This Failing Light

Day after day, day after still day,
The summer has begun to pass away.
Starlings at twilight fly clustered and call,
And branches bend, and leaves begin to fall.
The meadow and the orchard grass are mown,
And the meadowlark’s house is cut down.

The little lantern bugs have doused their fires,
The swallows sit in rows along the wires.
Berry and grape appear among the flowers
Tangled against the wall in secret bowers,
And cricket now begins to hum the hours
Remaining to the passion’s slow procession
Down from the high place and the golden session
Wherein the sun was sacrificed for us.


A failing light, no longer numinous,
Now frames the long and solemn afternoons
Where butterflies regret their closed cocoons.
We reach the place unripe, and made to know
As with a sudden knowledge that we go
Away forever, all hope of return
Cut off, hearing the crackle of the burn-
ing blade behind us, and the terminal sound
Of apples dropping on the dry ground.
~Howard Nemerov “Summer’s Elegy
from Collected Poems

As far as I can see this autumn haze
That spreading in the evening air both ways,
Makes the new moon look anything but new,
And pours the elm-tree meadow full of blue,
Is all the smoke from one poor house alone
With but one chimney it can call its own;
So close it will not light an early light,
Keeping its life so close and out of sight
No one for hours has set a foot outdoors
So much as to take care of evening chores.
The inmates may be lonely women-folk.
I want to tell them that with all this smoke
They prudently are spinning their cocoon
And anchoring it to an earth and moon
From which no winter gale can hope to blow it,—
Spinning their own cocoon did they but know it.

~Robert Frost “The Cocoon”

The summer ends, and it is time
To face another way. Our theme
Reversed, we harvest the last row
To store against the cold, undo
The garden that will be undone.
We grieve under the weakened sun
To see all earth’s green fountains dried,
And fallen all the works of light.
You do not speak, and I regret
This downfall of the good we sought
As though the fault were mine. I bring
The plow to turn the shattering
Leaves and bent stems into the dark,
From which they may return. At work,
I see you leaving our bright land,
The last cut flowers in your hand.
~Wendell Berry “The Summer Ends” from A Timbered Choir.

I too regret the closed cocoon,
so seemingly safe at the time —
once launched before being ready,
there is no returning.

In this fading, failing light, I feel undone,
weepy at harvest, gathering urgently,
not wanting anything to go to waste,
trying to memorialize it all as it changes.

I part again from you, Summer –
your gifts seemed endless
until you yourself ended –
a reminder that someday,
so must I.

photo by Bob Tjoelker

An Acceptance of Decline

In the evening there were flocks of nighthawks
passing southward over the valley. The tall
sunflowers stood, burning on their stalks
to cold seed, by the still river. And high
up the birds rose into sight against the darkening
clouds. They tossed themselves among the fading
landscapes of the sky like rags, as in
abandonment to the summons their blood knew.
And in my mind, where had stood a garden
straining to the light, there grew
an acceptance of decline. Having worked,
I would sleep, my leaves all dissolved in flight.
~Wendell Berry “September 2”

And when I rise, let me rise
Like a bird, joyfully.
And when I fall, let me fall,
Like a leaf, gracefully, without regret.
And when I stand, let me stand,
Like a tree, strong and tall.
And when I lie, let me lie,
Like a lake, peacefully, calm and still.
And when I work, let me work,
Like a bee, wholeheartedly.
And when I play, let me play,
Like a breeze, fresh and cool, light and clear.

~adapted from Wendell Berry’s “When I Rise” in The Mad Farmer Poems

The thistles, rooted out, throng in again;
The single regal rose is mobbed by weeds;
The plums, the pears, the ripening apples, rain
In the sun; and past summer plants new seeds.

Here, or there, these common yearly things
Repeat, repeat, and gardens do not range:
Yet thistles, roses, fruit trees, birds, and stings
Come to an end, and the church bells sound a change.

These many soft declensions of the day,
So hard to take to heart, bear life away.
~Dunstan Thompson from “Passage”
from Here At Last Is Love

This end-of-summer winding down,
a descent into shorter days and longer nights,
this preparation for autumn austerity,
reminds me to accept my own slow decline ~
an emptying husk
once so full of fruit and seed,
now clinging to what is left of me ~
still filled with the joys, the tears, the eyes
of a brimming-over heart.

Unanswerable Questions

Under the harvest moon,
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker,
Comes and whispers to you
As a beautiful friend
Who remembers.

