An End-of-the-Year Wintry Soul

Whatever harm I may have done
In all my life in all your wide creation
If I cannot repair it
I beg you to repair it,

And then there are all the wounded
The poor the deaf the lonely and the old
Whom I have roughly dismissed
As if I were not one of them.
Where I have wronged them by it
And cannot make amends
I ask you
To comfort them to overflowing,

And where there are lives I may have withered around me,
Or lives of strangers far or near
That I’ve destroyed in blind complicity,
And if I cannot find them
Or have no way to serve them,

Remember them. I beg you to remember them

When winter is over
And all your unimaginable promises
Burst into song on death’s bare branches.
~Anne Porter “A Short Testament” from Living Things.

While this end of the year’s darkness lingers,
beginning too early and lasting too late,
I find myself hiding in my own wintry soul,
knowing I have too often failed to do
what is needed
when it is needed.

I tend to look inward
when I need to focus outside myself.
I muffle my ears
to unhear supplicating voices.
I turn away
rather than meet a stranger’s gaze.

I appeal to God
who knows my darkness needs His Light,
who unimaginably promises
buds of hope and warmth
and color and fruit
will arise from my barest branches.

He brings me forth out of hiding,
to be impossibly transformed.

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The Child I Was Calls Out to Me

It’s in the perilous boughs of the tree   
out of blue sky    the wind   
sings loudest surrounding me.


And solitude,   a wild solitude
’s reveald,   fearfully,   high     I’d climb   
into the shaking uncertainties,

part out of longing,   part     daring my self,
part to see that
widening of the world,   part

to find my own, my secret
hiding sense and place, where from afar   
all voices and scenes come back

—the barking of a dog,   autumnal burnings,
far calls,   close calls—   the boy I was
calls out to me

here the man where I am   “Look!
I’ve been where you


most fear to be.”
~Robert Duncan “Childhood’s Retreat”

And this is where we went, I thought,
Now here, now there, upon the grass
Some forty years ago.

The days being short now, simply I had come
To gaze and look and stare upon
The thought of that once endless maze of afternoons.
But most of all I wished to find the places where I ran

What’s happened to our boys that they no longer race
And stand them still to contemplate Christ’s handiwork:
His clear blood bled in syrups from the lovely wounded trees?
Why only bees and blackbird winds and bending grass?
No matter. Walk. Walk, look, and sweet recall.

I came upon an oak where once when I was twelve
I had climbed up and screamed for Skip to get me down.
It was a thousand miles to earth. I shut my eyes and yelled.
My brother, richly compelled to mirth, gave shouts of laughter
And scaled up to rescue me.
“What were you doing there?” he said.
I did not tell. Rather drop me dead.
But I was there to place a note within a squirrel nest
On which I’d written some old secret thing now long forgot.

{Now} I lay upon the limb a long while, thinking.
I drank in all the leaves and clouds and weathers
Going by as mindless
As the days.
What, what, what if? I thought. But no. Some forty years beyond!

I brought forth:
The note.

I opened it. For now I had to know.
I opened it, and wept. I clung then to the tree
And let the tears flow out and down my chin.
Dear boy, strange child, who must have known the years
And reckoned time and smelled sweet death from flowers
In the far churchyard.
It was a message to the future, to myself.
Knowing one day I must arrive, come, seek, return.
From the young one to the old. From the me that was small
And fresh to the me that was large and no longer new.
What did it say that made me weep?

I remember you.
I remember you.
~Ray Bradbury from “Remembrance”

Not long ago, we drove the country roads where I grew up,
over sixty years later,
and though some trees are taller, and others cut down –
it looked just as I remembered.
The scattered houses on farms still standing, a bit more worn,
the fields open and flowing as always,
the turns and bends, the ups and downs of the asphalt lanes unchanged
where once I tread with bicycle tires and sneakered feet.

My own childhood home a different color
but so familiar as we drive slowly by,
full of memories of laughter and games,
long winter days and longer summer evenings
full of its share of angry words and tears
and eventual forgiveness.

I too left notes to my future self, in old barns, and lofts,
and yes, in trees,
but won’t go back to retrieve them.
I remember what I wrote.
My young heart tried to imagine itself decades hence,
with so much to fear – bomb drills and shelters in the ground,
such anxiety and joy would pass through me like pumping blood,
wondering what wounds would I bear and bleed,
what love and tears would trace my aging face?

