Like Time’s Insidious Wrinkle

Like Time’s insidious wrinkle
On a beloved Face
We clutch the Grace the tighter
Though we resent the crease
~Emily Dickinson

People are more than just the way they look.
~Madeleine L’Engle from A Wrinkle in Time

1971 – not a wrinkle in sight
2021

Just a glance in the mirror tells me all I need to know:

the creases I see remind me
each wrinkle shows my life in action,
so tangible, so telling, so mobile –
they multiply particularly when I smile and laugh
so I must do both more often.

I won’t hide them
nor tighten them away
or inject them smooth.

Instead I’ll grin at the wrinkle of time’s passing
knowing each line gained
is grace clutched tightly
in my otherwise loosening grasp.

A book from Barnstorming is available for order here:

Wind-Wandering Trees

felled 1879

My aspens dear, whose airy cages quelled,
  Quelled or quenched in leaves the leaping sun,
  All felled, felled, are all felled;
    Of a fresh and following folded rank
                Not spared, not one
                That dandled a sandalled
         Shadow that swam or sank
On meadow & river & wind-wandering weed-winding bank.


  O if we but knew what we do
         When we delve or hew —
     Hack and rack the growing green!
          Since country is so tender
     To touch, her being só slender,
     That, like this sleek and seeing ball
     But a prick will make no eye at all,
     Where we, even where we mean
                 To mend her we end her,
            When we hew or delve:
After-comers cannot guess the beauty been.
  Ten or twelve, only ten or twelve
     Strokes of havoc unselve
           The sweet especial scene,
     Rural scene, a rural scene,
     Sweet especial rural scene.

~Gerard Manley Hopkins “Binsey Poplars”

Our farm is bookshelved between two poplar rows, one short, the other longer. The trees are showing their advanced age and struggle now with winter storms with heavy winds and icy build-up, branches shattering like toothpicks.

They will eventually, like Hopkins’ Binsey poplars, be felled before they tumble weakened and withered in a gale, landing where they mustn’t.

I will miss their blowhard boldness, their noisy leaves and branches, their dance in the wind and their orderliness as they stand like guardians to the farm. I’m being sentimental but there will be a sadness when it comes time to say goodbye.

Once they are gone, who in the future would know they once stood there, towering above everything else.

Unlike the poplars, I must leave something behind to be remembered.

Orchard in bloom with poplars- Van Gogh
Two Poplars in the Alpilles near Saint-Remy by Van Gogh
Avenue of Poplars in Autumn– Van Gogh Museum

Poplar trees Van Gogh

A new book from Barnstorming — information for how to order here

Hollowed

The barn roof sags like an ancient mare’s back.
The field, overgrown, parts of it a marsh
where the pond spills over. No hay or sacks
of grain are stacked for the cold. In the harsh
winters of my youth, Mama, with an axe,
trudged tirelessly each day through deep snow,
balanced on the steep bank, swung down to crack
the ice so horses could drink. With each blow
I feared she would fall, but she never slipped.
Now Mama’s bent and withered, vacant gray
eyes fixed on something I can’t see. I dip
my head when she calls me Mom. What’s to say?
The time we have’s still too short to master
love, and then, the hollow that comes after.
~Kitty Carpenter “Farm Sonnet”

Vigil at my mother’s bedside

Lying still, your mouth gapes open as
I wonder if you breathe your last.
Your hair a white cloud
Your skin baby soft
No washing, digging, planting gardens
Or raising children
Anymore.
Hollowed.

Where do your dreams take you?
At times you wake in your childhood home of
Rolling wheat fields, boundless days of freedom.
Other naps take you to your student and teaching days
Grammar and drama, speech and essays.
Yesterday you were a young mother again
Juggling babies, farm and your wistful dreams.

Today you looked about your empty nest
Disguised as hospital bed,
Wondering aloud about
Children grown, flown.
You still control through worry
and tell me:
Travel safely
Get a good night’s sleep
Take time to eat
Call me when you get there

I dress you as you dressed me
I clean you as you cleaned me
I love you as you loved me
You try my patience as I tried yours.
I wonder if I have the strength to
Mother my mother
For as long as she needs.

When I tell you the truth
Your brow furrows as it used to do
When I disappointed you~
This cannot be
A bed in a room in a sterile place
Waiting for death
Waiting for heaven
Waiting

And I tell you:
Travel safely
Eat, please eat
Sleep well
Call me when you get there.

photo by Andrea Nipges

New book available to order from Barnstorming!

