season.

So too, He paints my life with richness and variety:
from the austere lines in winter,
to a green emergence in spring,
a summer of sweet fruitfulness
and a mosaic crescendo in autumn.

The Artist’s signature can be spotted on each masterpiece,
gracing the transforming canvas of each of our lives.

What Else is There?

The way the trees empty themselves of leaves,
let drop their ponderous fruit,
the way the turtle abandons the sun-warmed log,
the way even the late-blooming aster
succumbs to the power of frost—


this is not a new story.
Still, on this morning, the hollowness
of the season startles, filling
the rooms of your house, filling the world
with impossible light, improbable hope.


And so, what else can you do
but let yourself be broken
and emptied? What else is there
but waiting in the autumn sun?

~Carolyn Locke “What Else?” from The Place We Become

So this is how life goes:

we are sowed, set down roots, bud and grow and flower and bloom and fruit and flourish,

then dry and change and wither and empty and break away
to be carried off beyond this air and water and soil.

We thrive where we are planted,
do what we could with a little nurture,
then transcend the here and now.

So shall we plant the next generation in healthy soil.
May we weed and water and feed as needed.
May we never seek to overshadow the sun
but step aside so its light fully shines on whoever comes next.

A Strange Blurring of Seasons

Van Gogh – “Avenue of Plane Trees near Arles Station”

After Van Gogh
Things are growing strange these days,
like Van Gogh’s yellow trees. Oh, do not
be surprised by these yellow immensities,
how out of proportion things in the picture seem.
What you see in a way makes sense:
the enormous, barren trees eclipsing
the unimportant buildings at Arles station,
the people all small, shadow-like, cast
to the side. Perhaps Van Gogh should have
left us out entirely, but then who would
be left to blame for the strange blurring
of the seasons in the forefront, the way
summer bleeds into autumn, the forests
burning deep into the winter, those winters
where the snow piled so high, we were all
nearly buried alive. Soon we’ll vanish,
and no picture will even exist—unless,
unless someone will answer (who will dare
to answer), where in the world is spring?
~Jodi Hollander “Avenue of Plane Trees”

Who might dare to answer:
where in the world is spring?


Who can know with any certainty?
Sometimes it feels like time skips forward
and a whole season is left behind.

The signs of the seasons might blur so there is no telling
whether it is fall or spring without a calendar.

Are those trees just leafing out or simply trying to shed?
Is the sunset’s golden glow from an early October light or April?

I can’t feel the movement of the earth under my feet.
It needs to slow its spin on its axis
and lengthen its orbital oval trip around the sun
so I have more minutes in the day and more weeks in a year.

But, of course, that would make a huge mess of things.
It is a good thing I’m not the design engineer.

It is as it is,
and meant to be this way.

Though it may be blurry to me,
it is clear and good and intentional to God.
So He dares to answer where in the world is spring?
Only He knows precisely where we are in the heavens…

Pulse and Breath and Dream

No jump-starting the day,
no bare feet slapping the floor
to bath and breakfast.

Dozing instead
in the nest
like, I suppose,
a pair of gophers

underground
in fuzz and wood shavings.
One jostles the other
in closed-eye luxury.

We are at last
perhaps
what we are:

uncombed,
unclothed,
mortal.

Pulse
and breath
and dream.
~Marjorie Saiser “Weekends, Sleeping In” from Beside You at the Stoplight

I am a dry man whose thirst is praise
of clouds, and whose mind is something of a cup.
My sweetness is to wake in the night
after days of dry heat, hearing the rain.
~Wendell Berry from “Water”

I have had my dream—like others—
and it has come to nothing, so that
I remain now carelessly
with feet planted on the ground
and look up at the sky—
feeling my clothes about me,
the weight of my body in my shoes,
the rim of my hat, air passing in and out
at my nose—and decide to dream no more.

~William Carlos Williams “Thursday” from Sour Grapes

wwurain3
rainygold
rainyrose1

Open the window, and let the air 
Freshly blow upon face and hair, 
And fill the room, as it fills the night, 
With the breath of the rain’s sweet might. 

Not a blink shall burn to-night 
In my chamber, of sordid light; 
Nought will I have, not a window-pane, 
‘Twixt me and the air and the great good rain, 
Which ever shall sing me sharp lullabies; 
And God’s own darkness shall close mine eyes; 
And I will sleep, with all things blest, 
In the pure earth-shadow of natural rest. 

