Category: pasture

If Only I Would Keep Aware…

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The songs of small birds fade away
into the bushes after sundown,
the air dry, sweet with goldenrod.
Beside the path, suddenly, bright asters
flare in the dusk. The aged voices
of a few crickets thread the silence.
It is a quiet I love, though my life
too often drives me through it deaf.
Busy with costs and losses, I waste
the time I have to be here—a time
blessed beyond my deserts, as I know,
if only I would keep aware. The leaves
rest in the air, perfectly still.
I would like them to rest in my mind
as still, as simply spaced. As I approach,
the sorrel filly looks up from her grazing,
poised there, light on the slope
as a young apple tree. A week ago
I took her away to sell, and failed
to get my price, and brought her home
again. Now in the quiet I stand
and look at her a long time, glad
to have recovered what is lost
in the exchange of something for money.
~Wendell Berry “The Sorrel Filly”

I am reminded at summer’s end —
when it is already dark and chores not done yet,
and horses waiting to be fed —
of the value of decades of moments spent
with long-lashed eyes, wind-swept manes, and velvet muzzles.

True, it appears to others to be time and money wasted.
But for a farmer like me, sometimes deaf and blind
to what is in front of me every day,
not all valuables are preserved
in a lock box or a bank account.

Golden treasure can have
four hooves, a tail, a rumbling greeting
asking if I’d somehow gotten lost
since I’m a little later than usual
and they were a bit concerned I’d forgotten them.

If only I would keep aware,
remember where my home is,
how easy it is to wander from the path
that somehow always leads me back here.

Autumn Begins to be Inferred

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Autumn begins to be inferred
By millinery of the cloud,
Or deeper color in the shawl
That wraps the everlasting hill.
~Emily Dickinson from “Summer Begins to Have the Look”

The passing of the summer fills again
my heart with strange sweet sorrow, and I find
the very moments precious in my palm.
Each dawn I did not see, each night the stars
in spangled pattern shone, unknown to me,
are counted out against me by my God,
who charges me to see all lovely things…
~Jane Tyson Clement from “The Passing of Summer”

September’s Baccalaureate
A combination is
Of Crickets — Crows — and Retrospects
And a dissembling Breeze

That hints without assuming —
An Innuendo sear
That makes the Heart put up its Fun
And turn Philosopher.
~Emily Dickinson “September’s Baccalaureate”


There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
~Elinor Wylie from “Wild Peaches”

Summer now is waning and wistful; 
it has the look of packing up, and moving on without bidding adieu or looking back over its shoulder. 

Cooling winds have carried in darkening clouds with a hint of spit from the sky as I gaze upward to see (and smell) the change. 

A decent rain is long overdue yet there is temptation to bargain for a little more time. Though we are in need of a good drenching there are still onions and potatoes to pull from the ground, berries to pick before they mold on the vine, tomatoes not yet ripened, corn cobs just too skinny to pick. 

I’m not quite ready to wave goodbye to sun-soaked clear skies.

The overhead overcast is heavily burdened with clues of what is coming: earlier dusk, the feel of moisture, the deepening graying hues, the briskness of breezes. 

There is no negotiation possible.   I need to steel myself and get ready, wrapping myself in the soft shawl of inevitability.

So autumn advances with the clouds, taking up residence where summer has left off.  Though there is still clean up of the overabundance left behind, autumn will bring its own unique plans for display of a delicious palette of hues.

The truth is we’ve seen nothing yet.

Pulse and Breath and Dream

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No jump-starting the day,
no bare feet slapping the floor
to bath and breakfast.

Dozing instead
in the nest
like, I suppose,
a pair of gophers

underground
in fuzz and wood shavings.
One jostles the other
in closed-eye luxury.

We are at last
perhaps
what we are:

uncombed,
unclothed,
mortal.

