Fixing Eyes on the Unseen: A Most Important Day

“Choose the least important day in your life. It will be important enough.”          
Mrs. Gibbs to Emily in Our Town

We are ages away
from our high school class
where first we walked
the streets of Grover’s Corners
and have lived decades and
decades of important days
writing our own scenes
along the way. In this theater
we meet again the lives of people
as ordinary and extraordinary
as we are and find ourselves
smiling and weeping watching
a play we first encountered as teens.
In our 70’s Our Town brings us joy
and also breaks our hearts.
Now we know.
~
Edwin Romond Seeing “Our Town” in Our 70’s”

We don’t have time to look at one another.
I didn’t realize.
All that was going on in life and we never noticed.

Oh, earth, you’re too wonderful for anybody to realize you. 
Do any human beings ever realize life while they live it?

– every, every minute? 
~Thornton Wilder, from Emily’s monologue in Our Town

He has made everything beautiful in its time. Also, he has put eternity into man’s heart, yet so that he cannot find out what God has done from the beginning to the end. 12 I perceived that there is nothing better for them than to be joyful and to do good as long as they live; 13 also that everyone should eat and drink and take pleasure in all his toil—this is God’s gift to man. 14 I perceived that whatever God does endures forever; nothing can be added to it, nor anything taken from it.
Ecclesiastes 3: 11-14


One of our very special friends from church got married today to a high school classmate she knew over sixty-some years ago. Both had recently lost spouses and found their way to each other to join together for the rest of their days. Today became a most important day in their lives, a day they could not have imagined as teenagers so long ago.

The post-ceremony reception was joyous, full of other high school classmates who recognized how extraordinary it was for two lives to come full circle after all the ordinary “least important” days of high school. Observing this tight-knit community celebrating together reminds me of Grover’s Corners of Thornton Wilder’s “Our Town” where even those in the cemetery under the ground continue to engage in conversation and commentary about their family and friends, sometimes wistful, sometimes full of regrets.

There is so much we miss while we are living out our ordinary days because our capacity for seeing what is truly important is so limited – if we paid attention to it all, we would be overwhelmed and exhausted.

Yet God’s unlimited vision has a plan for each of us, even if we cannot see it in the moment – His divine gift to us, right from our very beginning, until the moment we take our last breath.

This year’s Barnstorming Lenten theme is taken from 2 Corinthians 4: 18:
So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.

An Ordinary Night

What scene would I want to be enveloped in
more than this one,
an ordinary night at the kitchen table,
floral wallpaper pressing in,
white cabinets full of glass,
the telephone silent,
a pen tilted back in my hand?

It gives me time to think
about all that is going on outside–
leaves gathering in corners,
lichen greening the high grey rocks,
while over the dunes the world sails on,
huge, ocean-going, history bubbling in its wake.

But beyond this table
there is nothing that I need,
not even a job that would allow me to row to work,
or a coffee-colored Aston Martin DB4
with cracked green leather seats.

No, it’s all here,
the clear ovals of a glass of water,
a small crate of oranges, a book on Stalin,
not to mention the odd snarling fish
in a frame on the wall,
and the way these three candles–
each a different height–
are singing in perfect harmony.

So forgive me
if I lower my head now and listen
to the short bass candle as he takes a solo
while my heart
thrums under my shirt–
frog at the edge of a pond–
and my thoughts fly off to a province
made of one enormous sky
and about a million empty branches.

~Billy Collins “I Ask You”

I want to make poems while thinking of
the bread of heaven and the
cup of astonishment; let them be

songs in which nothing is neglected
~Mary Oliver  from “Everything”

Some days, my search for new words and images runs dry, especially in mid-winter when a chill wind is blowing and inhospitable. I seek indoor comfort more than inspiration. I am content sitting in a warm kitchen with other’s words running through my ears and over my tongue.

I feel kinship with the amaryllis bulb that has been on my kitchen table for the past month, as it enjoys the warmth in its soil pot and occasional drink of water. It started out as such a plain-looking bulb, so dry, so underwhelming in every respect. Once the stem started emerging from its plain-jane cocoon, I watched it grow taller each day. Last week it burst open, wearing its heart on its sleeve, comically cheerful at this drab time of year. I appreciate its effort at bringing summer right into my kitchen and my heart; I get a bit drab and cranky myself without the reminder that winter is not forever.

