Everything Dies Too Soon

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?

I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

~Mary Oliver from “A Summer Day”

It doesn’t take much to remind me
what a mayfly I am,
what a soap bubble floating over the children’s party.

Standing under the bones of a dinosaur
in a museum does the trick every time
or confronting in a vitrine a rock from the moon…

And the realization that no one
who ever breasted the waters of time
has figured out a way to avoid dying

always pulls me up by the reins and settles me down
by a roadside, grateful for the sweet weeds
and the mouthfuls of colorful wild flowers.

~Billy Collins from “Memento Mori“

I’m reminded daily of how short our time on earth is – the evidence is everywhere. Yesterday it was the stark finality of discovering a beetle-cleaned bighorn sheep skull in the woods, in addition to the bold reality of a black bear paw print on the car sitting next to our cabin.

Each day I receive an email from the local hospital where I’ve had clinical privileges for 35 years – it innumerates the number of admitted COVID-19 cases and deaths, the number of ICU beds filled and the number of ventilators in use. Reading those numbers is like scanning the obituaries for names and ages and causes of death in the newspaper, the only consistent thing I read in the paper anymore. The deaths are reported dispassionately, as if they are inevitable, which they are, yet each happens too soon.

Much too soon.

So the admonition is to pay attention to each living thing and witness each moment, falling onto the grass in worship of this “wild and precious life” I’ve been given rather than dwell on the future when I’ll be buried under the grass.

I shall celebrate being a consumer of this precious life, overjoyed by these sweet weeds and colorful wildflowers. There is still much that awaits me on this earth before, inevitably, I too become the consumed.

Listening for Hoof Beats

Every night, no matter where I am
when I lie down, I turn
my back on half the world.

At home, it’s the east I ignore,
with its theatres and silverware,
as I face the adventurous west.

But when I’m on the road
in some hotel’s room 213 or 402
I could be pointed anywhere,

yet I hardly care as long as you
are there facing the other way
so we are defended in all degrees

and my left ear is pressing down
as if listening for hoof beats in the ground.

~Billy Collins “Sleeping on My Side” from Whale Day and Other Poems

It seems amazing we can actually sleep at all, knowing all the hazards out there beyond the bedroom walls

– whether it is pandemic viral particles floating in the air, or pollution from wildfires, or ozone layer depletion or “the-big-one-any-moment” earthquake, or an errant nuclear missile launch, or bands of roving bandits –

it is a wonder we can quiet our minds at all.

When I was about 8 years old, during the Cuban Missile Crisis, I didn’t sleep for several days, fearful if I slept, then the world would end and me with it, without even knowing the bomb had hit. Somehow, my staying awake saved the world from destruction and no one, not one single person, ever thanked me for it.

There is always so terribly much to fear if you really think about it. We are constantly lying with our ears to the ground, listening for the hoofbeats of the Four Horsemen of the Apocalypse, wondering how close they have come to our bedside.

These days I take comfort in knowing I don’t always need to be on high alert. I know, in fact, His eye is on the sparrow and He watches over me.

So I can sleep.

A Grand Center

The city orbits around eight million
centers of the universe
and turns around the golden clock
at the still point of this place.
Lift up your eyes from the moving hive
and you will see time circling
under a vault of stars and know
just when and where you are.
~Billy Collins “Grand Central”

Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere   
The ceremony of innocence is drowned;
~William Butler Yeats from “The Second Coming”

At the still point of the turning world.
Neither flesh nor fleshless;
Neither from nor towards;

at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered.

Neither movement from nor towards,
Neither ascent nor decline.

Here is a place of disaffection
Time before and time after
In a dim light: neither daylight
Investing form with lucid stillness
Turning shadow into transient beauty
With slow rotation suggesting permanence
Nor darkness to purify the soul
Emptying the sensual with deprivation
Cleansing affection from the temporal.
Neither plentitude nor vacancy. 

~T.S. Eliot from “Burnt Norton” The Four Quartets

Millions orbiting the center or the center orbiting its millions:
we’ve been to Grand Central Station, a relaxed rest stop compared to the moving hive we navigated at Shinjuku Station and Ikebukuro Station in Tokyo, a city four times the size of New York.