I have not forgotten that I wish to be remembered.

No, I have never forgotten
that I remember that child:
this is me,
as I was, and, deep down, still am.

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So Much to Remember

The partly open hay barn door, white frame around the darkness,
the broken board, small enough for a child
to slip through.

Walking in the cornfields in late July, green tassels overhead,
the slap of flat leaves as we pass, silent
and invisible from any road.

Hollyhocks leaning against the stucco house, peonies heavy
as fruit, drooping their deep heads
on the dog house roof.

Lilac bushes between the lawn and the woods,
a tractor shifting from one gear into
the next, the throttle opened,

the smell of cut hay, rain coming across the river,
the drone of the hammer mill,
milk machines at dawn.

~Joyce Sutphen, “The Last Things I’ll Remember” from First Words

There are so many memories we keep stored in our neurons; some we revisit regularly through reminiscing, day dreams, night dreams or story telling. Other memories remain buried and untouched. I like to think the last things we remember are those we return to again and again, unlocked by a smell, a taste, or a music passage. Even those with the worst memory loss can sometimes sing a hymn or recite a poem or verse of scripture without hesitation.

Thanks to our Creator, we each have a reservoir of vivid memories we can draw from during the driest and darkest moments of our lives. When we are lost and discouraged, they will take us home again.

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The Stones Themselves Will Start to Sing: Remember My Chains

Remember my chains. Colossians 4:18

“You are fettered,” said Scrooge, trembling. “Tell me why?”
“I wear the chain I forged in life,” replied the Ghost. “I made it link by link, and yard by yard; I girded it on of my own free will, and of my own free will I wore it.”
― Charles Dickens, A Christmas Carol

Hail Lord, loose my chains…
~C.S. Lewis from Prince Caspian

My chains fell off, my heart was free;
I rose, went forth and followed Thee.
~Charles Wesley

As the cold chains of memory and wrath
Fall from our hearts before we are aware,
Their rusty locks all picked by patient prayer,
Till closed doors open…
~Malcolm Guite from “Peace”

These weeks of Lent are a time for me to remember my chains; they are invisible compared to all the rusty chains everywhere on our farm, but, in truth, are just as restrictive to freedom. 

I’m fettered not only by the chains imposed by the limitations of a selfish society, but primarily by chains I have made myself, needing no help from anyone as I add link after link until I’m completely weighed down and immobilized.

We are bound to our sin as if by chains, locked tight with the key thrown away, pitiful in our imprisonment. Saturation with the gospel and heart-felt prayer are the only keys that will spring the lock, unclasp the chains, unbind our hands and feet, free our souls, loose us to live fully as images of our Creator.

Remember my chains?  How can I forget? I have been handed the key to freedom.

This year’s Lenten theme for Barnstorming is a daily selection from songs and hymns about Christ’s profound sacrifice on our behalf.

If we remain silent about Him, the stones themselves will shout out and start to sing (Luke 19:40).

In His name, may we sing…

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My Secret Place

It’s in the perilous boughs of the tree
out of blue sky    the wind
sings loudest surrounding me.

And solitude,   a wild solitude
’s reveald,  fearfully,  high   I’d climb
into the shaking uncertainties,

part out of longing,  part   daring my self,
part to see that
widening of the world, part

to find my own, my secret
hiding sense and place, where from afar
all voices and scenes come back

—the barking of a dog, autumnal burnings,
far calls,  close calls—the boy I was
calls out to me
here the man where I am “Look!

I’ve been where you

most fear to be.”
~Robert Duncan “Childhood’s Retreat”

Behind the house in a field
there’s a metal box I buried

full of childhood treasure, a map
of my secret place, a few lead pennies
from 1943.
The rest I’ve forgotten,
forgotten even the exact spot
I covered with moss and loam.

 
Now I’m back and twenty years
have made so little difference
I suspect they never happened,
this face in the mirror
aged with pencil and putty.
I suspect even
the box has moved as a mole would move
to a new place long ago.
~Dan Gerber “The Cache” from Particles

I came upon an oak where once when I was twelve
I had climbed up and screamed for Skip to get me down.
It was a thousand miles to earth. I shut my eyes and yelled.
My brother, richly compelled to mirth, gave shouts of laughter
And scaled up to rescue me.
“What were you doing there?” he said.
I did not tell. Rather drop me dead.
But I was there to place a note within a squirrel nest
On which I’d written some old secret thing now long forgot.