So I allow myself to drink deeply from a cup of astonishment, even on an ordinary night in an ordinary kitchen on an ordinary very cold end-of-January evening.

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Dawn on our Darkness: It Might Have Been Otherwise

I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
I took the dog uphill
to the birch wood.
All morning I did
the work I love.
At noon I lay down
with my mate. It might
have been otherwise.
We ate dinner together
at a table with silver
candlesticks. It might
have been otherwise.
I slept in a bed
in a room with paintings
on the walls, and
planned another day
just like this day.
But one day, I know,
it will be otherwise.
~Jane Kenyon “Otherwise”

I watched her cooking, from my chair.
She pressed her lips
Together, reached for kitchenware,
And tasted sauce from her fingertips.

“It’s ready now. Come on,” she said.
“You light the candle.”
We ate, and talked, and went to bed,
And slept. It was a miracle.

~Donald Hall from “Summer Kitchen” in The Selected Poems of Donald Hall.

I tend to get complacent in my daily routines, confident in the knowledge that tomorrow will be very much like yesterday. The distinct blessings of an ordinary day are lost in the rush of moving forward to whatever comes next so that I lose touch with what miracles are happening in the here and now.

The reality is there is nothing ordinary about the events of this day or any other –
it might have been otherwise and some day it will be otherwise.

Advent is an opportunity to stop the rushing, take a look around and actually revel in the quiet moments of daily work, chats, walks, meals, and sleep. Even the current constant of someone in the family being sick with one or more viruses, interrupting plans and schedules, can’t interrupt how remarkable it is to just be here together.

We are granted peace despite the stress of illness.

Jane Kenyon wrote much of her best poetry with the knowledge she was dying of leukemia. Her work reminds me that I don’t need a terminal diagnosis to appreciate the blessings of each ordinary moment. Her poet husband, Donald Hall, wrote verse from his perspective of cherishing the time he had left with his wife, living as if each day were his last day with her.

Like Jane’s “paintings on the walls,” on foggy gray days like today, I can gaze at our landscape paintings by local artist Randy Van Beek depicting an idealized serenity that I only sometimes feel. They depict the blessings just outside my windows.

I simply need to pay attention.

Christ came to earth to remind us to dwell richly in the experience of these moments, those sweet peaches and cream of daily life, while they are happening. God knows, the little miracles are a foretaste of the heaven which is to come.

This year’s Advent theme “Dawn on our Darkness” is taken from this 19th century Christmas hymn:

Brightest and best of the sons of the morning,
dawn on our darkness and lend us your aid.
Star of the east, the horizon adorning,
guide where our infant Redeemer is laid.
~Reginald Heber -from “Brightest and Best”

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Dawn on our Darkness: Heaven in Ordinary

Prayer the church’s banquet, angel’s age,
God’s breath in man returning to his birth,
The soul in paraphrase, heart in pilgrimage,
The Christian plummet sounding heav’n and earth
Engine against th’ Almighty, sinner’s tow’r,
Reversed thunder, Christ-side-piercing spear,
The six-days world transposing in an hour,
A kind of tune, which all things hear and fear;
Softness, and peace, and joy, and love, and bliss,
Exalted manna, gladness of the best,
Heaven in ordinary, man well drest,
The milky way, the bird of Paradise,
Church-bells beyond the stars heard, the soul’s blood,
The land of spices; something understood.
~George Herbert “Prayer”

A kind of tune, a music everywhere
And nowhere. Love’s long lovely undersong,
A trace in time, a grace-note in the air,
Borne to us from the place where we belong
On every passing breeze and in the breath
Of every creature. All things hear and fear,
For faintly, through our fall, we too may hear
The strong song of the Son that undoes death.

And one day we will hear it unimpaired:
The joy of all the sorrowful, the song
Of all the saints who cry “how long,”
The hidden hope of all who have despaired.
He sang it to his mother in the womb
And now it echoes from his empty tomb.

~Malcolm Guite “A Kind of Tune”

When the sky is painted in pastels and the air is brisk with breath and movement, I sense a kind of tune leading me back to thankfulness and wonder rather than worry and fretfulness.

Even in ordinary times of stress – yet especially when we are drowning in sadness reaching for any rescue at hand, the song Christ sings to us is the prayer He taught us to pray – Thy will be done.

