It’s Half Past October

What can l say, now that summer’s gone,
with the weight of its heat,
its thick blanket of humidity,

the cacophony of zinnias, marigolds, salvia?
Now the sky is clear blue and cloudless,

that sure one-note that can only mean October.
You’re gone.
The leaves turn gold in the calendar’s rotisserie,
giving up their green, and the burning bushes
have ignited, struck their book of matches.

It’s enough to make the heart break, isn’t it?
We keep going down the one road, there’s no turning back.
~Barbara Crooker “Now” from Small Rain

…the golden hour of the clock of the year.
Flowers that were once bright as a box of crayons
are now seed heads and thistle down.
All the feathery grasses shine in the slanted light.
…time to draw the drapes against the wind,
time to hunker down.
Summer’s fruits are preserved in syrup,
but nothing can stopper time.
No way to seal it in wax or amber;
it slides though our hands like a rope of silk.
~Barbara Crooker from “And Now it’s October” from Small Rain.

It’s half-past October, the woods
are on fire, blue skies stretch
all the way to heaven. Of course,
we know that winter is coming, its thin
winding sheets and its hard narrow bed.
But right now, the season’s fermented
to fullness…
~Barbara Crooker from “Reel” in The Book of Kells

Another October. The maples have done their slick trick
of turning yellow almost overnight; summer’s hazy skies
are cobalt blue.
I want to praise things
that cannot last. The scarlet and orange leaves
are already gone, blown down by a cold rain,
crushed and trampled. They rise again in leaf meal

and wood smoke.
I want to praise everything brief and finite.
night falls swiftly, tucking us in her black velvet robe,
the stitches showing through, all those little lights,
our little lives, rising and falling.
~Barbara Crooker from “Equinox”

This slow fading away of October
renders us transient ourselves-

only visitors here,
no laying down claims,
simply passing through
enjoying the scenery,
knowing this too won’t last…

Yet it is sweet
~let me say it again~
oh so sweet
while we’re here.

A Mosaic of Four Seasons

Autumn

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz
, a poem in Readers’ Digest Nov. 1983

Winter
Winter

L’Inverno (Winter)
Opus 8, No. 4, in F minor

I. Allegro non molto–
Frozen and trembling in the icy snow,
In the severe blast of the horrible wind,
As we run, we constantly stamp our feet,
And our teeth chatter in the cold.
II. Largo–
To spend happy and quiet days near the fire,
While, outside, the rain soaks hundreds.
III. Allegro–
We walk on the ice with slow steps,
And tread carefully, for fear of falling.
Symphony, If we go quickly, we slip and fall to the ground.
Again we run on the ice,
Until it cracks and opens.
We hear, from closed doors,
Sirocco, Boreas, and all the winds in battle.
This is winter, but it brings joy.

~Vivaldi (Winter poem)

Spring
Spring
Spring
Spring

La Primavera (Spring)
Opus 8, No. 1, in E Major

I. Allegro–
Festive Spring has arrived,
The birds salute it with their happy song.
And the brooks, caressed by little Zephyrs,
Flow with a sweet murmur.
The sky is covered with a black mantle,
And thunder, and lightning, announce a storm.
When they are silent, the birds
Return to sing their lovely song.
II. Largo e pianissimo sempre–
And in the meadow, rich with flowers,
To the sweet murmur of leaves and plants,
The goatherd sleeps, with his faithful dog at his side.
III. Danza pastorale. Allegro–
To the festive sound of pastoral bagpipes,
Dance nymphs and shepherds,
At Spring’s brilliant appearance.