Four Seasons

Autumn

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz
, a poem in Readers’ Digest Nov. 1983

Winter
Winter

L’Inverno (Winter)
Opus 8, No. 4, in F minor

I. Allegro non molto–
Frozen and trembling in the icy snow,
In the severe blast of the horrible wind,
As we run, we constantly stamp our feet,
And our teeth chatter in the cold.
II. Largo–
To spend happy and quiet days near the fire,
While, outside, the rain soaks hundreds.
III. Allegro–
We walk on the ice with slow steps,
And tread carefully, for fear of falling.
Symphony, If we go quickly, we slip and fall to the ground.
Again we run on the ice,
Until it cracks and opens.
We hear, from closed doors,
Sirocco, Boreas, and all the winds in battle.
This is winter, but it brings joy.

~Vivaldi (Winter poem)

Spring
Spring
Spring
Spring

La Primavera (Spring)
Opus 8, No. 1, in E Major

I. Allegro–
Festive Spring has arrived,
The birds salute it with their happy song.
And the brooks, caressed by little Zephyrs,
Flow with a sweet murmur.
The sky is covered with a black mantle,
And thunder, and lightning, announce a storm.
When they are silent, the birds
Return to sing their lovely song.
II. Largo e pianissimo sempre–
And in the meadow, rich with flowers,
To the sweet murmur of leaves and plants,
The goatherd sleeps, with his faithful dog at his side.
III. Danza pastorale. Allegro–
To the festive sound of pastoral bagpipes,
Dance nymphs and shepherds,
At Spring’s brilliant appearance.

~Vivaldi (Spring poem)

Summer
Summer
Summer
Summer

L’Estate (Summer)
Opus 8, No. 2, in G minor

I. Allegro non molto–
Under the heat of the burning summer sun,
Languish man and flock; the pine is parched.
The cuckoo finds its voice, and suddenly,
The turtledove and goldfinch sing.
A gentle breeze blows,
But suddenly, the north wind appears.
The shepherd weeps because, overhead,
Lies the fierce storm, and his destiny.
II. Adagio; Presto–
His tired limbs are deprived of rest
By his fear of lightning and fierce thunder,
And by furious swarms of flies and hornets.
III. Presto–
Alas, how just are his fears,
Thunder and lightening fill the Heavens, and the hail
Slices the tops of the corn and other grain.
~Vivaldi (Summer poem)

Autumn
Autumn
Autumn

Autumn
Autumn

L’Autunno (Autumn)
Opus 8, No. 3, in F Major

I. Allegro–
The peasants celebrate with dance and song,
The joy of a rich harvest.
And, full of Bacchus’s liquor,
They finish their celebration with sleep.
II. Adagio molto–
Each peasant ceases his dance and song.
The mild air gives pleasure,
And the season invites many
To enjoy a sweet slumber.
III. Allegro–
The hunters, at the break of dawn, go to the hunt.
With horns, guns, and dogs they are off,
The beast flees, and they follow its trail.
Already fearful and exhausted by the great noise,
Of guns and dogs, and wounded,
The exhausted beast tries to flee, but dies.

~Vivaldi (Autumn poem)

I walk this path to stand at the same spot
countless times through the year,
to witness the palette changing
around me.

The Artist chooses His color and technique
lovingly, with a gentle touch for each season.

My life too is painted with richness and variety:
from the bare lines of winter,
to a green emergence of spring,
a summer sweet fruitfulness
and a mosaic crescendo of autumn.

This ever-new pathway extends
beyond the reach of the canvas.


Bones in the Ground

All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine clacketing beside you, while the sun walked high in the morning;

and after noon’s heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning, led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun’s muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground – old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
~Donald Hall, “Names of Horses”

Photo of Aaron Janicki haying with his Oberlander team in Skagit County courtesy of Tayler Rae

As a child,  I regularly visited the horse grave dug by hand by my father in 1965 in an open clearing of our woods where our little chestnut mare, Dolly, rested in the ground.

She was felled by a vet’s bullet to the head after an agonizing bout with colic. I had returned to the house, unable to watch, but could not help but hear the gunshot as if it had gone through me as well.

At first her grave was a place to cry where no one but the trees and wild flowers could see.

When my tears dried up, it was a place to sing loudly where no one but chipmunks and my dog could hear.

Later it became the sanctuary where I retreated to talk to God when my church no longer was.

Her bones lie there still and no one but me knows where. The dent in the ground will always betray the spot.

No one but me still remembers you.

Waiting in Wilderness: Do It Again

Because children have abounding vitality,
because they are in spirit fierce and free,
therefore they want things repeated and unchanged.
They always say, “Do it again”;
and the grown-up person does it again until he is nearly dead.

