My father climbs into the silo. He has come, rung by rung, up the wooden trail that scales that tall belly of cement.
It’s winter, twenty below zero, He can hear the wind overhead. The silage beneath his boots is so frozen it has no smell.
My father takes up a pick-ax and chops away a layer of silage. He works neatly, counter-clockwise under a yellow light,
then lifts the chunks with a pitchfork and throws them down the chute. They break as they fall and rattle far below.
His breath comes out in clouds, his fingers begin to ache, but he skims off another layer where the frost is forming
and begins to sing, “You are my sunshine, my only sunshine.” ~Joyce Sutphen, “Silo Solo” from First Words
Farmers gotta be tough. There is no taking a day off from chores. The critters need to eat and their beds cleaned even during the coldest and hottest days. Farmers rise before the sun and go to bed long after the sun sets.
I come from a long line of farmers on both sides – my mother was the daughter of wheat farmers and my father was the son of subsistence stump farmers who had to supplement their income with outside jobs as a cook and in lumber mills. Both my parents went to college; their parents wanted something better for them than they had. Both my parents had professions but still chose to live on a farm – daily milkings, crops in the garden and fields, raising animals for meat.
My husband’s story is similar, though his parents didn’t graduate from college. Dan milked cows with his dad and as a before-school job in the mornings.
We still chose to live on a farm to raise our children and commit to the daily work, no matter the weather, on sunlit days and blowing snow days and gray muddy days. And now, when our grandchildren visit, we introduce them to the routine and rhythms of farm life, the good and the bad, the joys and the sorrows, and through it all, we are grateful for the values that follow through the generations of farming people.
And our favorite song to sing to our grandchildren is “You are my sunshine, my only sunshine” as it is the sun that sustains our days and its promise of return that sustains our nights.
You’ll never know, dears, how much we love you. Please don’t take our sunshine away.
There are only ten minutes in the life of a pear when it is perfect to eat. ~Ralph Waldo Emerson
Silver dust lifted from the earth, higher than my arms reach, you have mounted. O silver, higher than my arms reach you front us with great mass;
no flower ever opened so staunch a white leaf, no flower ever parted silver from such rare silver;
O white pear, your flower-tufts, thick on the branch, bring summer and ripe fruits in their purple hearts. ~Hilda Doolittle Dawson (H.D.) “Pear Tree”
…we noticed the pear tree, the limbs so heavy with fruit they nearly touched the ground. We went out to the meadow; our steps made black holes in the grass; and we each took a pear, and ate, and were grateful. ~Jane Kenyon from “Coming Home at Twilight in Late Summer”
A moment’s window of perfection is so fleeting in a life of bruises, blemishes and worm holes. Wait too long and nectar-smooth flesh softens to mush and rot.
The unknown rests beneath a blushed veneer: perhaps immature gritty fruit unripened, or past-prime browning pulp brimming with fruit flies readily tossed aside for compost.
Our own sweet salvage from warming humus depends not on flawless flesh deep inside but heaven’s grace dropped into our laps: to be eaten the moment it is offered.
The perfect pear falls when ripe and not a moment before, ready to become an exquisite tart which tastes of a selfless gift.
Sometimes our life reminds me of a forest in which there is a graceful clearing and in that opening a house, an orchard and garden, comfortable shades, and flowers red and yellow in the sun, a pattern made in the light for the light to return to. The forest is mostly dark, its ways to be made anew day after day, the dark richer than the light and more blessed, provided we stay brave enough to keep on going in. ~Wendell Berry from “The Country of Marriage”
Our daughter and her new husband started their married life yesterday with a ceremony on the farm. God invites them into the orchard and yard where His garden is blooming. It is here where His light illuminates the darkness, and where, each day for the rest of their lives, their covenant with one another mirrors their covenant with God as His children.
Even on the dark days, the light pursues them. Even on the dark days, their brave love will bloom.
There is an ancient conversation going on between mosses and rocks, poetry to be sure. About light and shadow and the drift of continents. This is what has been called the “dialect of moss on stone – an interface of immensity and minuteness, of past and present, softness and hardness, stillness and vibrancy…
Most lie low, flourishing with damp, harvesting sunlight, no commotion, moss mouse-silent, even through wind and hail, stoic through motors roaring fumes, through fat-clawed bears grubbing.
