Summer ends now; now, barbarous in beauty, the stooks rise Around; up above, what wind-walks! what lovely behaviour Of silk-sack clouds! has wilder, wilful-wavier Meal-drift moulded ever and melted across skies?
I walk, I lift up, I lift up heart, eyes, Down all that glory in the heavens to glean our Saviour; And eyes, heart, what looks, what lips yet give you a Rapturous love’s greeting of realer, of rounder replies?
And the azurous hung hills are his world-wielding shoulder Majestic – as a stallion stalwart, very-violet-sweet! – These things, these things were here and but the beholder Wanting; which two when they once meet, The heart rears wings bold and bolder And hurls for him, O half hurls earth for him off under his feet. ~Gerard Manley Hopkins “Hurrahing in Harvest”
This poem is (in Hopkin’s own words) “the outcome of half an hour of extreme enthusiasm as I walked home alone one day from fishing in the [River] Elwy.”
This afternoon was the colour of water falling through sunlight; The trees glittered with the tumbling of leaves; The sidewalks shone like alleys of dropped maple leaves, And the houses ran along them laughing out of square, open windows. Under a tree in the park, Two little boys, lying flat on their faces, Were carefully gathering red berries To put in a pasteboard box.
Some day there will be no war, Then I shall take out this afternoon And turn it in my fingers, And remark the sweet taste of it upon my palate, And note the crisp variety of its flights of leaves. To-day I can only gather it And put it into my lunch-box, For I have time for nothing But the endeavour to balance myself Upon a broken world. ~Amy Lowell from “September 1918”
There is no point in seeing without responding; there is no way to respond without seeing.
Christian life and practice require both faith (the sight of the heart) and works (the lurch of the heart toward him in obedience). ~Kathleen Mulhern from “A Christ Sighting” from Dry Bones
Am I the only one who awoke this morning praying today might be a day of healing between peoples, when the barbarous becomes beautiful and we seek to become balanced rather than broken?
A day of no drone missiles being launched, no threats of annihilation and winner takes all, no one gunned down in the street, no vehicles used as weapons, no harsh and angry words spoken, no child misused, no one sold into slavery, no one overdosing, abandoned, homeless and starving.
Am I the only one who awakes and only seeks to watch the clouds to praise the heavens to see the leaves turn color to take out this one day and taste it and find that it is good, then put it away for self-keeping to share when and if I find someone else as hungry for grace and mercy as I am,
so as to balance myself somehow in the beauty of this world while teetering on its brokenness?
God empties himself into the earth like a cloud. God takes the substance, contours of a man, and keeps them, dying, rising, walking, and still walking wherever there is motion. Annie Dillard from “Feast Days” in Tickets for a Prayer Wheel
Divinity is not playful. The universe was not made in jest but in solemn incomprehensible earnest. By a power that is unfathomably secret, and holy, and fleet. There is nothing to be done about it, but ignore it, or see. ~Annie Dillard from Pilgrim at Tinker Creek
What does it feel like to be alive? Living, you stand under a waterfall… It is time pounding at you, time. Knowing you are alive is watching on every side your generation’s short time falling away as fast as rivers drop through air, and feeling it hit.
I had hopes for my rough edges. I wanted to use them as a can opener, to cut myself a hole in the world’s surface, and exit through it. ~Annie Dillard from An American Childhood
What I have been after all along is not an explanation but a picture. This is the way the world is, altar and cup, lit by the fire from a star that has only begun to die. My rage and shock at the pain and death of individuals of my kind is the old, old mystery, as old as man but forever fresh, and completely unanswerable. ~Annie Dillard from Pilgrim at Tinker Creek
I came here to study hard things – rock mountain and salt sea – and to temper my spirit on their edges.
“Teach me thy ways, O Lord” is, like all prayers, a rash one, and one I cannot but recommend.
The Cascade Range, in these high latitudes, backs almost into the water. There is only a narrow strip, an afterthought of foothills and farms sixty miles wide, between the snowy mountains and the sea. These mountains — Mount Baker and the Sisters and Shuksan, the Canadian Coastal Range and the Olympics on the peninsula — are surely the edge of the known and comprehended world….
