A Tumble of Onions

How easily happiness begins by   
dicing onions. A lump of sweet butter   
slithers and swirls across the floor   
of the sauté pan, especially if its   
errant path crosses a tiny slick
of olive oil. Then a tumble of onions.

This could mean soup or risotto   
or chutney (from the Sanskrit
chatni, to lick). Slowly the onions   
go limp and then nacreous
and then what cookbooks call clear,   
though if they were eyes you could see

clearly the cataracts in them.
It’s true it can make you weep
to peel them, to unfurl and to tease   
from the taut ball first the brittle,   
caramel-colored and decrepit
papery outside layer, the least

recent the reticent onion
wrapped around its growing body,   
for there’s nothing to an onion
but skin, and it’s true you can go on   
weeping as you go on in, through   
the moist middle skins, the sweetest

and thickest, and you can go on   
in to the core, to the bud-like,   
acrid, fibrous skins densely   
clustered there, stalky and in-
complete, and these are the most   
pungent, like the nuggets of nightmare

and rage and murmury animal   
comfort that infant humans secrete.   
This is the best domestic perfume.   
You sit down to eat with a rumor
of onions still on your twice-washed   
hands and lift to your mouth a hint

of a story about loam and usual   
endurance. It’s there when you clean up   
and rinse the wine glasses and make   
a joke, and you leave the minutest   
whiff of it on the light switch,
later, when you climb the stairs.

~William Matthews “Onions”

I don’t mean to make you cry.
I mean nothing, but this has not kept you
From peeling away my body, layer by layer,

The tears clouding your eyes as the table fills
With husks, cut flesh, all the debris of pursuit.
Poor deluded human: you seek my heart.

Hunt all you want. Beneath each skin of mine
Lies another skin: I am pure onion–pure union
Of outside and in, surface and secret core.

Look at you, chopping and weeping…
~Suji Kwock Kim from “Monologue for a Onion”

It’s true it can make you weep
to peel them, to unfurl and to tease   
from the taut ball first the brittle,   
caramel-colored and decrepit
papery outside layer, the least

recent the reticent onion
wrapped around its growing body,   
for there’s nothing to an onion
but skin, and it’s true you can go on   
weeping as you go on in, through   
the moist middle skins, the sweetest

and thickest, and you can go on   
in to the core, to the bud-like,   
acrid, fibrous skins densely   
clustered there, stalky and in-
complete, and these are the most   
pungent

~William Matthews from “Onions”

I would never scold the onion
for causing tears.
It is right that tears fall
for something small and forgotten.
How at meal, we sit to eat,
commenting on texture of meat or herbal aroma
but never on the translucence of onion,
now limp, now divided,
or its traditionally honorable career:
For the sake of others,
disappear.

~Naomi Shihab Nye from “The Traveling Onion”
from Words Under the Words: Selected Poems.

Onion,
luminous flask,
your beauty formed
petal by petal,
crystal scales expanded you
and in the secrecy of the dark earth
your belly grew round with dew.
Under the earth
the miracle
happened
and when your clumsy
green stem appeared,
and your leaves were born
like swords
in the garden,
the earth heaped up her power
showing your naked transparency…

…You make us cry without hurting us.
I have praised everything that exists,
but to me, onion, you are
more beautiful than a bird
of dazzling feathers,
heavenly globe, platinum goblet,
unmoving dance
of the snowy anemone

and the fragrance of the earth lives
in your crystalline nature.

~Pablo Neruda from “Ode to the Onion”

Everything smells of “eau de onion” here in the kitchen when the onions are brought in from our garden to be stored or dehydrated and frozen for winter soups and stews.

This is weepy business, but these are good tears like I spill over the whistled Greensleeves theme from the old “Lassie” TV show, or during any childrens’ choir song, or by simply watching videos of our grandchildren who live too far away to visit every day.

It takes almost nothing these days to make me weep, so onions are a handy excuse, allowing my tears to flow without explanation:

I weep over the headlines.

I weep over how messy things can get between people who don’t listen to one another or who misinterpret what they think they hear.

I weep knowing we all have layers and layers of skin that appear tough on the outside, but as you peel gently or even ruthlessly cut them away, the layers get more and more tender until you reach the throbbing heart of us.

