Dearly. How was it used? Dearly beloved. Dearly beloved, we are gathered. Dearly beloved, we are gathered here in this forgotten photo album I came upon recently.
Dearly beloved, gathered here together in this closed drawer, fading now, I miss you. I miss the missing, those who left earlier. I miss even those who are still here. I miss you all dearly. Dearly do I sorrow for you.
Sorrow: that’s another word you don’t hear much anymore. I sorrow dearly. ~Margaret Atwood from “Dearly”
A holiday without family is a day of longing and memories.
I did sorrow for those who were missing as they left us long ago and missed those who are still here but far away.
It is a bittersweet sorrow to be all together in a photo album, our color and youth fading along with our smiles.
Children who now have children of their own. Newlyweds who have become grandparents, trying to fit the shoes of those who came before.
And so, in our own leave-taking, we miss the missing. We miss who was, who would have been here if they could, and who will come to be the next in line that we may never meet.
The melon shades of leaves will soon rust and fall gently to layers of rest and forgetting, like sunken poems, unusual love, and grave silence after the crows.
The black walnut tree trembles down its mysterious spheres to sleep darkly, to pulse with memory of heartwood.
Old roses are paling with grace in this air of ruining tomorrows. Autumn again, and all the years twisting a garland of melancholy. ~Tim Buck, “Autumn” from VerseWrights Journal
The beauty around me is dying. It becomes harder to find vibrance and life in my surroundings in the volatility of deep autumn: a high wind warning is on the horizon in a few hours and we face a long winter as the uncontrolled pandemic continues unabated.
Those facts alone are enough to make me wander about the farm feeling melancholic. Even more than the loss of mere leaves and the fading of blooms is the reality of so many afflicted and infected people whose season for dying will come too soon.
Woe to us who are more concerned about our inconvenience and discomfort today than the months of ruined tomorrows for millions.
Lest it be forgotten in our bitterness – the promise of healing and renewal is also on the horizon.
May I listen for the pulse deep within the heartwood of each person with whom I have differences; my love for them must not fade nor wither but grow more graceful, more forgiving, more vibrant and beautiful by the day.
The wild November come at last Beneath a veil of rain; The night wind blows its folds aside – Her face is full of pain.
The latest of her race, she takes The Autumn’s vacant throne: She has but one short moon to live, And she must live alone.
A barren realm of withered fields, Bleak woods, and falling leaves, The palest morns that ever dawned; The dreariest of eves.
It is no wonder that she comes, Poor month! With tears of pain; For what can one so hopeless do But weep, and weep again? ~Richard Henry Stoddard “November”
Leaves wait as the reversal of wind comes to a stop. The stopped woods are seized of quiet; waiting for rain bird & bug conversations stutter to a stop.
…the rain begins to fall. Rain-strands, thin slips of vertical rivers, roll the shredded waters out of the cloud and dump them puddling to the ground.
Whatever crosses over through the wall of rain changes; old leaves are now gold. The wall is continuous, doorless. True, to get past this wall there’s no need for a door since it closes around me as I go through. ~Marie Ponsot from “End of October”
I reluctantly bid October good-bye to face forward into a darkening November.
Summer is mere memory now; all color drained from leaves fallen, dissolving in frost and rain.
There’s no turning around now that the clock has fallen back. We commit our stumbling feet to the path that trudges toward winter, silenced and seized by the relentless momentum of doorless darkness. There appears no escape hatch.
Yet when the light rises on the hills, even briefly, I feel a veil lift enough that I am able to see far beyond my reach. The horizon extends on and on forever and I only then I know I will endure another winter.
In the season leaves should love, since it gives them leave to move through the wind, towards the ground they were watching while they hung, legend says there is a seam stitching darkness like a name.
Now when dying grasses veil earth from the sky in one last pale wave, as autumn dies to bring winter back, and then the spring, we who die ourselves can peel back another kind of veil
that hangs among us like thick smoke. Tonight at last I feel it shake. I feel the nights stretching away thousands long behind the days till they reach the darkness where all of me is ancestor. ~Annie Finch, from “Samhain” from Eve
There is no denying I am composed of all of the hundreds (thousands?) of my ancestors, carrying their DNA in every cell of my body. Their traits and characteristics pulse continuously in my blood even when at times I wish they didn’t.
On the eve of All Hallow’s, we remember those from whom we come — all those spirited ghosts within our cells who shake and rattle a bit louder this time of year in the foggy darkness.
I wave at them warily from my perch in the 21st century.
I come from somber folk. That explains a lot.
I don’t mind all the peasant farmers I descend from though I wish I could turn off the genes that lead me to eat too much, and worry too much and my tendency toward the melancholy rather than the jocular. Somehow I have suppressed the tendency to drink too much and curse too much. I do come from a long line of believers in ghosts, so these days of Samhain and All Hallows’ tend to open those creaky doors of shivers and chills, so I avoid anything even remotely scary. It only encourages those strands of my DNA.