~Vivaldi (Spring poem)

Summer
Summer
Summer
Summer

L’Estate (Summer)
Opus 8, No. 2, in G minor

I. Allegro non molto–
Under the heat of the burning summer sun,
Languish man and flock; the pine is parched.
The cuckoo finds its voice, and suddenly,
The turtledove and goldfinch sing.
A gentle breeze blows,
But suddenly, the north wind appears.
The shepherd weeps because, overhead,
Lies the fierce storm, and his destiny.
II. Adagio; Presto–
His tired limbs are deprived of rest
By his fear of lightning and fierce thunder,
And by furious swarms of flies and hornets.
III. Presto–
Alas, how just are his fears,
Thunder and lightening fill the Heavens, and the hail
Slices the tops of the corn and other grain.
~Vivaldi (Summer poem)

Autumn
Autumn
Autumn
Autumn
Autumn
Autumn

L’Autunno (Autumn)
Opus 8, No. 3, in F Major

I. Allegro–
The peasants celebrate with dance and song,
The joy of a rich harvest.
And, full of Bacchus’s liquor,
They finish their celebration with sleep.
II. Adagio molto–
Each peasant ceases his dance and song.
The mild air gives pleasure,
And the season invites many
To enjoy a sweet slumber.
III. Allegro–
The hunters, at the break of dawn, go to the hunt.
With horns, guns, and dogs they are off,
The beast flees, and they follow its trail.
Already fearful and exhausted by the great noise,
Of guns and dogs, and wounded,
The exhausted beast tries to flee, but dies.

~Vivaldi (Autumn poem)

I walk this farm lane to stand at the same spot
countless times through the year,
as witness to the changing palette around me.

The Artist lovingly chooses His color and technique
with a gentle touch for each season.

So too, He paints my life with richness and variety:
from the austere lines in winter,
to a green emergence in spring,
a summer of sweet fruitfulness
and a mosaic crescendo in autumn.

The Artist’s signature can be spotted on each masterpiece,
gracing the transforming canvas of each of our lives.

The Lingering Sky

At times these days I think of the way the sun would set on the farmland around our small house in the autumn.

A view of the horizon,
the entire circle of it, if you turned,
the sun setting behind you,
the sky in front becoming pink and soft,
then slightly blue again,
as though it could not stop going on in its beauty,
then the land closest to the setting sun would get dark,
almost black against the orange line of the horizon,
but if you turn around,
the land is still available to the eye with such softness,
the few trees, the quiet fields of cover crops already turned,
and the sky lingering, lingering, then finally dark.

As though the soul can be quiet for those moments.
All life amazes me.
~Elizabeth Strout, from My Name is Lucy Barton

I have learned,
from those much wiser than I am,
to recognize moments meant for quieting.

The news of the world constantly rushes past;
there is suffering beyond imagining
in the lives of a few I know well
and for millions I don’t know at all.

What little can I do to make a difference?
So much need lies beyond my short reach.

Instead of feeling abandoned on the shores of overwhelm,
I seek out the familiar, the routine, and the ordinary,
lingering immersed in the recurring patterns of the day and night
as the world keeps on spinning on its axis.

I too turn around to witness that which surrounds me,
and in so doing, my soul is quieted.
And amazed.

One year ago, my teacher and mentor Jane Goodall passed into eternity, leaving behind this message for us all…

If Only I Would Keep Aware…

The songs of small birds fade away
into the bushes after sundown,
the air dry, sweet with goldenrod.
Beside the path, suddenly, bright asters
flare in the dusk. The aged voices
of a few crickets thread the silence.
It is a quiet I love, though my life
too often drives me through it deaf.
Busy with costs and losses, I waste
the time I have to be here—a time
blessed beyond my deserts, as I know,
if only I would keep aware. The leaves
rest in the air, perfectly still.
I would like them to rest in my mind
as still, as simply spaced. As I approach,
the sorrel filly looks up from her grazing,
poised there, light on the slope
as a young apple tree. A week ago
I took her away to sell, and failed
to get my price, and brought her home
again. Now in the quiet I stand
and look at her a long time, glad
to have recovered what is lost
in the exchange of something for money.
~Wendell Berry “The Sorrel Filly”

I am reminded at summer’s end —
when it is already dark and chores not done yet,
and horses waiting to be fed —
of the value of decades of moments spent
with long-lashed eyes, wind-swept manes, and velvet muzzles.

True, it appears to others to be time and money wasted.
But for a farmer like me, sometimes deaf and blind
to what is in front of me every day,
not all valuables are preserved
in a lock box or a bank account.