We tend to hide our hearts out of fear of being hurt, crying out in pain.

Like an onion, each one of us exists to make the day a bit better, the meal more savory, to enhance the flavors of all who are mixed into this melting pot together, trying to make sad things new.

We aren’t meant to stand alone, but to disappear into the stew, and be sorely missed if we are absent.

So very dish needs an onion, and for the sake of the dish, every onion vanishes in the process.

No, I don’t mean to make you cry
as you peel my layers away,
gently, one by one,
each more tender until you reach my heart.
Chop away at me if you must
but weep the good tears, the ones that mean
we weep for the sake of our meal together:
you eating and drinking,
and me – consumed.

Lyrics:
When the dark wood fell before me
And all the paths were overgrown
When the priests of pride say there is no other way
I tilled the sorrows of stone

I did not believe because I could not see
Though you came to me in the night
When the dawn seemed forever lost
You showed me your love in the light of the stars

Chorus:
Cast your eyes on the ocean
Cast your soul to the sea
When the dark night seems endless
Please remember me

Then the mountain rose before me
By the deep well of desire
From the fountain of forgiveness
Beyond the ice and fire

Though we share this humble path, alone
How fragile is the heart
Oh, give these clay feet wings to fly
To touch the face of the stars

Breathe life into this feeble heart
Lift this mortal veil of fear
Take these crumbled hopes, etched with tears
We’ll rise above these earthly cares

Lyrics: Light after darkness, gain after loss
Strength after weakness, crown after cross;
Sweet after bitter, hope after fears
Home after wandering, praise after tears

Alpha and Omega
Beginning and the end
He is making all things new
Springs of living water
Shall wash away each tear
He is making all things new

Sight after mystery, sun after rain
Joy after sorrow, peace after pain;
Near after distant, gleam after gloom
Love aftеr wandering, life after tomb

The Very Top of Summer

The first week of August hangs at the very top of summer,
the top of the live-long year,
like the highest seat of a Ferris wheel

when it pauses in its turning.

The weeks that come before
are only a climb from balmy spring,
and those that follow a drop to the chill of autumn,
but the first week of August is motionless, and hot.

It is curiously silent, too,
with blank white dawns and glaring noons,
and sunsets smeared with too much color.
~Natalie Babbitt from Tuck Everlasting

After an early summer of moderate temperatures and occasional rains, we’re adjusting to temperatures in the nineties. No one asked me if enduring heat, humidity, and smoky skies was a reasonable way to conclude the first week of August.

So I sit silently rocking and sweating in the highest vantage point of this summer’s ferris wheel ride so far, hanging breathlessly mid-air, a brief pause in the endless cycle of sunny days.

Having just arrived at the top, I venture to look down, knowing I am simply along for the ride, and Someone else is at the controls. I might as well enjoy the view of all that is behind, alongside and in front of me, but especially what is below, holding me up in thin air.

All too quickly will come the rapid descent into autumn, my stomach leaping into my chest with the lurch forward into the unknown. As the climb to get here took so long, I am not quite ready for this inevitable drop back into the chill.

Hot or not, it’s best to celebrate August for all it’s splashiness and shining illumination necessitating sunglasses. At least I’m swinging in what little breeze there is, endeavoring to capture this moment, and every moment, forever.

Lyrics from poem by James Agee:
Sure on this shining night
Of starmade shadows round
Kindness must watch for me
This side the ground
On this shining night
This shining night

Sure on this shining night
Of starmade shadows round
Kindness must watch for me
This side the ground
On this shining night
This shining night

The late year lies down the north
All is healed, all is health
High summer holds the earth
Hearts all whole

The late year lies down the north
All is healed, all is health
High summer holds the earth
Hearts all whole

Sure on this shining night
Sure on this shining night

Sure on this shining night
I weep for wonder
Wandering far alone
Of shadows on the stars

Sure on this shining night
Of starmade shadows round
Kindness must watch for me
This side the ground

Oh, this shining night
This shining night
The shining night
Sure on this shining night

In Choral Procession

In noisy shades
of apricot and pink
the blossoms

of the gladiola open
all down the long aisle
of the stem

like a choral procession
or the woody
notes

of a flute
opening one stop
at a time.
~Linda Pastan “Gladiola”

Most flowers tempt our senses:
vibrant colors to the eye,
softness of the petals to the touch,
delicate fragrances wafting to the nose –
even some have a piquant perfumed taste for the palate.