They can soothe the knife-edges of stones with frothy leaf by leaf of gray-green life, and burned-ground mosses cover destruction, charred stumps, trees felled and blackened. Cosmopolitan mosses likewise salve sidewalk cracks, crumbling walls.
They root in thin alpine air, on sedentary sand dunes, cling to cliff seeps beneath spilling springs. For rest, they make mats on streamside banks, for pleasure produce silky tufts, wavy brooms of themselves in woodlands for beauty, red roof moss for whim, elf cap, hair cap, sphagnum for nurturing.
I believe they could comfort the world with their ministries. That is my hope, even though this world be a jagged rock, even though this rock be an icy berg of blue or a mirage of summer misunderstood (moss balm for misunderstanding), even though this world be blind and awry and adrift, scattering souls like spores through the deep of a starlit sea. ~Pattiann Rogers from “The Moss Method”
In this part of the world, mosses are everywhere. They are so much a part of the green backdrop, they become invisible as part of the scenery. Our lawn is mostly moss carpet in some spots, and many shingles on roofs sprout verdant fuzz.
Trees and rocks are festooned with moss: draped, painted and garlanded. Moss rugs make bare-foot tree climbing a more comfy adventure with branches forming hairy armpits and cushiony crotches.
Moss is softens our sharp edges, it forgives our abrasive surfaces, it heals the wounds and gaps and cracks. It becomes balm-like therapy for a struggling world baring its teeth in anger and misunderstanding.
I say let it grow: green, gentle, generous and grace-filled. We all can use more of that.
It’s frail, this spring snow, it’s pot cheese packing down underfoot. It flies out of the trees at sunrise like a flock of migrant birds. It slips in clumps off the barn roof, wingless angels dropped by parachute. Inside, I hear the horses knocking aimlessly in their warm brown lockup, testing the four known sides of the box as the soul must, confined under the breastbone. Horses blowing their noses, coming awake, shaking the sawdust bedding out of their coats. They do not know what has fallen out of the sky, colder than apple bloom, since last night’s hay and oats. They do not know how satisfactory they look, set loose in the April sun, nor what handsprings are turned under my ribs with winter gone. ~Maxine Kumin “Late Snow” from Selected Poems: 1960 – 1990
This past weekend we had it all: sun, rain, windstorm, hail, and some local areas even reported a late April snowfall. It is indeed disorienting to have one foot still in winter and the other firmly on grass that needs mowing.
It is also disorienting to look at pandemic data and hear varying experts’ interpretations about what is happening, what they predict and what strategies are recommended.
It may be time to loosen the tight grip on social distancing yet many are reticent to emerge from their confinement, for good reason.
Just last week, we released the Haflingers from their winter lock-in back onto the fields – their winter-creaky barn-confined joints stretched as they joyfully ran the perimeter of the fields before settling their noses into fresh clover. Their ribs sprung with the fragrance of the apple blossom perfume of the orchard and it lifted my sagging spirit to see them gallop. But even the horses are not ready for complete freedom either – I whistled them in after two hours, not wanting them to eat themselves sick with too much spring grass. Their time on the outside will be tightly controlled until it is safe for them to be out unrestricted.
Surprisingly, the horses come in willingly to settle back into their stalls and their confinement routine.
I’m not so different. I long to be set loose in the April sun and the freedom to go when and where I wish. But the new reality means winter is not entirely gone yet and may not be for some time. There are still tragic and untimely losses of life, still plenty of weeping and lament from the grief-stricken who have been robbed prematurely of loved ones due to a virus that is circulating indiscriminately.
So we must ease out slowly, carefully and cautiously, with one ear cocked and ready to be whistled back in when we are called to return to safety.
Lined with light the twigs are stubby arrows. A gilded trunk writhes Upward from the roots, from the pit of the black tentacles.
In the book of spring a bare-limbed torso is the first illustration.
Light teaches the tree to beget leaves, to embroider itself all over with green reality, until summer becomes its steady portrait and birds bring their lifetime to the boughs.
