The songs of small birds fade away into the bushes after sundown, the air dry, sweet with goldenrod. Beside the path, suddenly, bright asters flare in the dusk. The aged voices of a few crickets thread the silence. It is a quiet I love, though my life too often drives me through it deaf. Busy with costs and losses, I waste the time I have to be here—a time blessed beyond my deserts, as I know, if only I would keep aware. The leaves rest in the air, perfectly still. I would like them to rest in my mind as still, as simply spaced. As I approach, the sorrel filly looks up from her grazing, poised there, light on the slope as a young apple tree. A week ago I took her away to sell, and failed to get my price, and brought her home again. Now in the quiet I stand and look at her a long time, glad to have recovered what is lost in the exchange of something for money. ~Wendell Berry “The Sorrel Filly”
I am reminded at summer’s end — when it is already dark and chores not done yet, and horses waiting to be fed — of the value of decades of moments spent with long-lashed eyes, wind-swept manes, and velvet muzzles.
True, it appears to others to be time and money wasted. But for a farmer like me, sometimes deaf and blind to what is in front of me every day, not all valuables are preserved in a lock box or a bank account.
Golden treasure can have four hooves, a tail, a rumbling greeting asking if I’d somehow gotten lost since I’m a little later than usual and they were a bit concerned I’d forgotten them.
If only I would keep aware, remember where my home is, how easy it is to wander from the path that somehow always leads me back here.
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The kitchen is sweet with the smell of apples, big yellow pie apples, light in the hand, their skins freckled, the stems knobby and thick with bark, as if the tree could not bear to let the apple go. Baskets of apples circle the back door, fill the porch, cover the kitchen table.
My mother and my grandmother are running the apple brigade. My mother, always better with machines, is standing at the apple peeler; my grandmother, more at home with a paring knife, faces her across the breadboard. My mother takes an apple in her hand,
She pushes it neatly onto the sharp prong and turns the handle that turns the apple that swivels the blade pressed tight against the apple’s side and peels the skin away in long curling strips that twist and fall to a bucket on the floor. The apples, coming off the peeler,
Are winding staircases, little accordions, slinky toys, jack-in-the-box fruit, until my grandmother’s paring knife goes slicing through the rings and they become apple pies, apple cakes, apple crisp. Soon they will be married to butter and live with cinnamon and sugar, happily ever after. ~Joyce Sutphen, “Apple Season” from Coming Back to the Body.
I liked how the starry blue lid of that saucepan lifted and puffed, then settled back on a thin hotpad of steam, and the way her kitchen filled with the warm, wet breath of apples, as if all the apples were talking at once, as if they’d come cold and sour from chores in the orchard, and were trying to shoulder in close to the fire. She was too busy to put in her two cents’ worth talking to apples. Squeezing her dentures with wrinkly lips, she had to jingle and stack the bright brass coins of the lids and thoughtfully count out the red rubber rings, then hold each jar, to see if it was clean, to a window that looked out through her back yard into Iowa. And with every third or fourth jar she wiped steam from her glasses, using the hem of her apron, printed with tiny red sailboats that dipped along with leaf-green banners snapping, under puffs of pale applesauce clouds scented with cinnamon and cloves, the only boats under sail for at least two thousand miles. ~Ted Kooser “Applesauce” from Delights and Shadow
1.
Through the night the apples outside my window one by one let go their branches and drop to the lawn. I can’t see, but hear the stem-snap, the plummet through leaves, then the final thump against the ground.
Sometimes two at once, or one right after another. During long moments of silence I wait and wonder about the bruised bodies, the terror of diving through air, and think I’ll go tomorrow to find the newly fallen, but they all look alike lying there dewsoaked, disappearing before me.
2.
I lie beneath my window listening to the sound of apples dropping in
the yard, a syncopated code I long to know, which continues even as I sleep, and dream I know
the meaning of what I hear, each dull thud of unseen apple-
I tell you, folks, all politics is like applesauce. ~Will Rogers
Once again, it’s applesauce season on our farm. The number of windfall apples lying on the ground is exponentially increasing, so I can put off the task no longer.
The old apple trees in our orchard are primarily antique varieties rarely grown any longer. I have the choice of a number of varieties: a Baldwin or two, some Pippins, a few Kings, and some Dutch Mignons, a russet apple undistinguished in appearance, not at all pretty, and easy to pass by for something more showy.
It takes no time at all to fill several large boxes. Sadly, some apples are already beyond hope; they lay rotting, half consumed by hornets, slugs, deer, possum, raccoons and other critters — so I let them be.
The task of washing, peeling and coring organic apples is time consuming. They require a fair amount of preparation: the bruised spots must be cut out, as well as the worm holes and tracks. The apples are cut to the core and sliced into the simmering pot to be stirred and slowly cooked down to sauce. Before long, before my eyes, together they become a pale yellow mash, blending their varied flavors together.