Yet how many blooms sound like an orchestra
tuning in the wind?

A long gladiola stalk rises boldly,
swaying in the breeze, each key
blossom unfolding one by one in flowing overture,
a kaleidoscope symphone planted in a row.

When each is done with its own ruffled note,
the next one opens to play its part,
in harmony with its neighbor.

The notes progress up the stem
until the final chord is held
~fermata-like~
until performances commence
again next summer.

I’ll be sure to reserve a front row seat.

And Light Splashed…

Light splashed this morning
on the shell-pink anemones
swaying on their tall stems;
down blue-spiked veronica
light flowed in rivulets
over the humps of the honeybees;
this morning I saw light kiss
the silk of the roses
in their second flowering,
my late bloomers
flushed with their brandy.
A curious gladness shook me.
So I have shut the doors of my house,
so I have trudged downstairs to my cell,
so I am sitting in semi-dark
hunched over my desk
with nothing for a view
to tempt me
but a bloated compost heap,
steamy old stinkpile,
under my window;
and I pick my notebook up
and I start to read aloud
and still-wet words I scribbled
on the blotted page:
“Light splashed…”

I can scarcely wait till tomorrow
when a new life begins for me,
as it does each day,
as it does each day.
~Stanley Kunitz  “The Round”
from Passing Through: The Later Poems, New and Selected

It is too easy to be ground to a pulp by the various irritations of the day – aggravations are too easily expressed, worries never seem to wane – all of it sucks gladness out of me. 

When my feelings become four-dimensional and surround and drown me, I lose all perspective on what got me out of bed to begin the day.

God is in these intricate details, whether the splash of light on a petal or the smell of rotting compost; it is my job to notice this. It is tempting to look past His ubiquitous presence in all things, to seek out only the elegant grandeur of creation and bypass the plain and smelly and homely.

Yet even what lacks beauty from my limited perspective is worthy of His divine attention. He knows the value and purpose of each thing He created, including me and the things that aggravate me no end – like mosquitos.

The time has come to be refreshed and renewed
even when surrounded by decay.
His care is revealed in the tiniest way.
He is worthy of my attention because I am constantly worthy of His.

If I rise early enough, I can see each new day’s light splash everything awake. By the time I come in to sit down to record my words and photos, I’m thoroughly washed by a fresh dawn. I can scarcely wait to take on what this day will bring.

I can scarcely wait till tomorrow
when a new life begins for me,
as it does each day,
as it does each day.

Waking with the Light

Light wakes us – there’s the sun
climbing the mountains’ rim, spilling across the valley,
finding our faces.
It is July,

between the hay and harvest,
a time at arm’s length from all other time,

the roads ragged with meadowsweet and mallow,
with splays of seedheads, slubbed and coarse, rough linen.
The fields above the house, clotted with sheep all spring,
are empty now and froth with flowering grasses,
still in the morning light. Birds move around
the leafy fields, the leafy garden.

It is the time
to set aside all vigil, good or ill,
to loosen the fixed gaze of our attention
as dandelions let seedlings to the wind.
Wake with the light.
Get up and go about the day and watch
its surfaces that brighten with the sun.

And later, when the light is drowsed and heavy
go find the burdened fruit trees where the shade
lies splashed and opened-out across the ground.
Spread over it a quilt worn soft by other bodies,
then curl and fall down into sleep at light.

Awaken to a world of long, loose grass-stems,
and leaves above,
and birds, breaking out of the leaves.

~Kerry Hardie from “Sleep in Summer”

Saying good-bye to July last week
meant admitting summer is already half-baked
and so are we–

we who are still doughy,
not nearly done enough.

The rush to autumn is breathless.
We want to hold on tight
to our longish days,
fall asleep in the grasses,
endure sweaty nights
for just a little while longer…

Please, oh please
grant us unending light
and steady us for the task
of getting ready for letting go.