That they bear their own unimaginable masses and weathers aloft, holding them up in the sky for anyone to see plain, makes them, as Chesterton said of the Eucharist, only the more mysterious by their very visibility and absence of secrecy. ~Annie Dillard from Holy the Firm
Some unwonted, taught pride diverts us from our original intent, which is to explore the neighborhood, view the landscape, to discover at least where it is that we have been so startlingly set down, if we can’t learn why. ~Annie Dillard from Pilgrim at Tinker Creek
The shadow’s the thing. If I no longer see shadows as “dark marks,”as do the newly sighted, then I see them as making some sort of sense of the light. They give the light distance;they put it in its place. They inform my eyes of my location here, here O Israel, here in the world’s flawed sculpture, here in the flickering shade of the nothingness between me and the light. ~Annie Dillard from Pilgrim at Tinker Creek
We are here to abet creation and to witness it, to notice each thing so each thing gets noticed. Together we notice not only each mountain shadow and each stone on the beach but we notice each other’s beautiful face and complex nature so that creation need not play to an empty house. ~Annie Dillard from The Meaning of Life (1991 Life Magazine)
But time is one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can’t recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees. … You don’t run down the present… You wait for it, empty-handed, and you are filled. ~Annie Dillard from Pilgrim at Tinker Creek
An infant is a pucker of the earth’s thin skin; so are we. We arise like budding yeasts and break off; we forget our beginnings. A mammal swells and circles and lays him down. You and I have finished swelling; our circling periods are playing out, but we can still leave footprints in a trail whose end we do know. ~Annie Dillard from For the Time Being
The world is wilder in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain or Lazarus. ~Annie Dillard from Pilgrim at Tinker Creek
Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed?
Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts?
Why are we reading, if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage and the hope of meaningfulness, and press upon our minds the deepest mysteries, so we may feel again their majesty and power?
What do we ever know that is higher than that power which, from time to time, seizes our lives, and which reveals us startlingly to ourselves as creatures set down here bewildered?
Why does death so catch us by surprise, and why love?
Annie Dillard passed into glory yesterday at age 81, finally witnessing firsthand the holy and sacred mysteries she pondered in her writings.
Since 1974,I have been indebted to her God-given gifts of observation and unique ability to share precisely perfect words to describe how she felt about what she saw. In 1976, she did a reading locally – I was amazed at herinsistence that we all have the power to open our eyes to this place we have been set down, to witness all that is secret, holy and fleet in our existence…
She indeed left her mark while living, teaching and writing here in Whatcom County for a time nearly fifty years ago…
All the photos on this page are from my collection of pictures I’ve taken here in Whatcom County, as I can imagine this scenery inspired Annie in her writing while she was here.
We are invited by Christ Himself to “come and see.” (John 1:39)
We weren’t conceived by random happenstance –
We are here because we were earnestly needed and wanted, by a power and divinity with a capacity for love and compassion beyond anything we are capable of.
We aren’t a cosmic joke, or random couplings of DNA. We aren’t pawns in the universe’s chess game.
We have the capacity to see the image of God in one another, as well as in the mirror, yet we ignore with our own eyes, His shimmering reflection.
…beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there… ~Annie Dillard from Pilgrim at Tinker Creek
Mountains are giant, restful, absorbent. You can heave your spirit into a mountain and the mountain will keep it, folded, and not throw it back as some creeks will. The creeks are the world with all its stimulus and beauty; I live there. But the mountains are home. ~Annie Dillard from Pilgrim at Tinker Creek
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Not just the first crocus bulb poking from the ground, but its pollen shining saffronly on the legs of a bee.
The reverberations of a hammered dulcimer or the puff of sweetness escaping between peel and pith of a ripe tangelo.
It’s riding the elevator after the doctor tells you, we can’t say why the scans are suddenly clear, or, if you’re exhausted from trying, time to surround yourself with people you love. It’s waking
in the middle of the night, looking out at the silhouettes of trees and realizing there is nothing lonely about silence. It’s cruising a wide-open Montana highway
or swinging your hips to the rhythm of a street-corner bucket drummer and daring the stares. It’s not the cicada blooming from its shell as much
as the shell itself, balanced on the finger of a little girl, then tumbling along the grass tips among the unkillable dandelions. ~Tania Runyan from “What It’s Like to Rise Again”
We’re each given a fresh start each day; even when it was a fitful sleep, and we’re fearful about what comes next, or if there will even be a “next”…
Jesus explains what it is like to rise above the darkness; bold, unafraid, leaving behind, neatly folded, the vestiges of death.