However the smooth sweetness of this wonderful sauce is owed to the Dutch Mignon. It is a sublime sauce apple despite its humble unassuming appearance. Used alone, it would lack the “stand out” flavors of the other apple varieties, but as it cooks down, it becomes a foundation allowing the other apples to blend their unique qualities.
If I’m feeling really homespun, I marry the sublime with cinnamon and sugar, to create something happily ever after.
So it should be with the fellowship of diverse people and so should it be during a painful political season.
We are bruised, wormy, but salvageable. We are far better together than we are separate. And through the process, with perhaps a sprinkle of cinnamon and sweetness, we are transformed into something far better than how we began.
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In the evening there were flocks of nighthawks passing southward over the valley. The tall sunflowers stood, burning on their stalks to cold seed, by the still river. And high up the birds rose into sight against the darkening clouds. They tossed themselves among the fading landscapes of the sky like rags, as in abandonment to the summons their blood knew. And in my mind, where had stood a garden straining to the light, there grew an acceptance of decline. Having worked, I would sleep, my leaves all dissolved in flight. ~Wendell Berry “September 2”
And when I rise, let me rise Like a bird, joyfully. And when I fall, let me fall, Like a leaf, gracefully, without regret. And when I stand, let me stand, Like a tree, strong and tall. And when I lie, let me lie, Like a lake, peacefully, calm and still. And when I work, let me work, Like a bee, wholeheartedly. And when I play, let me play, Like a breeze, fresh and cool, light and clear. ~adapted from Wendell Berry’s “When I Rise” in The Mad Farmer Poems
The thistles, rooted out, throng in again; The single regal rose is mobbed by weeds; The plums, the pears, the ripening apples, rain In the sun; and past summer plants new seeds.
Here, or there, these common yearly things Repeat, repeat, and gardens do not range: Yet thistles, roses, fruit trees, birds, and stings Come to an end, and the church bells sound a change.
These many soft declensions of the day, So hard to take to heart, bear life away. ~Dunstan Thompson from “Passage”from Here At Last Is Love
This end-of-summer winding down, a descent into shorter days and longer nights, this preparation for autumn austerity, reminds me to accept my own slow decline ~ an emptying husk once so full of fruit and seed, now clinging to what is left of me ~ still filled with the joys, the tears, the eyes of a brimming-over heart.
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Light wakes us – there’s the sun climbing the mountains’ rim, spilling across the valley, finding our faces. It is July, between the hay and harvest, a time at arm’s length from all other time, the roads ragged with meadowsweet and mallow, with splays of seedheads, slubbed and coarse, rough linen. The fields above the house, clotted with sheep all spring, are empty now and froth with flowering grasses, still in the morning light. Birds move around the leafy fields, the leafy garden.
It is the time to set aside all vigil, good or ill, to loosen the fixed gaze of our attention as dandelions let seedlings to the wind. Wake with the light. Get up and go about the day and watch its surfaces that brighten with the sun.
And later, when the light is drowsed and heavy go find the burdened fruit trees where the shade lies splashed and opened-out across the ground. Spread over it a quilt worn soft by other bodies, then curl and fall down into sleep at light.
Awaken to a world of long, loose grass-stems, and leaves above, and birds, breaking out of the leaves. ~Kerry Hardie from “Sleep in Summer”
Saying good-bye to July last week meant admitting summer is already half-baked and so are we–
we who are still doughy, not nearly done enough.
The rush to autumn is breathless. We want to hold on tight to our longish days, fall asleep in the grasses, endure sweaty nights for just a little while longer…
Please, oh please grant us unending light and steady us for the task of getting ready for letting go.
A new series of summer photo notecards from our farm is now available as a thank you gift to you for your financial support of Barnstorming — details here
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The mare roamed soft about the slope, Her rump was like a dancing girl’s. Gentle beneath the apple trees She pulled the grass and shook the flies, Her forelocks hung in tawny curls, She had a woman’s limpid eyes, A woman’s patient stare that grieves. And when she moved among the trees, The dappled trees, her look was shy, She hid her nakedness in leaves. A delicate though weighted dance She stepped while flocks of finches flew From tree to tree and shot the leaves With songs of golden twittering; How admirable her tender stance. And then the apple trees were new, And she was new, and we were new, And in the barns the stallions stamped And shook the hills with trumpeting. ~Ruth Stone, “The Orchard” from What Love Comes To
Only one retired Haflinger mare remains on our farm now, her small herd diminishing one at a time as they passed from old age. She now is thirty herself, living her remaining days with two geldings in their twenties.
Over four decades, we have kept over a dozen mares born on this land, where they served us well, birthing us their foals and working when asked. In their retirement, they deserved this easy life on pasture for as long as their legs and feet could carry them up and down the slopes of our hilly farm – they more and more resembled our ancient crooked crippled orchard trees, some of which have toppled in the winter winds..
