The porch swing hangs fixed in a morning sun that bleaches its gray slats, its flowered cushion whose flowers have faded, like those of summer, and a small brown spider has hung out her web on a line between porch post and chain so that no one may swing without breaking it. She is saying it’s time that the swinging were done with, time that the creaking and pinging and popping that sang through the ceiling were past, time now for the soft vibrations of moths, the wasp tapping each board for an entrance, the cool dewdrops to brush from her work every morning, one world at a time. ~Ted Kooser “Porch Swing in September” from Flying at Night
It is hard to just let go and let life move on, as it will do on this day’s transition to autumn, whether with us or without us.
We build our little lives so carefully; we plan and choreograph and anticipate, and all it takes is a creaky swing (or a measly little virus) to pull it to shreds.
So we rebuild, strand by strand, in the conviction that we still belong here even when everything around us is changing and will pay no attention to how we’re left hanging.
We keep trying. We keep believing. We keep wanting to make the world a little more beautiful.
The trees are undressing, and fling in many places— On the gray road, the roof, the window-sill— Their radiant robes and ribbons and yellow laces; A leaf each second so is flung at will, Here, there, another and another, still and still.
A spider’s web has caught one while downcoming, That stays there dangling when the rest pass on; Like a suspended criminal hangs he, mumming In golden garb, while one yet green, high yon, Trembles, as fearing such a fate for himself anon. ~Thomas Hardy “Last Week in October”
We too are flung into the unknown, trembling tethered in the breezes, unready to let go of what sustains us, fated to be tossed wherever the wind blows us.
If caught up by a silken thread, left to dangle, suspended by faith, we await the hope of rescue, alone and together, another and another, still and still.
Further in Summer than the Birds Pathetic from the Grass A minor Nation celebrates Its unobtrusive Mass.
No Ordinance be seen So gradual the Grace A pensive Custom it becomes Enlarging Loneliness.
Antiquest felt at Noon When August burning low Arise this spectral Canticle Repose to typify
Remit as yet no Grace No Furrow on the Glow Yet a Druidic Difference Enhances Nature now ~Emily Dickinson
“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time. The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world. She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:
So gradual the Grace A pensive Custom it becomes Enlarging Loneliness.
But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state. Words are indivisible with the highest realization of human being.” ~N. Scott Momaday from The Man Made of Words
On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard. He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition. In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a white New England recluse poet — someone as culturally distant from him and his people as possible.
But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem. What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.
As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending. Not only are the skies are filled with smoke from uncontrolled wildfires, but the streets are filled with protesters and counter-protesters who loot and shoot rather than meet to ask questions, and our future is filled with the uncertain timeline of ongoing pandemic destruction as nature has the upper hand yet again.
There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.
Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone. The Word brings Grace, like no other, to pathetic and transient man who shall emerge transformed.
There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.
Light wakes us – there’s the sun climbing the mountains’ rim, spilling across the valley, finding our faces. It is July, between the hay and harvest, a time at arm’s length from all other time…
It is the time to set aside all vigil, good or ill, to loosen the fixed gaze of our attention as dandelions let seedlings to the wind. Wake with the light. Get up and go about the day and watch its surfaces that brighten with the sun. ~Kerry Hardie from “Sleep in Summer”
Saying good-bye to July is admitting summer is already half-baked and so are we– we are still doughy and not nearly done enough.
The rush to autumn is breathless. We want to hold on tight to our longish days and our sweaty nights for just a little while longer…
Please, oh please grant us light and steady us for the task of getting ready and letting go.
Like hues and harmonies of evening, Like clouds in starlight widely spread, Like memory of music fled, Like aught that for its grace may be Dear, and yet dearer for its mystery. The day becomes more solemn and serene When noon is past; there is a harmony In autumn, and a lustre in its sky, Which through the summer is not heard or seen, As if it could not be, as if it had not been! ~Percy Bysshe Shelleyfrom “Hymn to Intellectual Beauty”
Noon has passed here; our spring long spent and now we come upon a time of subtle beauty, of hue and harmony~ a solemn serenity no longer overwhelmed by the clamor of summer.
The evening of autumn thus descends, its lustrous limn-light a curtain of grace cloaking and comforting, readying us for winter.
…it has seemed good to our people to join together in praising the Creator and Preserver, who has brought us by a way that we did not know to the end of another year: for the blessings that have been our common lot — for all the creature comforts: the yield of the soil that has fed us and the richer yield from labor of every kind that has sustained our lives — and for all those things, as dear as breath to the body, that nourish and strengthen our spirit to do the great work still before us: for the brotherly word and act; for honor held above price; for steadfast courage and zeal in the long, long search after truth; for liberty and for justice freely granted by each to his fellow and so as freely enjoyed; and for the crowning glory and mercy of peace upon our land; — that we may humbly take heart of these blessings as we gather once again with solemn and festive rites to keep our Harvest Home. ~Connecticut Governor Wilbur Cross — 1936 Thanksgiving Proclamation
We can only be said to be alive in those moments when our hearts are conscious of our treasures. ~Thornton Wilder, from “Our Town”
These words written over 80 years ago still ring true. Then a country crushed under the Great Depression, now a country staggering under a Great Depression of the spirit~ ever more connected electronically, yet more isolated from family, friends, faith, more economically secure, yet emotionally bankrupt.
