To Leave Something Behind

Everyone must leave something behind when he dies,
my grandfather said.
A child or a book or a painting
or a house or a wall built or a pair of shoes made.
Or a garden planted.
Something your hand touched some way
so your soul has somewhere to go when you die,
and when people look at that tree or that flower you planted,
you’re there.

It doesn’t matter what you do, he said,
so long as you change something
from the way it was before you touched it
into something that’s like you after you take your hands away.
The difference between the man who just cuts lawns
and a real gardener is in the touching, he said.
The lawn-cutter might just as well not have been there at all;
the gardener will be there a lifetime.
~Ray Bradbury from Fahrenheit 451

Esther Meyer, nearly 92, photo taken by a granddaughter
Esther’s hands – photo by Donna Meyer
photo by Danielle Meyer Miljevic

At last the entire family stood, like people seeing someone off at the rail station, waiting in the room.

“Well,” said Great-grandma, “there I am, I’m not humble, so it’s nice seeing you standing around my bed. Now next week there’s late gardening and closet-cleaning and clothes-buying for the children to do. And since that part of me is called, for convenience, Great-grandma, won’t be here to step it along, those other parts of me called Uncle Bert and Leo and Tom and Douglas, and all the other names, will have to take over, each to his own.”

“Yes, Grandma.”

Somewhere a door closed quietly.

… she saw it shaping in her mind quietly, and with serenity like a sea moving along and endless and self-refreshing shore.

Downstairs, she thought, they are polishing the silver, and rummaging the cellar, and dusting in the halls. She could hear them living all through the house.

“It’s all right,” whispered Great-grandma, as the dream floated her. “Like everything else in this life, it’s fitting.”

And the sea moved her back down the shore.
~Ray Bradbury “Great-Grandmother” from Dandelion Wine

Esther learned young how to work and she never forgot, still working up until the last few days of her long life.

Today she is sweeping up, wiping down counters and washing the dishes in a corner of heaven, after baking cookies and putting a soup on to simmer, to be sure everyone up there is well-fed and feels welcome.

She grew up on a remote farm in South Dakota where survival meant the whole family pitched in to help. When she married Pete and headed west to Washington, the work never let up: six sons, a small farm, a construction business to help manage, working as a caretaker privately and in a nursing home, taking on the mission of coordinating a large Sunday School ministry in our small church back over fifty years ago and never leaving.

Esther touched everything and everyone in this life, leaving a bit of herself behind in all of us. She’ll stay plenty busy in the next life.

She was Wiser Lake Chapel for over half her life, along with her husband Pete who passed from chronic leukemia over a decade ago. Their son Wes took on many of Pete’s carpentry and building maintenance duties at church, but then he too lost a fight with acute leukemia.

Esther persevered despite these heartbreaking losses, a tenacious testament to the power of the Spirit in one woman’s life. She had more artificial joints in her body than her own joints, some replaced twice. Her heart tried to fail any number of times, most recently after a trip to Europe she made earlier this year, by herself, to visit her missionary son. She never stopped driving. She never stopped walking even though every step took immense effort paid in pain. She came to every church service, morning and night and mid-week, usually with something fresh-baked in her hand. If soup was needed for a meal on short notice, she could make it happen in an hour from what she stored away in her freezer. She was a self-appointed clean-up crew, wheeling her walker from table to sink to counter to trash can and back again.

Every new great-grandbaby and every new Chapel baby had a hand-made Esther quilt, complete with her hand-painted pictures and the details of the birthday and birthweight printed on it. She made hundreds over her lifetime.

Esther’s family is a large exuberant and glory-filled group of sons and daughter-in-laws and grands and great-grands who reflect who she and Pete were to them, to our church and the greater community. They are a legacy left on earth, to keep up the good work and gratitude-filled worship, to never ever give up, no matter how tough life can be.

Thank you, Esther, for changing us all so profoundly we won’t ever be the same as we were before you touched us; you left us all so much better than before. Now I believe we all are just a little bit like you.

And most of all, thanks for 90-plus years of your loving labor on the Lord’s behalf. The soup is on the stove in memory of you.