A new series of summer photo notecards from our farm is now available as a thank you gift to you for your financial support of Barnstorming — details here

Come and See: Greater Than All

“For this reason the Father loves me, because I lay down my life that I may take it up again. No one takes it from me, but I lay it down of my own accord. I have authority to lay it down, and I have authority to take it up again. This charge I have received from my Father.”

There was again a division among the Jews because of these words. Many of them said, “He has a demon, and is insane; why listen to him?”  Others said, “These are not the words of one who is oppressed by a demon. Can a demon open the eyes of the blind?”

At that time the Feast of Dedication took place at Jerusalem. It was winter, and Jesus was walking in the temple, in the colonnade of Solomon. So the Jews gathered around him and said to him, “How long will you keep us in suspense? If you are the Christ, tell us plainly.”

Jesus answered them, “I told you, and you do not believe. The works that I do in my Father’s name bear witness about me, but you do not believe because you are not among my sheep. My sheep hear my voice, and I know them, and they follow me. I give them eternal life, and they will never perish, and no one will snatch them out of my hand. My Father, who has given them to me, is greater than all, and no one is able to snatch them out of the Father’s hand. I and the Father are one.”

The Jews picked up stones again to stone him. Jesus answered them, “I have shown you many good works from the Father; for which of them are you going to stone me?” The Jews answered him, “It is not for a good work that we are going to stone you but for blasphemy, because you, being a man, make yourself God.”

 Jesus answered them, “Is it not written in your Law, ‘I said, you are gods’? If he called them gods to whom the word of God came—and Scripture cannot be broken— do you say of him whom the Father consecrated and sent into the world, ‘You are blaspheming,’ because I said, ‘I am the Son of God’? If I am not doing the works of my Father, then do not believe me; but if I do them, even though you do not believe me, believe the works, that you may know and understand that the Father is in me and I am in the Father.” Again they sought to arrest him, but he escaped from their hands.

He went away again across the Jordan to the place where John had been baptizing at first, and there he remained. And many came to him. And they said, “John did no sign, but everything that John said about this man was true.” And many believed in him there.
John 10: 17-42

Quiet he lies
whose vigor hurled
a universe. He sleeps
whose eyelids have not closed before.
His breath (so slight it seems
no breath at all) once ruffled the dark deeps
to sprout a world.
Charmed by doves’ voices, the whisper of straw,
he dreams,
hearing no music from his other spheres.
Breath, mouth, ears, eyes
he is curtailed
who overflowed all skies,
all years.

~Luci Shaw from “Mary’s Song” from Accompanied by Angels: Poems of the Incarnation

When, in the cavern darkness, Jesus
opened his small, bleating mouth (even before
his eyes widened to the supple world his
lungs had sighed into being), did he intuit
how hungrily the lungs gasp? Did he begin, then,
to love the way air sighs as it brushes in and out
through the portals of tissue to sustain
the tiny heart’s iambic beating? And how,
fueled by air, the dazzling blood tramps
the crossroads of the brain like donkey tracks,
corpuscles skittering to the earlobes and toenails?

Bottle of the breath of God, speaking in stories,
shouting across wild, obedient water, his voice
was stoppered only by inquisition, unfaith
and anguish. Did he know that he would,
in the end, leak all his blood, heave a final
groan and throw his breath,
oxygen for the world, back to its Source
before the next dark cave?
~Luci Shaw “Breath” from Accompanied by Angels: Poems of the Incarnation

Greater than all –
Creator of breath and sky and dust –
yet came to us as helpless baby.

He who is the air we need –
resides in our cells, our blood, our lungs, our heart.

He who lays down His life for us –
then picks it up again –
we are made in His image.

Listen for Him –
watch Him change the sky –
know He fills us wholly
with His Words and Breath.

I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.

Springing Right Out of the Frame

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.


Not in July or any month
have I had the pleasure — if it is a pleasure —
of fishing on the Susquehanna.

I am more likely to be found
in a quiet room like this one —
a painting of a woman on the wall,


a bowl of tangerines on the table —
trying to manufacture the sensation
of fishing on the Susquehanna.


