Category: hay harvest

A Good Sound

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(for Wendell)

From steady rain we step to sheltered ground
in the dark cathedral of the barn,
breathe in scents of damp wood and hay,
assume a reverent stillness.
The dog, with the sudden confidence
of one engaged, at last, in good work,
trots through the barn’s far doorway
heading seven white-faced ewe lambs.
Not knowing me, they halt, uncertain,
until you smoothly bucket corn
from storage to trough, and they—
as sheep will—follow where hunger leads.
Hard teeth crack dry kernels
in percussive counterpoint,
a muted consort mimicking the fall
of winter rain on wooden shingles.
In entiring darkness, we stand, until
from your post beneath the hayloft beams,
you turn to me, grinning, and say,
That’s a good sound. And it is.
~Brian Volck “Visiting”

Every now and then, I forget to turn off the lights in the barn. I usually notice just before I go to bed, when the farm’s boundaries seem to have drawn in close. That light makes the barn seem farther away than it is — a distance I’m going to have to travel before I sleep. The weather makes no difference. Neither does the time of year.

Usually, after turning out that forgotten barn light, I sit on the edge of the tractor bucket for a few minutes and let my eyes adjust to the night outside. City people always notice the darkness here, but it’s never very dark if you wait till your eyes owl out a little….I’m always glad to have to walk down to the barn in the night, and I always forget that it makes me glad. I heave on my coat, stomp into my barn boots and trudge down toward the barn light, muttering at myself. But then I sit in the dark, and I remember this gladness, and I walk back up to the gleaming house, listening for the horses.
~Verlyn Klinkenborg from A Light in the Barn

…let me live
in a small room
up the narrow stairs from the stalls,
the horse shifting comfortably below,
browsing and chewing sweet hay.
A single bed with blanket the color
of factory-sweepings will suffice,
each day shaped to the same arc, 
because days can only end when
the lock slides free on the stall’s
Dutch door, and I lead the horse in,
then muscle the corroded bolt shut.
That’s what days are for: I cannot rest
until the horse comes home.
~Julie Bruck from “To Bring the Horse Home”

The best moment in the barn is in the evening just following the hay feeding, as the animals are settling down to some serious chewing. I linger in the center aisle, listening to the rhythmic sounds coming from their stalls. It is a most soothing contented cadence, first their lips picking up the grass, then the chew chew chew chew and a pause and it starts again. It’s even better in the dark, with the lights off.

In the past, I’ve enjoyed listening to the eating sounds at night from the remote vantage point of my bedroom TV monitor system set up to watch my very pregnant mares before foaling. A peculiar lullaby of sorts, strange as that seems, but when all my farm animals are chewing and happy, I am at peace and sleep better.

It reminds me of those dark deep nights of feeding my own newborns, rocking back and forth with the rhythm of their sucking. It is a moment of being completely present and peaceful, and knowing at that moment, nothing else matters–nothing else at all.

If I am very fortunate, each day I live has a rhythm that is reassuring and steady, like the sounds of hay chewing, or rocking a baby. I awake thinking about where my next step will bring me, and then the next, like each chew of sweet hay.

I try to live in communion, without distraction by the worry of the unknown.

But the reality is:
life’s rhythms are often out of sync,
the cadence is jarring,
the sounds are discordant,
sometimes I’m the one being chewed on,
so pain replaces peacefulness.

Maybe that is why this lullaby in the barn~~this sanctuary~~is so treasured, the chosen place of Jesus’ birth. It brings me home to that doubting center of myself that needs reminding that struggle is fleeting, and peace, however elusive now, is forever. I always know where to find it for a few minutes at the end of every day, in a pastoral symphony of sorts.

Someday my hope for heaven will be angel choruses of glorious praise, augmenting a hay-chewing lullaby.

So simple yet so very, very good.

TEXT
O magnum mysterium,
et admirabile sacramentum,
ut animalia viderent Dominum natum,
iacentem in praesepio!
Beata Virgo, cujus viscera
meruerunt portare
Dominum Iesum Christum.
Alleluia!

TRANSLATION
O great mystery,
and wonderful sacrament,
that animals should see the newborn Lord,
lying in a manger!
Blessed is the virgin whose womb
was worthy to bear
the Lord, Jesus Christ.
Alleluia!