Something Finished

Gold of a ripe oat straw, gold of a southwest moon,
What is there for you in the birds, the birds, the birds, crying
down on the north wind in September, acres of birds spotting
the air going south?

Is there something finished? And some new beginning on the
way?

I cried over beautiful things knowing no beautiful thing lasts.
~Carl Sandburg from “Fall Time” and “Autumn Movement”

My summer of “no doctoring” finishes today. I return to part-time clinical work tomorrow; a new beginning is on the way.

I am readying myself.

I consider how it will feel to put the stethoscope back on and return to spending most of my daylight hours in window-less rooms. Several months of freedom to wander and wonder will be tough to give up.

However, when I meet my first patient of the day, I’m “all in.” Someone is needing my help more than I need time off. The wind has shifted, it is time to migrate back to the work I was called to do over forty years ago.

Still I will look for beautiful things where I can find them, knowing that even though they don’t last, they will always be well worth the weeping.

A Bright Sadness: All Creatures Doing Their Best

All creatures are doing their best
to help God in His birth
of Himself.

Enough talk for the night.
He is laboring in me;

I need to be silent 
for a while,

worlds are forming
in my heart.    
~Meister Eckhart from “Expands His Being”

These last few days of winter are a reawakening of nature’s rebirthing rhythms, with increased activity of all the wild creatures and birds around us, and most importantly, God’s renewal of our weary wintery hearts.

Some late winter and early spring mornings still are pitch black with blustering winds and rain, looking and feeling like the bleakest of December mornings about to plunge into the death spiral of winter all over again.

No self-respecting God would birth Himself into a dawn as dark as night.

But this God would.

He labors in our bleakest of hearts for good reason.  We are unformed and unready to meet Him in the light, clinging as we do to our dark ways and thoughts.  Though we soon celebrate the rebirth of springtime, it is just so much talk until we accept the change of being transformed ourselves.

Though soon the birds will be singing their hearts out and the frogs chorusing in the warming ponds, we, His people, are silenced as He prepares us and prepares Himself for birth within us.   The labor pains are His, not ours;  we become awed witnesses to His first and last breath when He makes all things, including us, new again.

The world and its creatures, including us, is reborn — even where dark reigned before, even where it is bleakest, especially inside our healing wintery hearts.

The Snuffle of Winter

We praise thee, O God, for thy glory
displayed in all the creatures of the earth,
In the snow, in the rain, in the wind, in the storm;
in all of thy creatures, both the hunters and the hunted…
They affirm thee in living;
all things affirm thee in living;
the bird in the air, both the hawk and the finch;
the beast on the earth, both the wolf and the lamb;…
Therefore man, whom thou hast made
to be conscious of thee,
must consciously praise thee,
in thought and in word and in deed.
Even with the hand to the broom,
the back bent in laying the fire,
the knee bent in cleaning the hearth…
The back bent under toil,
the knee bent under sin,
the hands to the face under fear,
the head bent under grief,
Even in us the voices of the seasons,
the snuffle of winter, the song of spring,
the drone of summer,
the voices of beasts and of birds,
praise thee. 

~T.S. Eliot from Murder in the Cathedral

In the midst of all the snuffling viruses of winter,
the back breaking daily work and labor:

this amazing glory happens this morning

the sky is afire with Him

I am reminded yet again
all things affirm thee in living
and so shall I.

And so shall I.

Get On With Work or Take It Slow

barbsrooster

 

clematis2

 

emptychairs

 