~James Henry Leigh Hunt from “A Night-Rain in Summer”

rain6
kaledrop

We are still waiting for a few late-summer rainy days;
each year they are a blissful reminder of God’s intent
to refresh and replenish us when we are at our driest,
when we are short on sleep and hope and dreams.

How sweet to fall asleep listening in the dark
to the patter of raindrops after weeks of drought,
waking to damp air, raindrop jewelry, and petrichor.

Perhaps I’ll remember this longing of mine
while I grumble and slosh around
in the fortieth day of rain this winter.

When will I be satisfied there is just enough but not too much?
When will all my dreams seem as real as pulse and breath?

In the meantime, God — let it rain – preferably as I sleep.

cloverrain2
rainyrose2

Lyrics:

I know your life
On earth was troubled
And only you could know the pain
You weren’t afraid to face the devil
You were no stranger to the rain

Go rest high on that mountain
Now your work on earth is done
Go to heaven a-shoutin’
Love for the Father and the Son

Oh, how we cried the day you left us
We gathered ’round your grave to grieve
Wish I could see the angels faces
When they hear your sweet voice sing

Go to heaven a-shoutin’
Love for the Father and the Son

An Acceptance of Decline

In the evening there were flocks of nighthawks
passing southward over the valley. The tall
sunflowers stood, burning on their stalks
to cold seed, by the still river. And high
up the birds rose into sight against the darkening
clouds. They tossed themselves among the fading
landscapes of the sky like rags, as in
abandonment to the summons their blood knew.
And in my mind, where had stood a garden
straining to the light, there grew
an acceptance of decline. Having worked,
I would sleep, my leaves all dissolved in flight.
~Wendell Berry “September 2”

And when I rise, let me rise
Like a bird, joyfully.
And when I fall, let me fall,
Like a leaf, gracefully, without regret.
And when I stand, let me stand,
Like a tree, strong and tall.
And when I lie, let me lie,
Like a lake, peacefully, calm and still.
And when I work, let me work,
Like a bee, wholeheartedly.
And when I play, let me play,
Like a breeze, fresh and cool, light and clear.

~adapted from Wendell Berry’s “When I Rise” in The Mad Farmer Poems

The thistles, rooted out, throng in again;
The single regal rose is mobbed by weeds;
The plums, the pears, the ripening apples, rain
In the sun; and past summer plants new seeds.

Here, or there, these common yearly things
Repeat, repeat, and gardens do not range:
Yet thistles, roses, fruit trees, birds, and stings
Come to an end, and the church bells sound a change.

These many soft declensions of the day,
So hard to take to heart, bear life away.
~Dunstan Thompson from “Passage”
from Here At Last Is Love

This end-of-summer winding down,
a descent into shorter days and longer nights,
this preparation for autumn austerity,
reminds me to accept my own slow decline ~
an emptying husk
once so full of fruit and seed,
now clinging to what is left of me ~
still filled with the joys, the tears, the eyes
of a brimming-over heart.

The Mundane Becomes Miraculous

Last night
we were laying in bed
when my husband
rolled over and said,
“Do you hear birds?”
I said I heard
the laundry
dragging itself along
the inside of the dryer
as it turned.

My grandparents’ neighbor,
Doris, once said she heard
birds in the chimney.
Her in-home helper confessed
they weren’t birds—
she’d had a baby in the night
without knowing
she was pregnant.

Poems are like that,
insisting on being born,
heard, making themselves
known
as soon as we’re quiet
and still. We hear
birdsong in the ordinary,
and it sings us awake
in the dark
until the mundane becomes
miraculous.

~Elizabeth Wickland “Do You Hear Birds?”

Like people or dogs, each day is unique
and has its own personality quirks
which can easily be seen if you look closely.
But there are so few days as compared to people,

not to mention dogs, that it would be surprising
if a day were not a hundred times more interesting than most people.

But usually they just pass, mostly unnoticed,

unless they are wildly nice, like autumn ones full of red maple trees and hazy sunlight, or if they are grimly awful ones in a winter blizzard that kills the lost traveler and bunches of cattle.

For some reason we like to see days pass,
even though most of us claim

we don’t want to reach our last one for a long time.

We examine each day before us with barely a glance
and say, no, this isn’t one I’ve been looking for,
and wait in a bored sort of way for the next,

when we are convinced,
our lives w
ill start for real.