Balancing on a Broken World

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Summer ends now; now, barbarous in beauty, the stooks rise
Around; up above, what wind-walks! what lovely behaviour
Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?

I walk, I lift up, I lift up heart, eyes,
Down all that glory in the heavens to glean our Saviour;
And eyes, heart, what looks, what lips yet give you a
Rapturous love’s greeting of realer, of rounder replies?

And the azurous hung hills are his world-wielding shoulder
Majestic – as a stallion stalwart, very-violet-sweet! –
These things, these things were here and but the beholder
Wanting; which two when they once meet,
The heart rears wings bold and bolder
And hurls for him, O half hurls earth for him off under his feet.
~Gerard Manley Hopkins “Hurrahing in Harvest”

This poem is (in Hopkin’s own words) “the outcome of half an hour of extreme enthusiasm as I walked home alone one day from fishing in the [River] Elwy.”

This afternoon was the colour of water falling through sunlight;
The trees glittered with the tumbling of leaves;
The sidewalks shone like alleys of dropped maple leaves,
And the houses ran along them laughing out of square, open windows.
Under a tree in the park,
Two little boys, lying flat on their faces,
Were carefully gathering red berries
To put in a pasteboard box.

Some day there will be no war,
Then I shall take out this afternoon
And turn it in my fingers,
And remark the sweet taste of it upon my palate,
And note the crisp variety of its flights of leaves.
To-day I can only gather it
And put it into my lunch-box,
For I have time for nothing
But the endeavour to balance myself
Upon a broken world.
~Amy Lowell from “September 1918”

There is no point in seeing without responding; there is no way to respond without seeing.

Christian life and practice require both faith (the sight of the heart) and works (the lurch of the heart toward him in obedience).
~Kathleen Mulhern from “A Christ Sighting” from Dry Bones

Am I the only one who awoke this morning praying
today might be a day of healing between peoples,
when the barbarous becomes beautiful
and we seek to become balanced rather than broken?

A day of
no drone missiles being launched,
no threats of annihilation and winner takes all,
no one gunned down in the street,
no vehicles used as weapons,
no harsh and angry words spoken,
no child misused,
no one sold into slavery,
no one overdosing, abandoned,
homeless and starving.

Am I the only one who awakes and only seeks
to watch the clouds
to praise the heavens
to see the leaves turn color
to take out this one day and taste it
and find that it is good,
then put it away for self-keeping
to share when and if I find someone else
as hungry for grace and mercy as I am,

so as to balance myself somehow
in the beauty of this world while
teetering on its brokenness?

I am not the only one.
I know I am not…

Man Scything Hay by Todd Reifers
Sheaves of Wheat in a Field –Vincent Van Gogh
Wheat Field with Sheaves -Vincent Van Gogh

Just What I’ve Gone and Done

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bearded nobless

Whatever is foreseen in joy
Must be lived out from day to day.
Vision held open in the dark
By our ten thousand days of work.
Harvest will fill the barn; for that
The hand must ache, the face must sweat.

And yet no leaf or grain is filled
By work of ours; the field is tilled
And left to grace. That we may reap,
Great work is done while we’re asleep.

When we work well, a Sabbath mood
Rests on our day, and finds it good.
~Wendell Berry “Sabbath Poem X, 1979″

buttercupponies1
sascha9182

Why do we bother with the rest of the day,
the swale of the afternoon,
the sudden dip into evening,
then night with his notorious perfumes,
his many-pointed stars?

This is the best—
throwing off the light covers,
feet on the cold floor,
and buzzing around the house on espresso—
and, if necessary, the windows—
trees fifty, a hundred years old
out there,
heavy clouds on the way
and the lawn steaming like a horse
in the early morning.
~Billy Collins from “Morning”

photo by Krisula Steiger
hayjobdone

He had driven half the night
From far down San Joaquin
Through Mariposa, up the
Dangerous Mountain roads,
And pulled in at eight a.m.
With his big truckload of hay
     behind the barn.
With winch and ropes and hooks
We stacked the bales up clean
To splintery redwood rafters
High in the dark, flecks of alfalfa
Whirling through shingle-cracks of light,
Itch of haydust in the
     sweaty shirt and shoes.
At lunchtime under Black oak
Out in the hot corral,
—The old mare nosing lunchpails,
Grasshoppers crackling in the weeds—
“I’m sixty-eight” he said,
“I first bucked hay when I was seventeen.
I thought, that day I started,
I sure would hate to do this all my life.
And dammit, that’s just what
I’ve gone and done.”
~Gary Snyder – “Hay for the Horses” from Riprap and Cold Mountain Poems

haymaking
goldenoctmorn6

Sure enough, I’ve gone and done it — spent over 50 years of my life taking care of horses. I hope for at least a few more years of horsekeeping as long as I am able while our three retired, aging Haflingers stick around.

