It hangs on its stem like a plum at the edge of a darkening thicket.
It’s swelling and blushing and ripe and I reach out a hand to pick it
but flesh moves slow through time and evening comes on fast
and just when I think my fingers might seize that sweetness at last
the gentlest of breezes rises and the plum lets go of the stem.
And now it’s my fingers ripening and evening that’s reaching for them. ~Geoffrey Brock, “The Day” author of Voices Bright Flags
Let the light of late afternoon shine through chinks in the barn, moving up the bales as the sun moves down.
Let the cricket take up chafing as a woman takes up her needles and her yarn. Let evening come.
Let dew collect on the hoe abandoned in long grass. Let the stars appear and the moon disclose her silver horn.
To the bottle in the ditch, to the scoop in the oats, to air in the lung let evening come.
Let it come, as it will, and don’t be afraid. God does not leave us comfortless, so let evening come. ~Jane Kenyon, from “Let Evening Come” from Collected Poems.
So much of our living is preparing for rest and here we are, fighting it every step of the way.
We resist it mightily: the toddler fussing about taking a nap, the youngster devoted to their screen time and unwilling to surrender to darkness, or the parent trying to eke out the last bit of daylight to get the chores done.
We are comforted by activity. We are created in the image of One who remembered to rest.
So must we be “evened” by Him. The evening comes – there is no stopping it – we are to settle into it, our fingertips ripening, to close our eyes and drift on the comfort it brings.
We thought we were the perfect family— loyal, stable, a brick wall you couldn’t topple with a wrecking ball. Parents dependable as the frozen Minute Maid juice we squeezed from cardboard cans and drank mornings, reconstituted.
We’d come to this place just to be together. October in Ogunquit, record heat, no need for the sweaters we’d packed. Dad had died but Mom, in her 80s, sat pouring green tea, our wicker chairs on the small porch, six sets of knees touching.
She didn’t mean to mention Dad’s first wife.
To our collective what? she sputtered lasted a year, before the war, her name: Phyllis. Remember that chest in the basement? It was hers.
Some moments passed, then mutely we agreed to let it go. Radium glowed green in our brains but didn’t burn. The knowing, a relief: We didn’t have to be perfect.
The August-warm wind felt pleasant and odd. We sat on that porch, orange leaves pinwheeling down the street. ~Karen Paul Holmes “Rental Cottage, Maine” from No Such Thing as Distance
Surfacing to the street from a thirty two hour hospital shift usually means my eyes blink mole-like, adjusting to searing daylight after being too long in darkened windowless halls. This particular day is different. As the doors open, I am immersed in a subdued gray Seattle afternoon, with horizontal rain soaking my scrubs.
Finally remembering where I had parked my car in pre-dawn dark the day before, I start the ignition, putting the windshield wipers on full speed. I merge onto the freeway, pinching myself to stay awake long enough to reach my apartment and my pillow.
The freeway is a flowing river current of head and tail lights. Semitrucks toss up tsunami waves cleared briefly by my wipers frantically whacking back and forth.
Just ahead in the lane to my right, a car catches my eye — it looks just like my Dad’s new Buick. I blink to clear my eyes and my mind, switching lanes to get behind. The license plate confirms it is indeed my Dad, oddly 100 miles from home in the middle of the week. I smiled, realizing he and Mom, the best parents ever, have probably planned to surprise me by taking me out for dinner.
I decide to surprise them first, switching lanes to their left and accelerating up alongside. As our cars travel side by side in the downpour, I glance over to my right to see if I can catch my Dad’s eye through streaming side windows. He is looking away to the right at that moment, obviously in conversation. It is then I realize something is amiss. When my Dad looks back at the road, he is smiling in a way I have never seen before. There are arms wrapped around his neck and shoulder, and a woman’s auburn head is snuggled into his chest.
My mother’s hair is gray.
My initial confusion turns instantly to fury. Despite the rivers of rain obscuring their view, I desperately want them to see me. I think about honking, I think about pulling in front of them so my father would know I have seen and I know. I think about ramming them with my car so that we’d perish, unrecognizable, in an explosive storm-soaked mangle.
At that moment, my father glances over at me and our eyes meet across the white line separating us. His face is a mask of betrayal, bewilderment and then shock, and as he tenses, she straightens up and looks at me quizzically.
I can’t bear to look any longer.
I leave them behind, speeding beyond, splashing them with my wake. Every breath burns my lungs and pierces my heart. I can not distinguish whether the rivers obscuring my view are from my eyes or my windshield.
Somehow I made it home to my apartment, my heart still pounding in my ears. The phone rings and remains unanswered.
I throw myself on my bed, bury my wet face in my pillow and pray — for a sleep without dreams, without secrets, without lies, without the burden of knowing the truth I alone now knew and wished I didn’t.