Meanwhile, this day is going by perfectly well-adjusted,
as some days are,
with the right amounts of sunlight and shade,
and a light breeze scented with a perfume made

from the mixture of fallen apples,
corn stubble, d
ry oak leaves,
and the faint odor of last night’s meandering skunk.
~Tom Hennen  “T
he Life of a Day”

Age concentrates the mind.
The moment you realize you will no longer do something

you’ve done all your life.
The moment you realize that you will now need to do something you’ve never had to do before.
The moment you realize that what used to be will never be the same.


Some of this could lend itself to melancholy.
But there is also a bigness to such moments that allows for wonder.
A sense that you can’t quite comprehend it all.

Like any life, mine has had its pain,
yet from the outset it seems to have been graced
by unbelievable people and events.

An anthology of miracles.
~Roger Rosenblatt from “The World is a Room with a Piano Waiting to be Played”

I am ashamed to admit I squander time shamelessly,
blind and deaf to what is happening around me,
waiting for that particularly special day
I always dreamed of,
tossing off mundane yet irreplaceable moments
as somehow not measuring up nor exciting enough.

The shock is:
there have been nearly 40 years
of such ordinary days on this farm,
one passing by after another,
emerging fresh each morning
from the mundane duff and stuff of life,
and wouldn’t you know…
every single one has ended up being exactly what I’m looking for.

The Roar of Sunset

I go to nature not because
its flowers and sunsets speak
to me (though they do) or
listen to me inquire but


because I have filled it with
unintentionality, so that I
can miss anything personal in
the roar of sunset, so that


I can in beds of flowers hold
my head up too.
~A.R. Ammons from The Ridge Farm from Complete Poems

Take the tangle instead of the trouble it causes.
Take the world inside
as seriously as any other.
Take your elderly mother and father
at face value as they have to.
Take the mirror of the sky
mirrored in the bay.
Take the swell of new-mown hay
and the river conversing
where the valley opens its mouth
and the land begins to creak less
as the evening steals light away—
Take the wick in the far hills
and take the sun and the wind
and the look of nothing for granted.
Take a little less, all right
and try not to take fright.
Take the end in mind
instead of the end in sight.

~Brian Turner “Take This” from Taking Off

God speaks to each of us as he makes us,
then walks with us silently out of the night.

These are the words we dimly hear:

You, sent out beyond your recall,
go to the limits of your longing.
Embody me.

Flare up like a flame
and make big shadows I can move in.

Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.
Don’t let yourself lose me.

Nearby is the country they call life.
You will know it by its seriousness.

Give me your hand.
~Rainer Maria Rilke from The Book of Hours

Each of us,
intentionally made by our Creator
in His image,
yet we discover the beauty and terror of living
in His shadow.

So much happens which we don’t intend
but there is nothing unintentional with God.

Books and lectures tell us to live intentionally
while each day contains something that
brings us to our knees.

I tell myself:
even though I don’t know what tomorrow will be,
I will not take fright
Like a flower, I’ll hold my head up
I’ll just keep going
while taking His Hand and following
wherever He intends to take me.

Ways to Waste Wisely My Days

This world, after all our science and sciences,
is still a miracle;
wonderful, inscrutable, magical, and more,
to whosoever will think of it.

To awaken each morning
with a smile brightening my face;
to greet the day with reverence

for the opportunities it contains;
to approach my work with a clean mind;
to hold ever before me,

even in the doing of little things,
the ultimate purpose toward which I am working;
to meet men and women

with laughter on my lips
and love in my heart;
to be gentle, kind, and courteous

through all the hours;
to approach the night

with weariness that ever woos sleep 
and the joy that comes from work well done – 
this is how I desire to waste wisely my days.
~Thomas Dekker, 16th century British playwright

I work hard at wasting my days wisely. 

Summers are a classic opportunity to waste time and I do
– happily –
yet there is always a hint of regret:
I could have made more of a dewy bright morning,
an afternoon of cooling shadows,
or a full-moon twilight.

Or perhaps I could have made this day better
for someone else to waste.

How better to waste my days:
to find ways for my interactions to be more joyous,
if only through a smile,
a shared chuckle,
a kind word,
a generous gesture.

Waste away, dear days. What a wonderful world this could be.

The world, after all, is a miracle and needs us to notice.