Then even the corpse light copies from below may shimmer, dreaming it feels the cheeks of blossom. ~May Swenson “April Light”
This April we are surrounded by corpse light: the threat of untimely death, so we distance ourselves one from the other, awaiting the “all clear” which may be a long time coming ~
We have already forgotten the unprecedented illumination that walked from the tomb on a bright Sabbath morning to guarantee that we people, we who are no more than bare twigs and stubs, we who feel hardly alive, are now begotten green, ready to burst into blossom, our cheeks pink with life, promising future fruitfulness.
I am a breath Of fresh air for you, a change By and by.
Black March I call him Because of his eyes Being like March raindrops On black twigs.
But this friend Whatever new names I give him Is an old friend. He says:
Whatever names you give me I am A breath of fresh air, A change for you. ~Stevie Smith from “Black March”
Suddenly, in the last week, buds are forming everywhere.
From seemingly dead wood that stands cold and dormant in late March, comes new life, returning like an old friend.
Transforming what seems lifeless, as if fresh air has been breathed into a corpse.
What could be more lifeless than a cross piece of timbers built specifically for execution?
Yet life sprung from that death tree, an unexpected and glorious bud, ready to burst into most fragrant blossom.
God sees us as we are, loves us as we are, and accepts us as we are. But by His grace, He does not leave us where we are. ~Tim Keller
O Deus, ego amo te, O God I love Thee for Thyself Nec amo te ut salves me, and not that I may heaven gain Nec quod qui te non diligent, nor yet that they who love Thee not Æterno igne pereunt. must suffer hell’s eternal pain.
Ex cruces lingo germinat, Out of the bud of the wood of the Cross Qui pectus amor occupant, wherefore hearts’ love embraces Ex pansis unde brachiis, whence out of extended arms Ad te amandum arripes. Amen. you lovingly take us. Amen. ~Prayer of St. Francis Xavier “O Deus Ego Amo Te” 18th Century Traditional
He calls the honeybees his girls although he tells me they’re ungendered workers who never produce offspring. Some hour drops, the bees shut off. In the long, cool slant of sun, spent flowers fold into cups. He asks me if I’ve ever seen a Solitary Bee where it sleeps. I say I’ve not. The nearest bud’s a long-throated peach hollyhock. He cradles it in his palm, holds it up so I spy the intimacy of the sleeping bee. Little life safe in a petal, little girl, your few furious buzzings as you stir stay with me all winter, remind me of my work undone. ~Heid E. Erdrich, from “Intimate Detail” from The Mother’s Tongue
The barn’s brown gable, the vine by the door,— Nothing changed but the hives of bees. Before them, under the garden wall, Forward and back, Went drearily singing the chore-girl small, Draping each hive with a shred of black. Trembling, I listened: the summer sun Had the chill of snow; For I knew she was telling the bees of one Gone on the journey we all must go! ~John Greenleaf Whittier from “Telling the Bees”
An old Celtic tradition necessitates sharing any news from the household with the farm’s bee hives, whether cheery like a new birth or a wedding celebration or sad like a family death. This ensures the hives’ well-being and continued connection to home and community – the bees are kept in the loop, so to speak, so they stay at home, not swarm and move on to a more hospitable place.
Each little life safe at home, each little life with work undone.
Good news seems always easy to share; we tend to keep bad news to ourselves so this tradition helps remind us that what affects one of us, affects us all.
These days, with instant news at our fingertips at any moment, bad news is constantly bombarding us. Like the bees in the hives of the field, we want to flee from it and find a more hospitable home.
I hope the Beekeeper, our Creator, comes personally to each of us to say: “Here is what has happened. All will be well, dear one. We will navigate your little life together.”
On Halloween day in 1985, I packed up my clothes, a roll up mattress, grabbed one lonely pumpkin from our small garden, locked our rental house door for the last time, climbed in my car and headed north out of Seattle. I never looked back in the rear view mirror at the skyline after nine years living in the city. My husband had moved to Whatcom County two months earlier to start his new job. I had stayed behind to wrap up my Group Health family practice in the Rainier Valley of Seattle, now leaving the city for a new rural home and a very uncertain professional future.
Never before had I felt such exhilaration at breaking through one wall to discover the unknown that lay on the other side.
I knew two things for sure: I was finally several months pregnant after a miscarriage and two years of infertility, so our family had begun. We were going to actually live in our own house, not just a rental, complete with a few acres and a barn.
A real (sort of) starter farm.