We are close to the end of our horse-keeping days; hard decisions must be made at some point and I don’t feel quite prepared to determine when they are no longer enjoying their time under the sun and I am too frail to care for them as they deserve.
I don’t want them or me to topple over like an old hollow tree in the wind.
I listen for their nickers as I come into the barn each morning and gauge their eagerness to be set free to the fields. The other day, as the sky was gray with a passing rain shower, the geldings went outside happily. As I let our mare out to pasture, she stopped on her way through the gate and turned around, poised to head back to the barn rather than get wet.
I looked her in the eyes and understood exactly how she was feeling.
Perhaps I have identified a bit too much with the stiffness as my aging mares move, their need for frequent napping times in the field, swishing at flies while they dream of younger days of flirting with stallions, nursing babies, having suppler joints and the occasional wild gallop at twilight.
I sing a sad lullaby to myself as I work about the barn with slow deliberation, knowing there is a somber sorrow to life change. The years pass, never to return, leaving those limpid eyes, flowing manes and tails in their wake.
Ah, yes, I have had all the pretty little horses…
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And I was alive in the blizzard of the blossoming pear, Myself I stood in the storm of the bird–cherry tree. It was all leaflife and starshower, unerring, self–shattering power, And it was all aimed at me.
What is this dire delight flowering fleeing always earth? What is being? What is truth?
Blossoms rupture and rapture the air, All hover and hammer, Time intensified and time intolerable, sweetness raveling rot. It is now. It is not. ~Osip Mandelstam “And I Was Alive” (translated by Christian Wiman) from Stolen Air
Ordinary things have always seemed numinous to me. One Calvinist notion deeply implanted in me is that there are two sides to your encounter with the world. You don’t simply perceive something that is statically present, but in fact there is a visionary quality to all experience. It means something because it is addressed to YOU. ~Marilynne Robinson from The Paris Review 2008
We mostly live through routine and ordinary days, unconscious of many treasures and abundance laid before us.
In fact, these are addressed to us as pure gift – postmarked to our address, fully paid, no postage due.
Daily I search the soil of my life, this farm, this faith to find what in me still yearns to grow, to blossom, to fruit, in order to be harvested to share with others.
Such sweetness undoes our inevitable decay.
I am so grateful for the tie that binds me to those who visit this page, hoping what I share makes a difference in your ordinary, but still so precious, day.
The gift of ordinary time is now. Its numinosity is aimed at each one of us.
Poem by Dana Gioia
Echo of the clocktower, footstep in the alleyway, sweep of the wind sifting the leaves. Jeweller of the spiderweb, connoisseur of autumn’s opulence, blade of lightning harvesting the sky.
Keeper of the small gate, choreographer of entrances and exits, midnight whisper traveling the wires. Seducer, healer, deity or thief, I will see you soon enough— in the shadow of the rainfall, in the brief violet darkening a sunset—
but until then I pray watch over him as a mountain guards its covert ore and the harsh falcon its flightless young.
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Resurrection of the little apple tree outside my window, leaf- light of late in the April called her eyes, forget forget— but how How does one go about dying? Who on earth is going to teach me— The world is filled with people who have never died ~Franz Wright “On Earth”from Walking to Martha’s Vineyard
The year Dylan’s mother died I picked sprays of apple blossom, wound its pink, off-white shades in raffia for you to take to him.
Every year it’s out I think of us, the children, how apples bring the tree so low, until they thud to the lawn, drumming the end
of summer. The blossom was heavy when Dylan’s mother was dying – old wood doing its best again – and he, like you, was so young. ~Jackie Wills “Apple Blossom”
Is there anything in Spring so fair As apple blossoms falling through the air?
When from a hill there comes a sudden breeze That blows freshly through all the orchard trees.
The petals drop in clouds of pink and white, Noiseless like snow and shining in the light.
Making beautiful an old stone wall, Scattering a rich fragrance as they fall.
There is nothing I know of to compare With apple blossoms falling through the air. ~Henry Adams Parker “Apple Blossoms”
Jesus, Apple of God’s eye, dangling solitaire on leafless tree, bursting red.
As he drops New Eden dawns and once again we Adams choose: God’s first fruit or death. ~Christine F. Nordquist “Eden Inversed”
But in fact Christ has been raised from the dead, the firstfruits of those who have fallen asleep.For as by a man came death, by a man has come also the resurrection of the dead.
For as in Adam all die, so also in Christ shall all be made alive.But each in his own order: Christ the firstfruits, then at his coming those who belong to Christ. 1 Corinthians 15:20-23
The rain eased enough to allow blades of grass to stand back up refreshed, yet unsuspecting, primed for the mower’s next cutting swath.
