I am Alive…

I am a feather on the bright sky

I am the blue horse that runs in the plain

I am the fish that rolls, shining, in the water

I am the shadow that follows a child

I am the evening light, the lustre of meadows

I am an eagle playing with the wind

I am a cluster of bright beads

I am the farthest star

I am the cold of dawn

I am the roaring of the rain

I am the glitter on the crust of the snow

I am the long track of the moon in a lake

I am a flame of four colors

I am a deer standing away in the dusk

I am a field of sumac and the pomme blanche

I am an angle of geese in the winter sky

I am the hunger of a young wolf

I am the whole dream of these things
You see, I am alive, I am alive
~N. Scott Momaday from “The Delight Song of Tsoai-talee” from In the Presence of the Sun: Stories and Poems

I wonder if, in the dark night of the sea, the octopus dreams of me.
~N. Scott Momaday

If I am brutally honest with myself, one of my worst fears is to have lived on this earth for a few decades and then pass away forgotten, inconsequential, having left behind no legacy of significance whatsoever.  I know it is self-absorbed to feel the need to leave a mark, but my search for purpose and meaning lasting beyond my time here provides new momentum for each day.

The forgetting can happen so fast.  Most people know little about their great great grandparents, if they even know their names.  A mere four generations, a century, renders us dust, not just in flesh, but in memory as well.   There may be a yellowed photograph in a box somewhere, perhaps a tattered postcard or letter written in elegant script, but the essence of who this person was is long lost and forgotten. We owe it to our descendants to write down the stories about who we were while we lived on this earth. We need to share why we lived, for whom we lived, for what we lived.

I suspect however, unless I try every day to record some part of who I am, it will be no different with me and those who come after me.  Whether or not we are remembered by great great grandchildren or become part of the dreams of creatures in the depths of the seas:

we are just dust here and there is no changing that.

Good thing this is not our only home.  
Good thing we are more than mere memory and dreams. 
Good thing there is eternity that transcends good works
or long memories or legacies left behind. 
Good thing we are loved that much and always will be,
Forever and ever, Amen.

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Reading This For Life

Starting here, what do you want to remember?
How sunlight creeps along a shining floor?
What scent of old wood hovers, what softened
sound from outside fills the air?

Will you ever bring a better gift for the world
than the breathing respect that you carry
wherever you go right now? Are you waiting
for time to show you some better thoughts?

When you turn around, starting here, lift this
new glimpse that you found; carry into evening
all that you want from this day. This interval you spent
reading or hearing this, keep it for life –

What can anyone give you greater than now,
starting here, right in this room, when you turn around?
~William Stafford, “You Reading This, Be Ready” from Ask Me

Nearly ten years of daily writing here in this spot:

I have met many people who I will never meet face to face but who share with me
their love of the land,
their family,
their animals
and most of all —
our Lord.

What do I want to remember?

Mostly, I want to remember your light and love as it finds its way through the darkest and thorniest corners of my life:

a kind word, a silent tear, a crooked smile, a whispered prayer.

What do I want you to remember having visited here?

I want you to remember
there is warmth in these words
and colors in these photos
that don’t come close to what it is like for real.

Mostly, I want you to know that each morning,
I send out this love to hundreds I’ll never meet,
but who are nevertheless my Barnstorming brothers and sisters.

Carry me with you and pass the light forward.
You never know where it might end up.

Petal By Petal

Life is a stream 
On which we strew 
Petal by petal the flower of our heart; 
The end lost in dream, 
They float past our view, 
We only watch their glad, early start. 

Freighted with hope, 
Crimsoned with joy, 
We scatter the leaves of our opening rose; 
Their widening scope, 
Their distant employ, 
We never shall know. And the stream as it flows 
Sweeps them away, 
Each one is gone 
Ever beyond into infinite ways. 
We alone stay 
While years hurry on, 
The flower fared forth, though its fragrance still stays. 
~Amy Lowell “Petals”

The stream of time flows ever faster,
rushing away my remembrance of yesterday,
the quiet moments today,
my hope for tomorrow.
Every day – a petal thrown into the cascade –
disappears one by one, never to return.
What of my dreams will last
as they droop and drop and scatter?
It is a lingering fragrance their roots leave behind;
that is how to be remembered.