Try as I might to picture train stations constituting a “center” holding the city together, I feel these works of man have only a tenuous hold on those who come and go. There is no glue; things fall apart.

The center only holds when it constitute the Source itself-
the origin, the beginning and the end and everything in between. Starting from there, no matter how far from the Center,
you have no doubt about where and when you are.

Imagining

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.

Not in July or any month
have I had the pleasure — if it is a pleasure —
of fishing on the Susquehanna.

I am more likely to be found
in a quiet room like this one —
a painting of a woman on the wall,


a bowl of tangerines on the table —
trying to manufacture the sensation
of fishing on the Susquehanna.

There is little doubt
that others have been fishing
on the Susquehanna,

rowing upstream in a wooden boat,

sliding the oars under the water
then raising them to drip in the light.

But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,

when I balanced a little egg of time
in front of a painting
in which that river curled around a bend

under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana

sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.

That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.

Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,

even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame. 
~Billy Collins Fishing On The Susquehanna In July

Edmund Darch Lewis – Susquehanna
Hayfield–oil painting by Scott Prior http://www.scottpriorart.com

I live a quiet life in a quiet place. There are many experiences not on my bucket list that I’m simply content to just imagine.

I’m not a rock climber or a zip liner or willing to jump out of an airplane. I won’t ride a horse over a four foot jump or race one around a track. Not for me waterskis or unicycles or motorcycles.

I’m grateful there are adventurers who seek out the extremes of life so the rest of us can admire their courage and applaud their explorations.

My imagination is powerful enough, thanks to the words and pictures of others – sometimes too vivid. I contentedly explore the corners of my quiet places, both inside and outside, to see what I can build from what’s here.

When the light is right, what I see in my mind is ready to spring right out of the frame.

Just Another Wednesday

Each one is a gift, no doubt,  
mysteriously placed in your waking hand  
or set upon your forehead  
moments before you open your eyes

Through the calm eye of the window  
everything is in its place  
but so precariously  
this day might be resting somehow 

on the one before it,  
all the days of the past stacked high  
like the impossible tower of dishes  
entertainers used to build on stage. 

No wonder you find yourself  
perched on the top of a tall ladder  
hoping to add one more.  
Just another Wednesday 

you whisper,  
then holding your breath,  
place this cup on yesterday’s saucer  
without the slightest clink.
~Billy Collins, “Day” from The Art of Drowning

Some days feel like that:
teetering at the top of finite minutes and hours,
trying to not topple over life so carefully balanced,
even as the wind blows and the foundation slants
and the ladder of time feels rickety.

It is a balancing act –
this waking up to try on a new day
while juggling everything still in the air
from the days before.

To stay on solid ground
I anchor deep
into the calm eye of unchanging love,
reminded, once again,
I’m held up from above
when everything beneath me feels precarious.


What I’ve Gone and Done

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Why do we bother with the rest of the day,
the swale of the afternoon,
the sudden dip into evening,
then night with his notorious perfumes,
his many-pointed stars?
This is the best—
throwing off the light covers,
feet on the cold floor,
and buzzing around the house on espresso—
and, if necessary, the windows—
trees fifty, a hundred years old
out there,
heavy clouds on the way
and the lawn steaming like a horse
in the early morning.
~Billy Collins from “Morning”

 

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He had driven half the night
From far down San Joaquin
Through Mariposa, up the
Dangerous Mountain roads,
And pulled in at eight a.m.
With his big truckload of hay
     behind the barn.
With winch and ropes and hooks
We stacked the bales up clean
To splintery redwood rafters
High in the dark, flecks of alfalfa
Whirling through shingle-cracks of light,
Itch of haydust in the
     sweaty shirt and shoes.
At lunchtime under Black oak
Out in the hot corral,
—The old mare nosing lunchpails,
Grasshoppers crackling in the weeds—
“I’m sixty-eight” he said,
“I first bucked hay when I was seventeen.
I thought, that day I started,
I sure would hate to do this all my life.
And dammit, that’s just what
I’ve gone and done.”
~Gary Snyder – “Hay for the Horses” from Riprap and Cold Mountain Poems

 

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Sure enough, I’ve gone and done it — spent over 50 years of my life taking care of horses. I’m hoping for at least a decade more if this little herd of mostly retired Haflingers continues to bless me with their good health and mine.

