You Are My Sunshine

My father climbs into the silo.
He has come, rung by rung,
up the wooden trail that scales
that tall belly of cement.

It’s winter, twenty below zero,
He can hear the wind overhead.
The silage beneath his boots
is so frozen it has no smell.

My father takes up a pick-ax
and chops away a layer of silage.
He works neatly, counter-clockwise
under a yellow light,

then lifts the chunks with a pitchfork
and throws them down the chute.
They break as they fall
and rattle far below.

His breath comes out in clouds,
his fingers begin to ache, but
he skims off another layer
where the frost is forming

and begins to sing, “You are my
sunshine, my only sunshine.”
~Joyce Sutphen, “Silo Solo” from First Words

Farmers gotta be tough. There is no taking a day off from chores. The critters need to eat and their beds cleaned even during the coldest and hottest days. Farmers rise before the sun and go to bed long after the sun sets.

I come from a long line of farmers on both sides – my mother was the daughter of wheat farmers and my father was the son of subsistence stump farmers who had to supplement their income with outside jobs as a cook and in lumber mills. Both my parents went to college; their parents wanted something better for them than they had. Both my parents had professions but still chose to live on a farm – daily milkings, crops in the garden and fields, raising animals for meat.

My husband’s story is similar, though his parents didn’t graduate from college. Dan milked cows with his dad and as a before-school job in the mornings.

We still chose to live on a farm to raise our children and commit to the daily work, no matter the weather, on sunlit days and blowing snow days and gray muddy days. And now, when our grandchildren visit, we introduce them to the routine and rhythms of farm life, the good and the bad, the joys and the sorrows, and through it all, we are grateful for the values that follow through the generations of farming people.

And our favorite song to sing to our grandchildren is “You are my sunshine, my only sunshine” as it is the sun that sustains our days and its promise of return that sustains our nights.

You’ll never know, dears, how much we love you.
Please don’t take our sunshine away.

To Find the Hidden Sunlight

It is the story of the falling rain
to turn into a leaf and fall again


it is the secret of a summer shower
to steal the light and hide it in a flower


and every flower a tiny tributary
that from the ground flows green and momentary


is one of water’s wishes and this tale
hangs in a seed-head smaller than my thumbnail


if only I a passerby could pass
as clear as water through a plume of grass


to find the sunlight hidden at the tip
turning to seed a kind of lifting rain drip


then I might know like water how to balance
the weight of hope against the light of patience


water which is so raw so earthy-strong
and lurks in cast-iron tanks and leaks along


drawn under gravity towards my tongue
to cool and fill the pipe-work of this song


which is the story of the falling rain
that rises to the light and falls again

~Alice Oswald,”A Short Story of Falling”  from Falling Awake

We are back to rainy season – a relief in so many ways – no dust, no fire threat, the perking up of all that appeared dead and dying — yet it means being covered by a gray blanket through most days and nights.

When sunlight sneaks through the clouds, even briefly, the world is transformed with its jewelry. Raindrops, having fallen from where light dwells, are suspended illumination, bringing the sun closer to us a million times over.

I welcome the light to keep its constant drip into my life, drop by drop by glorious drop.

A Long, Long Road

The road is long
With many a winding turn
That leads us to who knows where
Who knows where
But I’m strong
Strong enough to carry him
He ain’t heavy, he’s my brother

If I’m laden at all
I’m laden with sadness
That everyone’s heart
Isn’t filled with the gladness
Of love for one another

It’s a long, long road
From which there is no return
While we’re on the way to there
Why not share

And the load
Doesn’t weigh me down at all…

~Bobby Scott and Bob Russell from “He Ain’t Heavy, He’s My Brother”

I know where this road ends to the east: at the very edge of the Cascade foothills, right in the middle of a small tribal nation trying to survive challenging economic times on their reservation land.

Heading west from here, there is another tribal nation trying to survive. In between are farmers who are having to sell their dairy herds because milk prices aren’t keeping up with the cost of maintaining their business. There are families now without sustainable wage employment because large industries have pulled up stakes and closed their doors. There is land that is overpriced as people flee the cities to come to rural surroundings because of ongoing pandemic shutdowns and worries.

There is much sadness all along this country road during times like these, but that’s not new. In another 100 years it will still not be new. There will always be foggy and stormy days interspersed among times of hope and light.

We remain a diverse people of tears and struggle, but we take turns carrying one another when one has what another does not. We still have the sun and the rain and the soil, the turning of the seasons and the rhythm of sun up and sun down.

On our way to there, why not share?