An Inheritance Bereft of Poetry

All day we packed boxes.
We read birth and death certificates.
The yellowed telegrams that announced
our births, the cards of congratulations
and condolences, the deeds and debts,
love letters, valentines with a heart
ripped out, the obituaries.

We opened the divorce decree,
a terrible document of division and subtraction.
We leafed through scrapbooks:
corsages, matchbooks, programs to the ballet,
racetrack, theatre—joy and frivolity
parceled in one volume—
painstakingly arranged, preserved
and pasted with crusted glue.

We sat together side by side
on the empty floor and did not speak.
There were no words
between us other than the essence
of the words from the correspondences,
our inheritance—plain speak,
bereft of poetry.
~Jill Bialosky from The Players

The box of over 700 letters, exchanged between my parents from late 1941 to mid-1945, sat unopened for decades. The time had come.

My parents barely knew each other before marrying quickly on Christmas Eve 1942 – the haste due to the uncertain future for a newly trained Second Lieutenant in the Marine Corps. They only had a few weeks together before she returned home to her rural teaching position and he readied himself for the island battles to come.

I’m now half-way through reading them in chronological order. I’m up to March 1943 when my father received orders that he would be shipped out to the South Pacific within days. They had no idea they would not see each other for another 30+ months or see each other again at all. They had no idea their marriage would fall apart 35 years later and they would reunite a decade after the divorce.

The letters do contain the long-gone but still-familiar voices of my parents, but they are the words and worries of youngsters of 20 and 21, barely prepared for the horrors to come from war and interminable waiting. Much of the time they wrote each other daily, though with minimal news to share and military censors at work, but they speak mostly of their desire for a normal life together rather than a routine centered on mailbox, pen and paper.

I’m not sure what I hoped to find in these letters. Perhaps I hoped for flowery romantic whisperings and the poetry of longing and loneliness. Instead I am reading plain spoken words from two people who somehow made it through those awful years to make my sister and brother and myself possible.

Our inheritance is contained in this musty box of words bereft of poetry. But decades later my heart is moved by these letters – I carefully refold them back into their envelopes and replace them gently back in order. A six cent airmail stamp – in fact hundreds and hundreds of them – was a worthwhile investment in their future and ultimately mine.

The Coiled Shell of Their Lives

Needing them still, I come
when I can, this time to the sea
where we share a room: their double bed,
my single. Morning fog paints the pale
scene even paler. Lace curtains breathing,
the chenille spread folded back,
my father’s feet white sails furled
at the edge of blue pajamas.
Every child’s dream, a parent
in each hand, though this child is fifty.
Their bodies fit easily, with room
to spare. When did they grow
so small? Grow so small—
as if it were possible to swell
backwards into an earlier self.


One more year, I ask the silence.
Last night to launch myself
into sleep I counted their breaths, the tidal
rise and fall I now put my ear to,
the coiled shell of their lives.
~Rebecca McClanahan from “Watching my Parents Sleeping Beside an Open Window Near the Sea” from Deep Light: New and Selected Poems.

My parents have been gone now for some time, my father over 25 years, my mother now over 10 years. Their dying was a long process of counted breaths and pauses. I witnessed their bodies curling into themselves, shrinking smaller, worn down by illness and age.

I still miss them, reminded of them by the events of my own life, still wanting them to take me by the hand as I navigate my own daily path.

After mom’s death, those possessions not distributed to family members have remained packed up and stored in our barn buildings. I know it is well past time to deal with their stuff as I become keenly aware of my own greying and aging.

Untouched in the bookshelf of our bedroom is a sealed box of over 500 letters written by my mother and father between 1941 and 1945. I know the letters began as they were getting to know each other at college, then going from “pinned” to “engaged” and continue for three and a half more years after a hurried wedding Christmas Eve 1942. By mid January 1943 my newly minted Marine officer father shipped out to spend the next three years of his life on the Pacific Ocean, fighting on the battlefields of Saipan, Tinian and Tarawa, not to return again to the states until late summer of 1945. My mother wrote her letters from a rural eastern Washington community, living in a “teachers’ cottage” with other war wives who taught school while waiting for their husbands to return home – or not.