   Under the summer roses
When the flagrant crimson
Lurks in the dusk
Of the wild red leaves,
Love, with little hands,
Comes and touches you
With a thousand memories,
And asks you
Beautiful, unanswerable questions.
~Carl Sandburg “Under the Harvest Moon”

I mistake the sound of a recycling cart
hitting the curb

for the latch of our gate
and picture him instantly:

my father stumbling
into the light of the backyard


to shoot himself.

I’d been looking at the fruit trees
and the fire pit,


the loose board of the old fence
in the wind.

I’d been thinking of how lost
you’d have to be


to believe you knew
everything there was to know


about yourself.
And now this sound


I mistake for my father
going through with it: one


awful letter in his coat pocket
to me, another


to my unborn son.
~Bobby Elliot “Mondegreen” from The Same Man

I’ve been there, and so have you.

I might hear or see or smell something
completely benign and insignificant,
but my brain processes it differently,
its similarity to past memory or experience
bringing it front and center and real again.

Often it is a song, or a smell, or a date on the calendar.
It can be an unexpected, sudden sound,
like a slammed door
or a recorded voice or photo from long ago.

This can lead to time travel
back to that previous moment in time,
with the feeling of being right there again.

It can be a lovely memory, warm and comforting,
or it can be a total nightmare
I never want to remember or reexperience.

When it happens to me,
to distract from the distress it can cause,
I instead admire the stickiness of my stored memories,
how powerful chemical connections are
between my body and my feelings.

There is poignancy in how I
relive those moments of past joy and struggles,
trying to capture in words what just happened,
all the while knowing, for the rest of my days,
some questions will forever remain unanswered.

A Delicate Sadness of Dusk

The talkative guest has gone,
and we sit in the yard
saying nothing. The slender moon
comes over the peak of the barn.

The air is damp, and dense
with the scent of honeysuckle. . . .
The last clever story has been told
and answered with laughter.

With my sleeping self I met
my obligations, but now I am aware
of the silence, and your affection,
and the delicate sadness of dusk.
~Jane Kenyon, “The Visit” from Collected Poems

From morning suns and evening dews
At first thy little being came:
If nothing once, you nothing lose,
For when you die you are the same;
The space between, is but an hour,
The frail duration of a flower.
~Philip Freneau from “The Wild Honey Suckle”

It sprang up wild along the chain link fence—thick,
with glorious white
and yellow summer blooms, and green tips that we
pinched and pulled for one
perfect drop of gold honey. But Dad hated
it—hated its lack
of rows and containment, its disorder. Each
year, he dug, bulldozed,
and set fire to those determined vines. But each
year, they just grew back
stronger. Maybe that’s why I felt the urge to
plant it that one day
in May, when cancer stepped onto my front porch
and rang the doorbell,
loose matches spilling out of its ugly fists.
~Karla Morton “Honeysuckle” from Accidental Origami: New and Selected Works

Some things are very dear to me–
Such things as flowers bathed by rain
Or patterns traced upon the sea
Or crocuses where snow has lain . . .
The iridescence of a gem,
The moon’s cool opalescent light,
Azaleas and the scent of them,
And honeysuckles in the night.
And many sounds are also dear–
Like winds that sing among the trees
Or crickets calling from the weir
Or Negroes humming melodies.
But dearer far than all surmise
Are sudden tear-drops in your eyes
~Gwendolyn Bennett— Sonnet 2

I am an easy cryer. It takes very little to tip me over the edge: a hymn, a poem, simply witnessing a child’s joy.

Suddenly my eyes fill up.

I blame this on my paternal grandmother who was in tears much of the time while visiting our family, crying happy, crying sad, crying frustrated and angry tears, crying desperate tears after being diagnosed with metastatic pancreatic cancer. I think of her often as she was the age I am now, grateful I too have not been visited with such dire news.

My greatest trigger to weep myself is watching someone else tear up.
I think my grandmother left behind some powerful empathy genes and I will honor that when I visit her grave this weekend to lay flowers.

I needed to desensitize my response to others’ tears to be effective as a physician/healer. Witnessing tears in the exam room is a normal part of the job: patients are anxious, ill, in pain or just need to decompress in safety. I learned early on to be unobtrusive and not interrupt, letting the flow of tears be part of how the patient was trying to communicate their distress. It was a struggle when my inclination was to cry right along with them.

But I needed to remain the rock in the room, solid and steady. I could understand their tears as yet another symptom of a clinical presentation, allowing me to observe without being clouded by my own emotional response.