For grown-up people are not strong enough to exult in monotony.
But perhaps God is strong enough to exult in monotony.
It is possible that God says every morning, “Do it again” to the sun;
and every evening, “Do it again” to the moon.

It may be that he has the eternal appetite of infancy;
for we have sinned and grown old,
and our Father is younger than we.
~G.K. Chesterton from Orthodoxy

To an infant, nothing is monotonous — it is all so new.  The routine of the day is very simple and reassuring: sleep, wake, cry, nurse, clean up, gaze out at the world, turn on the smiles –repeat.

The routine becomes more complex as we age until it no longer resembles a routine, if we can help it. We don’t bother getting up to watch the sun rise yet again and don’t notice the sun set once more. We truly flounder in the wilderness of our own making.

Weary as we may be with routine, our continual search for the next new thing costs us in time and energy.   We age every time we sigh with boredom or turn away from the mundane and everyday, becoming less and less like our younger purer selves.

Who among us exults in monotony and celebrates predictability and enjoys repetition, whether it is sunrise or sunset or an infinite number of daisies?

God does. He sees our short attention spans.  He alone remains consistent, persistent and insistent because we need someone to lead us out of our wilderness.

Do it again, God.  Please — please do it again.

My life flows on in endless song above earth’s lamentation.
I hear the real, though far-off hymn that hails a new creation.
No storm can shake my inmost calm, while to that rock, I’m clinging

Since love prevails in heaven and earth, How can I keep from singing?
While though the tempest round me roars, I know the truth, it liveth.
And though the darkness round me close, songs in the night it giveth.


No storm can shake my inmost calm, while to that rock, I’m clinging
Since love prevails in heaven and earth, How can I keep from singing?
I Lift my eyes. The cloud grows thin; I see the blue above it.
And day by day, this pathway smooths, since first I learned to love it.

No storm can shake my inmost calm, I hear the music ringing.
It sounds an echo in my soul. How can I keep from singing?
How Can I Keep from singing? Keep Singing.

Will you come and follow me 
If I but call your name?
Will you go where you don’t know
And never be the same?
Will you let my love be shown,
Will you let me name be known,
Will you let my life be grown
In you and you in me?

Will you leave yourself behind
If I but call your name?
Will you care for cruel and kind
And never be the same?
Will you risk the hostile stare
Should your life attract or scare.
Will you let me answer prayer
In you and you in me?

Will you let the blinded see
If I but call your name?
Will you set the prisoners free
And never be the same?
Will you kiss the leper clean,
And do this as such unseen,
And admit to what I mean
In you and you in me?

Will you love the “you” you hide
If I but call your name?
Will you quell the fear inside
And never be the same?
Will you use the faith you’ve found
To reshape the world around,
Through my sight and touch and sound
In you and you in me?

Lord, your summons echoes true
When you but call my name.
Let me turn and follow you
And never be the same.
In your company I’ll go
Where your love and footsteps show.
Thus I’ll move and live and grow
In you and you in me.

This Crown of Love


I love you
or I do not live
at all.

No doubts
are permitted—
though they will come
and may
before our time
overwhelm us.

Just as the nature of briars
is to tear flesh,
I have proceeded
through them.
Keep
the briars out,
they say.
You cannot live
and keep free of
briars.

At our age the imagination
across the sorry facts
lifts us
to make roses
stand before thorns.

But we are older,
I to love
and you to be loved,
we have,
no matter how,
by our wills survived
to keep
the jeweled prize
always
at our finger tips.
We will it so
and so it is
past all accident.
~William Carlos Williams (written at age 72) from “The Ivy Crown”

How can we, at our age,
who have treated love as no accident,
looking into a well
of such depth and richness –
how can we tell the young
to will their love to survive –
to strive through thorns and briars,
though tears wept and flesh torn,
to come to cherish the prize
of rose and ivy crown.

It is everything that matters,
this crown of love
we have willed and worn together:

I love you or I do not live at all.
I to love and you to be loved.

The Slanted Light

There’s a certain Slant of light
On winter afternoons —
That oppresses, like the Heft
of cathedral tunes.
When it comes, the Landscape listens —
Shadows hold their breath —
When it goes, ’tis like the Distance
On the look of Death.
~Emily Dickinson

How valuable it is in these short days,
threading through empty maple branches,
the lacy-needled sugar pines.

 
Its glint off sheets of ice tells the story
of Death’s brightness, her bitter cold.