Since no farm can be complete without animals, I stopped at the first pet store I drove past and found two tortoise shell calico kitten sisters peering up at me, just waiting for new adventures in farmland. Their box was packed into the one spot left beside me in my little Mazda. With that admittedly impulsive commitment to raise and nurture those kittens, life seemed brand new.
I will never forget the feeling of freedom on that drive north out of the traffic congestion of the city. The highway seemed more open, the fall colors more vibrant, the wind more brisk, our baby happily kicking my belly, the kittens plaintively mewing from their box. There seemed to be so much potential even though I had just left behind the greatest job that could be found in any urban setting (the most diverse zip code in the United States): an ideal family practice with patients from all over the world: Muslims from the Middle East and Indonesia, Orthodox Jews, Italian Catholics, African Americans, Cambodians, Laotians, Vietnamese. I would never know so much variety of background and perspective again and if I could have packed them all into the Mazda and driven them north with me, I would have.
We started our farm with those kittens dubbed Nutmeg and Oregano, soon adding an ethnic diversity of farm animals: Belgian Tervuren dog Tango, Haflinger horse Greta, Toggenburg goats Tamsen and her kids, a few Toulouse geese, Araucana chickens, Fiona the Scottish Highland cow, then another Haflinger Hans and another, Tamara. I worked as a fill in locums doctor in four different clinics before our first baby, Nate, was born. We soon added little brother Ben and seven years later, sister Lea. We settled happily into parenthood, our church community, serving on school and community boards, gardening, and enduring the loss of our parents one by one.
Thirty four years later our children have long ago grown and gone to new homes of their own, off to their own adventures beyond the farm. Our sons married wonderful women, moving far away from home, our daughter teaches a fourth grade classroom a few hours away and we have two grandchildren with the third expected any moment.
A few cats, two Cardigan Corgi dogs, and a hand full of ponies remain at the farm with us. We are now both gray and move a bit more slowly, enjoy our naps and the quiet of the nights and weekends. My work has evolved from four small jobs to two decades of two part time jobs to one more than full time job that fit me like a well worn sweater 24 hours a day for thirty years. With retirement looming, I’m trying out a three day a week schedule and the old sweater doesn’t fit quite so comfortably.
My happily retired husband finds he is busier than ever: volunteering, serving on boards and being a full time farmer on our larger 20 acre place of fields and woods.
That rainy Halloween day over three decades ago I was freed into a wider world. I would no longer sit captive in freeway rush hour bumper to bumper traffic jams. Instead I celebrate my daily commute through farm fields, watching eagles fly, and new calves licked by their mamas. I am part of a broader community in a way I never could manage in the city, stopping to visit with friends at the grocery store, playing piano and teaching at church. Our home sits in the midst of woods and corn fields, with deer strolling through the fields at dawn, coyotes howling at night, Canadian and snow geese and trumpeter swans calling from overhead and salmon becoming more prolific every year in nearby streams. The snowy Cascades greet us in the morning and the sunset over Puget Sound bids us good night.
It all started October 31, 1985 with two orange and black kittens and a pumpkin sitting beside me in a little Mazda, my husband waiting for my homecoming 100 miles north. Now, thirty four years and three grown children and three (almost) grandchildren later, we celebrate this Halloween transition anniversary together. We’re still pregnant with the possibility that a wide world is waiting, just on the other side of the wall.
…the golden hour of the clock of the year. Everything that can run to fruit has already done so: round apples, oval plums, bottom-heavy pears, black walnuts and hickory nuts annealed in their shells, the woodchuck with his overcoat of fat. Flowers that were once bright as a box of crayons are now seed heads and thistle down. All the feathery grasses shine in the slanted light. It’s time to bring in the lawn chairs and wind chimes, time to draw the drapes against the wind, time to hunker down. Summer’s fruits are preserved in syrup, but nothing can stopper time. No way to seal it in wax or amber; it slides though our hands like a rope of silk. At night, the moon’s restless searchlight sweeps across the sky. ~Barbara Crooker “And Now it’s October” from Small Rain.
…but I do try to stopper time. I try every day not to suspend it or render it frozen, but like summer flower and fruit that withers, to preserve any sweet moment for sampling through stored words or pictures in the midst of my days of winter. I roll it around on my tongue, its heady fragrance becoming today’s lyrical shared moment, unstoppered, perpetual and always intoxicating.