The Autumn Sun

The way the trees empty themselves of leaves,
let drop their ponderous fruit,
the way the turtle abandons the sun-warmed log,
the way even the late-blooming aster
succumbs to the power of frost—


this is not a new story.
Still, on this morning, the hollowness
of the season startles, filling
the rooms of your house, filling the world
with impossible light, improbable hope.


And so, what else can you do
but let yourself be broken
and emptied? What else is there
but waiting in the autumn sun?

~Carolyn Locke “What Else?” from The Place We Become

So this is how our life goes:

we are sowed, set down roots, bud and grow and flower and bloom and fruit and flourish,

then dry and change and wither and empty and break away to be carried off beyond this air and water and soil.

We thrived where we were planted, did what we could with a little nurture, to transcend the here and now.

So may we plant the next generation in healthy soil.
May we weed and water and feed as needed.
May we never overshadow the sun but step aside so its light fully shines.

We Shall All Be Changed

Cloud-puffball, torn tufts, tossed pillows | flaunt forth, then chevy on an air-
Built thoroughfare: heaven-roysterers, in gay-gangs | they throng; they glitter in marches.
Down roughcast, down dazzling whitewash, | wherever an elm arches,
Shivelights and shadowtackle ín long | lashes lace, lance, and pair.
Delightfully the bright wind boisterous | ropes, wrestles, beats earth bare
Of yestertempest’s creases; | in pool and rut peel parches
Squandering ooze to squeezed | dough, crust, dust; stanches, starches
Squadroned masks and manmarks | treadmire toil there
Footfretted in it. Million-fuelèd, | nature’s bonfire burns on.
But quench her bonniest, dearest | to her, her clearest-selvèd spark
Man, how fast his firedint, | his mark on mind, is gone!
Both are in an unfathomable, all is in an enormous dark
Drowned. O pity and indig | nation! Manshape, that shone
Sheer off, disseveral, a star, | death blots black out; nor mark
                            Is any of him at all so stark
But vastness blurs and time | beats level. Enough! the Resurrection,
A heart’s-clarion! Away grief’s gasping, | joyless days, dejection.
                            Across my foundering deck shone
A beacon, an eternal beam. | Flesh fade, and mortal trash
Fall to the residuary worm; | world’s wildfire, leave but ash:
                            In a flash, at a trumpet crash,
I am all at once what Christ is, | since he was what I am, and
This Jack, joke, poor potsherd, | patch, matchwood, immortal diamond,
                            Is immortal diamond.
~Gerard Manley Hopkins “That Nature is a Heraclitean Fire and of the Comfort of the Resurrection”

Behold, I show you a mystery;
We shall not all sleep, but we shall all be changed,
In a moment, in a twinkling of an eye;
at the last trump: for the trumpet shall sound,
and the dead shall be raised incorruptible,
and we shall be changed,
For this corruptible must put on immortality

1Corinthians 15:51-53

In a matter of minutes this morning,
mere clouds changed above the rising sun;
its fire started low, sparked into dazzling flames,
then became a beacon, lit from within and without
and all around thus transformed.

So we are spared from our destiny with ashes
by such Light.

So Christ, becoming man
and rising — as He did,
and risen as He is,
changes us forever,
in a moment, in a twinkling of an eye.



Rainbow Hidden Within the Clouds

God put the rainbow in the clouds, not just in the sky….
It is wise to realize we already have rainbows in our clouds,
or we wouldn’t be here.
If the rainbow is in the clouds,
then in the worst of times,
there is the possibility of seeing hope….
We can say, ‘I can be a rainbow in the clouds for someone yet to be.’ That may be our calling.
~Maya Angelou (Harrisburg Forum, November 30, 2001)

Be thou the rainbow in the storms of life.
The evening beam that smiles the clouds away,

and tints tomorrow with prophetic ray.
~Lord Byron

Painting the indescribable with words necessitates subtlety, sound and rhythm.  The best word color portraits I know are by Gerard Manley Hopkins who described what he saw using startling combinations:  “crimson-cresseted”, “couple-colour”, “rose-moles”, “fresh-firecoal”, “adazzle, dim”, “dapple-dawn-drawn”, “blue-bleak embers”, “gash gold-vermillion”.

My facility with words doesn’t measure up so I rely on pictures to show the hope I see when I look at the sky. I keep reaching for the rainbow hiding within the clouds, searching for the prophetic promise that preserves my days and nights forever.

After all, in the beginning was the Word, and no one says it better than He does.