He gives us each reason to get up every morning, surrounded by those who love us.
Even when crushed and broken, He rose up so we can follow.
Everything’s going to be all right…
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Stand still. The trees ahead and bushes beside you Are not lost. Wherever you are is called Here, And you must treat it as a powerful stranger, Must ask permission to know it and be known. The forest breathes. Listen. It answers, I have made this place around you. If you leave it, you may come back again, saying Here. No two trees are the same to Raven. No two branches are the same to Wren. If what a tree or a bush does is lost on you, You are surely lost. Stand still. The forest knows Where you are. You must let it find you. ~David Wagoner “Lost”
Our grandchildren — born in Tokyo, adapting to a rural life here — bring within them the serenity of the gardens they visited there, finding respite from worldly worries and sorrows.
We remind them to love such stillness: there is rest after busyness, there is light beyond darkness, there is peace amid chaos, there are smiles after tears, there is quiet within noisiness, there is grace and mercy forever…
…as we who are older give way to the new.
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Autumn begins to be inferred By millinery of the cloud, Or deeper color in the shawl That wraps the everlasting hill. ~Emily Dickinson from “Summer Begins to Have the Look”
The passing of the summer fills again my heart with strange sweet sorrow, and I find the very moments precious in my palm. Each dawn I did not see, each night the stars in spangled pattern shone, unknown to me, are counted out against me by my God, who charges me to see all lovely things… ~Jane Tyson Clement from “The Passing of Summer”
September’s Baccalaureate A combination is Of Crickets — Crows — and Retrospects And a dissembling Breeze That hints without assuming — An Innuendo sear That makes the Heart put up its Fun And turn Philosopher. ~Emily Dickinson“September’s Baccalaureate”
There’s something in my very blood that owns Bare hills, cold silver on a sky of slate A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. ~Elinor Wylie from “Wild Peaches”
Summer now is waning and wistful; it has the look of packing up, and moving on without bidding adieu or looking back over its shoulder.
Cooling winds have carried in darkening clouds with a hint of spit from the sky as I gaze upward to see (and smell) the change.
A decent rain is long overdue yet there is temptation to bargain for a little more time. Though we are in need of a good drenching there are still onions and potatoes to pull from the ground, berries to pick before they mold on the vine, tomatoes not yet ripened, corn cobs just too skinny to pick.
I’m not quite ready to wave goodbye to sun-soaked clear skies.
The overhead overcast is heavily burdened with clues of what is coming: earlier dusk, the feel of moisture, the deepening graying hues, the briskness of breezes.
There is no negotiation possible. I need to steel myself and get ready, wrapping myself in the soft shawl of inevitability.
So autumn advances with the clouds, taking up residence where summer has left off. Though there is still clean up of the overabundance left behind, autumn will bring its own unique plans for display of a delicious palette of hues.
The truth is we’ve seen nothing yet.
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I am a dry man whose thirst is praise of clouds, and whose mind is something of a cup. My sweetness is to wake in the night after days of dry heat, hearing the rain. ~Wendell Berry from “Water”
I have had my dream—like others— and it has come to nothing, so that I remain now carelessly with feet planted on the ground and look up at the sky— feeling my clothes about me, the weight of my body in my shoes, the rim of my hat, air passing in and out at my nose—and decide to dream no more. ~William Carlos Williams “Thursday” from Sour Grapes
Open the window, and let the air Freshly blow upon face and hair, And fill the room, as it fills the night, With the breath of the rain’s sweet might.
Not a blink shall burn to-night In my chamber, of sordid light; Nought will I have, not a window-pane, ‘Twixt me and the air and the great good rain, Which ever shall sing me sharp lullabies; And God’s own darkness shall close mine eyes; And I will sleep, with all things blest, In the pure earth-shadow of natural rest. ~James Henry Leigh Hunt from “A Night-Rain in Summer”
We are still waiting for a few late-summer rainy days; each year they are a blissful reminder of God’s intent to refresh and replenish us when we are at our driest, when we are short on sleep and hope and dreams.