Pulse
and breath
and dream.
~Marjorie Saiser “Weekends, Sleeping In” from Beside You at the Stoplight

I am a dry man whose thirst is praise
of clouds, and whose mind is something of a cup.
My sweetness is to wake in the night
after days of dry heat, hearing the rain.
~Wendell Berry from “Water”

I have had my dream—like others—
and it has come to nothing, so that
I remain now carelessly
with feet planted on the ground
and look up at the sky—
feeling my clothes about me,
the weight of my body in my shoes,
the rim of my hat, air passing in and out
at my nose—and decide to dream no more.
~William Carlos Williams “Thursday” from Sour Grapes

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Open the window, and let the air 
Freshly blow upon face and hair, 
And fill the room, as it fills the night, 
With the breath of the rain’s sweet might. 

Not a blink shall burn to-night 
In my chamber, of sordid light; 
Nought will I have, not a window-pane, 
‘Twixt me and the air and the great good rain, 
Which ever shall sing me sharp lullabies; 
And God’s own darkness shall close mine eyes; 
And I will sleep, with all things blest, 
In the pure earth-shadow of natural rest. 
~James Henry Leigh Hunt from “A Night-Rain in Summer”

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We are still waiting for a few late-summer rainy days;
each year they are a blissful reminder of God’s intent
to refresh and replenish us when we are at our driest,
when we are short on sleep and hope and dreams.

How sweet to fall asleep listening in the dark
to the patter of raindrops after weeks of drought,
waking to damp air, raindrop jewelry, and petrichor.

Perhaps I’ll remember this longing of mine
while I grumble and slosh around
in the fortieth day of rain this winter.

When will I be satisfied there is just enough but not too much?
When will all my dreams seem as real as pulse and breath?

In the meantime, God — let it rain – preferably as I sleep.

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Lyrics:

I know your life
On earth was troubled
And only you could know the pain
You weren’t afraid to face the devil
You were no stranger to the rain

Go rest high on that mountain
Now your work on earth is done
Go to heaven a-shoutin’
Love for the Father and the Son

Oh, how we cried the day you left us
We gathered ’round your grave to grieve
Wish I could see the angels faces
When they hear your sweet voice sing

Go to heaven a-shoutin’
Love for the Father and the Son

No Furrow on the Glow

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Further in Summer than the Birds
Pathetic from the Grass
A minor Nation celebrates
Its unobtrusive Mass.

No Ordinance be seen
So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

Antiquest felt at Noon
When August burning low
Arise this spectral Canticle
Repose to typify

Remit as yet no Grace
No Furrow on the Glow
Yet a Druidic Difference
Enhances Nature now 
~Emily Dickinson

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“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time. The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world. She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:

So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state. Words are indivisible with the highest realization of human being.”
~N. Scott Momaday from The Man Made of Words

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On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard.  He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition.  In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse poet — someone as culturally distant from him and his people as possible.

But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem.  What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.

As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending, particularly when the skies are filled with smoke from uncontrolled wildfires in the north, the east and the south.  There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.

Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone.  The Word brings Grace, like no other, to pathetic and transient man who will emerge transformed.

There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.

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Waking with the Light

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Light wakes us – there’s the sun
climbing the mountains’ rim, spilling across the valley,
finding our faces.
It is July,
between the hay and harvest,
a time at arm’s length from all other time,
the roads ragged with meadowsweet and mallow,
with splays of seedheads, slubbed and coarse, rough linen.
The fields above the house, clotted with sheep all spring,
are empty now and froth with flowering grasses,
still in the morning light. Birds move around
the leafy fields, the leafy garden.

It is the time
to set aside all vigil, good or ill,
to loosen the fixed gaze of our attention
as dandelions let seedlings to the wind.
Wake with the light.
Get up and go about the day and watch
its surfaces that brighten with the sun.

And later, when the light is drowsed and heavy
go find the burdened fruit trees where the shade
lies splashed and opened-out across the ground.
Spread over it a quilt worn soft by other bodies,
then curl and fall down into sleep at light.