{Now} I lay upon the limb a long while, thinking.
I drank in all the leaves and clouds and weathers
Going by as mindless
As the days.
What, what, what if? I thought. But no. Some forty years beyond!

I brought forth:
The note.

I opened it. For now I had to know.
I opened it, and wept. I clung then to the tree
And let the tears flow out and down my chin.
Dear boy, strange child, who must have known the years
And reckoned time and smelled sweet death from flowers
In the far churchyard.
It was a message to the future, to myself.
Knowing one day I must arrive, come, seek, return.
From the young one to the old. From the me that was small
And fresh to the me that was large and no longer new.
What did it say that made me weep?

I remember you.
I remember you.
~Ray Bradbury from “Remembrance”

As a child, I left secret notes to my future self,
in hidden crevices of old barns,
and attic lofts up rickety stairs,
and yes, even in trees,
but never went back to retrieve them
except in my rare dreams of growing up
on Friendly Grove Road.

Back then my ten year old heart
tried to imagine me sixty some years hence
(counting out how old I would be in 2020 something)
as I squirreled away in some secret place.

What fears and joys would pass through like pumping blood,
what wounds would I bear and cause to bleed,
what smiles and tears would trace my face?

I have not forgotten who I was then.

No, I have never forgotten that girl who kept secrets,
who dreamed of a someday gray-haired grandma
who now looks back to my secret places,
and remembers being remembered.

A book of Barnstorming photos and poems by Lois Edstrom is available for order here:

We Are No Longer Alone: Do Not Forget You Are Loved

Was there a moment, known only to God, when all the stars held their breath,
when the galaxies paused in their dance for a fraction of a second,
and the Word, who had called it all into being,
went with all his love into the womb of a young girl,
and the universe started to breathe again,and the ancient harmonies resumed their song,
and the angels clapped their hands for joy?

Power. Greater power than we can imagine,
abandoned, as the Word knew the powerlessness of the unborn child,
still unformed, taking up almost no space in the great ocean of amniotic fluid,
unseeing, unhearing, unknowing.
Slowly growing, as any human embryo grows, arms and legs and a head, eyes, mouth, nose,
slowly swimming into life until the ocean in the womb is no longer large enough,
and it is time for birth.

Christ, the Second Person of the Trinity,
Christ, the Maker of the universe or perhaps many universes,
willingly and lovingly leaving all that power
and coming to this poor, sin-filled planet to live with us for a few years
to show us what we ought to be and could be.
Christ came to us as Jesus of Nazareth, wholly human and wholly divine,
to show us what it means to be made in God’s image.
~Madeline L’Engle from Bright Evening Star

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It’s the season of grace coming out of the void
Where a man is saved by a voice in the distance
It’s the season of possible miracle cures
Where hope is currency and death is not the last unknown
Where time begins to fade
And age is welcome home

It’s the season of eyes meeting over the noise
And holding fast with sharp realization
It’s the season of cold making warmth a divine intervention
You are safe here you know now

Don’t forget
Don’t forget I love
I love
I love you

It’s the season of scars and of wounds in the heart
Of feeling the full weight of our burdens
It’s the season of bowing our heads in the wind
And knowing we are not alone in fear
Not alone in the dark

Don’t forget
Don’t forget I love
I love
I love you
~Vienna Teng “The Atheist Christmas Carol”

There is no longer a void or darkness upon the face of the deep.  The stars need no longer to hold their breath.

Instead Grace has come in the face of Jesus the Son, through God the Father who moves among us, His Spirit changing everything, now and always.

Do not be afraid.
You are not alone in the dark.
You are loved.
Don’t forget.

Reading This For Life

Starting here, what do you want to remember?
How sunlight creeps along a shining floor?
What scent of old wood hovers, what softened
sound from outside fills the air?

Will you ever bring a better gift for the world
than the breathing respect that you carry
wherever you go right now? Are you waiting
for time to show you some better thoughts?

When you turn around, starting here, lift this
new glimpse that you found; carry into evening
all that you want from this day. This interval you spent
reading or hearing this, keep it for life –

What can anyone give you greater than now,
starting here, right in this room, when you turn around?
~William Stafford, “You Reading This, Be Ready” from Ask Me

Nearly ten years of daily writing here in this spot:

I have met many people who I will never meet face to face but who share with me
their love of the land,
their family,
their animals
and most of all —
our Lord.

