Evening Out

Another word I love is evening
for the balance it implies, balance
being something I struggle with.
I suppose I would like to be more
a planet, turning in & out of light
It comes down again to polarities,
equilibrium. Evening. The moths
take the place of the butterflies,
owls the place of hawks, coyotes
for dogs, stillness for business,
& the great sorrow of brightness
makes way for its own sorrow.
Everything dances with its strict
negation, & I like that. I have no
choice but to like that. Systems
are evening out all around us—
even now, as we kneel before
a new & ruthless circumstance.
Where would I like to be in five
years, someone asks—& what
can I tell them? Surrendering
with grace to the evening, with
as much grace as I can muster
to the circumstance of darkness,
which is only something else
that does not stay.

~Jeremy Radin “Evening”

Let the light of late afternoon
shine through chinks in the barn, moving  
up the bales as the sun moves down.

Let the cricket take up chafing  
as a woman takes up her needles   
and her yarn. Let evening come.

Let dew collect on the hoe abandoned   
in long grass. Let the stars appear
and the moon disclose her silver horn.

Let the fox go back to its sandy den.   
Let the wind die down. Let the shed   
go black inside. Let evening come.

To the bottle in the ditch, to the scoop   
in the oats, to air in the lung   
let evening come.

Let it come, as it will, and don’t   
be afraid. God does not leave us   
comfortless, so let evening come.

~Jane Kenyon “Let Evening Come”

So much of our living is preparing for rest and here I am, fighting it every step of the way.

I resist it mightily:
like my toddler grandson fussing about taking a nap, 
or a youngster devoted to screen time and unwilling to surrender to darkness,
or a parent trying to eke out the last bit of daylight to get the chores done. 

I am comforted by staying busy.
Yet, I was created in the image of One who remembered to rest. 

So must I be “evened out” by Him.
The evening comes – there is no stopping it –
I am to settle into it, to breathe deeply of it,
to close my eyes and drift on the comfort it brings.

When the evening falls
And the daylight is fading
From within me calls
Could it be I am sleeping?
For a moment I stray
Then it holds me completely
Close to home – I cannot say
Close to home feeling so far away
As I walk the room there before me a shadow
From another world, where no other can follow
Carry me to my own, to where I can cross over
Close to home – I cannot say
Close to home feeling so far away
Forever searching; never right I am lost in oceans of night.
Forever hoping I can find memories
Those memories I left behind
Even though I leave will I go on believing
That this time is real – am I lost in this feeling?
Like a child passing through
Never knowing the reason I am home –
I know the way I am home – feeling oh, so far away

Abendlied (Evening Song) translation
Bide with us,
for evening shadows darken,
and the day will soon be over.

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Why Not Stop and Do Nothing For A While

You see them on porches and on lawns
down by the lakeside,
usually arranged in pairs implying a couple

who might sit there and look out
at the water or the big shade trees.
The trouble is you never see anyone

sitting in these forlorn chairs
though at one time it must have seemed
a good place to stop and do nothing for a while.

Sometimes there is a little table
between the chairs where no one
is resting a glass or placing a book facedown.

It may not be any of my business,
but let us suppose one day
that everyone who placed those vacant chairs

on a veranda or a dock sat down in them
if only for the sake of remembering
what it was they thought deserved

to be viewed from two chairs,
side by side with a table in between.
The clouds are high and massive on that day.

The woman looks up from her book.
The man takes a sip of his drink.
Then there is only the sound of their looking,

the lapping of lake water, and a call of one bird
then another, cries of joy or warning—
it passes the time to wonder which.
~Billy Collins “The Chairs That No One Sits In”  from Aimless Love

I don’t take enough time
to do nothing.

I think about doing nothing all the time
but then I do nothing about it.

Too many lonely benches on porches
so many empty chairs
too many vistas unnoticed
so many birds singing with no one listening

all deserve an appreciative audience,
someone who is simply there to see and hear and be.

Perhaps today.
Possibly today.
Maybe, just maybe,
today.

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An Unthinkable Price

No, I will never know
what you saw or what you felt,
thrust into the maw of Eternity,

watching the mortars nightly
greedily making their rounds,
hearing the soft damp hiss

of men’s souls like helium escaping
their collapsing torn bodies,
or lying alone, feeling the great roar

of your own heart.
But I know:
there is a bitter knowledge

of death I have not achieved.
Thus in thankful ignorance,
and especially for my son

and for all who benefit so easily
at so unthinkable a price,
I thank you.

~Michael Burch “Privilege”


(for my father on Memorial Day)

It was only a part of what we knew about you-
serving three long years in the South Pacific,
spoken of obliquely
only if asked about,
but never really answered.