Awaken to a world of long, loose grass-stems,
and leaves above,
and birds, breaking out of the leaves.
~Kerry Hardie from “Sleep in Summer”

Saying good-bye to July last week
meant admitting summer is already half-baked
and so are we–

we who are still doughy,
not nearly done enough.

The rush to autumn is breathless.
We want to hold on tight
to our longish days,
fall asleep in the grasses,
endure sweaty nights
for just a little while longer…

Please, oh please
grant us unending light
and steady us for the task
of getting ready for letting go.

A new series of summer photo notecards from our farm is now available as a thank you gift to you for your financial support of Barnstorming — details here

Making Me Better Than What I Am

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At dusk, everything blurs and softens.  
From here out over the long valley,
the fields and hills pull up
the first slight sheets of evening,
as, over the next hour,
heavier, darker ones will follow.

Quieted roads, predictable deer
browsing in a neighbor’s field, another’s
herd of heifers, the kitchen lights
starting in many windows. On horseback
I take it in, neither visitor
nor intruder, but kin passing, closer
and closer to night, its cold streams
rising in the sugarbush and hollow.

Half-aloud, I say to the horse,
or myself, or whoever: let fire not come
to this house, nor that barn,
nor lightning strike the cattle.
Let dogs not gain the gravid doe, let the lights
of the rooms convey what they seem to.

And who is to say it is useless
or foolish to ride out in the falling light
alone, wishing, or praying,
for particular good to particular beings,
on one small road in a huge world?

The horse bears me along, like grace,
making me better than what I am,
and what I think or say or see
is whole in these moments, is neither
small nor broken. For up, out of
the inscrutable earth, have come my body
and the separate body of the mare:
flawed and aching and wronged. Who then
is better made to say be well, be glad,

or who to long that we, as one,
might course over the entire valley,
over all valleys, as a bird in a great embrace
of flight, who presses against her breast,
in grief and tenderness,
the whole weeping body of the world?
~ Linda McCarriston, “Riding Out at Evening” from Talking Soft Dutch

photo by Emily Vander Haak

On this, my 72nd birthday,
I pray for this troubled world, reminding myself:
be well, be glad…

I’m still here
by the grace of God who carries
not just me on His back through each day,
but all earthly burdens.

I pray like a bird embracing the air which lifts its wings,
tenderly holding to its breast a soaring freedom
to transcend the weeping world.

I have seen so much goodness over 72 years,
sometimes through tears of sorrow.
I know there will be more joy
and sadness before I’m done.

I am grateful, so very grateful
to have lived all these years
seeing tears shed, then dried,
learning how love heals,
knowing the only thing to last forever
is God’s covenant promise
to always carry us home.

photo by Brandon Dieleman
photo by Brandon Dieleman
video by Peter Tamminga


Whilst the world is weeping, let us do our bit.
We have the time to sympathise, to listen and to sit.
No needless thoughts, of the things we cannot do.
But appreciate all the good bits and look at them anew.
 
The warmth and comfort of our homes, the food we have to eat.
The family and friends we have, although we cannot meet.
The village that we live in, and the community we share.
So precious to us right now, so sit and think and care.
 
Whilst the world is full of sadness, anxiety and pain,
It’s hard to imagine our lives ever carefree again.
But nothing lasts forever, the clouds will always clear.
Let’s heal the world with love, so the sunshine can appear.
~Sandra Rickman

Lyrics:
Drop, drop, slow tears, and bathe those beauteous feet,
which brought from heaven the news and Prince of Peace.
Cease not, wet eyes, his mercies to entreat;
to cry for vengeance sin doth never cease.
In your deep floods drown all my faults and fears;
nor let his eye see sin, but through my tears.

Just a Drink of Cool Water…

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And on those hot afternoons in July,
when my father was out on the tractor
cultivating rows of corn, my mother
would send us out with a Mason jar
filled with ice and water, a dish towel
wrapped around it for insulation.