Sweet smell of phlox drifting across the lawn—
an early warning of the end of summer.
August is fading fast, and by September
the little purple flowers will all be gone.
Season, project, and vacation done.
One more year in everybody’s life.
Add a notch to the old hunting knife
Time keeps testing with a horny thumb.
Over the summer months hung an unspoken
aura of urgency. In late July
galactic pulsings filled the midnight sky
like silent screaming, so that, strangely woken,
we looked at one another in the dark,
then at the milky magical debris
arcing across, dwarfing our meek mortality.
There were two ways to live: get on with work,
redeem the time, ignore the imminence
of cataclysm; or else take it slow,
be as tranquil as the neighbors’ cow
we love to tickle through the barbed wire fence
(she paces through her days in massive innocence,
or, seeing green pastures, we imagine so).
In fact, not being cows, we have no choice.
Summer or winter, country, city, we
are prisoners from the start and automatically,
hemmed in, harangued by the one clamorous voice.
Not light but language shocks us out of sleep
ideas of doom transformed to meteors
we translate back to portents of the wars
looming above the nervous watch we keep.
~Rachel Hadas from “The End of Summer”
sunrise94141
hazycows
fieldcows9517
In observance of Labor Day:
I did not grow up in a household that took time off.  Time was redeemed by work, and work was noble and honorable and proved we had a right to exist.
Vacation road trips were rare and almost always associated with my father’s work.  When he came home from his desk job in town, he would immediately change into his farm clothes and put in several hours of work outside, summer or winter, rain or shine, light or dark.
My mother did not work in town while we were children, but worked throughout her day inside and outside the house doing what farm wives and mothers need to do: growing, hoeing, harvesting, preserving, washing, cleaning, sewing, and most of all, being there for us.
As kids, we had our share of chores that were simply part of our day as our work was never done on a farm. When we turned twelve, we began working for others: babysitting, weeding, barn and house cleaning, berry picking.  I have now done over 52 years of gainful employment – there were times I worked four part-time jobs at once because that was what I could put together to keep things together.
The thought of “retirement” is anathema for me but that time will come for me when I am ready to take it slow. I know I’ve missed out on much of life being a “nose to the grindstone” person.
I wish there had been more times I had taken a few moments to be more like the cows I see meandering, tranquil and unconcerned, in the surrounding green pastures. Part of every day now I pull myself away from the work to be done, the work that is always calling and staring me in the face, and try a different way to redeem my time: to notice, to record, to observe, to appreciate beauty that exists in the midst of chaos and cataclysm and neverending portents of war.
Life isn’t all about non-stop labor, yet we get on with our work because work is about showing up when and where we are needed. Not being cows, we may feel we have no choice in the matter. Just maybe, like cows, we can manage to slow down,  watch what is happening around us, and by chewing our cud, keep contemplating and digesting whatever life feeds us, the sweet and the sour.
sunrise971411
morning528151

To Labor and Not Seek Reward

daylily7917

 

crow

 

And then there was St Kevin and the blackbird.
The saint is kneeling, arms stretched out, inside
His cell, but the cell is narrow, so

One turned-up palm is out the window, stiff
As a crossbeam, when a blackbird lands
And lays in it and settles down to nest.

Kevin feels the warm eggs, the small breast, the tucked
Neat head and claws and, finding himself linked
Into the network of eternal life,

Is moved to pity: now he must hold his hand
Like a branch out in the sun and rain for weeks
Until the young are hatched and fledged and flown.

*

And since the whole thing’s imagined anyhow,
Imagine being Kevin. Which is he?
Self-forgetful or in agony all the time

From the neck on out down through his hurting forearms?
Are his fingers sleeping? Does he still feel his knees?
Or has the shut-eyed blank of underearth

Crept up through him? Is there distance in his head?
Alone and mirrored clear in love’s deep river,
‘To labour and not to seek reward,’ he prays,

A prayer his body makes entirely
For he has forgotten self, forgotten bird
And on the riverbank forgotten the river’s name.
~Seamus Heaney “St. Kevin and the Blackbird”

 

yellowmorning2

 

Eternal Word, only begotten Son of God,
Teach me true generosity.
Teach me to serve you as you deserve.
To give without counting the cost,
To fight heedless of wounds,
To labor without seeking rest,
To sacrifice myself without thought of any reward
Save the knowledge that I have done your will.
Amen.

~St. Ignatius’ Prayer for Generosity

 

thistlegrass

 

Heaney shifts from the literal (if “imagined”) physical world to the metaphysical and symbolic. In the midst of burnout and mental detachment, Kevin is somehow returned to and reconnected with his calling at a level deeper than conscious thought. Indeed, in the span of one brief line break, it is as though he has become indistinguishable from his life’s mission itself: he is “mirrored clear” in the pure, deep waters of an empathetic love for the “network of eternal life” into which he is presently and vitally “linked.”