Golden treasure can have
four hooves, a tail, a rumbling greeting
asking if I’d somehow gotten lost
since I’m a little later than usual
and they were a bit concerned I’d forgotten them.

If only I would keep aware,
remember where my home is,
how easy it is to wander from the path
that somehow always leads me back here.

Autumn Begins to be Inferred

Autumn begins to be inferred
By millinery of the cloud,
Or deeper color in the shawl
That wraps the everlasting hill.
~Emily Dickinson from “Summer Begins to Have the Look”

The passing of the summer fills again
my heart with strange sweet sorrow, and I find
the very moments precious in my palm.
Each dawn I did not see, each night the stars
in spangled pattern shone, unknown to me,
are counted out against me by my God,
who charges me to see all lovely things…
~Jane Tyson Clement from “The Passing of Summer”

September’s Baccalaureate
A combination is

Of Crickets — Crows — and Retrospects
And a dissembling Breeze


That hints without assuming —

An Innuendo sear
That makes the Heart put up its Fun
And turn Philosopher.
~Emily Dickinson
“September’s Baccalaureate”


There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.

~Elinor Wylie from “Wild Peaches”

Summer now is waning and wistful; 
it has the look of packing up, and moving on without bidding adieu or looking back over its shoulder. 

Cooling winds have carried in darkening clouds with a hint of spit from the sky as I gaze upward to see (and smell) the change. 

A decent rain is long overdue yet there is temptation to bargain for a little more time. Though we are in need of a good drenching there are still onions and potatoes to pull from the ground, berries to pick before they mold on the vine, tomatoes not yet ripened, corn cobs just too skinny to pick. 

I’m not quite ready to wave goodbye to sun-soaked clear skies.

The overhead overcast is heavily burdened with clues of what is coming: earlier dusk, the feel of moisture, the deepening graying hues, the briskness of breezes. 

There is no negotiation possible.   I need to steel myself and get ready, wrapping myself in the soft shawl of inevitability.

So autumn advances with the clouds, taking up residence where summer has left off.  Though there is still clean up of the overabundance left behind, autumn will bring its own unique plans for display of a delicious palette of hues.

The truth is we’ve seen nothing yet.

Pulse and Breath and Dream

No jump-starting the day,
no bare feet slapping the floor
to bath and breakfast.

Dozing instead
in the nest
like, I suppose,
a pair of gophers

underground
in fuzz and wood shavings.
One jostles the other
in closed-eye luxury.

We are at last
perhaps
what we are:

uncombed,
unclothed,
mortal.

Pulse
and breath
and dream.
~Marjorie Saiser “Weekends, Sleeping In” from Beside You at the Stoplight

I am a dry man whose thirst is praise
of clouds, and whose mind is something of a cup.
My sweetness is to wake in the night
after days of dry heat, hearing the rain.
~Wendell Berry from “Water”

I have had my dream—like others—
and it has come to nothing, so that
I remain now carelessly
with feet planted on the ground
and look up at the sky—
feeling my clothes about me,
the weight of my body in my shoes,
the rim of my hat, air passing in and out
at my nose—and decide to dream no more.

~William Carlos Williams “Thursday” from Sour Grapes

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Open the window, and let the air 
Freshly blow upon face and hair, 
And fill the room, as it fills the night, 
With the breath of the rain’s sweet might. 

Not a blink shall burn to-night 
In my chamber, of sordid light; 
Nought will I have, not a window-pane, 
‘Twixt me and the air and the great good rain, 
Which ever shall sing me sharp lullabies; 
And God’s own darkness shall close mine eyes; 
And I will sleep, with all things blest, 
In the pure earth-shadow of natural rest. 

~James Henry Leigh Hunt from “A Night-Rain in Summer”

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kaledrop

We are still waiting for a few late-summer rainy days;
each year they are a blissful reminder of God’s intent
to refresh and replenish us when we are at our driest,
when we are short on sleep and hope and dreams.

