A Muck Shoveling Singalong

He (the professor) asked what I made of the other students (at Oxford) so I told him.
They were okay, but they were all very similar…
they’d never failed at anything or been nobodies,
and they thought they would always win.
But this isn’t most people’s experience of life.

He asked me what could be done about it.
I told him the answer was to send them all out for a year
to do some dead-end job
like working in a chicken processing plant
or spreading muck with a tractor.
It would do more good than a gap year in Peru. 

He laughed and thought this was tremendously witty.
It wasn’t meant to be funny.

~James Rebanks from The Shepherd’s Life
(how a sheep farmer succeeds at Oxford and then goes back to the farm)

In our barn we have a very beat up old AM/FM radio that sits on a shelf next to the horse stalls and serves as company to the horses during the rainy stormy days they stay inside, and serves as distraction to me as I clean stalls of manure and wet spots morning and evening.  We live about 10 miles south of the Canadian border, so most stations that come in well on this radio’s broken antenna are from the lower mainland of British Columbia. This includes a panoply of stations spoken in every imaginable language– a Babel of sorts that I can tune into: Spanish, Japanese, Chinese, Hindi, Russian, French and of course, proper British accent English.  But standard issue American melting pot genetic mix that I am, I prefer to tune into the “Oldies” Station and reminisce.

There is a strange comfort in listening to songs that I enjoyed 50+ years ago, and I’m somewhat miffed and perplexed that they should be called “oldies”.  Oldies used to refer to music from the 20’s, 30’s and 40’s, not the 50’s, 60’s, and 70’s and (heavens to Betsy) the 80’s and 90’s!   I listen and sing along with a mixture of feeling ancient and yet transported back to my teens.  I can remember faces and names I haven’t thought of in decades, recall special summer days picking berries and hear long lost voices from school days. I can smell and taste and feel things all because of the trigger of a familiar song.   There is something primordial –deep in my synapses– that is stirred by this music. In fact, I shoveled manure to these same songs 55 years ago, and somehow, it seems not much as changed. 

Or has it? One  (very quick) glance in the mirror tells me it has, and I have.

Yesterday – I Got You, Babe and you were a Bridge Over Troubled Waters for this Natural Woman who just wants to be Close to You so You’ve Got a Friend.  There’s Something in the way I Cherish The Way We Were and of course Love Will Keep Us Together. If You Leave Me Now,  You’re So VainI’ve always wanted it My Way but How Sweet It Is when I Want To Hold Your Hand.  Come Saturday Morning, Here Comes the Sun as we’re Born to Be Wild

Help! Do You Know Where You’re Going To?  Me and You and A Dog Named Boo will travel Country Roads and Rock Around the Clock even though God Didn’t Make the Little Green Apples to grow in a Moonshadow.  Fire and Rain will make things All Right Now once Morning is BrokenI’ll Say a Little Prayer For You so just Let It Be.

I Can’t Get No Satisfaction from the Sounds of Silence — If— Those Raindrops Keep Fallin’ on My Head.  Stand By Me as It’s Just My Imagination that I am a Rock, when really I only want Time in a Bottle and to just Sing, Sing a Song.

They just don’t write songs like they used to. I seem to remember my parents saying that about the songs I loved so well in the 60’s and 70’s. Somehow in the midst of decades of change, there are some constants.  Music still touches our souls, no matter how young or old we are.

And every day there will always be manure that needs shoveling.

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Dwelling On What Has Been

The house had gone to bring again
To the midnight sky a sunset glow.
Now the chimney was all of the house that stood,
Like a pistil after the petals go.

The barn opposed across the way,
That would have joined the house in flame
Had it been the will of the wind, was left
To bear forsaken the place’s name.

No more it opened with all one end
For teams that came by the stony road
To drum on the floor with scurrying hoofs
And brush the mow with the summer load.

The birds that came to it through the air
At broken windows flew out and in,
Their murmur more like the sigh we sigh
From too much dwelling on what has been.

Yet for them the lilac renewed its leaf,
And the aged elm, though touched with fire;
And the dry pump flung up an awkward arm:
And the fence post carried a strand of wire.