How sweet to fall asleep listening in the dark to the patter of raindrops after weeks of drought, waking to damp air, raindrop jewelry, and petrichor.
Perhaps I’ll remember this longing of mine while I grumble and slosh around in the fortieth day of rain this winter.
When will I be satisfied there is just enough but not too much? When will all my dreams seem as real as pulse and breath?
In the meantime, God — let it rain – preferably as I sleep.
Lyrics:
I know your life On earth was troubled And only you could know the pain You weren’t afraid to face the devil You were no stranger to the rain
Go rest high on that mountain Now your work on earth is done Go to heaven a-shoutin’ Love for the Father and the Son
Oh, how we cried the day you left us We gathered ’round your grave to grieve Wish I could see the angels faces When they hear your sweet voice sing
Go to heaven a-shoutin’ Love for the Father and the Son
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Silk-thin silver strings woven cleverly into a lair, An intricate entwining of divinest thread… Like strands of magic worked upon the air, The spider spins his enchanted web – His home so eerily, spiraling spreads.
His gossamer so rigid, yet lighter than mist, And like an eight-legged sorcerer – a wizard blest, His lace, like a spell, he conjures and knits; I witnessed such wild ingenuity wrought and finessed, Watching the spider weave a dream from his web. ~Jonathan Platt“A Spider’s Web”
I believed only air stretched between the dogwood
and the barberry: another thoughtless human assumption
sidetracking the best story this furrow spider knew to spin.
And, trying to get the sticky filament off my face, I must look,
to the neighbors, like someone being attacked by his own nervous
system, a man conducting an orchestra of bees. Or maybe it’s only the dance
of human history I’m reenacting: caught in his own careless wreckage,
Not everyone is taking a holiday today on Labor Day. Some are busier than ever, creating a masterpiece nightly, then waiting in hope for that labor to be rewarded.
I too spin elaborate dreams at night: some remembered, some bare fragments, some shattered, some potentially yield a meal.
We work because we are hungry. We work because someone we love is hungry and needs feeding.
Yet the best work is the work of weaving dreams ~out of thin air and gossamer strands~ where nothing existed before, not as a trap or lure or lair but as a work of beauty- a gift as welcome as a breath of fresh air.
Lyrics from E.B.White poem “Natural History” The spider, dropping down from twig Unfolds a plan of her devising A thin premeditated rig To use in rising
And all that journey down through space In cool descent and loyal hearted She spins a ladder to the place From where she started
Thus I, gone forth as spiders do In spider’s web a truth discerning Attach one silken thread to you For my returning
Lyrics
Take the silver thread of a spider’s web And spin, spin, spin Silver wings to fly and sing Upon the wind High above the trees, across the seas And through the sky To the rainbow’s bend, where stories never end And dreams never die
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In the evening there were flocks of nighthawks passing southward over the valley. The tall sunflowers stood, burning on their stalks to cold seed, by the still river. And high up the birds rose into sight against the darkening clouds. They tossed themselves among the fading landscapes of the sky like rags, as in abandonment to the summons their blood knew. And in my mind, where had stood a garden straining to the light, there grew an acceptance of decline. Having worked, I would sleep, my leaves all dissolved in flight. ~Wendell Berry “September 2”
And when I rise, let me rise Like a bird, joyfully. And when I fall, let me fall, Like a leaf, gracefully, without regret. And when I stand, let me stand, Like a tree, strong and tall. And when I lie, let me lie, Like a lake, peacefully, calm and still. And when I work, let me work, Like a bee, wholeheartedly. And when I play, let me play, Like a breeze, fresh and cool, light and clear. ~adapted from Wendell Berry’s “When I Rise” in The Mad Farmer Poems
The thistles, rooted out, throng in again; The single regal rose is mobbed by weeds; The plums, the pears, the ripening apples, rain In the sun; and past summer plants new seeds.
