I Remember You

When to the garden of untroubled thought
       I came of late, and saw the open door,   
       And wished again to enter, and explore    
The sweet, wild ways with stainless bloom inwrought, 
And bowers of innocence with beauty fraught,
       It seemed some purer voice must speak before   
       I dared to tread that garden loved of yore, 
That Eden lost unknown and found unsought.  
 

Then just within the gate I saw a child,— 
       A stranger-child, yet to my heart most dear,—
Who held his hands to me, and softly smiled   
       With eyes that knew no shade of sin or fear:    
“Come in,” he said, “and play awhile with me; 
I am the little child you used to be.”

~Henry van Dyke, from The Poems of Henry van Dyke

Behind the house in a field
there’s a metal box I buried
full of childhood treasure, a map
of my secret place, a few lead pennies
from 1943.
The rest I’ve forgotten,
forgotten even the exact spot
I covered with moss and loam.

Now I’m back and twenty years
have made so little difference
I suspect they never happened,
this face in the mirror
aged with pencil and putty.
I suspect even
the box has moved as a mole would move
to a new place long ago.
~Dan Gerber “The Cache” from Particles

And this is where we went, I thought,
Now here, now there, upon the grass
Some forty years ago.

The days being short now, simply I had come
To gaze and look and stare upon
The thought of that once endless maze of afternoons.
But most of all I wished to find the places where I ran

What’s happened to our boys that they no longer race
And stand them still to contemplate Christ’s handiwork:
His clear blood bled in syrups from the lovely wounded trees?
Why only bees and blackbird winds and bending grass?
No matter. Walk. Walk, look, and sweet recall.

I came upon an oak where once when I was twelve
I had climbed up and screamed for Skip to get me down.
It was a thousand miles to earth. I shut my eyes and yelled.
My brother, richly compelled to mirth, gave shouts of laughter
And scaled up to rescue me.
“What were you doing there?” he said.
I did not tell. Rather drop me dead.
But I was there to place a note within a squirrel nest
On which I’d written some old secret thing now long forgot.

{Now} I lay upon the limb a long while, thinking.
I drank in all the leaves and clouds and weathers
Going by as mindless
As the days.
What, what, what if? I thought. But no. Some forty years beyond!

I brought forth:
The note.

I opened it. For now I had to know.
I opened it, and wept. I clung then to the tree
And let the tears flow out and down my chin.
Dear boy, strange child, who must have known the years
And reckoned time and smelled sweet death from flowers
In the far churchyard.
It was a message to the future, to myself.
Knowing one day I must arrive, come, seek, return.
From the young one to the old. From the me that was small
And fresh to the me that was large and no longer new.
What did it say that made me weep?

I remember you.
I remember you.
~Ray Bradbury from “Remembrance”

This past weekend we drove the country roads where I grew up,
now sixty years later,
and though the trees are taller,
it looked just as I remembered.
The scattered houses on farms still standing, a bit more worn,
the fields open and flowing as always,
the turns and bends, the ups and downs of the asphalt lanes unchanged
where once I tread with bicycle tires and sneakered feet.

My own childhood home a different color
but so familiar as we drive slowly by,
full of memories of laughter and games,
long winter days and longer summer evenings
full of its share of angry words and tears
and eventual forgiveness.

I too left notes to my future self, in old barns, and lofts,
and yes, in trees,
but won’t go back to retrieve them.
I remember what I wrote.
My ten year old heart tried to imagine itself decades hence,
what fears and joys would pass through like pumping blood,
what wounds would I bear and bleed,
what love and tears would trace my face?

I have not forgotten.
No, I have never forgotten
that I remember:
this is me,
as I was, and, deep down, still am.


Packed and Unpacked

Holes in the shape of stars
punched in gray tin, dented,
cheap, beaten by each
of her children with a wooden spoon.

Noodle catcher, spaghetti stopper,
pouring cloudy rain into the sink,
swirling counter clockwise
down the drain, starch slime
on the backside, caught
in the piercings.

Scrubbed for sixty years, packed
and unpacked, the baby’s
helmet during the cold war,
a sinking ship in the bathtub,
little boat of holes.

Dirt scooped in with a plastic
shovel, sifted to make cakes
and castles. Wrestled
from each other’s hands,
its tin feet bent and re-bent.

Bowl daylight fell through
onto freckled faces, noon stars
on the pavement, the universe
we circled aiming jagged stones,
rung bells it caught and held.