What do I want to remember?

Mostly, I want to remember your light and love as it finds its way through the darkest and thorniest corners of my life:

a kind word, a silent tear, a crooked smile, a whispered prayer.

What do I want you to remember having visited here?

I want you to remember
there is warmth in these words
and colors in these photos
that don’t come close to what it is like for real.

Mostly, I want you to know that each morning,
I send out this love to hundreds I’ll never meet,
but who are nevertheless my Barnstorming brothers and sisters.

Carry me with you and pass the light forward.
You never know where it might end up.

Sepia September Light

Wheat Field with Sheaves -Vincent Van Gogh

This far north, the harvest happens late.
Rooks go clattering over the sycamores
whose shadows yawn after them, down to the river.
Uncut wheat staggers under its own weight.

Summer is leaving too, exchanging its gold
for brass and copper. It is not so strange
to feel nostalgia for the present; already
this September evening is as old

as a photograph of itself. The light, the shadows
on the field, are sepia, as if this were
some other evening in September, some other
harvest that went ungathered years ago.
~Dorothy Lawrenson “September” from Painted, spoken, 22

Sheaves of Wheat in a Field –Vincent Van Gogh

September/remember naturally go together in every rhyming autumnal poem and song.

For me, the nostalgia of this season is for the look and feel of the landscape as it browns out with aging – gilded, burnt and rusted, almost glistening in its dying.

I gather up and store these images, like sheaves of wheat stacked in the field. I’ll need them again someday, when I’m hungry, starving for the memory of what once was, and, when the light is just right, how it could be again someday.

Summer ends now; now, barbarous in beauty, the stooks rise
⁠Around; up above, what wind-walks! what lovely behaviour
⁠Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?

I walk, I lift up, I lift up heart, eyes,
⁠Down all that glory in the heavens to glean our Saviour;
⁠And, éyes, heárt, what looks, what lips yet gave you a
Rapturous love’s greeting of realer, of rounder replies?

And the azurous hung hills are his world-wielding shoulder
⁠Majestic—as a stallion stalwart, very-violet-sweet!—
These things, these things were here and but the beholder
⁠Wanting; which two when they once meet,
The heart rears wings bold and bolder
⁠And hurls for him, O half hurls earth for him off under his feet.

~Gerard Manley Hopkins “Hurrahing for Harvest”

Hayfield–oil painting by Scott Prior http://www.scottpriorart.com

Faultless Light

Once in your life you pass
Through a place so pure
It becomes tainted even
By your regard, a space
Of trees and air where
Dusk comes as perfect ripeness.
Here the only sounds are
Sighs of rain and snow,
Small rustlings of plants
As they unwrap in twilight.
This is where you will go
At last when coldness comes.
It is something you realize
When you first see it,
But instantly forget.
At the end of your life
You remember and dwell in
Its faultless light forever.
~Paul Zimmer “The Place” from Crossing to Sunlight Revisited

I am astonished
by an ever-changing faultless light
and don’t want to ever forget
my thirst for its illumination:
slaked by such simple glories
as transcendent orange pink
a shift of shadows
the ripeness of fluff about to let go,
all giving me a glimpse of tomorrow over the horizon of today.

Lest We Forget

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Let me remember you, voices of little insects, 
Weeds in the moonlight, fields that are tangled with asters, 
Let me remember, soon will the winter be on us, 
Snow-hushed and heavy. 
Over my soul murmur your mute benediction, 
While I gaze, O fields that rest after harvest, 
As those who part look long in the eyes they lean to, 
Lest they forget them.
~Sara Teasdale from “September Midnight”
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If I were called upon to identify briefly the principal trait of the entire twentieth century, here too, I would be unable to find anything more precise and pithy than to repeat once again:
Men have forgotten God.
~Aleksandr Solzhenitzyn from his 1983 acceptance speech for the Templeton Prize
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Lest I forget…

I look long in the eyes I lean to

whether loved one, or mountains,  or garden, or flower

or the face of God Himself.

I cannot risk forgetting what must be remembered — encased in my heart
like a treasured photograph, like a precious gem, like a benediction that soothes me quiet when anxious.
It is His ultimate promise: He won’t forget me either –
looking long in my eyes that lean in to Him.
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