We knew you were a Marine battalion leader,
knew you spent too many nights without sleep,
unsure if you’d see the dawn
only to dread
what the next day would bring.

We knew you lost friends
and your innocence;
found unaccustomed strength
inside a mama’s boy
who once cried too easily and later almost never.

Somehow life had prepared you for this:
pulling your daddy out of bars when you were ten
watching him beat your mama
until finally getting big enough
to stand in the way.

Then Tarawa, Saipan, Tinian beaches
bitterly bloodsoaked
battles won,
to be restored and renewed
as vacation resorts.

We let you go without knowing
your full story–
even Mom didn’t ask.
You could not share the depth
of horror and fear you felt.

It was not shame that kept you silent;
simply no need to revisit
the pain of remembrance.
It was done, finished, you had done your duty.

So as we again set flowers and flag
on your grave,
reunited with Mom after years apart,
I regret so many questions unasked
of a sacrifice beyond imagining,
you having paid an unthinkable price.

Sleep well, Dad,
with Mom now by your side.
I rejoice you finally wakened
to a renewed dawn.

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A Tongue of Flame

Come, Holy Spirit,
bending or not bending the grasses,
appearing or not above our heads in a tongue of flame,
at hay harvest or when they plough in the orchards or when snow
covers crippled firs…
~Czeslaw Milosz from “Veni Creator” in Selected and Last Poems

Unless the eye catch fire,
Then God will not be seen.
Unless the ear catch fire
Then God will not be heard.
Unless the tongue catch fire
Then God will not be named.
Unless the heart catch fire,
Then God will not be loved.
Unless the mind catch fire,
Then God will not be known.
~William Blake from “Pentecost”

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed.

And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs—
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.
~Gerard Manley Hopkins from “God’s Grandeur”

Love flows from God into man,
Like a bird
Who rivers the air
Without moving her wings.
Thus we move in His world,
One in body and soul,
Though outwardly separate in form.
As the Source strikes the note,
Humanity sings–
The Holy Spirit is our harpist,
And all strings
Which are touched in Love
Must sound.
~Mechtild of Magdeburg 1207-1297 “Effortlessly”
trans. Jane Hirshfield

May the Divine
rain down
in strange syllables
yet with
an ancient familiarity,
a knowing borne
in the blood,
the ear,
the tongue,
bringing the clarity
that comes
not in stone
or in steel
but in fire,
in flame.

May there come
one searing word:
enough to bare you
to the bone,
enough to set
your heart ablaze,
enough to make you
whole again.
~Jan Richardson from Circle of Grace: A Book of Blessings for the Seasons

On this day of Pentecost,
when we feel we are without hope,
when the bent world reels in blood and violence,
when faith feels frail,
when love seems distant:

We wait stilled and silent
for the moment we are lit afire by the Holy Spirit ~
when the Living God is
seen, heard, named, loved, known
forever burning in our hearts deep down,
brooded over by His bright wings

We are His dearest and freshest
in this moment
and for eternity.

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The Honey of Afternoon Light

How swiftly the strained honey
of afternoon light
flows into darkness

and the closed bud shrugs off
its special mystery
in order to break into blossom

as if what exists, exists
so that it can be lost
and become precious
~Lisel Mueller “In Passing”

Each one of us is like a swelling bud hanging heavy and waiting on the stem —
already but not quite yet.

Such is the late afternoon light of a mid-spring day.
There is an air of mystery in a honeyed moment of illumination
knowing something more is coming.

Not just the inevitable darkness when we all must give up the light to sleep.
Not just opening wide to what we cannot yet understand.
Not just peering through a glass darkly.

Breaking into blossom means opening fully,
into the glow of full ripeness,
to become part of the light itself.

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A Palouse Farmgirl

My mother, Elna Schmitz Polis, was born 103 years ago today in the lonely isolation of a Palouse wheat and lentil farm in eastern Washington. She drew her first breath in a two story white house located down a long poplar-lined lane and nestled in a draw between the undulating hills.

She attended a one room school house until 8th grade, located a mile away in the rural countryside, then moved in with her grandmother “in town” in Rosalia to attend high school, seeing her parents only a couple times a month.

It was a childhood which accustomed her to solitude and creative play inside her mind and heart – her only sibling, an older brother, was busy helping their father on the farm. All her life and especially in her later years, she would prefer the quiet of her own thoughts over the bustle of a room full of activities and conversation.

Her childhood was filled with exploration of the rolling hills, the barns and buildings where her father built and repaired farm equipment, and the chilly cellar where the fresh eggs were stored after she reached under cranky hens to gather them. She sat in the cool breeze of the picketed yard, watching the huge windmill turn and creak next to the house. She helped her weary mother feed farm crews who came for harvest time and then settled in the screened porch listening to the adults talk about lentil prices and bushel production. She woke to the mourning dove call in the mornings and heard the coyote yips and howls at night.