Here, or there, these common yearly things Repeat, repeat, and gardens do not range: Yet thistles, roses, fruit trees, birds, and stings Come to an end, and the church bells sound a change.
These many soft declensions of the day, So hard to take to heart, bear life away. ~Dunstan Thompson from “Passage”from Here At Last Is Love
This end-of-summer winding down, a descent into shorter days and longer nights, this preparation for autumn austerity, reminds me to accept my own slow decline ~ an emptying husk once so full of fruit and seed, now clinging to what is left of me ~ still filled with the joys, the tears, the eyes of a brimming-over heart.
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In gratitude to the writing and wisdom of farmer Wendell Berry who, at age 92, passed through his porch’s dark doorway yesterday 8/31/26
All day he’s shoveled green pine sawdust out of the trailer truck into the chute. From time to time he’s clambered down to even the pile. Now his hair is frosted with sawdust. Little rivers of sawdust pour out of his boots.
I hope in the afterlife there’s none of this stuff he says, while I broom off his jeans, his sweater flocked with granules, his immersed-in-sawdust socks. I hope there’s no bedding, no stalls, no barn
no more repairs to the paddock gate the horses burst through when snow avalanches off the roof. Although the old broodmare, our first foal, is his, horses, he’s fond of saying, make divorces.
…he says let’s walk up to the field and catch the sunset and off we go, a couple of aging fools.
I hope, he says, on the other side there’s a lot less work, but just in case I’m bringing tools. ~Maxine Kumin from “Chores”
photo by Emily Vander Haak
They sit together on the porch, the dark Almost fallen, the house behind them dark. Their supper done with, they have washed and dried The dishes–only two plates now, two glasses, Two knives, two forks, two spoons–small work for two. She sits with her hands folded in her lap, At rest. He smokes his pipe. They do not speak, And when they speak at last it is to say What each one knows the other knows. They have One mind between them, now, that finally For all its knowing will not exactly know Which one goes first through the dark doorway, bidding Goodnight, and which sits on a while alone. ~Wendell Berry “They Sit Together on the Porch”
If just for a moment, when this world is tilting so far we just might fall off, we pause to look at where we’ve been and get our feet back under us.
The porch is a good place to start: a bridge to what is beyond without leaving the familiar.
Outside, looking square at the unknown, yet still hearing and smelling and tasting the affection that dwells just inside these walls.
What could we want more than to be missed when we step away?
Our voice, our words, our heart, our touch never to be replaced, its absence a hole impossible to fill…
When we are called back inside where Love made us who we are, may the “in between” of time spent on the porch, be even more treasured, because two aging fools sat together there a spell.
front porch
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I go to nature not because its flowers and sunsets speak to me (though they do) or listen to me inquire but because I have filled it with unintentionality, so that I can miss anything personal in the roar of sunset, so that I can in beds of flowers hold my head up too. ~A.R. Ammons from The Ridge Farm from Complete Poems
Take the tangle instead of the trouble it causes. Take the world inside as seriously as any other. Take your elderly mother and father at face value as they have to. Take the mirror of the sky mirrored in the bay. Take the swell of new-mown hay and the river conversing where the valley opens its mouth and the land begins to creak less as the evening steals light away— Take the wick in the far hills and take the sun and the wind and the look of nothing for granted. Take a little less, all right and try not to take fright. Take the end in mind instead of the end in sight. ~Brian Turner “Take This” from Taking Off
God speaks to each of us as he makes us, then walks with us silently out of the night.
These are the words we dimly hear:
You, sent out beyond your recall, go to the limits of your longing. Embody me.
Flare up like a flame and make big shadows I can move in.
Let everything happen to you: beauty and terror. Just keep going. No feeling is final. Don’t let yourself lose me.
Nearby is the country they call life. You will know it by its seriousness.
Each of us, intentionally made by our Creator in His image, yet we discover the beauty and terror of living in His shadow.
So much happens which we don’t intend but there is nothing unintentional with God.
Books and lectures tell us to live intentionally while each day contains something that brings us to our knees.
I tell myself: even though I don’t know what tomorrow will be, I will not take fright Like a flower, I’ll hold my head up I’ll just keep going while taking His Hand and following wherever He intends to take me.
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