How sweet to fall asleep listening in the dark
to the patter of raindrops after weeks of drought,
waking to damp air, raindrop jewelry, and petrichor.

Perhaps I’ll remember this longing of mine
while I grumble and slosh around
in the fortieth day of rain this winter.

When will I be satisfied there is just enough but not too much?
When will all my dreams seem as real as pulse and breath?

In the meantime, God — let it rain – preferably as I sleep.

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Lyrics:

I know your life
On earth was troubled
And only you could know the pain
You weren’t afraid to face the devil
You were no stranger to the rain

Go rest high on that mountain
Now your work on earth is done
Go to heaven a-shoutin’
Love for the Father and the Son

Oh, how we cried the day you left us
We gathered ’round your grave to grieve
Wish I could see the angels faces
When they hear your sweet voice sing

Go to heaven a-shoutin’
Love for the Father and the Son

No Furrow on the Glow

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Further in Summer than the Birds
Pathetic from the Grass
A minor Nation celebrates
Its unobtrusive Mass.

No Ordinance be seen
So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

Antiquest felt at Noon
When August burning low
Arise this spectral Canticle
Repose to typify

Remit as yet no Grace
No Furrow on the Glow
Yet a Druidic Difference
Enhances Nature now 
~Emily Dickinson

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“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time. The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world. She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:

So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state. Words are indivisible with the highest realization of human being.”
~N. Scott Momaday from The Man Made of Words

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On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard.  He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition.  In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse poet — someone as culturally distant from him and his people as possible.

But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem.  What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.

As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending, particularly when the skies are filled with smoke from uncontrolled wildfires in the north, the east and the south.  There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.

Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone.  The Word brings Grace, like no other, to pathetic and transient man who will emerge transformed.

There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.

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Waking with the Light

Light wakes us – there’s the sun
climbing the mountains’ rim, spilling across the valley,
finding our faces.
It is July,

between the hay and harvest,
a time at arm’s length from all other time,

the roads ragged with meadowsweet and mallow,
with splays of seedheads, slubbed and coarse, rough linen.
The fields above the house, clotted with sheep all spring,
are empty now and froth with flowering grasses,
still in the morning light. Birds move around
the leafy fields, the leafy garden.

It is the time
to set aside all vigil, good or ill,
to loosen the fixed gaze of our attention
as dandelions let seedlings to the wind.
Wake with the light.
Get up and go about the day and watch
its surfaces that brighten with the sun.

And later, when the light is drowsed and heavy
go find the burdened fruit trees where the shade
lies splashed and opened-out across the ground.
Spread over it a quilt worn soft by other bodies,
then curl and fall down into sleep at light.

Awaken to a world of long, loose grass-stems,
and leaves above,
and birds, breaking out of the leaves.

~Kerry Hardie from “Sleep in Summer”

Saying good-bye to July last week
meant admitting summer is already half-baked
and so are we–

we who are still doughy,
not nearly done enough.

The rush to autumn is breathless.
We want to hold on tight
to our longish days,
fall asleep in the grasses,
endure sweaty nights
for just a little while longer…

Please, oh please
grant us unending light
and steady us for the task
of getting ready for letting go.

A new series of summer photo notecards from our farm is now available as a thank you gift to you for your financial support of Barnstorming — details here

Making Me Better Than What I Am

At dusk, everything blurs and softens.  
From here out over the long valley,
the fields and hills pull up
the first slight sheets of evening,
as, over the next hour,
heavier, darker ones will follow.

Quieted roads, predictable deer
browsing in a neighbor’s field, another’s
herd of heifers, the kitchen lights
starting in many windows. On horseback
I take it in, neither visitor
nor intruder, but kin passing, closer
and closer to night, its cold streams
rising in the sugarbush and hollow.

Half-aloud, I say to the horse,
or myself, or whoever: let fire not come
to this house, nor that barn,
nor lightning strike the cattle.
Let dogs not gain the gravid doe, let the lights
of the rooms convey what they seem to.