No one said I had to do this and plenty of people saw it as folly, including a few folks who continue to aid and abet my horse ownership.

When I was young and agile and full of energy, I didn’t really project ahead fifty years to see that picking up hay bales, moving manure piles and being stepped on by a 1000 pound animal is a bigger deal than it once was.

But fifty years hasn’t changed anything else: the smell of a muzzle, the feel of a powerful muscle under my hand, my reflection in their eyes.

When I lived in a city apartment so many years ago, I knew I sure would love to wake up every morning to take care of horses the rest of my life.  And you know what?

That’s just what I’ve gone and done.

 

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Stop and Do Nothing For A While

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You see them on porches and on lawns
down by the lakeside,
usually arranged in pairs implying a couple

who might sit there and look out
at the water or the big shade trees.
The trouble is you never see anyone

sitting in these forlorn chairs
though at one time it must have seemed
a good place to stop and do nothing for a while.

Sometimes there is a little table
between the chairs where no one
is resting a glass or placing a book facedown.

It may not be any of my business,
but let us suppose one day
that everyone who placed those vacant chairs

on a veranda or a dock sat down in them
if only for the sake of remembering
what it was they thought deserved

to be viewed from two chairs,
side by side with a table in between.
The clouds are high and massive on that day.

The woman looks up from her book.
The man takes a sip of his drink.
Then there is only the sound of their looking,

the lapping of lake water, and a call of one bird
then another, cries of joy or warning—
it passes the time to wonder which.
~Billy Collins “The Chairs That No One Sits In”  from Aimless Love

 

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I don’t take enough time
to do nothing.

I think about doing nothing all the time
but then do nothing about it.

Too many lonely benches
too many empty chairs
too many vistas unappreciated
that deserve the sound of my looking.

Maybe today.
Maybe, just maybe.

 

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Just That Kind of Day

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If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary’s cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.
~Billy Collins  “Today”
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This is the kind of morning that begs to be admired from dawn’s first moment:  everything emerges from the fog so sharp and vivid bathed in golden light.

It takes away my breath at the same time as it delivers it deep within me.

How can I spring others free as I now have been sprung?
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paperweight

Why Do We Bother?

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dawn7251
Why do we bother with the rest of the day,
the swale of the afternoon,
the sudden dip into evening,
then night with his notorious perfumes,
his many-pointed stars?
This is the best—
throwing off the light covers,
feet on the cold floor,
and buzzing around the house on espresso—
maybe a splash of water on the face,
a palmful of vitamins—
but mostly buzzing around the house on espresso,
dictionary and atlas open on the rug,
the typewriter waiting for the key of the head,
a cello on the radio,
and, if necessary, the windows—
trees fifty, a hundred years old
out there,
heavy clouds on the way
and the lawn steaming like a horse
in the early morning.
~Billy Collins “Morning”
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Dawn is a new gift every day,
even if the shortest night was sleepless,
and the longest day won’t return for another year.We get up
to see just what might happen
as you never know what might be
just over the horizon
as we round the solstice corner
to face the darkening.That’s why we bother.

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Throwing Off the Covers

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Why do we bother with the rest of the day,
the swale of the afternoon,
the sudden dip into evening,
then night with his notorious perfumes,
his many-pointed stars?
This is the best—
throwing off the light covers,
feet on the cold floor,
and buzzing around the house on espresso—
maybe a splash of water on the face,
a palmful of vitamins—
but mostly buzzing around the house on espresso,
dictionary and atlas open on the rug,
the typewriter waiting for the key of the head,
a cello on the radio,
and, if necessary, the windows—
trees fifty, a hundred years old
out there,
heavy clouds on the way
and the lawn steaming like a horse
in the early morning.
~Billy Collins “Morning”

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This is the best~~
heading with dogs and camera up the hill
on an early spring morning,
with nothing more than the hope
I can bring this magic back to the house
and preserve it long after the foglight evaporates,
the day moves on and distracted by life,
I’ve forgotten all about how
this is the best~~

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