It has taken me a decade to find the courage and time to devote to reading these letters they treasured and never threw away. Yesterday I sorted them unopened by postmark date into some semblance of order and sat down to start at the very beginning, which, of course, is my beginning as well. Only sixty letters in, I open each one with some trepidation and a lump in my throat about what I might find written there. I worry I may find things I don’t want to know. I hope I find things that I desperately need to know.

Most of all I want to understand the two people who became my parents within the coiled shell of their forty years together, though broken by a painful divorce which lasted a decade. Having lived through that awful time with them, I want to understand the origin of a love which mended their cracked shell, glueing them back together for five more years before my father died.

As I read their words over the next few weeks, I hope I too can cross a bridge back to them both.

Imagining

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.

Not in July or any month
have I had the pleasure — if it is a pleasure —
of fishing on the Susquehanna.

I am more likely to be found
in a quiet room like this one —
a painting of a woman on the wall,


a bowl of tangerines on the table —
trying to manufacture the sensation
of fishing on the Susquehanna.

There is little doubt
that others have been fishing
on the Susquehanna,

rowing upstream in a wooden boat,

sliding the oars under the water
then raising them to drip in the light.

But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,

when I balanced a little egg of time
in front of a painting
in which that river curled around a bend

under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana

sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.

That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.

Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,

even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame. 
~Billy Collins Fishing On The Susquehanna In July

Edmund Darch Lewis – Susquehanna
Hayfield–oil painting by Scott Prior http://www.scottpriorart.com

I live a quiet life in a quiet place. There are many experiences not on my bucket list that I’m simply content to just imagine.

I’m not a rock climber or a zip liner or willing to jump out of an airplane. I won’t ride a horse over a four foot jump or race one around a track. Not for me waterskis or unicycles or motorcycles.

I’m grateful there are adventurers who seek out the extremes of life so the rest of us can admire their courage and applaud their explorations.

My imagination is powerful enough, thanks to the words and pictures of others – sometimes too vivid. I contentedly explore the corners of my quiet places, both inside and outside, to see what I can build from what’s here.

When the light is right, what I see in my mind is ready to spring right out of the frame.

Not to Stop Trying…

Sometimes I think all the best poems
have been written already,
and no one has time to read them,
so why try to write more?

At other times though,
I remember how one flower
in a meadow already full of flowers
somehow adds to the general fireworks effect

as you get to the top of a hill
in Colorado, say, in high summer
and just look down at all that brimming color.
I also try to convince myself

that the smallest note of the smallest
instrument in the band,
the triangle for instance,
is important to the conductor

who stands there, pointing his finger
in the direction of the percussions,
demanding that one silvery ping.
And I decide not to stop trying,

at least not for a while, though in truth
I’d rather just sit here reading
how someone else has been acquainted
with the night already, and perfectly.

~Linda Pastan “Rereading Frost” from Queen of a Rainy Country. 

This morning

poem hopes 

that even though
its lines are broken 

its reader 

will be drawn forward to the part where blueberries
firm against fingers 

say roundness sweetness unspeakable softness
     in the morning
light.

~L.L. Barkat, “This Morning” from The Golden Dress

I want to write with quiet hands. I
want to write while crossing the fields that are
fresh with daisies and everlasting and the
ordinary grass. I want to make poems while thinking of
the bread of heaven and the
cup of astonishment; let them be

songs in which nothing is neglected,
not a hope, not a promise. I want to make poems
that look into the earth and the heavens
and see the unseeable. I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
~Mary Oliver “Everything”

I’m asked frequently by people who read this blog why I use poems by other authors when I could be writing more original work myself.

My answer, like poet Linda Pastan above is:

Sometimes I think all the best poems
have been written already,
and no one has time to read them,
so why try to write more?

Yet, like Linda, I’ve decided not to stop trying, since I’ve committed myself to being here every day with something that may help me and someone else breathe in the fragrance of words and the world. There are several hundred of you who do take time to read every day – such a privilege to share what I can with you!

Even when my lines are broken, or I say again what another has already said much better yet bears repeating — I too try to write with quiet hands, in reverence and awe for what unseeable gifts God has granted us all.

Let us celebrate by illuminating words and pictures which lift the veil.