Revealing the Inner Tree

If we could,
like the trees,
practice dying,
do it every year
just as something we do—
like going on vacation
or celebrating birthdays—
it would become
as easy a part of us
as our hair or clothing.

Someone would show us how
to lie down and fade away
as if in deepest meditation,
and we would learn
about the fine dark emptiness,
both knowing it and not knowing it,
and coming back would be irrelevant.

Whatever it is the trees know
when they stand undone,
surprisingly intricate,
we need to know also
so we can allow
that last thing
to happen to us
as if it were only
any ordinary thing,

leaves and lives
falling away, the spirit, complex,
waiting in the fine darkness
to learn which way
it will go.
~Grace Butcher, “Learning from Trees” from Poetry of Presence

And is it not enough that every year
A richly laden autumn should unfold
And shimmer into being leaf by leaf,
It’s scattered ochres mirrored everywhere
In hints and glints of hidden red and gold
Threaded like memory through loss and grief,
When dusk descends,when branches are unveiled,
When roots reach deeper than our minds can feel
And ready us for winter with strange calm,
That I should see the inner tree revealed
And know its beauty as the bright leaves fall
And feel its truth within me as I am?

It is not yet enough. So I must try,
In my poor turn, to help you see it too,
As though these leaves could be as rich as those,
That red and gold might glimmer in your eye,
That autumn might unfold again in you,
Feeling with me what falling leaves disclose.

~Malcolm Guite from “And is it Not Enough?”

If I were to die as a leaf does,
I would want to change my clothes just bit by bit,
overnight oozing gradually to scarlet,
bleeding into the green a little bit more,
until I’m so unrecognizable,
I’ll seem brand new.

That would be ideal.

The reality is a fading to grey and brown,
my edges withered and torn,
bug-bitten with holes and weather-beaten bruised,
dangling and fearful of letting go
and so forgotten.

So I remember:
no one, not one, falls
without its Maker knowing.
No one, not one, dies
without being made brand new.

Mirrored Light

photo by Joel DeWaard

What is this unfolding, this slow-
going unraveling of gift held
in hands open
to the wonder and enchantment of it all?

What is this growing, this rare
showing, like blossoming
of purple spotted forests
by roadsides grown weary with winter months?

Seasons affected, routinely disordered
by playful disturbance of divine glee
weaving through limbs with
sharpened shards of mirrored light,
cutting dark spaces, interlacing creation,
commanding life with whimsical delight.

What is this breaking, this hopeful
re-making, shifting stones, addressing dry bones,
dizzying me with blessings,
intercepting my grieving
and raising the dead all around me?
~Enuma Okoro “Morning Reflections” from At the Still Point: A Literary Guide to Prayer in Ordinary Time

Everything is made to perish;
the wonder of anything at all is that it has not already done so.
No, he thought.
The wonder of anything is that it was made in the first place.
What persists beyond this cataclysm of making and unmaking?
~Paul Harding
from Tinkers

God does not leave us to perish in the valley of dry bones.

We may think we are invincible, yet the truth is:
we are mere dust, ready to blow away.
The immense power of the breath of God fills newborn lungs and will someday restore the empty lungs of the resurrected dead.

He rebuilds our muscle and sinews, reconnects us bone to bone, person to person, living to rattle and sing as the body of Christ, mirrored reflections in His image.

This unfolding, this growing, this blossoming, this breaking:
Lord, keep dizzying us with your blessings, now and always.

As the Rain Begins…

The room darkened, darkened until
our nakedness became a form of gray;
then the rain came bursting,
and we were sheltered, blessed,
upheld in a world of elements
that held us justified.
In all the love I had felt for you before,
in all that love,
there was no love
like that I felt when the rain began…
~John Updike from “The Blessing” from Collected Poems.

As the rains return,
as we shelter together,
blessed by the passing years and miles,
our unknowns have become known,
our understanding breathed in silence.

Though we be gray as the clouds above,
our hearts still beat in synchrony
each pulsing moment
more sacred than the last.

Lyrics: A soft voice, a kind word
A tender touch in a hard world
Your voice like rain after the seeds are sown
Your kindness and grace is all I’ve ever known

We’re not the same, you and me
You’re an evergreen and I’m a maple tree
Sometimes I’m bare, sometimes I’m sweet
You can carry on consistently
And in a million little ways, you show
How to take two souls and make one home

You love the dirt, I find life in words
I sit and think, you relish your work
You could teach, teach a master class
Without a word you show us how to make a feast from scratch
And in a million little ways, you show
How to take two souls and make one home
And in a million little ways, you show
How to take two souls and make one home

A sanctuary for our children
A sanctuary for our fears and hopes
Here in the wilderness, our world longs for this
To be known and loved
To be known and loved