Sometimes that worked. Sometimes not. At times overwhelmed myself, I wept at births, I wept at deaths, I wept at the sharing of bad news.

Now retired and liberated from the exam room, I freely and regularly weep at the state of the world, or when I read of disaster and tragedy, and especially when I witness intentional harm and cruelty in others. I’m no longer a stone, but more like an over-filled sponge being squeezed – everything builds up until I can hold it no more.

Reading headlines in the news is sometimes more than I can bear.
I cry myself dry.

And that is okay, thanks to Grandma. Once emptied out, I can be filled again by so much that is good and precious and beautiful in this life – a sad and delicate dusk, the promising light of dawn, the persistence of the wild honeysuckles, the raindrops on colorful blooms, the resonance of a heartfelt spiritual, the love of my husband, children, grandchildren and friends.

Now those are worth weeping over.

Lost in Woodland Shade

photo of Calypso Bulbosa by Kate Steensma

Though I know well enough
To hunt the Lady’s Slipper now
Is playing blindman’s-buff,
For it was June She put it on
And grey with mist the spider’s lace
Swings in the autumn wind,
Yet through this hill-wood, high and low,
I peer in every place;
Seeking for what I cannot find
I do as I have often done
And shall do while I stay beneath the sun.
~Andrew Young “Lady’s Slipper Orchid”

photo from USNPS

Everything is beautiful and I am so sad.
This is how the heart makes a duet of
wonder and grief. The light spraying
through the lace of the fern is as delicate
as the fibers of memory forming their web
around the knot in my throat. The breeze
makes the birds move from branch to branch
as this ache makes me look for those I’ve lost
in the next room, in the next song, in the laugh
of the next stranger. In the very center, under
it all, what we have that no one can take
away and all that we’ve lost face each other.
It is there that I’m adrift, feeling punctured
by a holiness that exists inside everything.
I am so sad and everything is beautiful.
~Mark Nepo “Adrift” from Inside the Miracle: Enduring Suffering, Approaching Wholeness

Under the pines, near the murmuring brook,
I know the wild orchids grow,
Fair and pure in their shady nook,
A page in God’s own wonderful book
With a message for me to know.

Come in the Spring to that beautiful bower
And pause by the moss and the fern
To study. And know from the little flower
God’s promise of hope is ready to shower
On those who will trust and learn.

Over the land, with colors so bright,
Leaves whirl in the chill, fitful breeze.
The gurgling brook, ice-coated and white;
Ferns, mosses and orchids have vanished from sight,
Dead and lost in the Winter’s first freeze.

In weakening faith and hopeless despair,
Black winters of woe hold my soul.
For death is the end; and each mortal must share
The fate of the orchids that once blossomed there.
Oblivion marketh the goal.

Hold thy hope, faithless soul, for again in the Spring
Neath the pines, the wild orchids will bloom.
Struggle upward toward God, thy Creator and King.
The Saviour is risen and Nature doth sing,
Christ overcomes death and the tomb!

~Joseph Pullman Porter “Wild Orchids”

How strange to find you where I did
along a path beside a road,
your legs in graceful green dancing
to music made by wind and woods.

Like ladies from a bygone age,
you left your slippers there to air
in dappled shade, while you, barefoot,
relaxed your stays, let loose your hair.

The treasures of this world might be
as simple as an orchid’s bloom;
how sad that so much time is spent
in filling coffers for the tomb.

If only life could be so fresh
and free as you in serenade,
we might learn we value most those
things found lost in woodland shade.

~Mike Orlock “Lady Slipper Serenade (in 4/4 time)”

My grandmother’s house where my father was born had been torn down. She sold her property on Fidalgo Island near Anacortes, Washington to a lumber company – this was the house where all four of her babies were born, where she and my grandfather loved and fought and separated and finally loved again, and where we spent chaotic and memorable Thanksgiving and Christmas meals. After Grandpa died, Grandma took on boarders, trying to afford to remain there on the homesteaded wooded acreage on Similk Bay, fronted by meadows where her Scottish Highland cattle grazed. Her own health was suffering and she reached a point when it was no longer possible to make it work. A deal was struck with the lumber company and she moved to a small apartment for the few years left to her, remaining bruised by leaving her farm.