“How long, O Lord, how long,” will be answered in the fullness of time – in a manger, in a tomb, in the skies of heaven. Heaven is found in the ordinary but with God and His gift of His son, nothing, but nothing will be ordinary.

For Thine is the glory forever…

This year’s Advent theme “Dawn on our Darkness” is taken from this 19th century Christmas hymn:

Brightest and best of the sons of the morning,
dawn on our darkness and lend us your aid.
Star of the east, the horizon adorning,
guide where our infant Redeemer is laid.
~Reginald Heber -from “Brightest and Best”

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To Recover the Lost

The songs of small birds fade away
into the bushes after sundown,
the air dry, sweet with goldenrod.
Beside the path, suddenly, bright asters
flare in the dusk. The aged voices
of a few crickets thread the silence.
It is a quiet I love, though my life
too often drives me through it deaf.
Busy with costs and losses, I waste
the time I have to be here—a time
blessed beyond my deserts, as I know,
if only I would keep aware. The leaves
rest in the air, perfectly still.
I would like them to rest in my mind
as still, as simply spaced. As I approach,
the sorrel filly looks up from her grazing,
poised there, light on the slope
as a young apple tree. A week ago
I took her away to sell, and failed
to get my price, and brought her home
again. Now in the quiet I stand
and look at her a long time, glad
to have recovered what is lost
in the exchange of something for money.
~Wendell Berry “The Sorrel Filly”

I am reminded at the end of a week
of dark and wet and cold
with chores not done yet,
and horses waiting to be fed,
of the value of decades of moments spent
with long-lashed eyes, wind-swept manes, and velvet muzzles.

True, it appears to others to be time and money wasted.
But for a farmer like me, sometimes deaf and blind
to what is in front of me every day,
not all valuables are preserved in a lock box.

Golden treasure can have
four hooves, a tail, with a rumbling greeting
asking if I’d somehow gotten lost
since I’m a little later than usual
and they were a bit concerned I’d forgotten them.

Only then I remember where my home is
and how easy it is to wander from the path
that somehow always leads me back here.

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Not Remotely Mystical

When it’s over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.

I don’t want to find myself sighing and frightened,
or full of argument.

I don’t want to end up simply having visited this world.

~Mary Oliver from “When Death Comes”

Probably Mary Oliver doesn’t stress out
about her hair or quote Led Zeppelin or start
to go upstairs to write something mystical
about a wood duck, but get sidetracked
by The Millionaire Matchmaker, watching four episodes
until, panicked by self-loathing, she hits the remote.

She lives somewhere kind of remote.
Is there even a Walmart out
in Provincetown? Mary never, in an episode
of frugality, shops there instead of the food co-op and starts
lying about where the Moose Tracks
ice cream came from, feigning loyalty to the mystical


oils and bulk grains of the co-op where Mystical
Mac ‘N Cheese costs an absurd $3.95 a box. There’s a remote
chance Mary, while pondering lilies, would get sidetracked
by a voicemail from her agent. Even Mary Oliver spaces out
on occasion and forgets to turn off her phone. Her days start
before dawn; wouldn’t she sometimes have episodes

of thinking, “To hell with the swan, I’m going to watch episodes
of Lost in bed all day?” It must be exhausting to be mystical
all the time, having to think up poems that start
with a smelly turtle and end with the glory of the soul. The remote,
sleek as an otter, lolls on her nightstand, calling out 
for her to take just this one morning off, to follow the tracks


of Matt Lauer and Dr. Phil instead of mucky tracks
left in the marsh by tick-ridden deer. Euphoric episodes
bound like grasshoppers through St. Mary’s poems, but out
in nature there must be days when nothing is special, when mystical epiphanies can’t break through the clouds. Is Mary ever so remote from it all that touching a leaf leaves her blank?

Does she start to get frantic, to fear she’s lost the connection?
She starts picturing herself in a smock with a nametag,
cleaning finger tracks off the automatic doors while wearing Mona Lisa’s remote smile, a smile barely wide enough to keep her employed. Fighting episodes of despair, she can’t figure out how to turn a shopping cart into a mystical symbol for death—piece of cake for most poets, but not for our Mary, out


there with the flora and fauna, not remotely accustomed to the episodes comprising life for those of us not “married to amazement,” the unmystical singles’ club, sidetracked by diversions. We start toward the door, but we rarely make it out.
~Christine Heppermann, “Pure” from  Poisoned Apples: Poems for You, My Pretty

wood duck photo from Audobon Society

Moose Tracks ice cream has nothing on Tillamook Mudslide ice cream. And I can quote Simon and Garfunkel but not Led Zeppelin. Cracker Barrel Mac n Cheese is better than any other. If I’m going to take a day to get lost in a binge of streaming episodes, it is most likely going to be Outlander. And I don’t fuss about my hair.

