…The world is flux, and light becomes what it touches, becomes water, lilies on water, above and below water, becomes lilac and mauve and yellow and white and cerulean lamps, small fists passing sunlight so quickly to one another that it would take long, streaming hair inside my brush to catch it. To paint the speed of light! Our weighted shapes, these verticals, burn to mix with air and change our bones, skin, clothes to gases. Doctor, if only you could see how heaven pulls earth into its arms and how infinitely the heart expands to claim this world, blue vapor without end. ~Lisel Mueller, “Monet Refuses the Operation” from Second Language
“Heaven pulls earth into its arms…”
We all see things differently, don’t we? What seems ordinary to one person is extraordinarily memorable to another. How might I help others to see the world as I do? How might I learn to adjust my focus to see things as you do?
The world is flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to gray. Perhaps the blur from the figurative (or real) cataract that impedes my vision creates a deeper understanding, as I use my imagination to fill in what I can’t discern.
My heart and mind expands exponentially to claim this world and all the beauty has to offer, while heaven – all this while – is pulling me into its arms.
In heaven, my focus will be clear. It will all be extraordinarily ordinary.
Gardens are also good places to sulk. You pass beds of spiky voodoo lilies and trip over the roots of a sweet gum tree, in search of medieval plants whose leaves, when they drop off turn into birds if they fall on land, and colored carp if they plop into water.
Suddenly the archetypal human desire for peace with every other species wells up in you. The lion and the lamb cuddling up. The snake and the snail, kissing. Even the prick of the thistle, queen of the weeds, revives your secret belief in perpetual spring, your faith that for every hurt there is a leaf to cure it. ~Amy Gerstler “Perpetual Spring” from Bitter Angel
We all want to fix what ails us: that was the point of my many years of medical training and over 40 years “practicing” that art. We want to know there is a cure for every hurt, an answer for every question, a resolution to every mystery, or peace for every conflict.
And there is. It just isn’t always on our timeline, nor is it always the answer we expect, nor the conflict magically dissolved. The mystery shall remain mystery until every tear is dried, as we stand before the Face of our Holy God who both loves and judges our hearts.
Sometimes this life hurts – a lot – but I believe in the perpetual Spring and Resurrection that guarantees our complete healing.
No speed of wind or water rushing by But you have speed far greater. You can climb Back up a stream of radiance to the sky, And back through history up the stream of time. And you were given this swiftness, not for haste Nor chiefly that you may go where you will, But in the rush of everything to waste, That you may have the power of standing still- Off any still or moving thing you say. Two such as you with such a master speed Cannot be parted nor be swept away From one another once you are agreed That life is only life forevermore Together wing to wing and oar to oar ~Robert Frost “Master Speed”
All at once I saw what looked like a Martian spaceship whirling towards me in the air. It flashed borrowed light like a propeller. Its forward motion greatly outran its fall. As I watched, transfixed, it rose, just before it would have touched a thistle, and hovered pirouetting in one spot, then twirled on and finally came to rest. I found it in the grass; it was a maple key, a single winged seed from a pair. Hullo. I threw it into the wind and it flew off again, bristling with animate purpose, not like a thing dropped or windblown, pushed by the witless winds of convection currents hauling round the world’s rondure where they must, but like a creature muscled and vigorous, or a creature spread thin to that other wind, the wind of the spirit which bloweth where it listeth, lighting, and raising up, and easing down. O maple key, I thought, I must confess I thought, o welcome, cheers.
And the bell under my ribs rang a true note, a flourish as of blended horns, clarion, sweet, and making a long dim sense I will try at length to explain. Flung is too harsh a word for the rush of the world. Blown is more like it, but blown by a generous, unending breath. That breath never ceases to kindle, exuberant, abandoned; frayed splinters spatter in every direction and burgeon into flame. And now when I sway to a fitful wind, alone and listing, I will think, maple key. When I see a photograph of earth from space, the planet so startlingly painterly and hung, I will think, maple key. When I shake your hand or meet your eyes I will think, two maple keys. If I am a maple key falling, at least I can twirl. ~Annie Dillard from Pilgrim at Tinker Creek
(Happy birthday to Annie today — her 76th !)
I think a lot about wings — particularly when I’m sitting belted in a seat looking out at them bouncing in turbulence, marveling at how they keep hundreds of people and an entire aircraft miles above ground.
Wings, no matter what they belong to, are marvelous structures that combine strength and lift and lightness and expanse and mobility, with the ability to rise up and ease back to earth.
And so ideally I am blown rather than flung through my fitful windy days, rising and falling as those thin veined wings guide me, twirling, swirling as I fall, oh so slowly, to settle, planted.
It is a lichen day. Not a bit of rotten wood lies on the dead leaves, but it is covered with fresh, green cup lichens… All the world seems a great lichen and to grow like one.
Nature doth thus kindly heal every wound. By the mediation of a thousand little mosses and fungi, the most unsightly objects become radiant of beauty. There seem to be two sides of this world, presented us at different times, as we see things in growth or dissolution, in life or death. And seen with the eye of the poet, as God sees them, all things are alive and beautiful ~Henry David Thoreau from his journal
The truth is- I’m somewhat of a lichen myself – not easily defined, a bit of an opportunist, thriving in gray drizzle, sometimes colorful but most often not, attempting to cover and heal unseen wounds.
Mostly I hang on, persevering, at times obnoxiously tenacious and not always appreciated, yet…unique in an other worldly way.
A dreamer of fairy tale kingdoms while living simply a peasant’s life in plain sight.