Like a rocket launched to an orbiting
planet, we would cut across the fields
in a trajectory calculated to intercept—
or, perhaps, even—surprise him
in his absorption with the row and the
turning always over earth beneath the blade.

He would look up and see us, throttle
down, stop, and step from the tractor
with the grace of a cowboy dismounting
his horse, and receive gratefully the jar
of water, ice cubes now melted into tiny
shards, drinking it down in a single gulp,
while we watched, mission accomplished.
~Joyce Sutphen “Carrying Water to the Field”

It was my special responsibility
to carry cold water out to my dad
when he was on the tractor doing field work. 

Yes, he could have carried a thermos along but then
he would not have seen his kid
walking carefully from the house over the fresh-turned dirt,
he would not have an excuse for a short break
to wipe the sweat from his face with his bright red kerchief,
nor sit and survey the straightness of his furrows.

He would not have lifted her up
to sit beside him on the tractor,
allowing her to “drive,”
steering down the rows,
curving around the killdeer nests
so their young are spared.

Indeed – it is a a special responsibility
to nurture someone at work
who doesn’t stop to refill themselves.
It happens rarely any more –
whether in the field or factory or home
or even – creating a daily blog like this.

What wondrous love to carry water to those who thirst.
What wondrous grace then fills our furrowed lives.

Thank you, faithful readers and supporters,
for you who carry water to me when I am dry and thirsty
convince me my work here is not in vain:
mission accomplished.

Once a year I ask my readers to fill out the feedback form at the bottom left of my blog home page, or this link to a feedback form

You can always directly email me at emilypgibson@gmail.com

Questions I hope you will answer to assist me in making Barnstorming worth your time:
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*do you ever click on the links to sources for poems and quotes?
*how can I make your time on Barnstorming more worthwhile?

To Stop and Stare a Moment

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In truth I am puzzled most in life
by nine horses.

Two are on one side of the fence and seven
on the other side.

They stare at one another from the same places
hours and hours each day.

This is another unanswerable question
to haunt us with the ordinary.

We live far out in the country where I hear
creature voices night and day.

Like us they are talking about their lives
on this brief visit to earth.

In truth each day is a universe in which
we are tangled in the light of stars.

Stop a moment. Think about these horses
in their sweet-smelling silence.
~Jim Harrison from “Horses”

What is this life is, full of care
We have no time to stand and stare.
No time to stand beneath the boughs
And stare as long as sheep or cows.
No time to see, when woods we pass,
Where squirrels hide their nuts in grass.
No time to see, in broad daylight,
Streams full of stars, like skies at night.
No time to turn at Beauty’s glance,
And watch her feet, how they can dance.
No time to wait till her mouth can
Enrich that smile her eyes began.
A poor life this if, full of care,
We have no time to stand and stare.
~William Henry Davies “Leisure”

Fingers of twilight shadow
begin to reach over the hill
crawling down through the field
up unto the bank of blackberries
covering fences along the alder grove.

Our horses chew their last
clover leafs before coming to the barn for night,
eyelids heavy, relaxed and full, drowsy with summer evening
peace at hand and hoof.

A sudden change in the air forces
their heads up and ears forward;
they form a line, standing and staring at the hilltop
above them, riveted to the spot, alert
to an incoming intruder, unfamiliar and foreign.

The roar is intermittent, like a warm wind
rattling a barn roof, but inconstant;
then peaking over the crest of the hill
a rounded top of technicolor glory:

The hot air balloon rises.

The horses riveted, baffled, fascinated;
no wild instinct prepares their response
to this wizard’s act from Oz in their own backyard.

The basket riders wave and laugh at the equine audience below
standing in formation with golden noses in the air
and white manes blowing in the breeze.

The balloon summits the hill, dipping low, almost touchable
before moving back up to race the sunset,
and search out other pastures, other valleys and hills.

