Ambushed

At first a childhood, limitless and free
of any goals. Ah sweet unconsciousness.
Then sudden terror, schoolrooms, slavery,
the plunge into temptation and deep loss.

Defiance. The child bent becomes the bender,
Inflicts on others what he once went through.
Loved, feared, rescuer, wrestler, victor,
he takes his vengeance, blow by blow.

And now in vast, cold, empty space, alone.
Yet hidden deep within the grown-up heart,
a longing for the first world, the ancient one …

Then, from His place of ambush, God leapt out.
~ Rainer Maria Rilke “Imaginary Career”

26 I will give you a new heart and put a new spirit in you; I will remove from you your heart of stone and give you a heart of flesh. 
Ezekiel 36: 26

God is waiting for us,
ready to perform transplant surgery,
our stony hearts restored to hearts of flesh,
our spirits renewed and refreshed.

We are ambushed by God,
ready to leap back into His arms.



He Sees Us As We Are: Petals on a Bough

The apparition of these faces in the crowd;
Petals on a wet, black bough.
~Ezra Pound “In a Station of the Metro”

All flesh is as grass,
And all the glory of man as the flower of the grass.
The grass withers,
And its flower falls away,
But the word of the Lord endures forever.
1Peter 1:24-25

We won’t be visiting Japan this spring as we have the past several years – we were there over Christmas to meet a new grandson and with the specter of coronavirus has dampened any desire to travel. There are millions of people there and here wondering how this new reality will impact their daily lives. It already has: the store shelves are bare of basic necessities as nervous families stockpile.

In the past, during our time in Tokyo, we are overwhelmed by the sea of faces — each man, woman and child with a place to go to work or school, a place to return home to, a bed to rest upon. Millions pass through the same place in one day and each person, each hair on their head, is cared for and counted by God.

Yet, we are like the transient flowers, reminded again by the emergence of a potentially lethal viral protein packet: we are mortal, each of us, in our clinging like petals to a wet bough – the word of the Lord, our Creator. Only then we become more than apparition.  We bloom where God has planted us.

This year’s Lenten theme on Barnstorming:

God sees us as we are,
loves us as we are,
and accepts us as we are.
But by His grace,
He does not leave us where we are.
~Tim Keller

Did You Cry?

To pull the metal splinter from my palm
my father recited a story in a low voice.
I watched his lovely face and not the blade.
Before the story ended, he’d removed
the iron sliver I thought I’d die from.

I can’t remember the tale,
but hear his voice still, a well
of dark water, a prayer.
And I recall his hands,
two measures of tenderness
he laid against my face,
the flames of discipline
he raised above my head.

Had you entered that afternoon
you would have thought you saw a man
planting something in a boy’s palm,
a silver tear, a tiny flame.
Had you followed that boy
you would have arrived here,
where I bend over my wife’s right hand.

Look how I shave her thumbnail down
so carefully she feels no pain.
Watch as I lift the splinter out.
I was seven when my father
took my hand like this,
and I did not hold that shard
between my fingers and think,
Metal that will bury me,
christen it Little Assassin,
Ore Going Deep for My Heart.
And I did not lift up my wound and cry,
Death visited here!
I did what a child does
when he’s given something to keep.
I kissed my father.
~Li-Young Lee, “The Gift”

Your father enters the poem
early,
storying past
the metal splinter
in your palm.

I set your paternity
—and the poem—
aside,
to reach back for my mother
and try to remember

what kind of day it was
when I played by the barn
where, it is said,
my own father raised pigs
(I do not remember this).

And what kind of day it was
when I found the barn,
door open,
silent

and tried to pluck silver lines
from silver webs
long-left,
then tendered my hand
on noiseless silvered wood

until my palms
were rife with the evidence
of my trying,

and mother
spent the night
with a silver tweezer,
counting as she went…
ninety-eight
ninety-nine
one hundred—

a ritual for my
tears.

And now I wonder,
Li-Young—did you cry,
and who was in the story,
and how many times
have you counted it since,
to forget,
and to remember.

~L. L. Barkat, “Li-Young Lee’s Splinter” from  Love, Etc.

I did, without ever wanting to, remove my child’s splinter, lance a boil, immobilize a broken arm, pull together sliced skin, clean many dirty wounds. It felt like I was always crossing the line between mommy and doctor.  But someone had to do it, and a four hour wait in the emergency room didn’t seem warranted.

My own child learned to cope with hurt made worse by someone they trusted to be comforter. I dealt with inflicting pain, temporary though it may be, to flesh that arose from my own flesh.  It hurt as much as if it were my own wound needing cleansing, not theirs.

Our wounds are His – He is constantly feeling our pain as He performs healing surgeries in our lives, not because He wants to but because He must, to save us from our own destruction.

Too often we yell and kick and protest in our distress, wanting it our way, not His way, making it all that much more difficult for both of us.

If only we can come to acknowledge His intervention is our salvage:
our tears to flow in relief, not anguish, we cling to His protection rather than pushing Him away, we kiss Him in gratitude as we are restored again and yet again.

We Are No Longer Alone: The Word That Takes On Flesh

 

Praise be that this thin mark, this sound
Can form the word that takes on flesh
To enter where no flesh can go
To fill each other’s emptiness.
To words and how they live between us
To us and how we live between the worth

And in between the sound of words
I hear your silent, sounding soul
Where one abides in solitude
Who keeps us one when speech shall go
~Carrie Newcomer and Parker Palmer “Two Toasts”

In the quiet of a room they sigh.
In candle’s glow they live under
An icon’s shadow and an unheard cry
And the Truth-bearing words that thunder–
Those Sacred Silences who
tenderly await the soul.