Lyrics: In the quiet misty morning
When the moon has gone to bed,
When the sparrows stop their singing
And the sky is clear and red,
When the summer’s ceased its gleaming
When the corn is past its prime,
When adventure’s lost its meaning –
I’ll be homeward bound in time

Bind me not to the pasture
Chain me not to the plow
Set me free to find my calling
And I’ll return to you somehow

If you find it’s me you’re missing
If you’re hoping I’ll return,
To your thoughts I’ll soon be listening,
And in the road I’ll stop and turn
Then the wind will set me racing
As my journey nears its end
And the path I’ll be retracing
When I’m homeward bound again

Bind me not to the pasture
Chain me not to the plow
Set me free to find my calling
And I’ll return to you somehow

In the quiet misty morning
When the moon has gone to bed,
When the sparrows stop their singing
I’ll be homeward bound again.

~Marta Keen “Homeward Bound”

It’s Half Past October

What can l say, now that summer’s gone,
with the weight of its heat,
its thick blanket of humidity,

the cacophony of zinnias, marigolds, salvia?
Now the sky is clear blue and cloudless,

that sure one-note that can only mean October.
You’re gone.
The leaves turn gold in the calendar’s rotisserie,
giving up their green, and the burning bushes
have ignited, struck their book of matches.

It’s enough to make the heart break, isn’t it?
We keep going down the one road, there’s no turning back.
~Barbara Crooker “Now” from Small Rain

…the golden hour of the clock of the year.
Flowers that were once bright as a box of crayons
are now seed heads and thistle down.
All the feathery grasses shine in the slanted light.
…time to draw the drapes against the wind,
time to hunker down.
Summer’s fruits are preserved in syrup,
but nothing can stopper time.
No way to seal it in wax or amber;
it slides though our hands like a rope of silk.
~Barbara Crooker from “And Now it’s October” from Small Rain.

It’s half-past October, the woods
are on fire, blue skies stretch
all the way to heaven. Of course,
we know that winter is coming, its thin
winding sheets and its hard narrow bed.
But right now, the season’s fermented
to fullness…
~Barbara Crooker from “Reel” in The Book of Kells

Another October. The maples have done their slick trick
of turning yellow almost overnight; summer’s hazy skies
are cobalt blue.
I want to praise things
that cannot last. The scarlet and orange leaves
are already gone, blown down by a cold rain,
crushed and trampled. They rise again in leaf meal

and wood smoke.
I want to praise everything brief and finite.
night falls swiftly, tucking us in her black velvet robe,
the stitches showing through, all those little lights,
our little lives, rising and falling.
~Barbara Crooker from “Equinox”

This slow fading away of October
renders us transient ourselves-

only visitors here,
no laying down claims,
simply passing through
enjoying the scenery,
knowing this too won’t last…

Yet it is sweet
~let me say it again~
oh so sweet
while we’re here.

So Easy to Love

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fogtree
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It’s easy to love a deer
But try to care about bugs and scrawny trees
Love the puddle of lukewarm water

From last week’s rain.
Leave the mountains alone for now.
Also the clear lakes surrounded by pines.
People are lined up to admire them.
Get close to the things that slide away in the dark.
Be grateful even for the boredom
That sometimes seems to involve the whole world.
Think of the frost
That will crack our bones eventually.
~Tom Hennen “Love for Other Things”

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My only purpose this moment
is looking at a lizard.
Does he know he’s not alone?

He breathes with tiny push-ups,
his skin all hairline caverns
soaking up the sun.

I doubt, alive, I’m liable to get
closer to timelessness than this,
looking at a little lizard breathing.

~Barry Spacks “Looking at a Lizard” from Shaping Water

Oh, it is easy to love the beautiful things of God’s creation~
we drive long hours to stand in awe,
gaping at mountains and valleys and waterfalls
and kaleidoscopes of color

so if God decides He wants a slug or lizard or bug
and allows drought and mud and frost
and ice storms and hurricanes
then I guess, if He so chooses,
He could look at each of us and say
I need one of you too.

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A Mosaic of Four Seasons

Autumn

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz
, a poem in Readers’ Digest Nov. 1983

Winter
Winter

L’Inverno (Winter)
Opus 8, No. 4, in F minor

I. Allegro non molto–
Frozen and trembling in the icy snow,
In the severe blast of the horrible wind,
As we run, we constantly stamp our feet,
And our teeth chatter in the cold.
II. Largo–
To spend happy and quiet days near the fire,
While, outside, the rain soaks hundreds.
III. Allegro–
We walk on the ice with slow steps,
And tread carefully, for fear of falling.
Symphony, If we go quickly, we slip and fall to the ground.
Again we run on the ice,
Until it cracks and opens.
We hear, from closed doors,
Sirocco, Boreas, and all the winds in battle.
This is winter, but it brings joy.