Unencumbered by My Old Nonsense

How did I come to be
this particular version of me,
and not some other, this morning
of purple delphiniums
blooming like royalty,
destined to meet these three dogs
asleep at my feet, and not others—
this soft summer morning,
sitting on her screened porch
become ours, our wind chime
singing of wind and time,
yellow-white digitalis
feeding bees and filling me—
and more abundance to come:
basil, tomatoes, zucchini.
What luck or fate, instinct,
or grace brought me here—
in shade, beneath hidden stars,
a soft, summer morning,
seeing with my whole being,
love made visible.

~Laura Foley “The Once Invisible Garden” from Sledding in the Valley of the Shadow 

Suddenly it is August again, so hot,
breathless heat.
I sit on the ground
in the garden of Carmel,
picking ripe cherry tomatoes
and eating them.
They are so ripe that the skin is split,
so warm and sweet
from the attentions of the sun,
the juice bursts in my mouth,
an ecstatic taste,
and I feel that I am in the mouth of summer,
sloshing in the saliva of August.
Hummingbirds halo me there,
in the great green silence,
and my own bursting heart
splits me with life.

~Anne Higgins “Cherry Tomatoes” from At the Year’s Elbow

photo by Josh Scholten

At five I wake, the air
mournful in its quiet.

Such still air. Soon
the mid-morning breeze will float in
like tepid water, then hot.

How do I start this day,
I who am unsure
of how my life has happened
or how to proceed
amid this warm and steady sweetness?

~Albert Garcia from “August Morning”  from Skunk Talk 

Write it in your heart that every day is the best day of the year.
Live in the sunshine, swim in the sea, breathe the wild air.
Finish each day and be done with it.
You have done what you could.
Some blunders and absurdities no doubt crept in;
forget them as soon as you can.
Tomorrow is a new day.
You shall begin it serenely and with too high a spirit
to be encumbered with your old nonsense.
~Ralph Waldo Emerson from Collected Poems and Translations

She has done what she could…
~Mark 14:8

How do I start this gift of a new August summer day?

When sleep is elusive, the air too still and warm at midnight
When even a cloud-strewn sky looks dry
When wildfire smoke drifts in on waves from north and east, obscuring, rounding out the sharp edges

Yet I taste the sweetness offered this tepid summer morning,
unencumbered by my old over-thinking nonsense.

I’m here, present and accounted for, blessed by all I see.
I am doing what I can.
Let the day begin.

Even
After
All this time
The sun never says to the earth,

“You owe
Me.”

Look
What happens
With a love like that,
It lights the
Whole
Sky.
~Daniel Ladinsky, from “The Gift”

A Tumble of Onions

How easily happiness begins by   
dicing onions. A lump of sweet butter   
slithers and swirls across the floor   
of the sauté pan, especially if its   
errant path crosses a tiny slick
of olive oil. Then a tumble of onions.

This could mean soup or risotto   
or chutney (from the Sanskrit
chatni, to lick). Slowly the onions   
go limp and then nacreous
and then what cookbooks call clear,   
though if they were eyes you could see

clearly the cataracts in them.
It’s true it can make you weep
to peel them, to unfurl and to tease   
from the taut ball first the brittle,   
caramel-colored and decrepit
papery outside layer, the least

recent the reticent onion
wrapped around its growing body,   
for there’s nothing to an onion
but skin, and it’s true you can go on   
weeping as you go on in, through   
the moist middle skins, the sweetest

and thickest, and you can go on   
in to the core, to the bud-like,   
acrid, fibrous skins densely   
clustered there, stalky and in-
complete, and these are the most   
pungent, like the nuggets of nightmare

and rage and murmury animal   
comfort that infant humans secrete.   
This is the best domestic perfume.   
You sit down to eat with a rumor
of onions still on your twice-washed   
hands and lift to your mouth a hint

of a story about loam and usual   
endurance. It’s there when you clean up   
and rinse the wine glasses and make   
a joke, and you leave the minutest   
whiff of it on the light switch,
later, when you climb the stairs.

~William Matthews “Onions”

I don’t mean to make you cry.
I mean nothing, but this has not kept you
From peeling away my body, layer by layer,

The tears clouding your eyes as the table fills
With husks, cut flesh, all the debris of pursuit.
Poor deluded human: you seek my heart.