She nearly died at the age of 13 from a ruptured appendix, before antibiotics were an option. That near-miss seemed to haunt her life-long, filling her with worry that it was a mistake that she survived that episode at all. Yet she thrived despite the anxiety, and ended up, much to her surprise, living a long life full of family and faith, letting go at age 88 after fracturing a femur, breaking her will to continue to live.

As a young woman, she was ready to leave the wheat farm behind for college, devoting herself to the skills of speech, and the creativity of acting and directing in drama, later teaching rural high school students, including a future Pulitzer Prize winning poet, Carolyn Kizer. She loved words and the power and beauty they wielded.

Marrying my father was a brave and impulsive act, traveling by train to the east coast only a week before he shipped out for almost 3 years to the South Pacific to fight as a Marine in WWII. She must have wondered about the man who returned from war changed and undoubtedly scarred in ways she could not see or touch. They worked it out mostly in silence, as rocky as it must have been at times. Her episode of Graves’ disease, before I was born, must have been agonizing, as her storm of thyroid overactivity resulted in months of sleepless full time panic. Only thyroid removal saved her, but even radical surgeries take their toll. Their marriage never fully recovered.

In their reconciliation after a painful divorce years later, I finally could see the devotion and mutual respect between life companions who had found shared purpose and love.

As a wife and mother, she rediscovered her calling as a steward of the land and a tireless steward of her family, gardening and harvesting fruits, vegetables and us children. When I think of my mother, I most often think of her tending us children in the middle of the night whenever we were ill; her over-vigilance was undoubtedly due to her worry we might die in childhood as she almost did.

She never did stop worrying until the last few months. As she became more dependent on others in her physical decline, she gave up the control she thought she had to maintain through her “worry energy” and became much more accepting about the control the Lord maintains over all we are and will become.

I know from where my shyness comes, my preference for birdsongs rather than radio music, my love of naps, and my tendency to be serious and straight-laced with a twinkle in my eye. This is my German Palouse side–immersing in the quietness of solitude, thrilling to the sight of the spring wheat flowing like a green ocean wave in the breeze and appreciating the warmth of rich soil held in my hands. From that heritage came my mother and it is the legacy she left with me. I am forever grateful for her unconditional love and her willingness to share the sunshine and warmth of her nest whenever we felt the need to fly back home and shelter, overprotected but safe nonetheless, under her wings.

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That Kind of Day

If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary’s cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.
~Billy Collins  “Today”

This is the kind of morning that begs to be admired from dawn’s first moment:  everything emerges from the fog so sharp, vividly bathed in golden light.

It takes my breath away at the same time as it delivers it deep within me.

How might I spring others free as I now have been sprung?

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A Beautiful Softness of Being Human

Sometimes when you start to ramble
or rather when you feel you are starting to ramble
you will say Well, now I’m rambling
though I don’t think you ever are.
And if you ever are I don’t really care.
And not just because I and everyone really 
at times falls into our own unspooling
—which really I think is a beautiful softness
of being human, trying to show someone else
the color of all our threads, wanting another to know 
everything in us we are trying to show them—
but in the specific, 
in the specific of you
here in this car that you are driving
and in which I am sitting beside you
with regards to you 
and your specific mouth
parting to give way
to the specific sweetness that is
the water of your voice 
tumbling forth—like I said 
I don’t ever really mind
how much more 
you might keep speaking
as it simply means 
I get to hear you 
speak for longer. 
What was a stream 
now a river.

~Anis Mojgani “To the Sea”

I always thought
softness was weakness
that by letting my
body relax
or gentleness live
on my fingertips
that I was somehow
letting go
somehow sacrificing
my bravery

now I see, to be soft
is majestically courageous

~Juniper Klatt from I was raised in a house of water

I’ve always wanted to be tougher than I am. So soft, I’m ready to burst into tears too much of the time, whether from sadness, worry, or joy. I wish I could be less transparent with my big feelings.

Yet I wouldn’t change my softness for you. I want to always be unspooling myself, to finally reveal what is underneath all the woven threads.

So much of this life is about having the courage to trust even when things are rocky, to follow the flow of things rather than creating obstruction, to lead when everyone else hangs back, to be gentle when the world needs kindness.

May I always be soft enough if you need a cushion to land upon and a pillow to rest your thoughts.