There is little doubt
that others have been fishing
on the Susquehanna,

rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.

But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,

when I balanced a little egg of time
in front of a painting
in which that river curled around a bend


under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana


sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.


That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.

Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,


even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame. 
~Billy Collins Fishing On The Susquehanna In July

Susquehanna by Jasper Francis Cropsey
On the Susquehanna by Jasper Frances Cropsey
Agnes Wallace by Robert Sivell
Hayfield–oil painting by Scott Prior http://www.scottpriorart.com
Shoshone Falls on the Snake River by Thomas Moran

The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—

….and August the most peaceful month.

To be, in the grass, in the peacefullest time,
And to feel that the light is a rabbit-light
In which everything is meant for you
And nothing need be explained;

You become a self that fills the four corners of
night.
~Wallace Stevens, from “A Rabbit As King of the Ghosts”

Hare by David Stribbling
Young Hare painting by Albrecht Durer

I live a quiet life in a quiet place.
There are many experiences not on my bucket list
that I’m simply content to just imagine others doing.

I’m not a rock climber or a zip liner
nor willing to jump out of an airplane.
I won’t ride a horse over a four foot jump
nor race one around a track.
Not for me waterskis or unicycles or motorcycles.

I’m grateful there are adventurers
who seek out the extremes of life
so the rest of us can admire their courage
and applaud their explorations.

My imagination is powerful enough,
thanks to the words and pictures of others –
sometimes too vivid.

I contentedly explore the corners
of my quiet places, both inside and outside,
to see what I can build from what’s here.

When the light is just right,
what I see in my mind
seems ready to spring right out of the frame.

Making Me Better Than What I Am

At dusk, everything blurs and softens.  
From here out over the long valley,
the fields and hills pull up
the first slight sheets of evening,
as, over the next hour,
heavier, darker ones will follow.

Quieted roads, predictable deer
browsing in a neighbor’s field, another’s
herd of heifers, the kitchen lights
starting in many windows. On horseback
I take it in, neither visitor
nor intruder, but kin passing, closer
and closer to night, its cold streams
rising in the sugarbush and hollow.

Half-aloud, I say to the horse,
or myself, or whoever: let fire not come
to this house, nor that barn,
nor lightning strike the cattle.
Let dogs not gain the gravid doe, let the lights
of the rooms convey what they seem to.

And who is to say it is useless
or foolish to ride out in the falling light
alone, wishing, or praying,
for particular good to particular beings,
on one small road in a huge world?

The horse bears me along, like grace,
making me better than what I am,
and what I think or say or see
is whole in these moments, is neither
small nor broken. For up, out of
the inscrutable earth, have come my body
and the separate body of the mare:
flawed and aching and wronged. Who then
is better made to say be well, be glad,


or who to long that we, as one,
might course over the entire valley,
over all valleys, as a bird in a great embrace
of flight, who presses against her breast,
in grief and tenderness,
the whole weeping body of the world?

~ Linda McCarriston, “Riding Out at Evening” from Talking Soft Dutch

photo by Emily Vander Haak

On this, my 72nd birthday,
I pray for this troubled world, reminding myself:
be well, be glad…

I’m still here
by the grace of God who carries
not just me on His back through each day,
but all earthly burdens.

I pray like a bird embracing the air which lifts its wings,
tenderly holding to its breast a soaring freedom
to transcend the weeping world.

I have seen so much goodness over 72 years,
sometimes through tears of sorrow.
I know there will be more joy
and sadness before I’m done.

I am grateful, so very grateful
to have lived all these years
seeing tears shed, then dried,
learning how love heals,
knowing the only thing to last forever
is God’s covenant promise
to always carry us home.

photo by Brandon Dieleman
photo by Brandon Dieleman
video by Peter Tamminga


Whilst the world is weeping, let us do our bit.
We have the time to sympathise, to listen and to sit.
No needless thoughts, of the things we cannot do.
But appreciate all the good bits and look at them anew.
 
The warmth and comfort of our homes, the food we have to eat.
The family and friends we have, although we cannot meet.
The village that we live in, and the community we share.
So precious to us right now, so sit and think and care.
 