The way Heaney constructs the next two lines calls attention to the paradox of mindfulness he illuminates. Kevin “prays,” which perhaps most immediately suggests that he entreats God to help him “labour and not to seek reward.” But after the stanza break, Heaney reveals that this prayer is not at all what the reader might have expected; Kevin’s prayer is not conscious because he is no longer conscious in the workaday-world way. Rather, Kevin’s is

“A prayer his body makes entirely
For he has forgotten self, forgotten bird
And on the riverbank forgotten the river’s name.

When he can no longer muster the energy to think of the life entrusted to him, his own delights and discomforts in fostering that life, or even the original life force (here, the “river”) that led to his vocation, it is as if a kind of autonomic spirituality kicks in to complement the compassionate detachment with which—or in which—he holds the blackbird. Body and soul and work are one.
~Kimberly R. Myers, PhD, MA from “Mindfulness and Seamus Heaney” from JAMA’s
A Piece of My Mind, Aug.1, 2017

 

hydrangeaaugust

…we have tried to do too much, pretending to be in such control of things that we are indispensible…

…if you’re like me, you take a kind of comfort in being busy. The danger is that we will come to feel too useful, so full of purpose and the necessity of fulfilling obligations that we lose sight of God’s play with creation, and with ourselves.
~Kathleen Norris from The Quotidian Mysteries

 

foothillssunset73117

 

 

Forgiving the Scythe

earsgrass

To the earnest love that laid the swale in rows…

The fact is the sweetest dream that labor knows.
My long scythe whispered and left the hay to make.
~Robert Frost in “Mowing”

pa_neh_17
Winslow Homer’s The Veteran in a New Field

meltingfield

The grass around our orchard and yet-to-be-planted garden is now thigh-high. It practically squeaks while it grows. Anything that used to be in plain sight on the ground is rapidly being swallowed up in a sea of green: a ball, a pet dish, a garden gnome, a hose, a tractor implement, a bucket. In an effort to stem this tidal flood of grass, I grab the scythe out of the garden shed and plan my attack. The pastures are too wet yet for heavy hooves so I have hungry horses to provide for and there is more than plenty fodder to cut down for them.

I’m not a weed whacker kind of gal. First there is the necessary fuel, the noise necessitating ear plugs, the risk of flying particles requiring goggles–it all seems too much like and act of war to be remotely enjoyable. Instead, I’m trying to take scything lessons from my husband. Emphasis on “trying”.

I grew up watching my father scythe our hay in our field because he couldn’t afford a mower for his tractor. He enjoyed physical labor in the fields and woods–his other favorite hand tool was a brush cutter that he’d take to blackberry bushes. He would head out to the field with the scythe over this shoulder, grim reaper style. Once he was standing on the edge of the grass needing to be mowed, he would then lower the scythe, curved blade to the ground, turn slightly, positioning his hands on the two handles just so, raise the scythe up past his shoulders, and then in a full body twist almost like a golf swing, he’d bring the blade down. It would follow a smooth arc through the base of the standing grass, laying clumps flat in a tidy pile alongside the 2 inch stubble left behind. It was a swift, silky muscle movement — a thing of beauty.

I’ve yet to manage anything nearly as graceful. I tend to chop and mangle rather than effect an efficient slicing blow. I unintentionally trample the grass I mean to cut. I get blisters from holding the handles too tightly. It feels hopeless that I’ll ever perfect that whispery rise and fall of the scythe, with the rhythmic shush sound of the slice that is almost hypnotic.

Not only am I an ineffective scything human, but I have also learned what it is like to be the grass I am unintentionally mutilating, on the receiving end of a glancing blow that misses the mark. I bear plenty of footprints from the trampling. It can take awhile to stand back up after being knocked repeatedly to the ground.

Sometimes it makes more sense to simply start over as stubble, oozing and bleeding green, with deep roots that no one can reach. As I grow back, I will sing rather than squeak, and I’ll forgive the scythe every time it comes down on my head.

 

gnome2

peekaboo