No one said I had to do this and plenty of people saw it as expensive folly, including a few cherished folks who continue to aid and abet my horse ownership.

When I was young and agile and full of energy, I didn’t really project ahead fifty years to see that picking up hay bales, moving manure piles and being bumped or stepped on by a 1000 pound animal is a bigger deal now than it once was.

Fourteen years ago, I wrote the following on this website:

From September through April, I scramble to the top of the hay pile in the barn to push down two bales to feed to our horses, now that the pastures are resting and “left to grace” for the winter. My husband has been busy spreading our composted manure out on the fields to give them an extra fertilizer boost for next spring’s growth.

As farmers, we have to always be thinking one or two seasons ahead:  the hay brought into the barn in June or July does not leave the barn until late-autumn.  The manure piled up in winter gets spread on pastures the following fall.  The tilled cornfields surrounding us are seeded in May and not harvested until October after several months of rain and sun and rain again.

More than practicing forethought, as farmers we know our meager efforts, as tangible as they are, are dependent solely on grace: that there will be enough rain, that there will not be too much rain, that there will be enough days of sunlight, that the seed will sprout, that the machinery will work when needed, that there will be no blight or pests, and that the hay crew will materialize when needed for harvest. So much of this is not due to the labor of our hands, no matter how much we sweat and ache, but due to the great work of the Creator in His Creation.

Every hay bale I open spills forth His mercy, a reminder of how grateful I am for seed and sun and rain and a barn full of promises.

Despite the hard physical work, fifty years hasn’t changed how I love the smell of a soft muzzle, or seeing my reflection in their eyes.

When I lived in a city apartment so many years ago, I knew I would love to wake up every morning to take care of horses the rest of my life. 

And you know what?

That’s just what I’ve gone and done.

brothers
fathersonmoment

Springing Right Out of the Frame

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I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.

Not in July or any month
have I had the pleasure — if it is a pleasure —
of fishing on the Susquehanna.

I am more likely to be found
in a quiet room like this one —
a painting of a woman on the wall,

a bowl of tangerines on the table —
trying to manufacture the sensation
of fishing on the Susquehanna.

There is little doubt
that others have been fishing
on the Susquehanna,

rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.

But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,

when I balanced a little egg of time
in front of a painting
in which that river curled around a bend

under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana

sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.

That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.

Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,

even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame. 
~Billy Collins Fishing On The Susquehanna In July

Susquehanna by Jasper Francis Cropsey
On the Susquehanna by Jasper Frances Cropsey
Agnes Wallace by Robert Sivell
Hayfield–oil painting by Scott Prior http://www.scottpriorart.com
Shoshone Falls on the Snake River by Thomas Moran

The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—

….and August the most peaceful month.

To be, in the grass, in the peacefullest time,
And to feel that the light is a rabbit-light
In which everything is meant for you
And nothing need be explained;

You become a self that fills the four corners of
night.
~Wallace Stevens, from “A Rabbit As King of the Ghosts”

Hare by David Stribbling
Young Hare painting by Albrecht Durer

I live a quiet life in a quiet place.
There are many experiences not on my bucket list
that I’m simply content to just imagine others doing.

I’m not a rock climber or a zip liner
nor willing to jump out of an airplane.
I won’t ride a horse over a four foot jump
nor race one around a track.
Not for me waterskis or unicycles or motorcycles.

I’m grateful there are adventurers
who seek out the extremes of life
so the rest of us can admire their courage
and applaud their explorations.

My imagination is powerful enough,
thanks to the words and pictures of others –
sometimes too vivid.

I contentedly explore the corners
of my quiet places, both inside and outside,
to see what I can build from what’s here.

When the light is just right,
what I see in my mind
seems ready to spring right out of the frame.

