Where the Joy Came In

Incurable and unbelieving
in any truth but the truth of grieving,
I saw a tree inside a tree
rise kaleidoscopically
as if the leaves had livelier ghosts.

I pressed my face as close
to the pane as I could get
to watch that fitful, fluent spirit
that seemed a single being undefined
or countless beings of one mind
haul its strange cohesion
beyond the limits of my vision
over the house heavenwards.

Of course I knew those leaves were birds.

Of course that old tree stood
exactly as it had and would
(but why should it seem fuller now?)
and though a man’s mind might endow
even a tree with some excess
of life to which a man seems witness,
that life is not the life of men.
And that is where the joy came in.
~Christian Wiman, “From a Window” from Every Riven Thing. 

Coming to Christianity is like color slowly aching into things, the world becoming brilliantly, abradingly alive. “Joy is the overflowing consciousness of reality,” Simone Weil writes, and that’s what I had, a joy that was at once so overflowing that it enlarged existence, and yet so rooted in actual things that, again for the first time, that’s what I began to feel: rootedness.
~Christian Wiman “Gazing Into the Abyss”

Nothing is to be taken for granted.  Nothing remains as it was.

Like this old pink dogwood tree, I now lean over more,
I have a few bare branches with no leaves,
I have my share of broken limbs,
I have my share of blight and curl.

Yet each stage and transition of life has its own beauty: 
bursting forth with leaves and blooms
after a long winter of nakedness adorned
only by feathered friends destined to fly away.

Color has literally seeped in overnight,
resulting in a riot of joy.

Yet what matters most is what grows unseen,
underground, in a network that feeds and thrives
no matter what happens above ground,
steadfast roots of faith remain a reason to believe.

Nothing is to be taken for granted.  Nothing remains as it was.
Especially me. Oh, and especially me.

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The Color of Eggplant

Every morning, cup of coffee
in hand, I look out at the mountain.
Ordinarily, it’s blue, but today
it’s the color of an eggplant.
And the sky turns
from gray to pale apricot
as the sun rolls up…

I study the cat’s face
and find a trace of white
around each eye, as if
he made himself up today
for a part in the opera.
~Jane Kenyon, from “In Several Colors” from Collected Poems
.

If you notice anything
it leads you to notice
more
and more.

And anyway
I was so full of energy.
I was always running around, looking
at this and that.

If I stopped
the pain
was unbearable.

If I stopped and thought, maybe
the world can’t be saved,
the pain
was unbearable.
~Mary Oliver from “The Moths” from Dream Work

I try to see things in a new way as I wander about my day,
my eyes scanning for how to transform all my
mundane, dusty corners exposed by a penetrating sunbeam
when its angle is just right.

My attempts to describe plain ordinary as extraordinary
feels futile in a messed-up upside-down world.

Such efforts can be painful:
it means getting tired and muddy in the muck,
falling down again and again
and being willing to get back up.

If I stop getting dirty,
if I by-pass every day grunginess,
if I give up the work of salvage and renewal,
I then abandon God’s promise to see the world changed.

He’s still here, ready and waiting,
handing me a broom, a shovel and cleaning rags,
so I can keep at it – mopping up my messy ordinary.

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Clutching Stardust

The true harvest of my daily life is somewhat as intangible and indescribable as the tints of morning or evening.  It is a little star-dust caught, a segment of the rainbow which I have clutched.
~Henry David Thoreau

Painting the indescribable with words necessitates subtlety, sound and rhythm on a page.  The best word color portraits I know are by Gerard Manley Hopkins who created  through startling combinations:  “crimson-cresseted”, “couple-colour”, “rose-moles”, “fresh-firecoal”, “adazzle, dim”, “dapple-dawn-drawn”, “blue-bleak embers”, “gash gold-vermillion”.

I understand, as Thoreau does,  how difficult it is to harvest a day using ordinary words.   Like grasping ephemeral star trails or the transient rainbow that moves away as I approach, what I hold on the page is intangible yet very real.

I will keep reaching for the rainbow, searching for the best words to preserve my days and nights forever, for my someday greatgrandchildren, or whoever might have the patience to read.

After all, in the beginning was the Word, and there is no better place to start.