~Vivaldi (Winter poem)

Spring
Spring
Spring
Spring

La Primavera (Spring)
Opus 8, No. 1, in E Major

I. Allegro–
Festive Spring has arrived,
The birds salute it with their happy song.
And the brooks, caressed by little Zephyrs,
Flow with a sweet murmur.
The sky is covered with a black mantle,
And thunder, and lightning, announce a storm.
When they are silent, the birds
Return to sing their lovely song.
II. Largo e pianissimo sempre–
And in the meadow, rich with flowers,
To the sweet murmur of leaves and plants,
The goatherd sleeps, with his faithful dog at his side.
III. Danza pastorale. Allegro–
To the festive sound of pastoral bagpipes,
Dance nymphs and shepherds,
At Spring’s brilliant appearance.

~Vivaldi (Spring poem)

Summer
Summer
Summer
Summer

L’Estate (Summer)
Opus 8, No. 2, in G minor

I. Allegro non molto–
Under the heat of the burning summer sun,
Languish man and flock; the pine is parched.
The cuckoo finds its voice, and suddenly,
The turtledove and goldfinch sing.
A gentle breeze blows,
But suddenly, the north wind appears.
The shepherd weeps because, overhead,
Lies the fierce storm, and his destiny.
II. Adagio; Presto–
His tired limbs are deprived of rest
By his fear of lightning and fierce thunder,
And by furious swarms of flies and hornets.
III. Presto–
Alas, how just are his fears,
Thunder and lightening fill the Heavens, and the hail
Slices the tops of the corn and other grain.
~Vivaldi (Summer poem)

Autumn
Autumn
Autumn
Autumn
Autumn
Autumn

L’Autunno (Autumn)
Opus 8, No. 3, in F Major

I. Allegro–
The peasants celebrate with dance and song,
The joy of a rich harvest.
And, full of Bacchus’s liquor,
They finish their celebration with sleep.
II. Adagio molto–
Each peasant ceases his dance and song.
The mild air gives pleasure,
And the season invites many
To enjoy a sweet slumber.
III. Allegro–
The hunters, at the break of dawn, go to the hunt.
With horns, guns, and dogs they are off,
The beast flees, and they follow its trail.
Already fearful and exhausted by the great noise,
Of guns and dogs, and wounded,
The exhausted beast tries to flee, but dies.

~Vivaldi (Autumn poem)

I walk this farm lane to stand at the same spot
countless times through the year,
as witness to the changing palette around me.

The Artist lovingly chooses His color and technique
with a gentle touch for each season.

So too, He paints my life with richness and variety:
from the austere lines in winter,
to a green emergence in spring,
a summer of sweet fruitfulness
and a mosaic crescendo in autumn.

The Artist’s signature can be spotted on each masterpiece,
gracing the transforming canvas of each of our lives.

What Else is There?

The way the trees empty themselves of leaves,
let drop their ponderous fruit,
the way the turtle abandons the sun-warmed log,
the way even the late-blooming aster
succumbs to the power of frost—


this is not a new story.
Still, on this morning, the hollowness
of the season startles, filling
the rooms of your house, filling the world
with impossible light, improbable hope.


And so, what else can you do
but let yourself be broken
and emptied? What else is there
but waiting in the autumn sun?

~Carolyn Locke “What Else?” from The Place We Become

So this is how life goes:

we are sowed, set down roots, bud and grow and flower and bloom and fruit and flourish,

then dry and change and wither and empty and break away
to be carried off beyond this air and water and soil.

We thrive where we are planted,
do what we could with a little nurture,
then transcend the here and now.

So shall we plant the next generation in healthy soil.
May we weed and water and feed as needed.
May we never seek to overshadow the sun
but step aside so its light fully shines on whoever comes next.

That is Just the Point…

And that is just the point…
how the world, moist and beautiful,
calls to each of us to make a new and serious response.

That’s the big question,
the one the world throws at you every morning.
“Here you are, alive.
Would you like to make a comment?”
~Mary Oliver
“The Morning Poem”

It is impossible to stay a silent observer of the world when you awake still alive.

An autumn morning demands a response.

I would like to make a comment.

It isn’t only nature
pulling what was once lush and young into the ground:
we witness flying leaves and dropping temperatures
giving way to brisk winds and chill rains.

Humankind, like the change in seasons, is skilled at dying:
we face violence across borders, nurture hatred
which blusters, rips, drenches, encompasses, buries.

Nothing can remain as it was.

Yet I awake, lit and alive,
struck and wrung by vanishing darkness,
a witness to the sun rising up
to catch the moon.

Called to comment.
Dying to respond.

