Reading This For Life

Starting here, what do you want to remember?
How sunlight creeps along a shining floor?
What scent of old wood hovers, what softened
sound from outside fills the air?

Will you ever bring a better gift for the world
than the breathing respect that you carry
wherever you go right now? Are you waiting
for time to show you some better thoughts?

When you turn around, starting here, lift this
new glimpse that you found; carry into evening
all that you want from this day. This interval you spent
reading or hearing this, keep it for life –

What can anyone give you greater than now,
starting here, right in this room, when you turn around?
~William Stafford, “You Reading This, Be Ready” from Ask Me

Nearly ten years of daily writing here in this spot:

I have met many people who I will never meet face to face but who share with me
their love of the land,
their family,
their animals
and most of all —
our Lord.

What do I want to remember?

Mostly, I want to remember your light and love as it finds its way through the darkest and thorniest corners of my life:

a kind word, a silent tear, a crooked smile, a whispered prayer.

What do I want you to remember having visited here?

I want you to remember
there is warmth in these words
and colors in these photos
that don’t come close to what it is like for real.

Mostly, I want you to know that each morning,
I send out this love to hundreds I’ll never meet,
but who are nevertheless my Barnstorming brothers and sisters.

Carry me with you and pass the light forward.
You never know where it might end up.

Sepia September Light

Wheat Field with Sheaves -Vincent Van Gogh

This far north, the harvest happens late.
Rooks go clattering over the sycamores
whose shadows yawn after them, down to the river.
Uncut wheat staggers under its own weight.

Summer is leaving too, exchanging its gold
for brass and copper. It is not so strange
to feel nostalgia for the present; already
this September evening is as old

as a photograph of itself. The light, the shadows
on the field, are sepia, as if this were
some other evening in September, some other
harvest that went ungathered years ago.
~Dorothy Lawrenson “September” from Painted, spoken, 22

Sheaves of Wheat in a Field –Vincent Van Gogh

September/remember naturally go together in every rhyming autumnal poem and song.

For me, the nostalgia of this season is for the look and feel of the landscape as it browns out with aging – gilded, burnt and rusted, almost glistening in its dying.

I gather up and store these images, like sheaves of wheat stacked in the field. I’ll need them again someday, when I’m hungry, starving for the memory of what once was, and, when the light is just right, how it could be again someday.

Summer ends now; now, barbarous in beauty, the stooks rise
⁠Around; up above, what wind-walks! what lovely behaviour
⁠Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?

I walk, I lift up, I lift up heart, eyes,
⁠Down all that glory in the heavens to glean our Saviour;
⁠And, éyes, heárt, what looks, what lips yet gave you a
Rapturous love’s greeting of realer, of rounder replies?

And the azurous hung hills are his world-wielding shoulder
⁠Majestic—as a stallion stalwart, very-violet-sweet!—
These things, these things were here and but the beholder
⁠Wanting; which two when they once meet,
The heart rears wings bold and bolder
⁠And hurls for him, O half hurls earth for him off under his feet.

~Gerard Manley Hopkins “Hurrahing for Harvest”

Hayfield–oil painting by Scott Prior http://www.scottpriorart.com

Faultless Light

Once in your life you pass
Through a place so pure
It becomes tainted even
By your regard, a space
Of trees and air where
Dusk comes as perfect ripeness.
Here the only sounds are
Sighs of rain and snow,
Small rustlings of plants
As they unwrap in twilight.
This is where you will go
At last when coldness comes.
It is something you realize
When you first see it,
But instantly forget.
At the end of your life
You remember and dwell in
Its faultless light forever.
~Paul Zimmer “The Place” from Crossing to Sunlight Revisited

I am astonished
by an ever-changing faultless light
and don’t want to ever forget
my thirst for its illumination:
slaked by such simple glories
as transcendent orange pink
a shift of shadows
the ripeness of fluff about to let go,
all giving me a glimpse of tomorrow over the horizon of today.

Lest We Forget

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Let me remember you, voices of little insects, 
Weeds in the moonlight, fields that are tangled with asters, 
Let me remember, soon will the winter be on us, 
Snow-hushed and heavy. 
Over my soul murmur your mute benediction, 
While I gaze, O fields that rest after harvest, 
As those who part look long in the eyes they lean to, 
Lest they forget them.
~Sara Teasdale from “September Midnight”
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If I were called upon to identify briefly the principal trait of the entire twentieth century, here too, I would be unable to find anything more precise and pithy than to repeat once again:
Men have forgotten God.
~Aleksandr Solzhenitzyn from his 1983 acceptance speech for the Templeton Prize
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Lest I forget…

I look long in the eyes I lean to

whether loved one, or mountains,  or garden, or flower

or the face of God Himself.