My father realized what selling to a lumber company meant and it was a crushing thought. The old growth woods would soon be stumps on the rocky hill above the bay, opening a view to Mt. Baker to the east, to the San Juan Islands to the north, and presenting an opportunity for development into a subdivision. He woke my brother and me early one Saturday in May and told us we were driving the 120 miles to Anacortes.

He was on a mission.

As a boy growing up on that land, he had wandered the woods, explored the hill, and helped his dad farm the rocky soil. There was only one thing he felt he needed from that farm and he had decided to take us with him, to trespass where he had been born and raised to bring home a most prized treasure–his beloved lady slippers (Calypso bulbosa) from the woods.

These dainty flowers enjoy a spring display known for its brevity–a week or two at the most–and they tend to bloom in small little clusters in the leafy duff mulch of the deep woods, preferring only a little indirect sunlight part of the day.  They are not easy to find unless you know where to look. 

My father remembered exactly where to look.

We hauled buckets up the hill along with spades, looking as if we were about to dig for clams at the ocean. Dad led us up a trail into the thickening foliage, until we had to bushwhack our way into the taller trees where the ground was less brush and more hospitable ground cover. He would stop occasionally to get his bearings as things were overgrown.  We reached a small clearing and he knew we were near.  He went straight to a copse of fir trees standing guard over a garden of lady slippers.

There were almost thirty of them blooming, scattered about in an area the size of my small bedroom.  Each orchid-like pink and lavender blossom had a straight backed stem that held it with sturdy confidence. To me, they looked like they could be little shoes for fairies who may have hung them up while they danced about barefoot.  To my father, they represented the last redeeming vestiges of his often traumatic childhood, and were about to be trammeled by bulldozers.  We set to work gently digging them out of their soft bedding, carefully keeping their bulb-like corms from losing a protective covering of soil and leafy mulch. Carrying them in the buckets back to the car, we felt some vindication that even if the trees were to be lost to the saws, these precious flowers would survive.

When we got home, Dad set to work creating a spot where he felt they could thrive in our own woods. He found a place with the ideal amount of shade and light, with the protection of towering trees and the right depth of undisturbed leaf mulch. We carefully placed the lady slippers in their new home, scattered in a pattern similar to how we found them. Then Dad built a four foot split rail fence in an octagon around them, as a protection from our cattle and a horse who wandered the woods, and as a way to demarcate that something special was contained inside.

The next spring, only six lady slippers bloomed from the original thirty.  Dad was disappointed but hoped another year might bring a resurgence as the flowers established themselves in their new home.  The following year there were only three. A decade later, my father left our farm and family, not looking back.

Sometime after the divorce, when my mother had to sell the farm, I visited our lady slipper sanctuary in the woods for the last time in the middle of May, seeking what I hoped might still be there, but I knew was no longer. 

The split rail fence still stood, guarding nothing but old memories. No lady slippers bloomed. There was not a trace they had ever been there. They had given up and disappeared.

The new owners of the farm surely puzzled over the significance of the small fenced-in area in the middle of our woods. They probably thought it surrounded a graveyard of some sort.

And they would be right – it did.


An embroidery I made for my father after he replanted the lady slippers — on the back I wrote “The miracle of creation recurs each spring in the delicate beauty of the lady slipper – may we ourselves be recreated as well…”

Bring to Light the Mystery: Waiting for the Door to Open

In a daring and beautiful creative reversal, 
God takes the worse we can do to Him
and turns it into the very best He can do for us.
~Malcolm Guite from The Word in the Wilderness


Samwise, one of our two Cardigan Corgis who recently passed away in his sleep at a ripe old corgi age, always did twice daily barn chores with me. 

He would run up and down the aisles as I fill buckets, throw hay, and he’d explore the manure pile out back and the compost pile and check out the dove house and have stand offs with the barn cats (which he always lost). 

We had our routine.  When I got done with chores, I whistled for him and we headed to the house. 

We always returned home together.

Except this particular morning. I whistled when I was done and his furry little fox face didn’t appear as usual.  I walked back through both barns calling his name, whistling, no signs of Sam.  I walked to the fields, I walked back to the dog yard, I walked the road (where he never ever goes), I scanned the pond where he once fell in as a pup (yikes), I went back to the barn and glanced inside every stall, I went in the hay barn where he likes to jump up and down on stacked bales, looking for a bale avalanche he might be trapped under, or a hole he couldn’t climb out of.  Nothing.

I’m really anxious about him at this point, fearing the worst. He was nowhere to be found, utterly lost.