For them there was really nothing sad.
But though they rejoiced in the nest they kept,
One had to be versed in country things
Not to believe the phoebes wept.
 ~Robert Frost “The Need of Being Versed in Country Things”

The field of my childhood farm (1954-59) with the red barn visible on the right. The house was destroyed by fire in the mid-60s but the barn was spared

photo by Harry Rodenberger

My family sold our first farm in East Stanwood when my father took a job working for the state in Olympia, moving to supervising high school agriculture teachers rather than being a teacher himself. It was a difficult transition for us all: we moved to a smaller home and a few acres, leaving behind a large two story house, a huge hay barn and chicken coop as well as large fields and a woods where our dairy cows had grazed.

Only a few years later, the old farmhouse burned down but the rest of the buildings were spared. It passed through a few hands and when we had occasion to drive by, we were dismayed to see how nature was taking over the place. The barn still stood but unused it was weathering and withering. The windows were broken, birds flew in and out, the former flower garden had grown wild and unruly.

This was the place I was conceived and learned to walk and talk, where I developed my love for wandering in the fields and respecting the farm animals we depended upon. I remember as a child of four sitting at the kitchen table looking out the window at the sunrise coming rising over the woods and making the misty fields turn golden.

Yet now this land has returned to its essence before the ground was ever plowed or buildings were constructed. It no longer belongs to our family (as if it ever did) but it forever belongs to our memories.

I am overly prone to nostalgia, dwelling more on what has been than what is now or what I hope is to come. It is easy to weep over the losses when time and circumstances reap circumstances that become unrecognizable.

I may weep, but nature does not. The sun continues to rise over the fields, the birds continue to build nests, the lilacs grow taller with outrageous blooms, and each day ends with a promise of another to come.

So I must dwell on what lies ahead, not what perished in the ashes.

photo by Harry Rodenberger

A book available from Barnstorming — information about how to order here

Smelled Like Roses

I found a box of old hours at the back of the fridge.
I don’t even know how long it had been there.
Summer hours.
Smelled like roses.
~Duchess Goldblatt on Twitter

We all have things we’ve forgotten tucked away in the back of the fridge. A good cleaning now and then will surface some things that are barely identifiable and, frankly, a little scary. But those of us who are nostalgic creatures, like the delightfully fictional Duchess Goldblatt who dispenses desperately needed ascerbic wisdom on Twitter (of all places), also store away a few things that just might come in handy on a depressing day

I like the idea of taking these long summer days, the countless hours of daylight and slowed-downness, putting them in a box and pushing them to the back of fridge for safe-keeping. I might even label it “open in case of emergency” or “don’t open until December 25” or “fragile – handle with care.” In the darkest hours of winter, when I need a booster shot of light, I would bend down to look as far back on the fridge shelf as possible, pushing aside the jam jars and the left-over pea soup and the blocks of cheese, and reach for my rescue inhaler.

I would lift the lid on the box of summer hours and take in a deep breath to remind myself of dewy mornings with a bit of fog, a scent of mown grass, a hint of campfire smoke. But mostly, I would open the box to smell the roses of summer, as no winter florist rose ever exudes that fragrance. It has to be tucked away in the summer hours box in the back of the fridge. Just knowing it’s there would make me glad.

Sepia September Light

Wheat Field with Sheaves -Vincent Van Gogh

This far north, the harvest happens late.
Rooks go clattering over the sycamores
whose shadows yawn after them, down to the river.
Uncut wheat staggers under its own weight.

Summer is leaving too, exchanging its gold
for brass and copper. It is not so strange
to feel nostalgia for the present; already
this September evening is as old

as a photograph of itself. The light, the shadows
on the field, are sepia, as if this were
some other evening in September, some other
harvest that went ungathered years ago.
~Dorothy Lawrenson “September” from Painted, spoken, 22

Sheaves of Wheat in a Field –Vincent Van Gogh

September/remember naturally go together in every rhyming autumnal poem and song.

For me, the nostalgia of this season is for the look and feel of the landscape as it browns out with aging – gilded, burnt and rusted, almost glistening in its dying.

I gather up and store these images, like sheaves of wheat stacked in the field. I’ll need them again someday, when I’m hungry, starving for the memory of what once was, and, when the light is just right, how it could be again someday.

Summer ends now; now, barbarous in beauty, the stooks rise
⁠Around; up above, what wind-walks! what lovely behaviour
⁠Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?

I walk, I lift up, I lift up heart, eyes,
⁠Down all that glory in the heavens to glean our Saviour;
⁠And, éyes, heárt, what looks, what lips yet gave you a
Rapturous love’s greeting of realer, of rounder replies?