The sun went down and the moon came out
On the day that you were born
The stars were more than we could count
On the day that you were born
On a morning that was old and new
On the day that you were born
The world opened up to welcome you
On the day that you were born

It’s all mystery and motion
How the wheels of this world open
There were gentle rains and summer storms
On the day that you were born

The winds blew patterns through the trees
On the day that you were born
The waters wandered toward the sea
On the day that you were born

The redbuds fade and bloom again
On the day that you were born
The birds knew where and they knew when
On the day that you were born

In the clouds and vapor and the quiet lakes
On the day that you were born
In the deepest currents and waves that break
On the day that you were born

In the prayers and psalms that whisper through the trees
In the secret places only God can see
In the things we feel but cannot be said
We all hold hands and bow our heads

Seasons pass and seasons grow
On the day that you were born
There were things we’ll never know
On the day that you were born
But love is all and love is true
On the day that you were born
And love will always welcome you
On the day that you were born
~Carrie Newcomer

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Hard to Say

Sometimes I like to hide in the word
foxgloves – in the middle of foxgloves.
The xgl is hard to say, out of the England
of its harbouring word.
Alone it becomes a small tangle,
a witch’s thimble, hard-to-toll bell,
elvish door to a door. Xgl
a place with a locked beginning
then a snag, a gl
like the little Englands of my grief,
a knotted dark that locks light
in glisten, glow, glint, gleam
and Oberon’s banks of eglantine
which closes in on the opening
of Gulliver whose shrunken gul
says ‘rose’ in my fatherland.
Meanwhile, in the motherland, the xg
is almost the thumb of a lost mitten,
an impossible interior, deeper than forests
and further in. And deeper inland
is the gulp, the gulf, the gap, the grip
that goes before love.

~Zaffar Kunial “Foxglove Country” from England’s Green

I can get lost in a word when considering its origins. Sometimes it is how it looks on the page or screen that sucks me in, other times it is how it rolls off the tongue, or how it fits amid other words, like a musical note in a symphony. At times a word can seem an argle-bargle of nonsensical sounds, as if I’m listening to a foreign language.

This poem dissects an ordinary word like foxglove into letters and sounds in a way I have never considered, so that the flowers growing wild in our yard contain unexpected depth and width. Even eglantine is an elegant way to describe wild rose blossoms.

I love looking deep into the pinkish speckled innards of foxglove, lined up just-so in bell-like columns on a stem. I love the thought they were named as if they were little mittens a fox might happen to step into for a trot down the road. I love the thought of foxgloves being part of a glowing glistening fairy world that I only imagine in my dreams. I love that I have written prescriptions of foxglove derivatives for decades for patients who needed the rhythm-controlling properties of digitalis.

So here’s to nonsense, to words that are hard to say, and words that contain mysteries and fairytales within their letters, especially this particular word that actually spells out Love.

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An Unignorable Silence

photo by Barb Hoelle

Once I am sure there’s nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence,

Move forward, run my hand around the font.
From where I stand, the roof looks almost new-
Cleaned or restored? Someone would know: I don’t.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
“Here endeth” much more loudly than I’d meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate, and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation – marriage, and birth,
And death, and thoughts of these – for whom was built
This special shell? For, though I’ve no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;

A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognised, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.
~Philip Larkin from “Church-going”

Even an empty shell of a church invites in silent witness-
even those of us who struggle with unbelief,
who stop only to rest a moment, to mock or sigh,
breathe in the musty history of such a place.

Over the centuries, there has been much wrong with churches,
comprised as they are of fallen people
with broken wings and fractured faith.
They seem anachronistic, from another time and place,
echoing of baptisms and eucharist, weddings and funerals.

Yet we still return, fragmented souls that we are,
acknowledging the flaws in one another
as we crack open to spill our own.

What is right with the church goes beyond silence:
Who we pray to, why we sing and feast together on
the grace and generosity of His Word.
We are restless noisy people joined together
as a body bloodied, bruised, redeemed.

Dear Lord of Heaven and Earth,
look out for us in our motley messiness,
rain down Your restless love upon our heads,
no matter how frowsty a building we worship in,
or how we look or feel today.

Be unignorable, so we might come back, again and again.

We stand, stirred, in silence,
simply grateful to be alive,
to raise our hands together,
then sing and kneel and bow
in such an odd and humble house,
indeed a home God might call His own.

pulpit peonies

The old church leans nearby a well-worn road,
Upon a hill that has no grass or tree,
The winds from off the prairie now unload
The dust they bring around it fitfully.

The path that leads up to the open door
Is worn and grayed by many toiling feet
Of us who listen to the Bible lore
And once again the old-time hymns repeat.

And ev’ry Sabbath morning we are still
Returning to the altar waiting there.
A hush, a prayer, a pause, and voices fill
The Master’s House with a triumphant air.

The old church leans awry and looks quite odd,
But it is beautiful to us and God.
~Stephen Paulus

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