They speak of His coming, not delayed, but near
for etched in unknown depths, they say,
the same Image of the One whose patient tear
slays the heart and gives all away–
In those Sacred Silences who
tenderly await the soul.

Let saving truth’s grammar unbound
Those lips thirsting for syllables of love
To drink deep the wisdom in whose font resound
Those words below of the Word above:
As enveloped in great silences
The soul awaits His coming.

~Anthony Lilles

In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. All things were made through him, and without him was not any thing made that was made. In him was life, and the life was the light of men. The light shines in the darkness, and the darkness has not overcome it.
John 1: 1-5

Somewhere between the Word in the beginning and the Word that becomes flesh and the Word that now exists in our hearts and hands, there is the sacred silence of God.

Advent is a time of quiet stillness, awaiting the Light brought by the Word; a flint is struck to our wick, the Darkness abolished in the eternal glow of His illuminating Word.

Let all mortal flesh keep silence,
and with fear and trembling stand;
Ponder nothing earthly minded,

For with blessing is His hand,
Christ our God to earth descendeth,
Our full homage to demand.
King of kings, Yet born of Mary,
As of old earth He stood, Lord of lords,
In human vesture, In the body and the blood;
He will give to all the faithful.

His own self for heavenly food.
Rank on rank the host of heaven
spreads its vanguard on the way,
As Light of light descendeth
from the realms of endless day,
That the powers of hell may vanish
as the darkness clears away.
At His feet the six-winged seraph,
Cherubim, With sleepless eye,
Veil their faces to His presence
as with ceaseless voice they cry:
Alleluia! Alleluia! Alleluia! Lord Most High!

Proud Flesh

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There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.

The way things stay so solidly whenever they’ve been set down –
and gravity, scientists say, is weak.

And see how the flesh grows back across a wound, with a great vehemence,
more strong than the simple, untested surface before.

There’s a name for it on horses, when it comes back darker and raised:
proud flesh, as all flesh is proud of its wounds,
wears them as honors given out after battle,
small triumphs pinned to the chest –

And when two people have loved each other,
see how it is like a scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.
~Jane Hirshfield  “For What Binds Us”

 

proudflesh

 

 

A gaping wound heals slowly,
new flesh rising from beneath and from side to side,
growing thicker and stronger than thin skin torn asunder.

That binding scar may not always be beautiful
but it won’t give way,
held fast and tight
built to last forever.

Like our horses’ legs caught in gates or fence
where gashes meld together dark,
we too have proud flesh —
we won’t forget our wounds
or His.

When they are visible
you may see from where my healing comes
and where I remain so soft
and so tender
and so proud.

 

 

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love1

Your Very Flesh

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This is what you shall do:
Love the earth and sun and the animals,
despise riches,
give alms to everyone that asks,
devote your income and labor to others,
hate tyrants,
argue not concerning God,
have patience and indulgence toward the people,
and your very flesh shall be a great poem,
and have the richest fluency, not only in its words,
but in the silent lines of its lips and face,
and between the lashes of your eyes,
and in every motion and joint of your body.
~Walt Whitman from his preface to “Leaves of Grass”

 

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Time lurches ahead in imprecisely measured chunks and today is the start of another summer season of relative rest, of another transition for several thousand college students moving on to another phase of life with advice of all sorts ringing in their ears.

Commencement is best suited to start in a season that itself is a poem.  Summer simply stands on its own in all its extravagant abundance of light and warmth and growth and color stretching deep within the rising and setting horizons. Each long day can feel like it must last forever, never ending, yet, like the length of our fleshy days on earth, it eventually winds down, spins itself out, darkening gradually into shadow.

In a few short months we will let go with reluctance as if no summer like it could ever come again.

Yet another will, somehow, somewhere, someday. Our very flesh can depend on it.

Surely such a never-ending summer is what heaven itself will be.

 

marshmallowlunde

sisters5:17

 

Turn Aside and Look: An Apparition of Petals

japanplum2

plumbranchjapan

plumjapan2

All flesh is as grass,
And all the glory of man as the flower of the grass.
The grass withers,
And its flower falls away,
But the word of the Lord endures forever.
1Peter 1:24-25

camelliajapanpink

The apparition of these faces in the crowd;
Petals on a wet, black bough.
~Ezra Pound “In a Station of the Metro”

17361623_10155072814376119_3257192030123642751_n

atthestation

During our visit here in Japan, particularly at the train stations, we are met by a sea of faces — each man, woman and child with a place to go to work or school, a place to return home to, a bed to rest upon. It can be overwhelming to think of the millions who pass through the same place in a day and to wonder at how each person, each hair on their head, is cared for and counted by God.

Yet, like the transience of flowers, we are mortal, each of us, except in our clinging like petals to a wet bough –the word of the Lord, our Creator. Only then we become more than apparition.  We bloom where we are planted.

japanfreesia2

fallencamellia

Suzuki_Harunobu_-_Woman_Admiring_Plum_Blossoms_at_Night

Woman Admiring Plum Blossoms at Night, Suzuki Harunobu, 18th century
(the print that inspired Ezra Pound’s poem)