A Strange Blurring of Seasons

Van Gogh – “Avenue of Plane Trees near Arles Station”

After Van Gogh
Things are growing strange these days,
like Van Gogh’s yellow trees. Oh, do not
be surprised by these yellow immensities,
how out of proportion things in the picture seem.
What you see in a way makes sense:
the enormous, barren trees eclipsing
the unimportant buildings at Arles station,
the people all small, shadow-like, cast
to the side. Perhaps Van Gogh should have
left us out entirely, but then who would
be left to blame for the strange blurring
of the seasons in the forefront, the way
summer bleeds into autumn, the forests
burning deep into the winter, those winters
where the snow piled so high, we were all
nearly buried alive. Soon we’ll vanish,
and no picture will even exist—unless,
unless someone will answer (who will dare
to answer), where in the world is spring?
~Jodi Hollander “Avenue of Plane Trees”

Who might dare to answer:
where in the world is spring?


Who can know with any certainty?
Sometimes it feels like time skips forward
and a whole season is left behind.

The signs of the seasons might blur so there is no telling
whether it is fall or spring without a calendar.

Are those trees just leafing out or simply trying to shed?
Is the sunset’s golden glow from an early October light or April?

I can’t feel the movement of the earth under my feet.
It needs to slow its spin on its axis
and lengthen its orbital oval trip around the sun
so I have more minutes in the day and more weeks in a year.

But, of course, that would make a huge mess of things.
It is a good thing I’m not the design engineer.

It is as it is,
and meant to be this way.

Though it may be blurry to me,
it is clear and good and intentional to God.
So He dares to answer where in the world is spring?
Only He knows precisely where we are in the heavens…

A Map of Dark Places

St. Cyril of Jerusalem, in instructing catechumens, wrote:
“The dragon sits by the side of the road, watching those who pass.
Beware lest he devour you. We go to the Father of Souls,
but it is necessary to pass by the dragon.”

No matter what form the dragon may take,
it is of this mysterious passage past him, or into his jaws,
that stories of any depth will always be concerned to tell,
and this being the case, it requires considerable courage
at any time, in any country, not to turn away from the storyteller.
~Flannery O’Connor from “Mystery and Manners: Occasional Prose”

How close the clouds press this October first
and the rain—a gray scarf across the sky.
In separate hospitals my father and a dear friend
lie waiting for their respective operations,
hours on a table as surgeons crack their chests.
They were so brave when I talked to them last
as they spoke of the good times we would share
in the future. To neither did I say how much
I loved them, nor express the extent of my fear.
Their bodies are delicate glass boxes
at which the world begins to fling its stones.
Is this the day their long cry will be released?
How can I live in this place without them?
But today is also my son’s birthday.
He is eight and beginning his difficult march.
To him the sky is welcoming, the road straight.
Far from my house he will open his presents—
a book, a Swiss army knife, some music. Where
is his manual of instructions? Where is his map
showing the dark places and how to escape them?

~Stephen Dobyns “No Map” from Velocities:New and Selected Poems

Fairy tales do not tell children the dragons exist.
Children already know that dragons exist.
Fairy tales tell children the dragons can be killed.
~G.K. Chesterton from Tremendous Trifles

No, this is not the end—
hardly an end,
but a hard beginning.
There will always be 
a morning—
a rebirth.

So, here in the dark—
in a night bleaker than bleak—
in a time outside of time—
there is a mark
on the Holy map
of your soul
where you found
your Maker
in the hard, dark night—
and then lived to see
the light of dawn.

~Kimberly Phinney from “An Ode to Hard, Dark Nights

May it be a light to you in dark places, when all other lights go out. ~J.R.R. Tolkien, The Fellowship of the Ring

<Here there be dragons>
was any place on the ancient maps
that was unknown and unexplored,
a place to avoid at all costs~
or for the daring and carefree,
pointing to exactly the place to explore.

<Here there be dragons>
marks the remainder of our days
that dwell at the edge of life’s roadmap
~ scary, unpredictable, impenetrable ~
and often full of peril.

So many are lost without a map,
unable to find their way in the dark,
wrecked and wandering, weeping and wretched,
believing they have come to the end.

Yet this is not the end,
only the beginning.
A hard start – all rebirths are hard.

As I have been shown mercy, so
I must become mercy,
be loving where others show hate,
be giving when others take away,
build up while others tear down.

We walk together into the emerging light –
it’s right there where darkness used to dwell…
following God’s holy map of our soul.

On a rusty iron throne
Past the furthest star of space
I saw Satan sit alone,
Old and haggard was his face;
For his work was done and he
Rested in eternity.

And to him from out the sun
Came his father and his friend
Saying, now the work is done
Enmity is at an end:
And he guided Satan to
Paradises that he knew.

Gabriel without a frown,
Uriel without a spear,
Raphael came singing down
Welcoming their ancient peer,
And they seated him beside
One who had been crucified.
~James Stephens “The Fullness of Time”