After the keen still days of September, the October sun filled the world with mellow warmth… The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her… In October any wonderful unexpected thing might be possible. ~Elizabeth George Speare The Witch of Blackbird Pond
As we enter a week of storm fronts carrying wind and rain and gray, we know we may not really surface under the sun for another 5 months.
The unexpected may happen and we can expect that it will. I’ll be ready.
I’ve come to understand that life “composts” and “seeds” us as autumn does the Earth. I’ve seen how possibility gets planted in us even in the hardest of times.
Looking back, I see how the job I lost pushed me to find work that was mine to do, how the “Road Closed” sign turned me toward terrain I’m glad I traveled, how losses that felt irredeemable forced me to find new sources of meaning. In each of these experiences, it felt as though something was dying, and so it was. Yet deep down, amid all the falling, the seeds of new life were always being silently and lavishly sown. ~Parker Palmer
I know disappointment feels particularly bitter when I’m the one at fault, realizing I could have done things differently, not letting go when I kept hanging on.
I know that my failings, like leaves that flame out as everything around turns cold and brisk and unforgiving, eventually fall to the ground, to be forgotten compost by spring. Yet I don’t forget.
I know hard times become the seeds and nurture for new growth and new life, like a planting of possibilities in the soil of regret.
I’m given chances, again and again, to try to get it right. All is grace.
Glory be to God for dappled things – For skies of couple-colour as a brinded cow; For rose-moles all in stipple upon trout that swim; Fresh-firecoal chestnut-falls; finches’ wings; Landscape plotted and pieced – fold, fallow, and plough; And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange; Whatever is fickle, freckled (who knows how?) With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change: Praise him. ~Gerard Manley Hopkins “Pied Beauty”
The unconventional and unnoticed beauty, freckled, spare and strange– helps me feel beautiful too. The interplay of light and shadow within every moment of our existence, some moments darker than others, some brilliant and dazzling.
I try to find the sweet and sour, knowing I’m capturing my own dappled essence – a reflection of the Fathering that loves us even in our fickleness, who possibly could know how?
There is no perfection outside of Him; His reflected beauty has no uniformity. We give Him glory in our imperfection, the defects and blemishes which only He can make whole. Who knows why He does this? Yet He does.
There seemed a smell of autumn in the air At the bleak end of night; he shivered there In a dank, musty dug-out where he lay, Legs wrapped in sand-bags,—lumps of chalk and clay Spattering his face. Dry-mouthed, he thought, “To-day We start the damned attack; and, Lord knows why, Zero’s at nine; how bloody if I’m done in Under the freedom of that morning sky!” And then he coughed and dozed, cursing the din.
Was it the ghost of autumn in that smell Of underground, or God’s blank heart grown kind, That sent a happy dream to him in hell?— Where men are crushed like clods, and crawl to find Some crater for their wretchedness; who lie In outcast immolation, doomed to die Far from clean things or any hope of cheer, Cowed anger in their eyes, till darkness brims And roars into their heads, and they can hear Old childish talk, and tags of foolish hymns.
He sniffs the chilly air; (his dreaming starts). He’s riding in a dusty Sussex lane In quiet September; slowly night departs; And he’s a living soul, absolved from pain. Beyond the brambled fences where he goes Are glimmering fields with harvest piled in sheaves, And tree-tops dark against the stars grown pale; Then, clear and shrill, a distant farm-cock crows; And there’s a wall of mist along the vale Where willows shake their watery-sounding leaves. He gazes on it all, and scarce believes That earth is telling its old peaceful tale; He thanks the blessed world that he was born…. Then, far away, a lonely note of the horn.
They’re drawing the Big Wood! Unlatch the gate, And set Golumpus going on the grass: He knows the corner where it’s best to wait And hear the crashing woodland chorus pass; The corner where old foxes make their track To the Long Spinney; that’s the place to be. The bracken shakes below an ivied tree, And then a cub looks out; and “Tally-o-back!” He bawls, and swings his thong with volleying crack,— All the clean thrill of autumn in his blood, And hunting surging through him like a flood In joyous welcome from the untroubled past; While the war drifts away, forgotten at last.
Now a red, sleepy sun above the rim Of twilight stares along the quiet weald, And the kind, simple country shines revealed In solitudes of peace, no longer dim. The old horse lifts his face and thanks the light, Then stretches down his head to crop the green. All things that he has loved are in his sight; The places where his happiness has been Are in his eyes, his heart, and they are good. * * * * Hark! there’s the horn: they’re drawing the Big Wood. ~Siegfried Sassoon “Break of Day” (written about his memories as a WWI soldier)
When we are at war, whether deep in the foxhole hiding from the enemy, or deeper yet in a hole of our own making, trying to conceal our sins.
Amidst that mire and mud, we dream of better days and an untroubled past, when the hunter and hunted was merely a game, not life and death.
May we know the means of peace was brought to earth.
May we surface in mutual surrender, begging for reprieve, longing for redemption. May the solitudes of peace overwhelm those who are angry and conflicted. May we lift our faces up and thank the Light.