Clusters of pink tinged blossoms sway in response to my mower’s pass. Apple buds bulge on snagging branches, showering me from their hidden raindrop reservoirs collected within each blushing petal cup.
My face anointed by perfumed apple tears when I tend to forget – forget– this first fruit is offered, not forbidden, hanging from the tree, broken so our hearts will drop too, bursting open red with Him.
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April is like the raggedy, wandering gypsy lad of the fairy tale. When he moves, streaks of gold show beneath his torn garments and you suspect that this elfin creature is actually a prince in disguise.
April is just that.
There are raggedy, cold days, dark black ones, but all through the month for a second, for an hour, or for three days at a stretch you glimpse pure gold.
The weeks pass and the rags slip away, a shred at a time. Toward the end of the month his royal highness stands before you. ~Jean Hersey from The Shape of a Year
I avoid spending much time in front of mirrors now. I’m thinning on top, thickening a bit lower, sagging and stretching, wrinkled and patched and, let’s face it…raggedy.
Still, if I look closely past the rags and sags, I see the same eyes as my younger self peering back at me.
There are some things that age does not disguise.
The lightness and freshness of youth might be covered up with the trappings of aging, but I’m overjoyed to still be here, just as I am.
Every once in awhile, I believe I glimpse a little gold under my wrinkly surface.
I’m no queen or princess in disguise, but breathing in the scents of certain perfumed days of April can make me feel like one.
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My sorrow’s flower was so small a joy It took a winter seeing to see it as such. Numb, unsteady, stunned at all the evidence Of winter’s blind imperative to destroy, I looked up, and saw the bare abundance Of a tree whose every limb was lit and fraught with snow. What I was seeing then I did not quite know But knew that one mite more would have been too much. ~Christian Wiman “After a Storm” from Once in the West: Poems
A branch strains mightily to bear a summer’s bounty of fruit without breaking.
It sustains the load, but may drop some fruit early: the loss is meant to preserve the tree.
Then comes winter wind and ice storms when one more snowflake may become the mite too much.
What painful pruning is endured. Even the strongest branches may break, or the tree itself toppled.
At what cost do we endure the broken limbs of war?
I am the true vine, and my Father is the gardener. He cuts off every branch in me that bears no fruit, while every branch that does bear fruit he prunes so that it will be even more fruitful. John 15: 1-2
This year’s Barnstorming Lenten theme is Ephesians 3:9:
…to bring to light for everyone what is the plan of the mystery hidden for ages in God, who created all things…
Lyrics: White the sheep that gave the wool Green the pastures where they fed Blue and scarlet side by side Bless the warp and bless the thread
May the charm of lasting life Be upon your flocks in full From the hill where they rest May they rise both whole and well
Bless the man who wears this cloth May he wounded never be From the bitter cold and frost May this cloth protection be
Bless the children warmed within Three times three our love enfold Peace and plenty may they find May they grow both wise and bold
Now is waulked the web we’ve spun Winter storms may rage in vain Bless the work by which we won Comfort from the wind and rain
White the sheep that gave the wool Green the pastures where they fed Blue and scarlet side by side Bless the warp and bless the thread
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Sometimes it’s not about seeking, but of receiving, the way a plum takes in light, an inner ripening that cracks its perfect purple skin, and sweetness, an amber rivulet, crusts along the gash. ~Lois Parker Edstrom from “The Lesson of Plums”
And somehow <she> thrived anyway–the blossom of our family, like one of those miraculous fruit trees that taps into an invisible vein of nurture and bears radiant bushels of plums while the trees around it merely go on living. ~Barbara Kingsolver in Animal Dreams
There is a plum tree on our farm that is so plain and unassuming much of the year that I nearly forget that it is there. It is a bit off by itself away from the other fruit trees; I have to make a point of paying attention to it, otherwise it just blends into the background.
Despite not being noticed or having any special care, this tree thrives. In the spring it is one of the first to bud out into a cloud of white blossoms with a faint sweet scent. Every summer it is a coin toss whether it will decide to bear fruit or not. Some years–not at all, not a single plum. Other years, like this one, it is positively glowing with plum harvest– each a golden oval with a pink blush.
Some years, these plums might be extraordinarily honey-flavored and juicy, a pleasure to eat right off the tree if you don’t mind getting past a bitter skin and an even more bitter pit inside. Other years, like this one, the plums are so beautiful and appear so mouth-watering, but have extraordinarily sour, mouth-puckering flesh. Not even the birds are bothering with them.
This is beauty with a bite — bitterness posing as a gift of sweetness. This tree seems to grin when it sees puckering taking place all around it, as if a commentary on the state of political reality in our country right now.
So if the old term “tucker” is a word describing a great down-home meal, then being “plum-tuckered” describes this paradox of bitter-sweet. We can only pray: when there is so much bitter in this life, may the sweet overwhelm and overcome.
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