To Revel in Rays of Light

A writer should concern himself with whatever absorbs his fancy, stirs his heart, and unlimbers his typewriter.
I feel no obligation to deal with politics.
I do feel a responsibility to society.
A writer has the duty to be good, not lousy;
true, not false; lively, not dull;
accurate, not full of error.
He should tend to lift people up, not lower them down.

A writer must reflect and interpret his society, his world;
he must also provide inspiration and guidance and challenge.
Much writing today strikes me

as deprecating, destructive, and angry.
There are good reasons for anger, and I have nothing against anger.
But I think some writers have lost their sense of proportion,
their sense of humor, and their sense of appreciation.

I am often mad, but I would hate to be nothing but mad:
one role of the writer today is to sound the alarm.
The environment is disintegrating, the hour is late,
and not much is being done.
Instead of carting rocks from the moon,
we should be carting the feces out of Lake Erie.
…I think I would lose what little value I may have as a writer
if I were to refuse, as a matter of principle,
to accept the warming rays of the sun,
and to report them, whenever,
and if ever, they happen to strike me.

~E.B. White 1969 (on writing)

It becomes tiresome always feeling angry
about what it is happening in the world,
feeling that everything, even a virus,
has been made political.
I’m done with reading and writing nothing but words of frustration,
but will rail against the meanness that surrounds us,
and push back the bully
to seek out a balance of perspective and insight.

When I need to feel something other than mad,
I’ll walk as far as I can go,
look up, revel in the gift of rays of light
and bask in their warmth and promise.

I will accept what the sun has to offer
and tell about it
so that my anger drains away
like so much waste flushed down a pipe,
never to be seen again.

Hanging Out

clothesline
Continue reading “Hanging Out”

The Whole Sky is Yours

Life is grace.
Sleep is forgiveness.
The night absolves.
Darkness wipes the slate clean,
not spotless to be sure,
but clean enough for another day’s chalking.
~Frederick Buechner
from The Alphabet of Grace


Imagine you wake up
with a second chance: The blue jay
hawks his pretty wares
and the oak still stands, spreading
glorious shade. If you don’t look back,
the future never happens.
How good to rise in sunlight,

in the prodigal smell of biscuits –
eggs and sausage on the grill.
The whole sky is yours
to write on, blown open
to a blank page. Come on,
shake a leg! You’ll never know
who’s down there, frying those eggs,
if you don’t get up and see.

~Rita Dove “Dawn Revisited” from On the Bus with Rosa Parks

When I was a kid, summer mornings were simply delicious – I loved the smell of breakfast being prepared while I unfolded and stretched my growing legs under the covers, lazily considering how to take on the dawn.

Each new day felt like another chance, a clean slate, a blank page ready to be filled with the knowledge gained from the mistakes made the day before, the urgency of today’s needs, and the hope for grace tomorrow.

Now I’m the one cooking up a breakfast of words and pictures, trying to lure others from their beds with the fragrance of another day, another chance, another opportunity.

There is life to be lived; the whole sky is yours.
Time’s a-wasting. Time to get up.

A Joy So Violent

She lay on her back in the timothy
and gazed past the doddering
auburn heads of sumac.

A cloud – huge, calm,
and dignified – covered the sun
but did not, could not, put it out.

The light surged back again.
Nothing could rouse her then

from that joy so violent
it was hard to distinguish from pain.

~Jane Kenyon, “The Poet at Ten” from The Best Poems of Jane Kenyon

I have a mare who journeyed as a foal
from overseas alongside her mother,
a difficult immigration to a new life and farm,
followed by the drama of weaning and separation,
then introduced to a new herd who didn’t speak her language
so she couldn’t always understand what was being said.

She was shy and fearful from the beginning,
knowing she didn’t belong,
worried about doing the wrong thing,
cringing when others laid back ears at her or bared their teeth,
she always hung back and let others go first,
waiting hungry and thirsty while others had their fill.

What she did best was be a mother herself,
devoting herself to the care of her foals,
as they became the light of her life
though still covered with the cloud of not belonging,
she grieved loudly at their weanling goodbyes.

Still, two decades later, in her retirement,
she is shy and submissive, still feeling foreign,
as if she never quite fit in,
always letting others go first,
concerned about making a misstep.

I think of her as an immigrant
who never felt at home
unless she had a baby at her side~
to live alongside one to whom she finally belonged:
how does one measure the pain of true joy and love
while knowing the violence of separation is inevitable?

thank you to Lea Gibson Lozano and Emily Vander Haak for their photos of Belinda and her babies