God is Weeping

The day is cold, and dark, and dreary
It rains, and the wind is never weary;
The vine still clings to the mouldering wall,
But at every gust the dead leaves fall,
And the day is dark and dreary.

My life is cold, and dark, and dreary;
It rains, and the wind is never weary;
My thoughts still cling to the mouldering Past,
But the hopes of youth fall thick in the blast,
And the days are dark and dreary.

Be still, sad heart! and cease repining;
Behind the clouds is the sun still shining;
Thy fate is the common fate of all,
Into each life some rain must fall,
Some days must be dark and dreary.
~Henry Wadsworth Longfellow “The Rainy Day”

People who grow up in the Pacific Northwest suffer from peculiar climate-related disorders unique to only to us.   This deserves a page in the next version of the DSM — the diagnostic psychiatric manual:  we in the PNW don’t feel 100% normal unless it is raining.  We love weather like we’re having right now – full on gray and full on wet with threats of northeast winds and snow.

In fact, we born and bred web-footers can feel downright depressed when it is sunny all the time.  We groan inwardly when yet another day dawns bright instead of gray, we start to look longingly at accumulating clouds,  and we get positively giddy when morning starts with a drizzly mist.

It’s difficult to say what exactly is at work in brain chemistry in cases like this.  It is the opposite effect of classically described Seasonal Affective Disorder diagnosed especially in those transplants from more southerly climates who get sadder and slowed down with darker days and longer nights.   In people like me, born a stone’s throw from Puget Sound, the more sunlight there is, the more doldrums I feel:  desolaration (desolation from too much solar exposure).   The grayer the day, the wetter the sky–> a lightening of the heart and the spirit:  precipilicity (felicity arising from precipitation).

Like most northwesterners, I have low Vitamin D levels even in the summer.  It just isn’t seemly to expose all that skin to UV light.

So I celebrate the profound relief of a rainy day, thank you.   There would be no internal conflict about feeling compelled to go outside to work up a sweat and soak up the elusive sun rays.   There would only be the cozy invitation to stay inside to read and write and sleep.

I know I’m not alone in this disorder.  Many of us are closet sufferers but would never admit it in polite company.  To complain about sunny days is perceived as meteorologically, spiritually and poetically incorrect.  It is time to acknowledge that many of us are in this wet boat rowing together.

Robert Frost (definitely not a northwesterner) confessed his own case of desolaration in the first stanza of his poem November Guest:

My Sorrow, when she’s here with me,
Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;
She walks the sodden pasture lane.

And Jack Handey, the satirist, summarizes the real reason for the guilty pleasure of the northwest native in liking rain:

“If a kid asks where rain comes from, I think a cute thing to tell him is ‘God is crying.’
And if he asks why God is crying, another cute thing to tell him is ‘Probably because of something you did.”

Okay, okay, I guess we’ve been really naughty to have so much rainfall in the last month. We should repent for our misbehavior and eventually God’s tears will dry up and the sun would shine again.

Then again, maybe God likes a good rain and a good cry as much as we do.

Melancholia

A fine rain was falling,
and the landscape was that of autumn. 
The sky was hung with various shades of gray,
and mists hovered about the distant mountains –
a melancholy nature. 
The leaves were falling on all sides
like the last illusions of youth
under the tears of irremediable grief. 
Every landscape is, as it were,
a state of the soul,
and whoever penetrates into both is astonished
to find how much likeness there is in each detail.”
~Henri Frederic Amiel from The Amiel Journal

What is melancholy
at first glance
glistens bejeweled
when studied up close.

It isn’t all sadness~
there is solace in knowing:
the landscape and my soul
share an inner world of tears.