More beauty in words and photography is found in this book available here:

When the Trivial is Transformed

Man Scything Hay by Todd Reifers

A sudden light transfigures a trivial thing,
a weather-vane,
a wind-mill,
a winnowing flail,
the dust in the barn door;
a moment,- -and the thing has vanished,
because it was pure effect;
but it leaves a relish behind it,
a longing that the accident may happen again.
~Walter Pater from his essay “The Renaissance”

The accident of light does happen, again and again, but when I least expect it.  If I’m not ready for it, in a blink, it can be gone.

Yet in that moment, everything is changed and transformed forever.  The thing itself, trivial and transient becomes something other, merely because of how it is illuminated.

So am I, trivial and transient, lit from outside myself with a light that ignites me within. I’m transfigured by a love and sacrifice unexpected and undeserved.

Am I ready to be changed?

A book of beautiful words and photos, available for order here:

Where Eye Imagines Sight

A lurking man in that half light,
there where eye imagines sight,
stops my heart until I see
Lurking man is leaning tree.


What changed? The man? There was none. Tree?
The tree was always there. Then me?
I did not change. I came to see
and what I saw, what was could be.

~Archibald MacLeish, from Collected Poems 1917 to 1982

Every day I look for what is obvious on the farm – the trees, the flowers, the animals, the clouds, the lighting – all the daily and mundane things surrounding me. More often than not, what I see is straight-forward, needing no extra mental processing or interpretation.

Occasionally, my mind’s eye sees more and I’m stopped in my tracks. What is it I’m seeing and how much am I simply imagining? I see what “could be” and that alone creates a new dimension to what, on the surface, is plain and simple. Suddenly what is plain becomes glorious – a flower is otherworldly, a cat transformed by light, a wet feather a thing of beauty, a tree moves and breathes as if it is on fire.

Because my mind’s eye wants to look deeper, I see more detail.
Because I myself am complex, I seek out complexity.
Because I need transformation and renewal,
my mind seeks to transform and renew.
Because nothing around me is quite as it seems on the surface,
I am called upon to notice it, in its beauty and in its simplicity.

I am changed by imagining how glorious things could be.

Imagine what your mind’s eye can see in more Barnstorming photos in this book, available to order here:

What’s Left of Joy

You recall how winter
colored your love, left it


overly delicate, like a flower
skimmed of all fragrance.


You hear in the long last notes
of the nightingale’s song


how to harbor what’s left
of joy, how spring clutches


the green shoot of life and holds
on and on through summer, prepares


for no end that is sure in coming,
the fall ever endlessly repeating.
~Maureen Doallas “Recounting Seasons”, from Neruda’s Memoirs 

One of my greatest joys is watching time as days become weeks, then months, and as years flow by, the seasons repeat seemingly endlessly. I know they must end for me eventually so I anticipate transitions before they take place.

In the “olden” days, many farmers kept daily hand-written diaries to track the events of the seasons: when the soil was warm enough to sow, when the harvest was ready, the highs and lows of temperature fluctuations, how many inches in the rain gauge, how deep the snow.

Now we follow the years with a swift scroll in our photo collection in our phones: the tulips bloomed two weeks later this year, or the tomatoes ripened early or the pears were larger two years ago.

I take comfort things tend to repeat predictably year after year, yet I can spot subtle differences. Our hydrangea bushes are a harbinger of seasonal change: they are blooming a darker burgundy color this year, the lace caps are mostly blue rather than pink and purple. Their blooms fade eventually into blended earth tones, then blanche, finally losing color altogether and becoming skeletal.

And so it is with me. I harbor joy by noticing each change, knowing the repetition of the seasons and the cycle of blooming will continue, with or without me here watching. I am unnecessary except as a recorder of fact.

I will keep watching and keep documenting as long as I’m able.

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To See Heaven in a Wild Flower

To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.

~William Blake from Auguries of Innocence

If I look closely enough, I might find the extraordinary in the commonplace things of life. So I keep my eyes alert and my heart open to infinite possibilities.

Sometimes what I see is so extraordinary already, it is like uncovering a bit of heaven on earth. Up in the alpine meadows of the Cascade mountains grow delicate avalanche lilies in July, just as the snow melt is complete. Though brief in their blooming, they are our harbingers of heaven. Despite the chill and darkness of winter, they rise triumphant, an eternal promise of a someday never-ending summer.