The Melt and Flow of Cut Grass

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Light and wind are running
over the headed grass
as though the hill had 
melted and now flowed.
~Wendell Berry “June Wind” from New Collected Poems

Cut grass lies frail:
Brief is the breath
Mown stalks exhale.
Long, long the death

It dies in the white hours
Of young-leafed June
With chestnut flowers,
With hedges snowlike strewn,

White lilac bowed,
Lost lanes of Queen Anne’s lace,
And that high-builded cloud
Moving at summer’s pace.
~Philip Larkin “Cut Grass” from The Complete Poems

June is the month when grass grows exponentially, taking over all open spaces and every nook and cranny

Light and wind work magic on a field of flowing tall grass. The blades of the mower lay it to the ground in green streams that course up and down the slopes. It lies orderly in stoneless cemetery rows.

Farmer’s fields are lined with rows of mown grass, a precious commodity to be harvested for the livestock to eat the rest of the year. Some of the green is bagged up like big marshmallows for easy storage and some put in silos for later in the winter.

The shorn grass is critical to the life of the animals we raise.

What was once waving and bowing to the wind is cut and crushed:
no longer bending but bent,
no longer flowing but flown,
no longer growing but mown.

At summer’s pace, while the clouds saunter overhead, grasses are stored as fodder for the beasts of the farm on those cold nights when the wind beats at the doors.

It will melt in their mouths. As we watch them chew, we’ll remember overflowing abundance of those summer days in June.

Come and See: Ripe for Harvest

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Meanwhile his disciples urged him, “Rabbi, eat something.” But he said to them, “I have food to eat that you know nothing about.” Then his disciples said to each other, “Could someone have brought him food?”

“My food,” said Jesus, “is to do the will of him who sent me and to finish his work. Don’t you have a saying, ‘It’s still four months until harvest’? I tell you, open your eyes and look at the fields! They are ripe for harvest. Even now the one who reaps draws a wage and harvests a crop for eternal life, so that the sower and the reaper may be glad together. Thus the saying ‘One sows and another reaps’ is true.  I sent you to reap what you have not worked for. Others have done the hard work, and you have reaped the benefits of their labor.”

Many of the Samaritans from that town believed in him because of the woman’s testimony, “He told me everything I ever did.” So when the Samaritans came to him, they urged him to stay with them, and he stayed two days. And because of his words many more became believers.

They said to the woman, “We no longer believe just because of what you said; now we have heard for ourselves, and we know that this man really is the Savior of the world.”
John 4: 31-42

The grower of trees, the gardener, the man born to farming,
whose hands reach into the ground and sprout,
to him the soil is a divine drug. He enters into death
yearly, and comes back rejoicing. He has seen the light lie down
in the dung heap, and rise again in the corn.
His thought passes along the row ends like a mole.
What miraculous seed has he swallowed
that the unending sentence of his love flows out of his mouth
like a vine clinging in the sunlight, and like water
descending in the dark?
~Wendell Berry “The Man Born to Farming” from Farming: A Handbook

My dad had a standard sign-off whenever I called my parents long-distance once a week from college.

He always said, “you know what you’re there for…”

At first I puzzled over that phrase. I knew I was in school to study and get a degree, but what was going to happen after that was still an unknown. Yet the weekly reminder was a good one. He was telling me that I was a seed sown in rich soil, and what I learned would help me grow and thrive as long as I remembered to put my roots down and drink deeply from that well of knowledge.

So it was with the Samaritan woman at the well – Jesus waited for her in the heat of the day for a reason. She was a seed sown, meant to bring others to share in the harvest of the good news she had heard.

So we too are here for a purpose. We truly need one another, to become interwoven and linked, both visibly and invisibly.

I am woven around you and you around me; together we grow and thrive when tended and — just as intended.

But more than anything, we need our Gardener.
We are sown, nurtured, grown under His care.
He knows what we are here for, and now, so do we.

I am reading slowly through the words in the Book of John over the next year. Once a week, I invite you to “come and see” what those words might mean as we explore His promises together. Past posts can be found by searching “Come and See” on this blog.

What I’ll Remember

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old milk barn

The partly open hay barn door, white frame around the darkness,
the broken board, small enough for a child
to slip through.