Love, we are in God’s hand. How strange now, looks the life he makes us lead; So free we seem, so fettered fast we are!
Ah, but a man’s reach should exceed his grasp, Or what’s a heaven for? ~Robert Browning from “Andrea del Sarto”
We have had names for you: The Thunderer, the Almighty Hunter, Lord of the snowflake and the sabre-toothed tiger. One name we have held back unable to reconcile it with the mosquito, the tidal wave, the black hole into which time will fall. You have answered us with the image of yourself on a hewn tree, suffering injustice, pardoning it; pointing as though in either direction; horrifying us with the possibility of dislocation. Ah, love, with your arms out wide, tell us how much more they must still be stretched to embrace a universe drawing away from us at the speed of light. ~R.S.Thomas “Tell Us”
Ah, Love You the Incarnate, stretched and fettered to a tree
arms out wide embracing us who try to grasp a heaven which eludes us
this heaven, Your heaven brought down to us within your wounded grip and simply handed over.
Just before the green begins there is the hint of green a blush of color, and the red buds thicken the ends of the maple’s branches and everything is poised before the start of a new world, which is really the same world just moving forward from bud to flower to blossom to fruit to harvest to sweet sleep, and the roots await the next signal, every signal every call a miracle and the switchboard is lighting up and the operators are standing by in the pledge drive we’ve all been listening to: Go make the call. ~Stuart Kestenbaum “April Prayer”
The buds have been poised for weeks and then, as if responding to the conductor’s downstroke, let go of all their pent up potential~ exploding with energy enough to carry them to autumn when again they let go and are gone.
Not a color I’ve wanted to wear—too innocently girlish, and I’m not innocent, not a girl. But today the gnarled cherry trees along Alabama Street are decked out like bridesmaids—garlands in their hair, nosegays in their hands—extravagant,
finally the big spring wedding to splurge, and hang the cost. Each really wants to be the bride so she can toss her bouquet until, unaccustomed, the gutters choke with pink confetti that flies up and whirls in the wake of cars going west… ~Luci Shaw from “Pink” in What the Light Was Like
If you stand in an orchard In the middle of Spring and you don’t make a sound you can hear pink sing, a darling, whispery song of a thing. ~Mary O’Neill from Hailstones and Halibut Bones “Pink”
I have always avoided wearing anything pink other than the blush of my windblown cheeks on a brisk April morning. Yet how can I help but listen to pink as its blooms burst open all around me, bubbling with pastel ebullience, whispering me awake in the morning and gently bidding me goodnight.
I. Allegro non molto– Frozen and trembling in the icy snow, In the severe blast of the horrible wind, As we run, we constantly stamp our feet, And our teeth chatter in the cold. II. Largo– To spend happy and quiet days near the fire, While, outside, the rain soaks hundreds. III. Allegro– We walk on the ice with slow steps, And tread carefully, for fear of falling. Symphony, If we go quickly, we slip and fall to the ground. Again we run on the ice, Until it cracks and opens. We hear, from closed doors, Sirocco, Boreas, and all the winds in battle. This is winter, but it brings joy. ~Vivaldi (Winter poem)
La Primavera (Spring) Opus 8, No. 1, in E Major
I. Allegro– Festive Spring has arrived, The birds salute it with their happy song. And the brooks, caressed by little Zephyrs, Flow with a sweet murmur. The sky is covered with a black mantle, And thunder, and lightning, announce a storm. When they are silent, the birds Return to sing their lovely song. II. Largo e pianissimo sempre– And in the meadow, rich with flowers, To the sweet murmur of leaves and plants, The goatherd sleeps, with his faithful dog at his side. III. Danza pastorale. Allegro– To the festive sound of pastoral bagpipes, Dance nymphs and shepherds, At Spring’s brilliant appearance. ~Vivaldi (Spring poem)
L’Estate (Summer) Opus 8, No. 2, in G minor
I. Allegro non molto– Under the heat of the burning summer sun, Languish man and flock; the pine is parched. The cuckoo finds its voice, and suddenly, The turtledove and goldfinch sing. A gentle breeze blows, But suddenly, the north wind appears. The shepherd weeps because, overhead, Lies the fierce storm, and his destiny. II. Adagio; Presto– His tired limbs are deprived of rest By his fear of lightning and fierce thunder, And by furious swarms of flies and hornets. III. Presto– Alas, how just are his fears, Thunder and lightening fill the Heavens, and the hail Slices the tops of the corn and other grain. ~Vivaldi (Summer poem)
L’Autunno (Autumn) Opus 8, No. 3, in F Major
I. Allegro– The peasants celebrate with dance and song, The joy of a rich harvest. And, full of Bacchus’s liquor, They finish their celebration with sleep. II. Adagio molto– Each peasant ceases his dance and song. The mild air gives pleasure, And the season invites many To enjoy a sweet slumber. III. Allegro– The hunters, at the break of dawn, go to the hunt. With horns, guns, and dogs they are off, The beast flees, and they follow its trail. Already fearful and exhausted by the great noise, Of guns and dogs, and wounded, The exhausted beast tries to flee, but dies. ~Vivaldi (Autumn poem)
I walk this path to stand at the same spot countless times through the year, to witness the palette changing around me.
The Artist chooses His color and technique lovingly, with a gentle touch for each season.
My life too is painted with richness and variety: from the bare lines of winter, to a green emergence of spring, a summer sweet fruitfulness and a mosaic crescendo of autumn.
This ever-new pathway extends beyond the reach of the canvas.