Whilst the world is full of sadness, anxiety and pain,
It’s hard to imagine our lives ever carefree again.
But nothing lasts forever, the clouds will always clear.
Let’s heal the world with love, so the sunshine can appear.
~Sandra Rickman

Lyrics:
Drop, drop, slow tears, and bathe those beauteous feet,
which brought from heaven the news and Prince of Peace.
Cease not, wet eyes, his mercies to entreat;
to cry for vengeance sin doth never cease.
In your deep floods drown all my faults and fears;
nor let his eye see sin, but through my tears.

On a Fine Golden Morning

Whence comes Solace?—Not from seeing
What is doing, suffering, being,
Not from noting Life’s conditions,
Nor from heeding Time’s monitions;
But in cleaving to the Dream,
And in gazing at the gleam
Whereby gray things golden seem.

II

Thus do I this heyday, holding
Shadows but as lights unfolding,
As no specious show this moment
With its irised embowment;
But as nothing other than
Part of a benignant plan;
Proof that earth was made for man.

~Thomas Hardy “On a Fine Morning”

Whence comes Solace?
Cleaving to the dream, gazing at the gleam

nothing other than
Part of a benignant plan;
Proof that earth was made for man.

I had to look up “benignant” – it is like being told a concerning tumor is “benign” – granting gracious kindness and beneficence in the midst of deep-seated worry.

A new lease on life.

We forget our original task of caring for the Garden.
Having soiled our own nest, we can’t abandon earth for another greener, brighter, happier planet. Of all the planetary options in this infinite universe, we were placed right here for good reason, and here we remain.

Our solace: all that ordinarily seems gray gleams golden
illuminated by the Light shining down on our shadowy selves.

Even when the news headlines are dismal,
when our individual struggles are great,
when human history seems to keep repeating itself,
our Creation is purposeful,
eternally preserved through divine sacrifice.

The solace of gray shadows melts to gold:
as part of the overall “benignant plan”
we have been given our life back.

Plowing Deep for Love

image
image
Photo by Joel DeWaard

It’s the immemorial feelings
I like the best: hunger, thirst,
their satisfaction; work-weariness,
earned rest; the falling again
from loneliness to love;
the green growth the mind takes
from the pastures in March;
the gayety in the stride 
of a good team of Belgian mares
that seems to shudder from me
through all my ancestry.
~Wendell Berry “Goods”

photo by Joel De Waard
photo by Joel De Waard

The plow has savaged this sweet field
Misshapen clods of earth kicked up
Rocks and twisted roots exposed to view
Last year’s growth demolished by the blade.

I have plowed my life this way
Turned over a whole history
Looking for the roots of what went wrong
Until my face is ravaged, furrowed, scarred.

Enough. The job is done.
Whatever’s been uprooted, let it be
Seedbed for the growing that’s to come.
I plowed to unearth last year’s reasons—

The farmer plows to plant a greening season.
~Parker Palmer “Harrowing”

photo by Joel De Waard
photo by Joel De Waard

It’s not likely anyone would say I didn’t work hard enough.

After all, I come from a long line of human work-horses
who knew it takes sweat and tears, and sometimes bleeding.

Even so, all those years
I know I could have plowed more deeply than I did.

I could have thrown myself more fully
into the pull on the tugs,
shared the load more effectively,
shouldered the yoke with greater enthusiasm,
bent my neck down low with unbroken determination.

You could say somewhere
I lost the gayety in my stride,
and you would be right —
toward the end, I was trudging through the furrow,
bruised from turning up too many submerged rocks,
bumping into immoveable tree stumps,
tripping on hidden roots,
stuck in the deep mud
of long and lonely post-midnight hours.

You might even say the knowledge of a job well-done
lay at a depth my plow could ever reach.

I had seen others die in the harness,
never able to rest easy.

A few years ago I knew
the time had come
to shrug off the yoke,
shake off the bridle and bit,
shudder free of the harness.

On this side of the ground,
I find myself wondering and wandering,
the blinkers no longer impeding my vision,
feeling the morning sun on my unyoked withers.

Yet when I see an untilled field,
something in me even now
still tries to hold on to the plow —

photo by Joel De Waard
photo by Joel De Waard
photo by Joel De Waard