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Edging Closer for Company

The trees are coming into their winter bareness,
the only green is the lichen on their branches.
Against the hemlocks, the rain is falling in dim, straight lines…
This is the time of year when all the houses have come out of the woods, edging closer to the roads as if for company.
~Verlyn Klinkenborg “The Rain It Raineth”

The deciduous trees in our part of the country have all been stripped bare, having come through rain and gusty winds in the last week.  It forces typically leaf-hidden homes out of camouflage and I’m once again startled at the actual proximity of our neighbors.  It isn’t as obvious in the summer given the tree buffer everyone has carefully planted.  Now we’re reminded once again we are not alone and actually never have been.

Even the mountains that surround us from the northwest to the southeast seem closer when the trees are bare and new snow has settled on their steep shoulders.

We think we have autonomy all wrapped up but it takes the storms of autumn to remind us we are unwrapped and vulnerable, stark naked, in desperate need of company when darkness comes early, the snow flies and the lights are flickering.

photo by Nate Gibson

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Half-Past October

It’s half-past October, the woods
are on fire, blue skies stretch
all the way to heaven. Of course,
we know that winter is coming, its thin
winding sheets and its hard narrow bed.
But right now, the season’s fermented
to fullness…
~Barbara Crooker from “Reel” in The Book of Kells

I want to praise things
that cannot last. The scarlet and orange leaves
are already gone, blown down by a cold rain,
crushed and trampled. They rise again in leaf meal
and wood smoke. The Great Blue Heron’s returned to the pond,
settles in the reeds like a steady flame.
Geese cut a wedge out of the sky, drag the gray days
behind them like a skein of old wool.
I want to praise everything brief and finite.
~Barbara Crooker from her poem “Equinox” in Selected Poems.

This fading transitional October
renders us transient ourselves-
only visitors here,
not laying down claims
but passing through
while enjoying the scenery,
knowing that this too won’t last
but it is sweet
~let me say it again~
oh so sweet
while we’re here.

Full of Promises and Tears

Autumn in my part of the world is a season of bounty and beauty. It’s also a season of steady decline—and, for some of us, a slow slide into melancholy. The days become shorter and colder, the trees shed their glory, and summer’s abundance starts to decay toward winter’s death.

I’m a professional melancholic, and for years my delight in the autumn color show quickly morphed into sadness as I watched the beauty die. Focused on the browning of summer’s green growth, I allowed the prospect of death to eclipse all that’s life-giving about fall and its sensuous delights.

Then I began to understand a simple fact: All the “falling” that’s going on out there is full of promise. Seeds are being planted and leaves are being composted as Earth prepares for yet another uprising of green.
~ Parker J. Palmer from On the Brink of Everything: Grace, Gravity, and Getting Old

A fine rain was falling, and the landscape was that of autumn. 
The sky was hung with various shades of gray,
and mists hovered about the distant mountains
– a melancholy nature. 
Every landscape is,
as it were,
a state of the soul,
and whoever penetrates into both
is astonished to find how much likeness there is in each detail.
~Henri Frederic Amiel

frontwalnutmist

A melancholic first glance~
rain droplets glisten bejeweled
when studied up close.

It isn’t all sadness~
there is solace in knowing
the landscape and I share
an inner world of change:
both promises
and tears.

As the Light is Just Right

 

The ripe, the golden month has come again…
Frost sharps the middle music of the seasons,
and all things living on the earth turn home again…
the fields are cut, the granaries are full,
the bins are loaded to the brim with fatness,
and from the cider-press the rich brown oozings of the York Imperials run.
The bee bores to the belly of the grape,
the fly gets old and fat and blue,
he buzzes loud, crawls slow,
creeps heavily to death on sill and ceiling,
the sun goes down in blood and pollen
across the bronzed and mown fields of the old October.
~Thomas Wolfe

 

Mid-October
dreary
cloud-covered
rain and wind.

An instant at dusk,
the sun broke through,
peeling away the grey,
infusing amber onto
fields and foliage,
ponies and puddles.
The shower spun
raindrops threading
a gold tapestry
through the evening air,
casting sparkles,

casting sparkles,
a sunray sweep of
fairy godmother’s wand
across the landscape.