Walking in the cornfields in late July, green tassels overhead,
the slap of flat leaves as we pass, silent
and invisible from any road.

Hollyhocks leaning against the stucco house, peonies heavy
as fruit, drooping their deep heads
on the dog house roof.

Lilac bushes between the lawn and the woods,
a tractor shifting from one gear into
the next, the throttle opened,

the smell of cut hay, rain coming across the river,
the drone of the hammer mill,
milk machines at dawn.
~Joyce Sutphen “The Last Things I’ll Remember” from First Words

I turn this seasonal corner, facing deep into autumn,
summer fading in the rear view mirror.

Even as the air bares chill, and the clouds sopping soak,
the riches of summer remain vivid.

Let me remember:
even if I too fade away, readying for the next turn.

An Itsy-Bitsy Life

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There is always an enormous temptation in all of life
to diddle around making itsy-bitsy friends
and meals and journeys for itsy-bitsy years on end.

It is so self-conscious, so apparently moral,
simply to step aside from the gaps
where the creeks and winds pour down, saying,
I never merited this grace, quite rightly,
and then to sulk along the rest of your days
on the edge of rage.

I won’t have it. 

The world is wilder than that in all directions,
more dangerous and bitter,
more extravagant and bright.

We are making hay
when we should be making whoopee;
we are raising tomatoes
when we should be raising Cain, or Lazarus.
~Annie Dillard from Pilgrim at Tinker Creek

Other than a few exceptional circumstances in my life,
I have always played it safe:
living an itsy-bitsy life being a down-home, don’t rock the boat,
work hard and live-a-quiet-life kind of person,
growing hay and tomatoes and a few other things…

My grandparents lived that way, my parents lived that way.
I feel like it is bound in the twists and turns of my DNA.

I do know a thing or two about sulking on the edge of rage,
lost in a morass of seething bitterness about the state of the world.  Yet if I were honest about it, the discontent I feel is all about me, always about me.

I want to have accomplished more to deserve taking up space in my days on earth. But that’s a problem we all have, isn’t it?

We’re unworthy of such unmerited grace as has been shown to us, raising us from the holes we dig for ourselves. 
It is such a pure Gift I wait for,
borne out of God’s radical sacrifice
deserving from me a life of radical gratitude,
even when I choose to live it out a little quietly,
making hay and raising tomatoes.

Resolving to Grow Again

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Through sere trees and beheaded
grasses the slow rain falls.
Hay fills the barn; only the rake
and one empty wagon are left
in the field. In the ditches
goldenrod bends to the ground.
Even at noon the house is dark.
In my room under the eaves
I hear the steady benevolence
of water washing dust
raised by the haying
from porch and car and garden
chair. We are shorn
and purified, as if tonsured.
The grass resolves to grow again,
receiving the rain to that end,
but my disordered soul thirsts
after something it cannot name.
~Jane Kenyon “August Rain, After Haying” from Collected Poems

August arrives in the dark

we are not even asleep and it is here
with a gust of rain rustling before it…

but in the stillness after the rain ends
nothing is to be heard but the drops falling
one at a time from the tips of the leaves
into the night and I lie in the dark
listening to what I remember
while the night flies on with us into itself
~W.S. Merwin from “Nocturne II” from The Shadow of Sirius

A long-awaited August rain arrives in the night
and like the ground and plants,
I look skyward
letting the clouds weep on me,
cleansing me of dust.

Will I restore like the
brown and dying blade of grass,
turning green and lush in a matter of days?

Is there enough benevolence from the sky
to cleanse and settle my grime,
yielding yet more harvest? 

I thirst for what I cannot name. 
The mystery is, when I’m drenched,
thirst and dust settled,
I’m aching for more.

AI image created for this post

The Grass Forgiving the Scythe

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Winslow Homer’s The Veteran in a New Field
Man Scything Hay by Todd Reifers

There was never a sound beside the wood but one,
And that was my long scythe whispering to the ground.
What was it it whispered? I knew not well myself;
Perhaps it was something about the heat of the sun,
Something, perhaps, about the lack of sound—
And that was why it whispered and did not speak.
To the earnest love that laid the swale in rows,
The fact is the sweetest dream that labor knows.
My long scythe whispered and left the hay to make.
~Robert Frost in “Mowing”

Mowers, weary and brown, and blithe,
What is the word methinks ye know,
Endless over-word that the Scythe
Sings to the blades of the grass below?
Scythes that swing in the grass and clover,
Something still, they say as they pass;
What is the word that, over and over,
Sings the Scythe to the flowers and grass?