<sigh>

I am well aware I fall far short from the example set by Mary Oliver, Jane Kenyon, Annie Dillard and others for whom writing became a mystical passion of self-discovery in their observation of creation and search for understanding of the Creator.

As someone who as a child could spend hours fascinated by the tiniest bug or follow ant tracks through the woods or catch pollywogs in the creek or lie motionless in a hideaway of tall grass watching clouds roll by on a summer afternoon, I can easily be accused of way too much “blissing out” on sunrises and sunsets as I walk through my days on earth.

The reality is something completely different. I compose my writing and photos as I go about my day, whether it is scooping manure in the barn, taking quick breaks to see how the light is changing outside, or gardening, or hanging up the laundry on the clothesline. I pull over on my way to work for a quick picture if something catches my eye. A trip to the grocery store offers opportunities for a back-roads drive to see how the surrounding cornfields are growing and raspberries are ripening. When I’m fortunate, I’ll spot an eagle in a roadside tree or a new calf nursing.

So every day is a new exploration of what is in my own backyard, not remotely mystical but simply there to be seen and mused over. Rather than married to amazement, I’m attracted to the remarkably mundane. But it does mean I need to walk out the door to meet it head-on.

Even
After
All this time
The sun never says to the earth,

“You owe
Me.”

Look
What happens
With a love like that,
It lights the
Whole
Sky.
~Daniel Ladinsky, from “The Gift”

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The Wonders Beyond Us

Watching the night sky for the Pleiades meteor shower
from the back porch, nothing above but clouds and airplanes,

bug bites at our ankles, a sudden track of headlights
against the house, pet eyes peering out a window.

“Not a meteor in sight,” I say aloud to my daughters
and the nothingness above us, both of them standing

on the picnic table leaning back into me
like two armfuls of warm laundry, asking me about the night,

wondering what do stars look like up close?
where does the sky begin? how long does it take to get there?

while I hold them next to me in a patch of backyard
in America, my wristwatch illuminating

the hour, my thoughts lost in the gap of time
between this night and forever, the wonders beyond,

the heavens so near, questions so simple,
and the answers so far beyond my knowing.

~Hank Hudepohl, “The Heavens” from Riverbank.

photo by Josh Scholten

And this, then,
is the vision of that Heaven of which 
we have heard, where those who love
each other have forgiven each other,

where, for that, the leaves are green,
the light a music in the air,
and all is unentangled,
and all is undismayed.
-Wendell Berry “To My Mother”

photo by Joel DeWaard
The Webb telescope’s image of the galaxy cluster SMACS 0723 includes thousands of galaxies, including the faintest objects ever observed in infrared. The light from SMACS 0723 in this image is 4.6 billion years old. Photo Credit…NASA, ESA, CSA, and STScI

‘Tis moonlight, summer moonlight,
All soft and still and fair;
The solemn hour of midnight
Breathes sweet thoughts everywhere,


But most where trees are sending
Their breezy boughs on high,
Or stooping low are lending
A shelter from the sky.


And there in those wild bowers
A lovely form is laid;
Green grass and dew-steeped flowers
Wave gently round her head.
~Emily Bronte “Moonlight, Summer Moonlight”

I try not to miss a light show above me. I both adore and abhor the feeling of entanglement and dismay by what I can not comprehend.

Standing outside on a clear summer night, I am overwhelmed by the heavens –  the moon and stars are beacons of light at once so close and so far away. The dome over me feels infinitely divine and divinely infinite with no end within my capacity to witness. Now, with the most far away images by NASA from the Webb telescope, we see infinitely more with no end in sight. Surely Something or Someone will emerge momentarily with trumpets and fanfare to explain it all.

No trumpets. Not yet anyway.
Just the sounds of the owls hoo-hooing in the woods and the coyotes yipping in the fields. Only the ordinary below with the extraordinary always spinning above.

The heavens are made with Love and so are we.