May we humbly take heart in the midst of creature comforts we barely acknowledge; may we always be conscious of our treasures and in our abundance, take care of others in need, just as God, in His everlasting recognition of our perpetual need of Him, cares for us, even though, even when, even because, we don’t believe.
I work the soil of this life, this farm, this faith to find what yearns to grow, to bloom, to fruit and be harvested to share with others.
With deep gratitude to those of you who visit here and let me know it makes a difference in your day!
In joint Thanksgiving to our Creator and Preserver, right along with you,
It will not always be like this, The air windless, a few last Leaves adding their decoration To the trees’ shoulders, braiding the cuffs Of the boughs with gold; a bird preening
In the lawn’s mirror. Having looked up From the day’s chores, pause a minute, Let the mind take its photograph Of the bright scene, something to wear Against the heart in the long cold. ~Ronald Stuart Thomas A Day in Autumn
Autumn farm chores are good for the weary heart.
When the stresses of the work world amass together and threaten to overwhelm, there is reassurance in the routine of putting on muck boots, gloves, jacket, then hearing the back door bang behind me as I head outside. Following the path to the barns with my trusty corgi boys in the lead, I open wide the doors to hear the welcoming nickers of five different Haflinger voices.
The routine: loosening up the twine on the hay bales and opening each stall door to put a meal in front of each hungry horse, maneuvering the wheelbarrow to fork up accumulated manure, fill up the water bucket, pat a neck and go on to the next one. By the time I’m done, I am calmer, listening to the rhythmic chewing from five sets of molars. It is a welcome symphony of satisfaction for both the musicians and audience. My mind snaps a picture and records the song to pull out later when needed.
The horses are not in the least perturbed that I may face a challenging day. Like the dogs and cats, they show appreciation that I have come to do what I promised to do–I care for them, I protect them and moreover, I will always return.
Outside the barn, the chill wind blows gently through the bare tree branches with a wintry bite, reminding me who is not in control. I should drop the pretense. The stars, covered most nights by cloud cover, show themselves, glowing alongside the moon in a galactic sweep across the sky. They exude the tranquility of an Ever-Presence over my bowed and humbled head. I am cared for and protected; He is always there and He will return.
Saving mental photographs of the extraordinary ordinariness of barn chores, I ready myself as autumn fades to winter.
Equilibrium is delivered to my heart, once and ever after, from a stable.
Than these November skies Is no sky lovelier. The clouds are deep; Into their grey the subtle spies Of colour creep, Changing that high austerity to delight, Till ev’n the leaden interfolds are bright. And, where the cloud breaks, faint far azure peers Ere a thin flushing cloud again Shuts up that loveliness, or shares. The huge great clouds move slowly, gently, as Reluctant the quick sun should shine in vain, Holding in bright caprice their rain. And when of colours none, Not rose, nor amber, nor the scarce late green, Is truly seen, — In all the myriad grey, In silver height and dusky deep, remain The loveliest, Faint purple flushes of the unvanquished sun. ~John FreemanNovember Skies
The austerity of November: we are not yet distracted by the holiday lights of December so must depend upon the light show from the sky. I failed to rouse myself for the predicted northern lights in the middle of the night but sunrise comes at a civilized 7:30 AM. I’m too often buried deep in clinic when the lights dim at sunset before 4:30 PM.
Late November skies reward with subtlety and nuance, like people ripening with age — beauty is found amid myriad gray, the folds and lines shining with remembered light and depth.
A fine rain was falling, and the landscape was that of autumn. The sky was hung with various shades of gray, and mists hovered about the distant mountains – a melancholy nature. The leaves were falling on all sides like the last illusions of youth under the tears of irremediable grief. Every landscape is, as it were, a state of the soul, and whoever penetrates into both is astonished to find how much likeness there is in each detail.” ~Henri Frederic Amiel from The Amiel Journal
What is melancholy at first glance glistens bejeweled when studied up close.
It isn’t all sadness~ there is solace in knowing: the landscape and my soul share an inner world of tears.
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The trees are coming into their winter bareness, the only green is the lichen on their branches. Against the hemlocks, the rain is falling in dim, straight lines… This is the time of year when all the houses have come out of the woods, edging closer to the roads as if for company. ~Verlyn Klinkenborg “The Rain It Raineth”
The deciduous trees in our part of the country have all been stripped bare, having come through rain and gusty winds in the last week. It forces typically leaf-hidden homes out of camouflage and I’m once again startled at the actual proximity of our neighbors. It isn’t as obvious in the summer given the tree buffer everyone has carefully planted. Now we’re reminded once again we are not alone and actually never have been.
Even the mountains that surround us from the northwest to the southeast seem closer when the trees are bare and new snow has settled on their steep shoulders.
We think we have autonomy all wrapped up but it takes the storms of autumn to remind us we are unwrapped and vulnerable, stark naked, in desperate need of company when darkness comes early, the snow flies and the lights are flickering.
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