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Unseen, Unknown

Happy the man, whose wish and care
   A few paternal acres bound,
Content to breathe his native air,
                          In his own ground.


Whose herds with milk, whose fields with bread,
   Whose flocks supply him with attire,
Whose trees in summer yield him shade,
                          In winter fire.


Blest, who can unconcernedly find
   Hours, days, and years slide soft away,
In health of body, peace of mind,
                         Quiet by day,


Sound sleep by night; study and ease,
   Together mixed; sweet recreation;
And innocence, which most does please,
                         With meditation.


Thus let me live, unseen, unknown;
   Thus unlamented let me die;
Steal from the world, and not a stone
                          Tell where I lie.

~Alexander Pope, “Ode to Solitude” from Pope: Poems

450 year old gravestone in Glencairn Parish Cemetery in Scotland which reads:
Here Lyeth The Corps Of John Mcubin in Meruhirn (Marwhin) Who Departed This Life The Year 1663 Age 100

other side of the same stone

But the effect of her being on those around her
was incalculably diffusive:
for the growing good of the world
is partly dependent on unhistoric acts,
and that things are not so ill
with you and me as they might have been,
is half owing to the number who lived faithfully a hidden life,
and rest in unvisited tombs.
~George Eliot’s final sentence in Middlemarch

We have no idea who came before us,
unseen, unknown, unheralded, unvisited,
yet they, by living and dying, made our lives better today.

They lie, forgotten, now dust in the ground.

Yet they lived fully and lovingly, stewards of the earth and its creatures, parents to the next generation and the next and the next, placed here as images of their Creator.

May we, someday, having also lived faithfully in the fullness of time, leave behind a legacy of good and unhistoric acts that leave this world a better place for those who walk behind us in our footsteps.

It’s the least we can do, to honor those whose footprints we now follow.

A new book from Barnstorming available for order here

The World is Flux

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller, “Monet Refuses the Operation” from Second Language

“Heaven pulls earth into its arms…”

We all see things differently, don’t we? What seems ordinary to one person is extraordinarily memorable to another. How might I help others to see the world as I do? How might I learn to adjust my focus to see things as you do?

The world is flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to gray. Perhaps the blur from the figurative (or real) cataract that impedes my vision creates a deeper understanding, as I use my imagination to fill in what I can’t discern.

My heart and mind expands exponentially to claim this world and all the beauty has to offer, while heaven – all this while – is pulling me into its arms.

In heaven, my focus will be clear. It will all be extraordinarily ordinary.

Alive and Ticking

Had I not been awake I would have missed it,
A wind that rose and whirled until the roof
Pattered with quick leaves off the sycamore

And got me up, the whole of me a-patter,
Alive and ticking like an electric fence:
Had I not been awake I would have missed it

It came and went too unexpectedly
And almost it seemed dangerously,
Hurtling like an animal at the house,

A courier blast that there and then
Lapsed ordinary. But not ever
Afterwards. And not now.
~Seamus Heaney  “Had I Not Been Awake”

It is very still in the world now –
Thronged only with Music
like the Decks of Birds
and the Seasons take their hushed places
like figures in a Dream –

~Emily Dickinson from an envelope poem fragment

My dreams have been exceptionally vivid recently, not scary but seemingly real. I’ll awake suddenly, surfacing out of deepest sleep to take a breath of reality and remind my brain that I’m still in bed, in a dark hushed room, my husband solid and warm beside me. All is well. I lie awake, reorienting myself from dream world to my world and ponder the hazy neuro-pathways in-between.

If I had not been awake after my dreams, I would have missed the night sounds of coyotes howling in the fields around the farmhouse, the chorus of peepers in the wetlands, the trickling waterfall in our koi pond, the clicking of the owls flying overhead, the sudden gust of wind that shakes the windows, the pelting of heavy rain.

So much still happens when I am asleep to the world, numb and inattentive. Even so, when dreams wake me, I find myself alive and listening, electrified by the awareness of everything around me.

Suddenly, nothing is ordinary because everything is. I am the most unordinary ordinary of all.

Forevermore.