Passing through the barn again, I heard a little faint scratching inside one Haflinger’s stall, which I had just glanced in 10 minutes before.  The mare was peacefully eating hay.  Sure enough, there was Sam standing with his feet up against the door as if asking what took me so long. He must have scooted in when I filled up her water bucket, and I closed the door not knowing he was inside, and it was dark enough that I didn’t see him when I checked.  He and his good horse friend kept it their secret.

Making not a whimper or a bark when I called out his name, passing that stall at least 10 times looking for him, he just patiently waited for me to open the door and set him free.

It’s a Good Friday.

The lost was found even when he never felt lost to begin with.  

Yet he was lost to me. And that is all that matters. We have no idea how lost we are until someone comes looking for us, doing whatever it takes to bring us home.

Sam was just waiting for a closed door to be opened.  And today, of all days, that door is thrown wide open.

photo by Nate Gibson

Though you are homeless
Though you’re alone
I will be your home
Whatever’s the matter
Whatever’s been done
I will be your home
I will be your home
I will be your home
In this fearful fallen place
I will be your home
When time reaches fullness
When I move my hand
I will bring you home
Home to your own place
In a beautiful land
I will bring you home
I will bring you home
I will bring you home
From this fearful fallen place
I will bring you home
I will bring you home
~Michael Card

Bring to Light the Mystery: Holy Ground

The only use of a knowledge of the past
is to equip us for the present.
The present contains all that there is.
It is holy ground; for it is the past, and it is the future.
~Alfred North Whitehead from The Aims of Education

It can happen like that:
meeting at the market,
buying tires amid the smell
of rubber, the grating sound
of jack hammers and drills,
anywhere we share stories,
and grace flows between us.

  
The tire center waiting room
becomes a healing place
as one speaks of her husband’s
heart valve replacement, bedsores
from complications. A man
speaks of multiple surgeries,
notes his false appearance
as strong and healthy.

 
I share my sister’s death
from breast cancer, her
youngest only seven.
A woman rises, gives
her name, Mrs. Henry,
then takes my hand.
Suddenly an ordinary day
becomes holy ground.
~ Stella Nesanovich, “Everyday Grace,” from Third Wednesday
Vol. IX, No. 4, 2016

From Meyers’ studio Munich 1899

She did what she could.
She poured perfume on my body beforehand
to prepare for my burial.
I tell you the truth, wherever the gospel is preached
throughout the world,
what she has done will also be told,
in memory of her.
Mark 14:8-9

Rubens’ Mary Anointing of Jesus

We naturally wonder if our actions on this earth are pleasing to God, though we understand our faith, rather than good works we do, is the key to salvation.  Jesus’ response to Mary of Bethany’s anointing of His feet the day before He enters Jerusalem is provocative on a number of levels. However, her story parallels the passion of this Passion week:

Mary acts out of faith even when she confronts a painful reality. She acknowledges Jesus’ predictions of His death and burial. Mary believes what His disciples refuse to hear.

Jesus prays a few days later to have the reality of suffering lifted from Him, but in obedience, He perseveres out of faith and love for the Father.

Mary acts out of her steadfast love for the Master–she is showing single-minded devotion in the face of criticism from the disciples.

Jesus, on the cross,  shows forgiveness and love even to the men who deride and execute Him.

Mary acts out of significant personal sacrifice–pouring costly perfume worth a full year’s wages–showing her commitment to Christ.

Jesus willingly gives the ultimate sacrifice of Himself–there is no higher price to pay.

Mary responds to His need–she recognizes that this moment is her opportunity to anoint the living Christ, and His response clearly shows He is deeply moved by her action.

Jesus, as man Himself, recognizes humanity’s need to be saved, and places Himself in our place. We must respond, incredulous,  with gratitude.

Jesus tells Mary of Bethany (and us),  in response to the disciples’ rebukes, that it is her action that will be told and remembered. She did what she could at that moment to ease His distress at what He would soon confront.  She did what she could for Him–humbly, beautifully, simply, sacrificially–and He is so grateful that He Himself washes the feet of His disciples a few days later in a personal act of devotion and servanthood.

And today we remember this Mary as the harbinger of His suffering and death, just as He said we would. 

She did what she could, finding holy ground is Christ Himself — as should we.

James Tissot

This year’s Barnstorming Lenten theme is Ephesians 3:9:

…to bring to light for everyone what is the plan of the mystery hidden for ages in God, who created all things…

A World Full of Peril

The world is indeed full of peril
and in it there are many dark places.
But still there is much that is fair.