One more blink,
and the sun shrouded,
the color drained away
the glimmer mulled
into mere weeping
once more,
streaming over
our farm’s fallen face.

Now I know to gently
wipe the teardrops away,
having seen the
hidden magic within,
when the light is just so.

Savoring the tears
of gold that glisten
when the light
is just right.

The Knowing

We thought we were the perfect family—
loyal, stable, a brick wall you couldn’t topple
with a wrecking ball. Parents dependable
as the frozen Minute Maid juice
we squeezed from cardboard cans and drank
mornings, reconstituted.

We’d come to this place just to be together.
October in Ogunquit, record heat,
no need for the sweaters we’d packed.
Dad had died but Mom, in her 80s, sat
pouring green tea, our wicker chairs
on the small porch, six sets
of knees touching.

She didn’t mean to mention
Dad’s first wife.

To our collective what?
she sputtered lasted a year, before the war,
her name: Phyllis.
Remember that chest in the basement?
It was hers.

Some moments passed, then mutely
we agreed to let it go.
Radium glowed green in our brains
but didn’t burn. The knowing, a relief:
We didn’t have to be perfect.

The August-warm wind felt pleasant
and odd. We sat on that porch,
orange leaves pinwheeling down the street.
~Karen Paul Holmes “Rental Cottage, Maine” from No Such Thing as Distance

Surfacing to the street from a thirty two hour hospital shift usually means my eyes blink mole-like, adjusting to searing daylight after being too long in darkened windowless halls.  This particular day is different.   As the doors open, I am immersed in a subdued gray Seattle afternoon, with horizontal rain soaking my scrubs.

Finally remembering where I had parked my car in pre-dawn dark the day before, I start the ignition, putting the windshield wipers on full speed.  I merge onto the freeway, pinching myself to stay awake long enough to reach my apartment and my pillow.

The freeway is a flowing river current of head and tail lights.  Semitrucks toss up tsunami waves cleared briefly by my wipers frantically whacking back and forth.

Just ahead in the lane to my right, a car catches my eye — it looks just like my Dad’s new Buick.  I blink to clear my eyes and my mind, switching lanes to get behind.  The license plate confirms it is indeed my Dad, oddly 100 miles from home in the middle of the week.  I smiled, realizing he and Mom, the best parents ever, have probably planned to surprise me by taking me out for dinner.

I decide to surprise them first, switching lanes to their left and accelerating up alongside.  As our cars travel side by side in the downpour,  I glance over to my right to see if I can catch my Dad’s eye through streaming side windows.  He is looking away to the right at that moment, obviously in conversation.  It is then I realize something is amiss.  When my Dad looks back at the road, he is smiling in a way I have never seen before.  There are arms wrapped around his neck and shoulder, and a woman’s auburn head is snuggled into his chest.

My mother’s hair is gray.

My initial confusion turns instantly to fury.  Despite the rivers of rain obscuring their view, I desperately want them to see me.  I think about honking,  I think about pulling in front of them so my father would know I have seen and I know.  I think about ramming them with my car so that we’d perish, unrecognizable, in an explosive storm-soaked mangle.

At that moment, my father glances over at me and our eyes meet across the white line separating us.  His face is a mask of betrayal, bewilderment and then shock, and as he tenses, she straightens up and looks at me quizzically.

I can’t bear to look any longer.

I leave them behind, speeding beyond, splashing them with my wake.  Every breath burns my lungs and pierces my heart.  I can not distinguish whether the rivers obscuring my view are from my eyes or my windshield.

Somehow I made it home to my apartment, my heart still pounding in my ears.  The phone rings and remains unanswered.

I throw myself on my bed, bury my wet face in my pillow and pray —
for a sleep
without dreams,
without secrets,
without lies,
without the burden of knowing the truth
I alone now knew
and wished I didn’t.