~Dorianne Laux “My Mother’s Colander”from Only As the Day is Long: New and Selected Poems.

Many of my mother’s kitchen things, some over seventy years old, are still packed away in boxes that I haven’t had the time or the emotional wherewithal to open. They sit waiting for me to sort and purge and save and weep.

But this kitchen item, her old dented metal colander, she gave to me when I moved into my first apartment some 40 years ago – she had purchased a bright green plastic colander at a Tupperware party so the old metal one seemed somehow outdated, overworked and plain. It had held hundreds of pounds of rinsed garden vegetables during my childhood, had drained umpteen pasta noodles, had served as a sifter in our sandbox, and a helmet for many a pretend rocket launch to infinity and beyond.

It still works fine, thank you very much, for all intended and some unintended purposes. It does make me wonder what other treasures may surprise me when I finally decide to open up my mother’s boxes. She died ten years ago, but her things remain, as if in suspended animation, to be rediscovered when I’m ready. They wait patiently to be useful to someone again, touched lovingly and with distinct purpose as they once were, and be remembered for the part they played in one woman’s long and faith-filled life.

Maybe, just maybe, it will feel like I’ve unpacked Mom once again as well.

To infinity and beyond…

Blessed Days of More or Less

Now in the blessed days of more and less
when the news about time is that each day
there is less of it I know none of that
as I walk out through the early garden
only the day and I are here with no
before or after and the dew looks up
without a number or a present age
~W. S. Merwin “Dew Light”

A walk around the farm becomes more or less, before or after, now and then, a timelessness of shifting seasons and days each fading into the next.

A prayer is timeless, spoken to the God who was, is and ever will be, and who already knows what we are about to say. And He knows I don’t tend to say anything new.

And so He still blesses me with the light of His dew.

I began writing regularly over ten years ago as a way to explain myself to people I will never meet. Perhaps I actually am trying to explain myself to God.

God is,
if I stop to look and listen. 
Yesterday, today, tomorrow –
more or less, before or after, now and then,
ever and ever. Amen.

The Abundance of This Place

Families will be singing in the fields.
In their voices they will hear a music
risen out of the ground. They will take
nothing from the ground they will not return,
whatever the grief at parting. Memory,
native to this valley, will spread over it
like a grove, and memory will grow
into legend, legend into song, song
into sacrament. The abundance of this place,
the songs of its people and its birds,
will be health and wisdom and indwelling
light.
~Wendell Berry from “A Vision”

Into the rooms flow meadow airs,
The warm farm baking smell’s blown round.
Inside and out, and sky and ground
Are much the same;

Now straightening from the flowery hay,
Down the still light the mowers look,
Or turn, because their dreaming shook,
And they waked half to other days,
When left alone in the yellow stubble
The rusty-coated mare would graze.

~Léonie Adams from “Country Summer”

Most of the work on our farm involves the ground – whether plowing, seeding, fertilizing, mowing, harvesting – this soil lives and breathes as much as we creatures who walk over it and the plants which arise rooted to it.

Yes, there must be light. Yes, there must be moisture. Yes, there must be teeming worms and microbes deep within the dirt, digesting and aerating and thriving, leaving behind needed nutrients as they live and die.

And yes, we all become dust again, hopefully returning to the ground more than we have taken.

As I watch our rusty-coated horses graze on the stubble of these slopes and valleys, I’m reminded it is a sacrament to live in such abundance. We all started in a Garden until we desired something more, and knowing our mistake, we keep striving to return.

So this land teems with memories: of the rhythms and cycles of the seasons, of the songs and stories of peoples who have lived here for generation after generation.

Eventually we will find our way back to the abundant soil.

In a Burst of Summertime

In Summer, in a burst of summertime
Following falls and falls of rain,
When the air was sweet-and-sour of the flown fineflower of
Those goldnails and their gaylinks that hang along a lime;
~Gerard Manley Hopkins from “Cheery Beggar”

Open the window, and let the air 
Freshly blow upon face and hair, 
And fill the room, as it fills the night, 
With the breath of the rain’s sweet might.
 

Nought will I have, not a window-pane, 
‘Twixt me and the air and the great good rain, 
Which ever shall sing me sharp lullabies; 
And God’s own darkness shall close mine eyes; 
And I will sleep, with all things blest, 
In the pure earth-shadow of natural rest.

~James Henry Leigh Hunt from “A Night-Rain in Summer”

Sweet and sour extends far beyond a Chinese menu;
it is the daily air I breathe.