The horses released from the spell of “stand and stare”
leap in response, snowy tails high, noses flared-

To race up the hill to capture impending darkness,
our night-mares cavort, float suspended
until their air is let out, gently, in softening snorts,
to settle down in a straw bed in the barn
where night, becomes blissfully ordinary again.

Preserving the Sweetness

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photo by Joel DeWaard

How beautiful the things are that you did not notice before!
A few sweetclover plants
Along the road to Bellingham,
Culvert ends poking out of driveways,
Wooden corncribs, slowly falling,
What no one loves, no one rushes towards or shouts about,
What lives like the new moon,
And the wind
Blowing against the rumps of grazing cows.
~Robert Bly from “Like the New Moon I Will Live My Life”

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“A devout but highly imaginative Jesuit,”
Untermeyer says in my yellowed
college omnibus of modern poets,
perhaps intending an oxymoron, but is it?
Shook foil, sharp rivers start to flow.
Landscape plotted and pieced, gray-blue, snow-pocked
begins to show its margins. Speeding back
down the interstate into my own hills
I see them fickle, freckled, mounded fully
and softened by millennia into pillows.
The priest’s sprung metronome tick-tocks,
repeating how old winter is. It asks
each mile, snow fog battening the valleys,
what is all this juice and all this joy?
~Maxine Kumin “Almost Spring, Driving Home, Reciting Hopkins”

The Robert Bly poem reminds me to see in a new way
as I travel the road to Bellingham, Washington
(not Bly’s Bellingham, Minnesota).

My eyes scan for the unnoticed and unremarkable,
along these rural byways I traveled decades to work,
now only to meetings or shopping –
when feeling the need to wander and wonder.

Forty years ago in my twice-daily
hour-long Seattle traffic commute to reach my clinic,
I could only pay attention to the cars around me,
blinkered to all else happening.

Since moving north to Whatcom County,
I try to notice what small things
I might keep handy in my memory for another day,
like a jar of canned peaches in our root cellar,
just so I won’t forget,
ready to pull them off the shelf someday
so I might share
their sweetness with someone else.

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photo by Joel DeWaard
photo by Joel DeWaard

Our goal should be to live life in radical amazement. 
…to get up in the morning
and look at the world in a way
that takes nothing for granted. 
Everything is phenomenal;
everything is incredible;
never treat life casually.
To be spiritual is to be amazed.
~Abraham Joshua Hershel

photo by Harry Rodenberger
photo by Harry Rodenberger
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The Melt and Flow of Cut Grass

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Light and wind are running
over the headed grass
as though the hill had 
melted and now flowed.
~Wendell Berry “June Wind” from New Collected Poems

Cut grass lies frail:
Brief is the breath
Mown stalks exhale.
Long, long the death

It dies in the white hours
Of young-leafed June
With chestnut flowers,
With hedges snowlike strewn,

White lilac bowed,
Lost lanes of Queen Anne’s lace,
And that high-builded cloud
Moving at summer’s pace.
~Philip Larkin “Cut Grass” from The Complete Poems

June is the month when grass grows exponentially, taking over all open spaces and every nook and cranny

Light and wind work magic on a field of flowing tall grass. The blades of the mower lay it to the ground in green streams that course up and down the slopes. It lies orderly in stoneless cemetery rows.

Farmer’s fields are lined with rows of mown grass, a precious commodity to be harvested for the livestock to eat the rest of the year. Some of the green is bagged up like big marshmallows for easy storage and some put in silos for later in the winter.

The shorn grass is critical to the life of the animals we raise.

What was once waving and bowing to the wind is cut and crushed:
no longer bending but bent,
no longer flowing but flown,
no longer growing but mown.

At summer’s pace, while the clouds saunter overhead, grasses are stored as fodder for the beasts of the farm on those cold nights when the wind beats at the doors.

It will melt in their mouths. As we watch them chew, we’ll remember overflowing abundance of those summer days in June.