And who is to say it is useless
or foolish to ride out in the falling light
alone, wishing, or praying,
for particular good to particular beings,
on one small road in a huge world?

The horse bears me along, like grace,
making me better than what I am,
and what I think or say or see
is whole in these moments, is neither
small nor broken. For up, out of
the inscrutable earth, have come my body
and the separate body of the mare:
flawed and aching and wronged. Who then
is better made to say be well, be glad,


or who to long that we, as one,
might course over the entire valley,
over all valleys, as a bird in a great embrace
of flight, who presses against her breast,
in grief and tenderness,
the whole weeping body of the world?

~ Linda McCarriston, “Riding Out at Evening” from Talking Soft Dutch

photo by Emily Vander Haak

On this, my 72nd birthday,
I pray for this troubled world, reminding myself:
be well, be glad…

I’m still here
by the grace of God who carries
not just me on His back through each day,
but all earthly burdens.

I pray like a bird embracing the air which lifts its wings,
tenderly holding to its breast a soaring freedom
to transcend the weeping world.

I have seen so much goodness over 72 years,
sometimes through tears of sorrow.
I know there will be more joy
and sadness before I’m done.

I am grateful, so very grateful
to have lived all these years
seeing tears shed, then dried,
learning how love heals,
knowing the only thing to last forever
is God’s covenant promise
to always carry us home.

photo by Brandon Dieleman
photo by Brandon Dieleman
video by Peter Tamminga


Whilst the world is weeping, let us do our bit.
We have the time to sympathise, to listen and to sit.
No needless thoughts, of the things we cannot do.
But appreciate all the good bits and look at them anew.
 
The warmth and comfort of our homes, the food we have to eat.
The family and friends we have, although we cannot meet.
The village that we live in, and the community we share.
So precious to us right now, so sit and think and care.
 
Whilst the world is full of sadness, anxiety and pain,
It’s hard to imagine our lives ever carefree again.
But nothing lasts forever, the clouds will always clear.
Let’s heal the world with love, so the sunshine can appear.
~Sandra Rickman

Lyrics:
Drop, drop, slow tears, and bathe those beauteous feet,
which brought from heaven the news and Prince of Peace.
Cease not, wet eyes, his mercies to entreat;
to cry for vengeance sin doth never cease.
In your deep floods drown all my faults and fears;
nor let his eye see sin, but through my tears.

Just a Drink of Cool Water…

And on those hot afternoons in July,
when my father was out on the tractor
cultivating rows of corn, my mother
would send us out with a Mason jar
filled with ice and water, a dish towel
wrapped around it for insulation.

Like a rocket launched to an orbiting
planet, we would cut across the fields
in a trajectory calculated to intercept—
or, perhaps, even—surprise him
in his absorption with the row and the
turning always over earth beneath the blade.

He would look up and see us, throttle
down, stop, and step from the tractor
with the grace of a cowboy dismounting
his horse, and receive gratefully the jar
of water, ice cubes now melted into tiny
shards, drinking it down in a single gulp,
while we watched, mission accomplished.
~Joyce Sutphen “Carrying Water to the Field”

It was my special responsibility
to carry cold water out to my dad
when he was on the tractor doing field work. 

Yes, he could have carried a thermos along but then
he would not have seen his kid
walking carefully from the house over the fresh-turned dirt,
he would not have an excuse for a short break
to wipe the sweat from his face with his bright red kerchief,
nor sit and survey the straightness of his furrows.

He would not have lifted her up
to sit beside him on the tractor,
allowing her to “drive,”
steering down the rows,
curving around the killdeer nests
so their young are spared.

Indeed – it is a a special responsibility
to nurture someone at work
who doesn’t stop to refill themselves.
It happens rarely any more –
whether in the field or factory or home
or even – creating a daily blog like this.

What wondrous love to carry water to those who thirst.
What wondrous grace then fills our furrowed lives.

Thank you, faithful readers and supporters,
for you who carry water to me when I am dry and thirsty
convince me my work here is not in vain:
mission accomplished.

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You can always directly email me at emilypgibson@gmail.com

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