Hunt all you want. Beneath each skin of mine
Lies another skin: I am pure onion–pure union
Of outside and in, surface and secret core.

Look at you, chopping and weeping…
~Suji Kwock Kim from “Monologue for a Onion”

…It’s true it can make you weep
to peel them, to unfurl and to tease   
from the taut ball first the brittle,   
caramel-colored and decrepit
papery outside layer, the least

recent the reticent onion
wrapped around its growing body,   
for there’s nothing to an onion
but skin, and it’s true you can go on   
weeping as you go on in, through   
the moist middle skins, the sweetest

and thickest, and you can go on   
in to the core, to the bud-like,   
acrid, fibrous skins densely   
clustered there, stalky and in-
complete, and these are the most   
pungent
…
~William Matthews from “Onions”

…I would never scold the onion
for causing tears.
It is right that tears fall
for something small and forgotten.
How at meal, we sit to eat,
commenting on texture of meat or herbal aroma
but never on the translucence of onion,
now limp, now divided,
or its traditionally honorable career:
For the sake of others,
disappear.

~Naomi Shihab Nye from “The Traveling Onion”
from Words Under the Words: Selected Poems.

Onion,
luminous flask,
your beauty formed
petal by petal,
crystal scales expanded you
and in the secrecy of the dark earth
your belly grew round with dew.
Under the earth
the miracle
happened
and when your clumsy
green stem appeared,
and your leaves were born
like swords
in the garden,
the earth heaped up her power
showing your naked transparency…

…You make us cry without hurting us.
I have praised everything that exists,
but to me, onion, you are
more beautiful than a bird
of dazzling feathers,
heavenly globe, platinum goblet,
unmoving dance
of the snowy anemone

and the fragrance of the earth lives
in your crystalline nature.

~Pablo Neruda from “Ode to the Onion”

Everything smells of “eau de onion” here in the kitchen when the onions are brought in from our garden to be stored or dehydrated and frozen for winter soups and stews.

This is weepy business, but these are good tears like I spill over the whistled Greensleeves theme from the old “Lassie” TV show, or during any childrens’ choir song, or by simply watching videos of our grandchildren who live too far away to visit every day.

It takes almost nothing these days to make me weep, so onions are a handy excuse, allowing my tears to flow without explanation:

I weep over the headlines.

I weep over how messy things can get between people who don’t listen to one another or who misinterpret what they think they hear.

I weep knowing we all have layers and layers of skin that appear tough on the outside, but as you peel gently or even ruthlessly cut them away, the layers get more and more tender until you reach the throbbing heart of us.

We tend to hide our hearts out of fear of being hurt, crying out in pain.

Like an onion, each one of us exists to make the day a bit better, the meal more savory, to enhance the flavors of all who are mixed into this melting pot together, trying to make sad things new.

We aren’t meant to stand alone, but to disappear into the stew, and be sorely missed if we are absent.

So very dish needs an onion, and for the sake of the dish, every onion vanishes in the process.

No, I don’t mean to make you cry
as you peel my layers away,
gently, one by one,
each more tender until you reach my heart.
Chop away at me if you must
but weep the good tears, the ones that mean
we weep for the sake of our meal together:
you eating and drinking,
and me – consumed.

Lyrics:
When the dark wood fell before me
And all the paths were overgrown
When the priests of pride say there is no other way
I tilled the sorrows of stone

I did not believe because I could not see
Though you came to me in the night
When the dawn seemed forever lost
You showed me your love in the light of the stars

Chorus:
Cast your eyes on the ocean
Cast your soul to the sea
When the dark night seems endless
Please remember me

Then the mountain rose before me
By the deep well of desire
From the fountain of forgiveness
Beyond the ice and fire

Though we share this humble path, alone
How fragile is the heart
Oh, give these clay feet wings to fly
To touch the face of the stars

Breathe life into this feeble heart
Lift this mortal veil of fear
Take these crumbled hopes, etched with tears
We’ll rise above these earthly cares

Lyrics: Light after darkness, gain after loss
Strength after weakness, crown after cross;
Sweet after bitter, hope after fears
Home after wandering, praise after tears

Alpha and Omega
Beginning and the end
He is making all things new
Springs of living water
Shall wash away each tear
He is making all things new
​
Sight after mystery, sun after rain
Joy after sorrow, peace after pain;
Near after distant, gleam after gloom
Love aftеr wandering, life after tomb