I am but a cheery beggar in this summer world,
hanging tight to the sweetness of each glorious moment
yet knowing it cannot last:

the startling twilight gold of a July rain,
the intense green of thirsty fields,
a rainbow suspended in misty haze,
the clouds racing to win the day’s finish line.

But as beggars aren’t choosers,
sweet rain ruins hay harvest
and berries turn to mold on the vine.

The sky stooping to kiss the earth
may bring mud and flood.

I breathe deeply now of petrichor:
the scent of raindrops falling on dry land
as if I could wear it like perfume
on those sour days of drought.



Breathing the Spirit of the Seasons

photo of Grandma Emma by Sara Larsen

With my arms raised in a vee,
I gather the heavens and bring
my hands down slow together,
press palms and bow my head.

I try to forget the suffering,
the wars, the ravage of land
that threatens songbirds,
butterflies, and pollinators.

The ghosts of their wings flutter
past my closed eyes as I breathe
the spirit of seasons, the stirrings
in soil, trees moving with sap.

With my third eye, I conjure
the red fox, its healthy tail, recount
the good of this world, the farmer
tending her tomatoes, the beans

dazzled green al dente in butter,
salt and pepper, cows munching
on grass. The orb of sun-gold
from which all bounty flows.
~Twyla M. Hansen “Trying to Pray” from
 Rock. Tree. Bird

There is much to pray about.
The list is endless and the need overwhelming.

Where even to begin?

It is for good reason we are advised by Paul to “pray without ceasing” (the word in Greek is adialeiptos or “uninterruptedly”) in 1 Thessalonians 5:17.

It is not only when we audibly and in form,
address our petitions to the Deity that we pray.
We pray without ceasing.
Every secret wish is a prayer.
Every house is a church;
the corner of every street is a closet of devotion.
~Ralph Waldo Emerson in his sermon: Pray Without Ceasing

A farmer may have an addendum:
every barn is a church,
every moment kneeling and weeding the soil an act of devotion,
every moment of care-taking God’s creation an act of sacramental obedience.
Praying without ceasing in the course of one’s day.

Yet even before we clasp our hands together,
we are told to “Rejoice always.”
-Rejoice before complaining.
-Rejoice before requesting.
-Rejoice before losing heart.

Let me be breathing in the spirit of the seasons, overwhelmed by joy, before I talk with God. He knows which tears are which.

Never Leaving the Land

My grandparents owned the land,
worked the land, bound
to the earth by seasons of planting
and harvest.

They watched the sky, the habits
of birds, hues of sunset,
the moods of moon and clouds,
the disposition of air.
They inhaled the coming season,
let it brighten their blood
for the work ahead.

Soil sifted through their fingers
imbedded beneath their nails
and this is what they knew;
this rhythm circling the years.
They never left their land;
each in their own time
settled deeper.
~Lois Parker Edstrom “Almanac” from Night Beyond Black. © MoonPath Press, 2016

My husband and I met in the late 70’s while we were both in graduate school in Seattle, living over 100 miles away from our grandparents’ farms farther north in Washington. We lived farther still from my grandparents’ wheat farm in Eastern Washington and his grandparents’ hog farm in Minnesota. One of our first conversations together, the one that told me I needed to get to know this man better, was about wanting to move back to work on the land. We were both descended from peasant immigrants from the British Isles, Holland and Germany – farming was in our DNA, the land remained under our fingernails even as we sat for endless hours studying in law school and medical school classes.

When we married and moved north after buying a small farm, we continued to work full time at desks in town. We’ve never had to depend on this farm for our livelihood, but we have fed our family from the land, bred and raised livestock, and harvested and preserved from a large garden and orchard. It has been a good balance thanks to career opportunities made possible by our education, something our grandparents would have marveled was even possible.

Like our grandparents, we watch in wonder at what the Creator brings to the rhythm of the land each day – the light of the dawn over the fields, the activity of the wild birds and animals in the woods, the life cycles of the farm critters we care for, the glow of the evening sun as night enfolds us. We are blessed by the land’s generosity when it is well cared for.

Now forty years after that first conversation together about returning to farming, my husband and I hope to never leave the land. It brought us together, fed our family, remains imbedded under our fingernails and in our DNA. Each in our own time, we will settle even deeper.

Thank you to retired RN and poet Lois Parker Edstrom for this exquisite poem about living and dying on the land. It has been my privilege to meet her and her husband and welcome them to our farm.
Your words have brought me many blessings!