And the azurous hung hills are his world-wielding shoulder
⁠Majestic—as a stallion stalwart, very-violet-sweet!—
These things, these things were here and but the beholder
⁠Wanting; which two when they once meet,
The heart rears wings bold and bolder
⁠And hurls for him, O half hurls earth for him off under his feet.

~Gerard Manley Hopkins “Hurrahing for Harvest”

Hayfield–oil painting by Scott Prior http://www.scottpriorart.com

Nostalgic For What is to Come

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Toward the end of August I begin to dream about fall, how
this place will empty of people, the air will get cold and
leaves begin to turn. Everything will quiet down, everything
will become a skeleton of its summer self. Toward

the end of August I get nostalgic for what’s to come, for
that quiet time, time alone, peace and stillness, calm, all
those things the summer doesn’t have. The woodshed is
already full, the kindling’s in, the last of the garden soon

will be harvested, and then there will be nothing left to do
but watch fall play itself out, the earth freeze, winter come.
~David Budbill “Toward the End of August”

 

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As the calendar page flips to September this morning, I feel nostalgic for what is coming.

Summer is filled with so much overwhelming activity due to ~18 hours of daylight accompanying weeks of unending sunny weather resulting in never-enough-sleep.  Waking on a summer morning feels so brim full with possibilities: there are places to go, people to see, new things to explore and of course, a garden and orchard always bearing and fruiting out of control.

As early September days usher us toward autumn, we long for the more predictable routine of school days, so ripe with new learning opportunities. This week my teacher friend Bonnie orchestrated an innovative introduction to fifth grade by asking her students, with some parental assistance, to make (from scratch) their own personalized school desks that will go home with them at the end of the year.  These students have created their own learning center with their brains and hands, with wood-burned and painted designs, pictures and quotes for daily encouragement.

For those students, their desks will always represent a solid reminder of what has been and what is to come.

So too, I welcome September’s quieting times ushering in a new cool freshness in the air as breezes pluck and toss a few drying leaves from the trees.  I will watch the days play themselves out rather than feeling I must direct each moment.  I can be a sponge.

I whisper hush … to myself.

Goodnight August, goodnight farm, goodnight air, goodnight noises everywhere.

 

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Mrs. Bonnie Patterson’s fifth graders’ handmade desks at Evergreen Christian School, Bellingham, Washington

 

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Turn Aside and Look: Remembering the Air of Childhood

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I wanted to treat feelings that are not recognized as afflictions and are never diagnosed by doctors. All those little feelings and emotions no therapist is interested in,
because they are apparently too minor and intangible.
The feeling that washes over you when another summer nears its end.
Or when you recognize that you haven’t got your whole life left to find out where you belong.
Or the slight sense of grief when a friendship doesn’t develop as you thought,
and you have to continue your search for a lifelong companion.
Or those birthday morning blues.
Nostalgia for the air of your childhood.
Things like that.

~Nina George from The Little Paris Bookshop

 

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A white vase holds a kaleidoscope of wilting sweet peas
captive in the sunlight on the kitchen table while

wafting morning scent of pancakes
with sticky maple syrup swirls on the plate,

down the hall a dirty diaper left too long in the pail,
spills over tempera paint pots with brushes rinsed in jars after

stroking bright pastel butterflies fluttering on an easel
while wearing dad’s oversized shirt buttoned backwards

as he gently guides a hand beneath the downy underside
of the muttering hen reaching a warm egg hiding in the nest

broken into fragments like a heart while reading
the last stanza of “Dover Beach” in freshman English

Just down the hall of clanging lockers
To orchestra where strains of “Clair de Lune” accompany

the yearning midnight nipple tug of a baby’s hungry suck
hiccups gulping in rhythm to the rocking rocking

waiting for a last gasp for breath
through gaping mouth, mottled cooling skin

lies still between bleached sheets
illuminated by curtain filtered moonlight just visible

through the treetops while whoosh of owl wings
are felt not heard, sensed not seen.

Waking to bright lights and whirring machines
the hushed voice of the surgeon asking

what do you see now, what can you hear, what odor,
what flavor, what sensation on your skin

with each probe of temporal lobe, of fornix
and amygdala hidden deep in gray matter

of neurons and synaptic holding bins of chemical transmitters
storing the mixed bag of the past and present

to find and remove the offending lesion that seizes up
all remembrance, all awareness

and be set free again to live, to love, to swoon at the perfume
of spring sweet peas climbing dew fresh at dawn,

tendril wrapping over tendril,
the peeling wall of the garden shed

no more regrets, no more grief
no more sorrow.

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