Hush, ah hush, the Scythes are saying,
Hush, and heed not, and fall asleep;
Hush, they say to the grasses swaying,
Hush, they sing to the clover deep!
Hush – ’tis the lullaby Time is singing –
Hush, and heed not, for all things pass,
Hush, ah hush! and the Scythes are swinging
Over the clover and over the grass!
~Andrew Lang (1844-1912) “The Scythe Song”

It is blue May. There is work
to be done. The spring’s eye blind
with algae, the stopped water
silent. The garden fills
with nettle and briar.
Dylan drags branches away.
I wade forward with my scythe.

There is stickiness on the blade.
Yolk on my hands. Albumen and blood.
Fragments of shell are baby-bones,
the scythe a scalpel, bloodied and guilty
with crushed feathers, mosses, the cut cords
of the grass. We shout at each other
each hurting with a separate pain.

From the crown of the hawthorn tree
to the ground the willow warbler
drops. All day in silence she repeats
her question. I too return
to the place holding the pieces,
at first still hot from the knife,
recall how warm birth fluids are.
~Gillian Clarke “Scything” from Letter from a Far Country (1982)

The grass around our orchard and yet-to-be-planted garden is now thigh-high. It practically squeaks while it grows. Anything that used to be in plain sight on the ground is rapidly being swallowed up in a sea of green: a ball, a pet dish, a garden gnome, a hose, a tractor implement, a bucket. In an effort to stem this tidal flood of grass, I grab the scythe out of the garden shed and plan my attack.

When the pastures are too wet yet for heavy hooves, I have hungry horses to provide for and there is more than plenty fodder to cut down for them.

I’m not a weed whacker kind of gal. First there is the necessary fuel, the noise necessitating ear plugs, the risk of flying particles requiring goggles–it all seems too much like an act of war to be remotely enjoyable. Instead, I have tried to take scything lessons from my husband.

Emphasis on “tried.”

I grew up watching my father scythe our hay in our field because he couldn’t afford a mower for his tractor. He enjoyed physical labor in the fields and woods–his other favorite hand tool was a brush cutter that he’d take to blackberry bushes. He would head out to the field with the scythe over this shoulder, grim reaper style. Once he was standing on the edge of the grass needing to be mowed, he would then lower the scythe, curved blade to the ground, turn slightly, positioning his hands on the two handles just so, raise the scythe up past his shoulders, and then in a full body twist almost like a golf swing, he’d bring the blade down. It would follow a smooth arc through the base of the standing grass, laying clumps flat in a tidy pile alongside the 2 inch stubble left behind. It was a swift, silky muscle movement — a thing of beauty.

Once, when I was three years old, I quietly approached my dad in the field while he was busily scything grass for our cows, but I didn’t announce my presence. The handle of his scythe connected with me as he swung it, laying me flat with a bleeding eyebrow. I still bear the scar, somewhat proudly, as he abruptly stopped his fieldwork to lift me up as I bawled and bled on his sweaty shirt. He must have felt so badly to have injured his little girl and drove my mom and I to the local doctor who patched my brow with sticky tape rather than stitches.

So I identify a bit with the grass laid low by the scythe. I forgave my father, of course, and learned never again to surprise him when he was working in the field.

Instead of copying my father’s graceful mowing technique, I tended to chop and mangle rather than effect an efficient slicing blow to the stems. I unintentionally trampled the grass I meant to cut. I got blisters from holding the handles too tightly. It felt hopeless that I’d ever perfect that whispery rise and fall of the scythe, with the rhythmic shush sound of the slice that is almost hypnotic.

Not only did I become an ineffective scything human, I also learned what it is like to be the grass laid flat, on the receiving end of a glancing blow. Over a long career, I bore plenty of footprints from the trampling. It can take awhile to stand back up after being cut down.

Sometimes it makes more sense to simply start over as the oozing stubble bleeds green, with deep roots that no one can reach. As I have grown back over the years, singing rather than squeaking or bawling, I realize, I forgave the scythe every time it came down on my head.

photo by Nate Gibson