I do wonder what might become of us all, we who are specks of intentionally created cosmic dust.

photo of supermoon by Harry Rodenberger
photo by Joel DeWaard
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Where the Joy Came In

Incurable and unbelieving
in any truth but the truth of grieving,
I saw a tree inside a tree
rise kaleidoscopically
as if the leaves had livelier ghosts.

I pressed my face as close
to the pane as I could get
to watch that fitful, fluent spirit
that seemed a single being undefined
or countless beings of one mind
haul its strange cohesion
beyond the limits of my vision
over the house heavenwards.

Of course I knew those leaves were birds.

Of course that old tree stood
exactly as it had and would
(but why should it seem fuller now?)
and though a man’s mind might endow
even a tree with some excess
of life to which a man seems witness,
that life is not the life of men.
And that is where the joy came in.
~Christian Wiman, “From a Window” from Every Riven Thing. 

Coming to Christianity is like color slowly aching into things, the world becoming brilliantly, abradingly alive. “Joy is the overflowing consciousness of reality,” Simone Weil writes, and that’s what I had, a joy that was at once so overflowing that it enlarged existence, and yet so rooted in actual things that, again for the first time, that’s what I began to feel: rootedness.
~Christian Wiman “Gazing Into the Abyss”

Nothing is to be taken for granted.  Nothing remains as it was.

Like this old pink dogwood tree, I now lean over more,
I have a few bare branches with no leaves,
I have my share of broken limbs,
I have my share of blight and curl.

Yet each stage and transition of life has its own beauty: 
bursting forth with leaves and blooms
after a long winter of nakedness adorned
only by feathered friends destined to fly away.

Color has literally seeped in overnight,
resulting in a riot of joy.

Yet what matters most is what grows unseen,
underground, in a network that feeds and thrives
no matter what happens above ground,
steadfast roots of faith remain a reason to believe.

Nothing is to be taken for granted.  Nothing remains as it was.
Especially me. Oh, and especially me.

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The Color of Eggplant

Every morning, cup of coffee
in hand, I look out at the mountain.
Ordinarily, it’s blue, but today
it’s the color of an eggplant.
And the sky turns
from gray to pale apricot
as the sun rolls up…

I study the cat’s face
and find a trace of white
around each eye, as if
he made himself up today
for a part in the opera.
~Jane Kenyon, from “In Several Colors” from Collected Poems
.

If you notice anything
it leads you to notice
more
and more.

And anyway
I was so full of energy.
I was always running around, looking
at this and that.

If I stopped
the pain
was unbearable.

If I stopped and thought, maybe
the world can’t be saved,
the pain
was unbearable.
~Mary Oliver from “The Moths” from Dream Work

I try to see things in a new way as I wander about my day,
my eyes scanning for how to transform all my
mundane, dusty corners exposed by a penetrating sunbeam
when its angle is just right.

My attempts to describe plain ordinary as extraordinary
feels futile in a messed-up upside-down world.

Such efforts can be painful:
it means getting tired and muddy in the muck,
falling down again and again
and being willing to get back up.

If I stop getting dirty,
if I by-pass every day grunginess,
if I give up the work of salvage and renewal,
I then abandon God’s promise to see the world changed.

He’s still here, ready and waiting,
handing me a broom, a shovel and cleaning rags,
so I can keep at it – mopping up my messy ordinary.

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Clutching Stardust

The true harvest of my daily life is somewhat as intangible and indescribable as the tints of morning or evening.  It is a little star-dust caught, a segment of the rainbow which I have clutched.
~Henry David Thoreau

Painting the indescribable with words necessitates subtlety, sound and rhythm on a page.  The best word color portraits I know are by Gerard Manley Hopkins who created  through startling combinations:  “crimson-cresseted”, “couple-colour”, “rose-moles”, “fresh-firecoal”, “adazzle, dim”, “dapple-dawn-drawn”, “blue-bleak embers”, “gash gold-vermillion”.

I understand, as Thoreau does,  how difficult it is to harvest a day using ordinary words.   Like grasping ephemeral star trails or the transient rainbow that moves away as I approach, what I hold on the page is intangible yet very real.

I will keep reaching for the rainbow, searching for the best words to preserve my days and nights forever, for my someday greatgrandchildren, or whoever might have the patience to read.

After all, in the beginning was the Word, and there is no better place to start.

More beauty in words and photography is found in this book available here: