Tag: Palouse

A Palouse Farmgirl

barnstormingblog4 Comments

My mother, Elna Schmitz Polis, was born 103 years ago today in the lonely isolation of a Palouse wheat and lentil farm in eastern Washington. She drew her first breath in a two story white house located down a long poplar-lined lane and nestled in a draw between the undulating hills.

She attended a one room school house until 8th grade, located a mile away in the rural countryside, then moved in with her grandmother “in town” in Rosalia to attend high school, seeing her parents only a couple times a month.

It was a childhood which accustomed her to solitude and creative play inside her mind and heart – her only sibling, an older brother, was busy helping their father on the farm. All her life and especially in her later years, she would prefer the quiet of her own thoughts over the bustle of a room full of activities and conversation.

Her childhood was filled with exploration of the rolling hills, the barns and buildings where her father built and repaired farm equipment, and the chilly cellar where the fresh eggs were stored after she reached under cranky hens to gather them. She sat in the cool breeze of the picketed yard, watching the huge windmill turn and creak next to the house. She helped her weary mother feed farm crews who came for harvest time and then settled in the screened porch listening to the adults talk about lentil prices and bushel production. She woke to the mourning dove call in the mornings and heard the coyote yips and howls at night.

She nearly died at the age of 13 from a ruptured appendix, before antibiotics were an option. That near-miss seemed to haunt her life-long, filling her with worry that it was a mistake that she survived that episode at all. Yet she thrived despite the anxiety, and ended up, much to her surprise, living a long life full of family and faith, letting go at age 88 after fracturing a femur, breaking her will to continue to live.

As a young woman, she was ready to leave the wheat farm behind for college, devoting herself to the skills of speech, and the creativity of acting and directing in drama, later teaching rural high school students, including a future Pulitzer Prize winning poet, Carolyn Kizer. She loved words and the power and beauty they wielded.

Marrying my father was a brave and impulsive act, traveling by train to the east coast only a week before he shipped out for almost 3 years to the South Pacific to fight as a Marine in WWII. She must have wondered about the man who returned from war changed and undoubtedly scarred in ways she could not see or touch. They worked it out mostly in silence, as rocky as it must have been at times. Her episode of Graves’ disease, before I was born, must have been agonizing, as her storm of thyroid overactivity resulted in months of sleepless full time panic. Only thyroid removal saved her, but even radical surgeries take their toll. Their marriage never fully recovered.

In their reconciliation after a painful divorce years later, I finally could see the devotion and mutual respect between life companions who had found shared purpose and love.

As a wife and mother, she rediscovered her calling as a steward of the land and a tireless steward of her family, gardening and harvesting fruits, vegetables and us children. When I think of my mother, I most often think of her tending us children in the middle of the night whenever we were ill; her over-vigilance was undoubtedly due to her worry we might die in childhood as she almost did.

She never did stop worrying until the last few months. As she became more dependent on others in her physical decline, she gave up the control she thought she had to maintain through her “worry energy” and became much more accepting about the control the Lord maintains over all we are and will become.

I know from where my shyness comes, my preference for birdsongs rather than radio music, my love of naps, and my tendency to be serious and straight-laced with a twinkle in my eye. This is my German Palouse side–immersing in the quietness of solitude, thrilling to the sight of the spring wheat flowing like a green ocean wave in the breeze and appreciating the warmth of rich soil held in my hands. From that heritage came my mother and it is the legacy she left with me. I am forever grateful for her unconditional love and her willingness to share the sunshine and warmth of her nest whenever we felt the need to fly back home and shelter, overprotected but safe nonetheless, under her wings.

One-Time
Monthly
Yearly

Make a one-time or recurring donation to support daily Barnstorming posts

Make a monthly donation

Make a yearly donation

Choose an amount

$10.00
$25.00
$50.00
$5.00
$15.00
$100.00
$5.00
$15.00
$100.00

Or enter a custom amount

$

Your contribution is deeply appreciated.

Your contribution is appreciated.

Your contribution is appreciated.

DonateDonate monthlyDonate yearly

Softening to an Evening Gray

barnstormingblog3 Comments

Now that summer’s ripen’d bloom
Frolics where the winter frow n’d,
Stretch’d upon these banks of broom,
We command the landscape round.

Nature in the prospect yields
Humble dales and mountains bold,
Meadows, woodlands, heaths-and fields
Yellow’d o’er with waving gold.

On the uplands ev’ry glade
Brightens in the blaze of day;
O’er the vales the sober shade
Softens to an ev’ning gray.
~John Cunningham from “The Landscape”

Betty with children Carol, Barbara and Joe
the renovated farm house
the “egg” house where produce was kept cool
On the porch in Spring Valley in the Palouse – me at age two with Nancy holding my baby brother Steve along with the Schmitz cousins – Joe, Barbara and Carol

My Aunt Betty Buchholz Schmitz lived for most of her 102 years in landscapes that could be summer-rich with golden crops yet in winter, harsh, bleak and empty. She weathered it all with hard work, grace and an innate sweetness born of her faith.

She was carried away last week to her true home to join my mother’s brother, Albert, and so many family and friends who had gone before her, including my mother who always felt blessed to call Betty her sister through marriage.

I remember Aunt Betty from my earliest days as we would make an annual summer visit to our cousins in Spring Valley, a tiny place with train tracks and a grain elevator in the middle of the rolling hills of the Palouse country of eastern Washington. I felt such a surge of excitement as we entered the long poplar-lined driveway that we could see from the road from far away.

My Palouse family lived in the farm house where my mother and uncle were born – a magical place of two stories with an enclosed staircase and many rooms, a huge basement, a sleeping porch for summer, a working windmill, as well as numerous outbuildings that contained everything Palouse wheat and lentil farmers needed to survive. The house was nestled in a small vale between the surrounding hills, to protect it from chill winter winds and stay cool in the shadows on blazing hot summer days.

Betty was a woman who was soft-spoken, always humble and eager to lend herself wherever needed. She cooked and baked huge meals, and used a wringer-washer and clothesline for never-ending loads of farm laundry. Her home was warm and welcoming with true heart-felt hospitality, even decades later after she moved to a house “in town” – a metropolis with just a few hundred neighbors.

Although a pioneer in the sense of living remotely with minimal conveniences, Betty and her brother Kenneth became pioneers in the 1960’s living donor kidney transplant program, as one of the first successful transplants. This must have required immense courage and stamina from a farm mother of three children, yet she was able to give her brother years of life that he otherwise would not have had.

Over the years, Betty sent cards and letters of encouragement to me in between our occasional visits to see her. She was the kind of aunt that modeled how I wanted to be and I have too often fallen short of her example.

I hoped to see Betty this summer, having missed visits over the last two years of COVID restrictions in her assisted living facility. Instead I will look for her smiling face and listen for her warm voice amid a lengthening list of beloved family and friends when I am called home some day myself.

I’ll see you again, Betty, in the glades of those rolling hills and the shadowed softened vales of the valleys. You will hold out your hand and make sure I feel at home there, just as you did for me during your century here.

Palouse fields
Poplar-lined driveway to the Schmitz farm

A Girl from the Palouse

barnstormingblog3 Comments

My mother, Elna Schmitz Polis, was born 101 years ago today in the lonely isolation of a Palouse wheat and lentil farm in eastern Washington. She drew her first breath in a two story white house located down a long poplar-lined lane and nestled in a draw between the undulating hills.

She attended a one room school house until 8th grade, located a mile away in the rural countryside, then moved in with her grandmother “in town” in Rosalia to attend high school, seeing her parents only a couple times a month.

It was a childhood which accustomed her to solitude and creative play inside her mind and heart – her only sibling, an older brother, was busy helping their father on the farm. All her life and especially in her later years, she would prefer the quiet of her own thoughts over the bustle of a room full of activities and conversation.

Her childhood was filled with exploration of the rolling hills, the barns and buildings where her father built and repaired farm equipment, and the chilly cellar where the fresh eggs were stored after she reached under cranky hens to gather them. She sat in the cool breeze of the picketed yard, watching the huge windmill turn and creak next to the house. She helped her weary mother feed farm crews who came for harvest time and then settled in the screened porch listening to the adults talk about lentil prices and bushel production. She woke to the mourning dove call in the mornings and heard the coyote yips and howls at night.

She nearly died at the age of 13 from a ruptured appendix, before antibiotics were an option. That near-miss seemed to haunt her life-long, filling her with worry that it was a mistake that she survived that episode at all. Yet she thrived despite the anxiety, and ended up, much to her surprise, living a long life full of family and faith, letting go at age 88 after fracturing a femur, breaking her will to continue to live.

As a young woman, she was ready to leave the wheat farm behind for college, devoting herself to the skills of speech, and the creativity of acting and directing in drama, later teaching rural high school students, including a future Pulitzer Prize winning poet, Carolyn Kizer. She loved words and the power and beauty they wielded.

Marrying my father was a brave and impulsive act, traveling by train to the east coast only a week before he shipped out for almost 3 years to the South Pacific to fight as a Marine in WWII. She must have wondered about the man who returned from war changed and undoubtedly scarred in ways she could not see or touch. They worked it out, as rocky as it must have been at times, and in their reconciliation after their divorce years later, I could see the devotion and mutual respect of life companions who shared purpose and love.

As a wife and mother, she rediscovered her calling as a steward of the land and a steward of her family, gardening and harvesting fruits, vegetables and children tirelessly. When I think of my mother, I most often think of her tending us children in the middle of the night whenever we were ill; her over-vigilance was undoubtedly due to her worry we might die in childhood as she almost did.

She never did stop worrying until the last few months. As she became more dependent on others in her physical decline, she gave up the control she thought she had to maintain through her “worry energy” and became much more accepting about the control the Lord maintains over all we are and will become.

I know from where my shyness comes, my preference for birdsongs rather than radio music, my preference for naps, and my tendency to be serious and straight-laced with a twinkle in my eye. This is my German Palouse side–immersing in the quietness of solitude, thrilling to the sight of the spring wheat flowing like a green ocean wave in the breeze and appreciating the warmth of rich soil held in my hands. From that heritage came my mother and it is the legacy she has left with me. I am forever grateful to her for her unconditional love and her willingness to share the warmth of her nest whenever we felt the need to fly back home and shelter, overprotected at times but safe nonetheless, under her wings.

Elna Schmitz playing Elizabeth Barrett Browning

A new book available from Barnstorming — more information here

A Simple Field

barnstormingblog6 Comments
Field with Wheat Stacks – Van Gogh

He fell in love with a simple field
of wheat, and I’ve felt this way, too;
melted, like a pool of mint chip
ice cream, foolishly in love,
even though we know
how it turns out in the end:
snicked by the scythe, burnt
in the furnace of the August
sun, threshed, separated, kernel
from chaff. But right now,
it’s spring, and the wheat aligns
in orderly rows: Yellow green.
Snap pea. Sage. Celadon.
His brush strokes pile on,
wave after wave, as the haystacks
liquefy, slide off the canvas,
roll on down to the sea.
~Barbara Crooker “Field with Wheat Stacks” from Les Fauves.

Wheat Field with Sheaves -Vincent Van Gogh
Sheaves of Wheat in a Field –Vincent Van Gogh
Ears of Wheat – Van Gogh 1890

There is nothing here but wheat, no blade
too slight for his attention: long swaying
brush strokes, pale greens, slithery yellows,
the hopefulness of early spring. All grass
is flesh, says the prophet. Here, there are no
gorgeous azures stamped with almond blossoms,
no screaming sky clawed with crows, no sunflowers
roiling gold and orange, impasto thick as Midi sunlight.
His brush herringboned up each stalk, the elemental
concerns of sun, rain, dirt, while his scrim of pain receded
into the underpainting. He let the wind play
through the stems like a violin, turning the surface
liquid, a sea of green, shifting eddies and currents.
No sky, no horizon; the world as wheat.
~Barbara Crooker, “Ears of Wheat, 1890” from Les Fauves

I continually fall in love with the fields in my world – I’m unable to take my eyes off them as they green up in the spring, as they wave in the breeze in June, as they turn into gold in August.

Each day brings a change to record and remember.

The colors pile on, one after another after another until it all must be cut short, harvested, stored and consumed, leaving behind the raw shorn remnants.

Yet in stubble is the memory of something that was once truly grand and beautiful and will be again.

Even stubble in a simple field reminds me of what is yet to come.

The World as Wheat

barnstormingblog1 Comment
steptoe2
image
steptoe7
I tried to paint the sound of the wind in the ears of wheat.
~Vincent Van Gogh in a letter to Paul Gauguin

WLANL_-_MicheleLovesArt_-_Van_Gogh_Museum_-_Ears_of_wheat,_1890
Ears of Wheat ~ Vincent Van Gogh 1890 in Van Gogh Museum, Amsterdam

There is nothing here but wheat, no blade
too slight for his attention: long swaying
brush strokes, pale greens, slithery yellows,
the hopefulness of early spring. All grass
is flesh, says the prophet. Here, there are no
gorgeous azures stamped with almond blossoms,
no screaming sky clawed with crows, no sunflowers
roiling gold and orange, impasto thick as Midi sunlight.
His brush herringboned up each stalk, the elemental
concerns of sun, rain, dirt, while his scrim of pain receded
into the underpainting. He let the wind play
through the stems like a violin, turning the surface
liquid, a sea of green, shifting eddies and currents.
No sky, no horizon; the world as wheat.
~Barbara Crooker, “Ears of Wheat, 1890” from Les Fauves

 butte9

steptoe6

I come from this – these green-ripening-to-amber wheat fields.
My mother was born nearly a century ago in a house built in a swale of these Palouse hills, where grain rose prolific each year from the soil.  Her father used horses and harvester over hill and dale to bring in the wheat, and piled it high in the local elevator until the train could pick it up.
My grandfather, grandmother, uncle and my mother are no more, now but dust, yet this land continues to produce and yield without their help.
When I return for a visit, I listen for what Van Gogh must have heard and seen in his own fertile land: the sound of the wind in the ears of wheat, the grain moving in waves across the landscape, the complexity of color of each individual stalk blending together to become an unending carpet undulating over the earth.
Yet to really take it in and not be overwhelmed, (to get out of the weeds, so to speak), I go high on the butte to see the world as wheat from above.  I then can imagine God’s own view of our grassy flesh which withers and fades away, as we shrivel in the sun and fall – yet the harvest of His Word endures forever.
steptoe4
butte4
image
image

A Field To Go Back To

barnstormingblogLeave a comment

steptoe9

steptoe3

You wake wanting the dream
you left behind in sleep,
water washing through everything,
clearing away sediment
of years, uncovering the lost
and forgotten. You hear the sun
breaking on cold grass,
on eaves, on stone steps
outside. You see light
igniting sparks of dust
in the air. You feel for the first
time in years the world
electrified with morning.

You know something has changed
in the night, something you thought
gone from the world has come back:
shooting stars in the pasture,
sleeping beneath a field
of daisies, wisteria climbing
over fences, houses, trees.

This is a place that smells
like childhood and old age.
It is a limb you swung from,
a field you go back to.

~Scott Owens “The Arrival of the Past” from Down to Sleep

wisteriabarb2

 

Returning to my mother’s Palouse country to meet again with my aunt and cousins:

(her brother’s widow, now 97, her nieces and nephews–those who still farm and those who wish they still could)

I know these wheat fields lie deep in my DNA and my heart is comforted by the familiarity of the tone and hue of the soil, the freshness of the breezes, the undulation of the grain over the hillsides, the lilt of the meadowlark’s song.

This is always a welcome return home as I feel my mother’s genes rise up within me to greet this family, and know that yes, to this too I belong.

It is a rare and abiding comfort.

steptoe1

daisy6153

 

As the Worm Turneth

barnstormingblogLeave a comment

butte9

Giant_Palouse_earthworm
Photo by Yaniria Sanchez-de Leon–University of Idaho 2005

 

My mother told many stories about growing up on a wheat farm in the rolling fertile Palouse hills of eastern Washington state during the Great Depression years.  One was about the fabled Giant Palouse Earthworm, said to inhabit the deep soil of those lonely farms, and occasionally surfacing during cultivation with the horse drawn equipment.

This was no ordinary worm;  this cream colored invertebrate, first described by a zoologist in 1897, could grow up to 3 feet long.  It could move quickly through the loose topsoil, burrowing deep when threatened.  When it was turned up to the sunlight by the plowshare,  all work would cease in the marvel of  such a hidden creature.  This worm smelled like the essence of lilies but when handled, it defended itself through a release of fluid from its jawless mouth–the old farmers said it could “spit” a yard away.

I believed this was yet another of my mother’s “mythical” stories of life on the wheat farm and considered the “Giant Worm” a  fairy tale sharing shelf space with Pegasus,  dragons and centaurs, the stuff of Gary Larsen and “The Far Side”.

However, the Worm turneth “real”.  It actually does exist…we think.

The last time a scientist (University of Idaho) found a Giant Palouse Worm was in 2010.  There have only been a few sightings because the worm can move faster than a shovel, easily detecting the vibrations of humans disturbing the soil. So it has remained elusive, or more likely, adversely impacted due to intensive agricultural practices of the last century.  Environmental conservationists asked the U.S. Fish and Wildlife Service to institute protections for the Worm by declaring it an endangered species but it was denied such status.   Somehow the Federal Government is not eager to put resources into a Worm that prefers to stay 15 feet under. Perhaps the Worm shall one day have its day in court.

Actually this modern fable is only partially about saving a fantastical Worm that no one can find; it is also about ever-present environmental battling for preservation of land in its natural state versus development–even modern agricultural development in some of the most fertile soil in the world.  Scientists have put electric shock waves into the ground in an effort to drive the Worms to the surface so we have actual specimens to study and admire and then to call truly endangered.   If I was being shocked out of my comfy little dirt home, I think I’d dig deeper, rather than rise to the surface for poking, prodding,  and photo ops.   And I’d certainly feel like spitting.

I want to believe there must be a whole vital civilization of Giant Worms way down deep, dancing the night away in lily perfume and laughing at all the antics up under the sun.    Some day they’ll rise to make their grand appearance, and like a cross between protected prairie dog towns and a child’s bedroom ant farm, humans in all our wisdom and protective instincts might create Giant Palouse Worm colonies in the soil with underground viewing chambers.

Then we can stare at the underground cream colored marvels, and they can stare… and spit… back at us.

image

image

 

Waving Gold

barnstormingblog3 Comments

butte9

butte4

Now that summer’s ripen’d bloom
Frolics where the winter frow n’d,
Stretch’d upon these banks of broom,
We command the landscape round.

Nature in the prospect yields
Humble dales and mountains bold,
Meadows, woodlands, heaths-and fields
Yellow’d o’er with waving gold.

On the uplands ev’ry glade
Brightens in the blaze of day;
O’er the vales the sober shade
Softens to an ev’ning gray.
~John Cunningham from “The Landscape”

image

A certain day became a presence to me;
there it was, confronting me—a sky, air, light:
a being. And before it started to descend
from the height of noon, it leaned over
and struck my shoulder as if with
the flat of a sword, granting me
honor and a task. The day’s blow
rang out, metallic—or it was I, a bell awakened,
and what I heard was my whole self
saying and singing what it knew: I can.

~Denise Levertov “Variations on a Theme of Rilke”

image image image

Yesterday we visited my mother’s childhood home in Spring Valley, Washington in Palouse country, where at the turn of the century a thriving small village sat at a crossroads in the rolling wheat fields.  Where the grain elevators now stand tall against the horizon, a train depot for the electric powered train running north-south once drew Teddy Roosevelt on his whistle-stop tour. The foundation still exists, broken in pieces, of the one room schoolhouse where my mother and uncle attended school until age 13.  My aunt is still vital and strong in her mid-nineties and my cousins still steward the land, training up the next generation to take over.

Walking the old poplar-lined driveway again, seeing the willows where moose come to graze, walking through the old farmhouse where my mother and uncle were born and I spent summer visits,  I was a bell rung.  If the people I come from could do this, this hard life, I can do my calling too.  I can wave gold, like the grain of these fields, readying for harvest.

image image

Without Headlights

barnstormingblog1 Comment

Photo by Tayler Rae of Aaron Janicki haying this week with his Belgian team in Skagit County

... The Amish have maintained what I like to think is a proper scale, largely by staying with the horse. The horse has restricted unlimited expansion. Not only does working with horses limit farm size, but horses are ideally suited to family life. With horses you unhitch at noon to water and feed the teams and then the family eats what we still call dinner. While the teams rest there is usually time for a short nap. And because God didn’t create the horse with headlights, we don’t work nights.
Amish farmer David Kline in Great Possessions

Nearing 58, I am old enough to have parents who grew up on farms worked by horses, one raising wheat and lentils in the Palouse country of eastern Washington and the other logging in the woodlands of Fidalgo Island of western Washington.  The horses were crucial to my grandfathers’ success in caring for and tilling the land, seeding and harvesting the crops and bringing supplies from town miles away.  Theirs was a hardscrabble life in the early 20th century with few conveniences.  Work was year round from dawn to dusk; caring for the animals came before any human comforts.  Once night fell, work ceased and sleep was welcome respite for man and beast.

You can’t have the family farm without the family.–G.K. Chesterton

In the rural countryside where we live now, we’ve been fortunate enough to know people who still dabble in horse farming, whose draft teams are hitched to plows and mowers and manure spreaders as they head out to the fields to recapture the past.  Watching a good team work with no diesel motor running means hearing bird calls from the field, the steady footfall of the horses, the harness chains jingling, the leather straps creaking, the machinery shushing quietly as gears turn and grass lays over in submission.  No ear protection is needed.  There is no clock needed to pace the day.   There is a rhythm of nurture when animals instead of engines are part of the work day.   The gauge for taking a break is the amount of foamy sweat on the horses and how fast they are breathing. It is time to stop and take a breather, it is time to start back up do a few more rows, it is time to water, it is time for a meal, it is time for a nap, it is time for a rest in a shady spot.  This is gentle use of the land with four footed stewards who deposit right back to the soil the digested forage they have eaten only hours before.

When we stop working with our hands, we cease to understand how the world really works. — Clive Thompson

Our modern agribusiness megafarm fossil-fuel-powered approach to food production has bypassed the small family farm which was so dependent on the muscle power of humans and animals.    In our move away from horses worked by skilled teamsters,  what has been gained in high production values has meant loss of self-sufficiency and dedicated stewardship of a particular plot of ground.  Draft breeds, including the Haflinger horses we raise, now are bred for higher energy with lighter refined bone structure meant more for eye appeal and floating movement,  rather than the sturdy conformation and unflappable low maintenance mindset needed for pulling work.   Modern children are bred for different purpose as well, no longer raised to work together with other family members for a common purpose of daily survival.   Their focus at school is waning as they have no morning farm chores when they get up, too little physical work to do before they arrive at their desks in the morning.   Their physical energy, if directed at all,  is directed to competitive sports, engaged in fantasy combat rather than winning a very real victory over hunger.

I am encouraged when young people still reach for horse collars and bridles, hitch up their horses and do the work as it used to be done.   All is not lost if we can still make incremental daily progress,  harnessed together as a team with our horses, tilling for truth and harvesting hope.


I like farming. I like the work. I like the livestock and the pastures and the woods.  It’s not necessarily a good living, but it’s a good life.  I now suspect that if we work with machines the world will seem to us to be a machine, but if we work with living creatures the world will appear to us as a living creature.  That’s what I’ve spent my life doing, trying to create an authentic grounds for hope. –Wendell Berry, horse farmer, essayist, poet, professor

photo by Tayler Rae