And though in all lands,
love is now mingled with grief,
it still grows, perhaps, the greater.
— J. R. R. Tolkien from The Fellowship of the Ring

A man of sorrows and acquainted with grief
Isaiah 53:3

Shut out suffering, and you see only one side of this strange and fearful thing, the life of man. Christ saw both sides. He could be glad, he could rejoice with them that rejoice; and yet the settled tone of his disposition was a peculiar and subdued sadness.

That gave the calm depth to the character of Christ;
he had got the true view of life by acquainting himself with grief.
~Frederick Robertson from a 1846 sermon entitled Typified by the Man of Sorrows, the Human Race

An elderly mother/grandmother apparently kidnapped from her home is yet to be heard from.

And another school shooting takes hold of my heart and breaks it.

Our sorrows fill a chasm so deep and dark that it is a fearsome thing to even peer from the edge. We join the helplessness of countless people in human history who have lived through times which appeared unendurable.

We don’t understand why inexplicable tragedy befalls good and gracious people, taking them when they are not yet finished with their work on earth.

From the unconscionable shootings of innocents,
to quakes that topple buildings burying people,
to waves that wipe out whole communities sweeping away thousands,
to pathogens too swift and devastating for modern medicine —

we are reminded every day: we live on perilous ground and our time here has always been finite.

We don’t have control over the amount of time, but we do have control over how extensively our compassion for others is heard and spread.

There is assurance in knowing we do not weep alone;
our Lord is acquainted with grief. 

Our grieving is so familiar to a suffering God who too wept at the death of a beloved friend, when He faced a city about to condemn Him to death and He was tasked with enduring the unendurable.

There is comfort in knowing He too peered into the chasm of darkness; He willingly entered its depths to come to our rescue.

His has an incomparable capacity for Light,
bringing to the world a Love that lasts an eternity.

Lyrics:

Angels, where you soar
Up to God’s own light
Take my own lost bird
On your hearts tonight;
And as grief once more
Mounts to heaven and sings
Let my love be heard
Whispering in your wings
~Alfred Noyes

A Dishwater Sky of Sadness

A dishwater sky mutes
sun’s rays to gray, the hills
leading to the pass forested
in haze, drained of green.


Though a steady bluster, the wind
musters nothing but silence.
The plodding sound of melt
drip, drip, drips
from the askew rusted rain gutter
outside my purview.
Perhaps, I have all my life been
too much in love with sadness.
~Lana Hectman Ayers from “Window in Late January” from Autobiography of Rain

A silence slipping around like death,
Yet chased by a whisper, a sigh, a breath,
One group of trees, lean, naked and cold,
Inking their crest ‘gainst a sky green-gold,
One path that knows where the corn flowers were;
Lonely, apart, unyielding, one fir;
And over it softly leaning down,
One star that I loved ere the fields went brown.
~Angelina Weld Grimke “A Winter Twilight”

I am astonished by my thirst
for clinging to sadness
when a gray day asks so little of me.

Good thing I’m shaken from my melancholy
by such simple moments
as a twilight shimmering gold,
a burst of unexpected evening birdsong,
a steadfast fir standing unyielding on our hilltop,
where it glimpses the edge of tomorrow
as today’s dusky horizon fades away.

The Dwindles

Morning without you is a dwindled dawn.
~Emily Dickinson in a letter to a friend April 1885

Over the years, the most common search term bringing new readers to my Barnstorming blog is “dwindled dawn.”

I had written about Emily Dickinson’s “dwindles” on a number of occasions – missing a house full of our three children, who have their own homes with families. Yet I had not felt afflicted with a serious case of dwindles myself until the ongoing isolation during COVID-time.

I was clearly not the only one. “Dwindles” spread across the globe during the pandemic more quickly than the virus.

There really isn’t a pill that works well for dwindling. One of the most effective treatments is breaking bread with friends and family all in the same room, at the same table, playing games, lingering over conversation or singing together in harmony.

Just being together becomes the ultimate cure for dwindles.

Maybe experiencing friend and family deficiency during the pandemic helped us all understand how crucial we are to one another. It’s high time to replenish the reservoir so we don’t dwindle away to nothing.

If you are visiting these words for the first time because you too searched for “dwindled dawn” — welcome to Barnstorming. We can stave off the dwindles by joining together each day for encouragement and a bit of beauty.

Because mornings without you all diminishes me.
I just want you to know.