 
We can make do with so little, just the hint
of warmth, the slanted light.
..
~Molly Fisk, “Winter Sun” from 
The More Difficult Beauty

Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —
~Emily Dickinson

I like the slants of light; I’m a collector.
That’s a good one, I say…
~Annie Dillard from Pilgrim at Tinker Creek

During our northwest winters, there is usually so little sunlight on gray cloudy days that I routinely turn on the two light bulbs in the big hay barn any time I need to fetch hay bales for the horses. This is so I avoid falling into the holes that inevitably develop in the hay stack between bales. Winter murky lighting tends to hide the dark shadows of the leg-swallowing pits among the bales, something that is particularly hazardous when carrying a 60 pound hay bale.

Yesterday when I went to grab hay bales for the horses at sunset, before I flipped the light switch, I could see light already blazing in the big barn. The last of the day’s sun rays were at a precise winter slant, streaming through the barn slat openings, ricocheting off the roof timbers onto the bales, casting an almost fiery glow onto the hay. The barn was ignited and ablaze without fire and smoke — the last things one would even want in a hay barn.

I scrambled among the bales without worry.

In my life outside the barn I’ve been falling into more than my share of dark holes lately. Even when I know where they lie and how deep they are, some days I will manage to step right in anyway. Each time it knocks the breath out of me, makes me cry out, makes me want to quit trying to lift the heavy loads. It leaves me fearful to venture where the footing is uncertain.

Then, on the darkest of days, light comes from the most unexpected of places, blazing a trail to help me see where to step, what to avoid, how to navigate the hazards to avoid collapsing on my face. I’m redirected, inspired anew, granted grace, gratefully calmed and comforted amid my fears. Even though the light fades, and the darkness descends again, it is only until tomorrow. Then it reignites again.

The Light returns and so will I.

Take Her Hand

She wakes to gray.
No words to guide the way
toward son. His unfamiliar face seems kind
enough. She nods hello. Just yesterday
she knew his eyes, but now?

This morning’s mind
welcomes the past but not the day. She was
someone: woman who woke at 3:00 to sing
her restless son to sleep, his calm her cause
for celebration. Today the dawn brings

no clarity, yet still the stranger comes
and draws her curtains wide. She thinks outside
is where she left her life: daughters, a son
who meet sunrise without her. Look, the light

is brighter now. The kind man helps her stand.
To see the morning sun, she takes his hand.
~Marjorie Maddox “Alzheimer Aubade”

Lying still, your mouth gapes open as
I wonder if you breathe your last.
Your hair a white cloud
Your skin baby soft
No washing, digging, planting gardens
Or raising children
Anymore.

Where do your dreams take you?
At times you wake in your childhood home of
Rolling wheat fields, boundless days of freedom.
Other naps take you to your student and teaching days
Grammar and drama, speech and essays.
Yesterday you were a young mother again
Juggling babies, farm and your wistful dreams.

Today you looked about your empty nest
Disguised as hospital bed,
Wondering aloud about
Children grown, flown.
You still control through worry
and tell me:
Travel safely
Get a good night’s sleep
Take time to eat
Call me when you get there

I dress you as you dressed me
I clean you as you cleaned me
I love you as you loved me
You try my patience as I tried yours.
I wonder if I have the strength to
Mother my mother
For as long as she needs.

When I tell you the truth
Your brow furrows as it used to do
When I disappointed you~
This cannot be
A bed in a room in a sterile place
Waiting for death
Waiting for heaven
Waiting

And I tell you:
Travel safely
Eat, please eat
Sleep well
Call me when you get there.

Turning Darkness into Light: Dust Made Manifest

Nobody in the hospital
Could tell the age 
Of the old woman who
Was called Susanna

Because she had no visitors
I would stop by to see her
But she was always sleeping

One day I was beside her
When she woke up
Opening small dark eyes
Of a surprising clearness

She looked at me and said
You want to know the truth?
I answered Yes

She said it’s something that 
My mother told me

There’s not a single inch
Of our whole body
That the Lord does not love

She then went back to sleep.
~Anne Porter  from “Susanna”

photo by Andrea Nipges

So many people lie in a hospital bed these days, all alone
and fearful, wondering what could happen next,
waiting for the tide to turn and move them back to the shore
or sweep them out into the arms of their Creator forever.

We tend to forget the love of the One who made us,
including our funny looking feet, our anxieties,
the crooked teeth, the wrinkles, the scars, the split ends —

We see only our imperfections and frailty
when our Creator sees dust made manifest
in His image.

He loves us even when we do not love ourselves,
as we hide our flaws and cover up our vulnerable nakedness.

He loves every inch
because we are His opus,
a masterpiece,
so He became one of us.

He knew exactly what He was doing
and even now,
in the midst of our loneliness,
He knows exactly what He is doing
with the dust that still swirls around us.