I cannot risk forgetting what must be remembered — encased in my heart
like a treasured photograph, like a precious gem, like a benediction that soothes me quiet when anxious.
It is His ultimate promise: He won’t forget me either –
looking long in my eyes that lean in to Him.
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A Probe for Sweet Peas

 

 

A white vase holds a kaleidoscope of wilting sweet peas
captive in the sunlight on the kitchen table while

wafting morning scent of pancakes
with sticky maple syrup swirls on the plate,

down the hall a dirty diaper left too long in the pail,
spills over tempera paint pots with brushes rinsed in jars after

stroking bright pastel butterflies fluttering on an easel
while wearing dad’s oversized shirt buttoned backwards

as he gently guides a hand beneath the downy underside
of the muttering hen reaching a warm egg hiding in the nest

broken into fragments like a heart while reading
the last stanza of Dover Beach in freshman English

Just down the hall of clanging lockers
To orchestra where strains of “Clair de Lune” accompany

the yearning midnight nipple tug of a baby’s hungry suck
hiccups gulping in rhythm to the rocking rocking

waiting for a last gasp for breath
through gaping mouth, mottled cooling skin

lies still between bleached sheets
illuminated by curtain filtered moonlight just visible

through the treetops while whoosh of owl wings
are felt not heard, sensed not seen.

Awaking to bright lights and whirring machines
the hushed voice of the surgeon asking

what do you see now, what can you hear, what odor
and flavor, what sensation on your skin

with each probe of temporal lobe, of fornix
and amygdala hidden deep in gray matter

of neurons and synaptic holding bins of chemical transmitters
storing the mixed bag of the past and present

to find the offending spot to be erased of electrical
impulses that seize up all remembrance, all awareness

and be free again to live, to love, to swoon at the perfume
of summer sweet peas climbing dew fresh at dawn,

tendril wrapping over tendril,
the peeling wall of the garden shed.

 

 

 

 

That Still Room

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The time is ripe for looking back over the day, the week, the year,
and trying to figure out where we have come from and where we are going to,
for sifting through the things we have done
and the things we have left undone for a clue to who we are and who,
for better or worse, we are becoming.

We cling to the present out of wariness of the past.
But there is a deeper need yet, I think, and that is the need
—not all the time, surely, but from time to time—
to enter that still room within us all
where the past lives on as a part of the present,
where the dead are alive again,
where we are most alive ourselves to turnings
and to where our journeys have brought us.

The name of the room is Remember—
the room where with patience, with charity, with quietness of heart,
we remember consciously to remember the lives we have lived.
~Frederick Buechner

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In 1959, when I was five years old, my father left his high school agriculture teaching position for a new supervisor position with the state. Our family moved from a large 3 story farm house in a rural community to a 1950’s newer rambler style home just outside the city limits of the state capitol.  It was a big adjustment to move to a much smaller house without a basement or upper story, no garage, and no large haybarn nor chicken coop.  It meant most things we owned didn’t make the move with us.

The rambler had two side by side mirror image rooms as the primary central living space between the kitchen on one side and the hallway to the bedrooms on the other.  The living room could only be entered through the front door and the family room was accessed through the back door with a shared sandstone hearth in the center, containing a fireplace in each room.  The only opening between the rooms had a folding door shut most of the year.  In December, the door was opened to accommodate a Christmas tree, so it sat partially in the living room and depending on its generous width, spilled over into the family room.  That way it was visible from both rooms, and didn’t take up too much floor space.

The living room, because it contained the only carpeting in the house, and our “best” furniture,  was strictly off-limits. In order to keep our two matching sectional knobby gray fabric sofas,  a green upholstered chair and gold crushed velvet covered love seat in pristine condition, the room was to be avoided unless we had company. The carpet was never to develop a traffic pattern, there would be no food, beverage, or pet ever allowed in that room, and the front door was not to be used unless a visitor arrived.  The hearth never saw a fire lit on that side because of the potential of messy ashes or smoke smell. This was not a room for laughter, arguments or games and certainly not for toys. The chiming clock next to the hearth, wound with weighted cones on the end of chains, called out the hours without an audience.

One week before Christmas, a tree was chosen to fit in the space where it could overflow into the family room.  I particularly enjoyed decorating the “family room” side of the tree, using all my favorite ornaments that were less likely to break if they fell on the linoleum floor on that side of the door.

It was as if the Christmas tree became divided, with a “formal” side in the living room and a “real life” face on the other side where the living (and hurting) was actually taking place.

The tree straddled more than just two rooms.  Every year that tree’s branches reached out to shelter a family that was slowly, almost imperceptibly, falling apart, like the fir needles dropping to the floor to be swept away.

Each year since, the Christmas tree bearing those old ornaments from my childhood reminds me of a still room of memories within me.  I am no longer wary of the past, and when I sweep up the fir needles that inevitably drop, I no longer weep.

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The Name of the Room

photo by Josh Scholten
photo by Josh Scholten

“The time is ripe for looking back over the day, the week, the year, and trying to figure out where we have come from and where we are going to, for sifting through the things we have done and the things we have left undone for a clue to who we are and who, for better or worse, we are becoming. We cling to the present out of wariness of the past. But there is a deeper need yet, I think, and that is the need—not all the time, surely, but from time to time—to enter that still room within us all where the past lives on as a part of the present, where the dead are alive again, where we are most alive ourselves to turnings and to where our journeys have brought us. The name of the room is Remember—the room where with patience, with charity, with quietness of heart, we remember consciously to remember the lives we have lived.” 
~Frederick Buechner 

photo by Josh Scholten
photo by Josh Scholten