I am indeed made up of all-ancestor bits and pieces, and can’t deny it. There is some comfort in realizing there is nothing really brand new about me, so I try not to make a fool of myself on behalf of the hundreds of others sitting tidily wrapped up in my nuclei. There is additional comfort knowing a small part of me will continue in my descendants, who will ponder their family tree wondering which great-great-great-great grandparent passed down which annoying characteristic. I wave hopefully from the 21st century to those generations to come, to remind them not to forget those of us who came before. If there are spirits that come to visit on Samhain, I promise to be a friendly ghost.
We walked at the edge of the sea, the dog, still young then, running ahead of us.
Few people. Gulls. A flock of pelicans circled beyond the swells, then closed their wings and dropped head-long into the dazzle of light and sea. You clapped your hands; the day grew brilliant.
Later we sat at a small table with wine and food that tasted of the sea.
A perfect day, we said to one another, so that even when the day ended and the lights of houses among the hills came on like a scattering of embers, we watched it leave without regret.
That night, easing myself toward sleep, I thought how blindly we stumble ahead with such hope, a light flares briefly—Ah, Happiness! then we turn and go on our way again.
But happiness, too, goes on its way, and years from where we were, I lie awake in the dark and suddenly it returns— that day by the sea, that happiness,
though it is not the same happiness, not the same darkness. ~Peter Everwine, “The Day,” from New Letters
The traumas of the past may revisit me in the night as they linger in the fringes of my mind, ready to creep back into my consciousness in times of stress. When I feel vulnerable and weak, I remind myself that past darkness must not overpower my nights. I try to call up different memories to push the sadness or fear back to the periphery.
So I return to my visits to the sea.
During those halcyon days, I was surrounded by beauty, of peacefulness, of family come together in warmth and closeness. Those times we’ve spent on the coast are treasures to open when I need them — breathing deeply of the sea, hearing the rhythm of the waves and feeling the cool breezes once again on my skin.
The memories themselves become precious reservoirs of happiness – readily renewed and refreshed. The darkness is overwhelmed, no longer overwhelming. Instead, it retreats from the shore of my mind like a wave pulls back into the depths of an endless sea.
…and the garden diminishes: cucumber leaves rumpled and rusty, zucchini felled by borers, tomatoes sparse on the vines. But out in the perennial beds, there’s one last blast of color: ignitions of goldenrod, flamboyant asters, spiraling mums, all those flashy spikes waving in the wind, conducting summer’s final notes. The ornamental grasses have gone to seed, haloed in the last light. Nights grow chilly, but the days are still warm; I wear the sun like a shawl on my neck and arms. Hundreds of blackbirds ribbon in, settle in the trees, so many black leaves, then, just as suddenly, they’re gone. This is autumn’s great Departure Gate, and everyone, boarding passes in hand, waits patiently in a long, long line. ~Barbara Crooker “And Now It’s September” from Spillway
The advance of autumn usually feels like I’m waiting to embark on an unplanned journey that I wish to avoid. I don’t like airports, don’t like the strangeness of unfamiliar destinations, don’t like flying with nothing between me and the ground.
Now “fall” is just like that — like I’m falling.
I look at what is dying around me and know these blasts of color and fruitfulness are their last sad gasps.
So too, when I go out the departure gate, may I go down the long ramp gaily without fear and without regrets — maybe even with a skip in my step as I fall.
At almost four in the afternoon, the wind picks up and sifts through the golden woods.
The tree trunks bronze and redden, branches on fire in the heavy sky that flickers
with the disappearing sun. I wonder what I owe the fading day, why I keep
my place at this dark desk by the window measuring the force of the wind, gauging
how long a certain cloud will hold that pink edge that even now has slipped into gray?
Quickly the lights are appearing, a lamp in every window and nests of stars
on the rooftops. Ladders lean against the hills and people climb, rung by rung, into the night. ~Joyce Sutphen “On the Shortest Days” from Modern Love & Other Myths.
While spending my day at my desk talking to faces on a screen, as I will today and every day, the names and stories and symptoms change every half hour. I sometimes glance up and out my window to the world beyond, concerned not to break eye contact.
I want to say: don’t you know this darkness surrounding you won’t last, while this day is fading you can turn on the light that you were given to find your way out of this.
I wonder if I owe it to you to tell you when I was young and afraid and away from home I didn’t believe the light was there either, or it wouldn’t turn on, or it burned out so I I felt swallowed by the darkness.
Then someone gave me a ladder to climb out and lit my light so I could see where I was going.
Here I am now, handing you a working light and a sturdy ladder and telling you how to use them.
August rushes by like desert rainfall, A flood of frenzied upheaval, Expected, But still catching me unprepared. Like a match flame Bursting on the scene, Heat and haze of crimson sunsets. Like a dream Of moon and dark barely recalled, A moment, Shadows caught in a blink. Like a quick kiss; One wishes for more But it suddenly turns to leave, Dragging summer away. – Elizabeth Maua Taylor“August”
August is rushing by in its anxiousness to be done with this summer of upheaval: too many tears and too much tragedy.
The sky in weeping empathy leaves a quick moist kiss on our cheeks, dripping bedazzled.
It won’t last; we know these dangling drops will fade in the heat of the moment.
This wilted, withered summer won’t leave easy ~dragged away still kicking~ we’ll wave it goodbye, blowing our kisses in the air.
I took the dog and went to walk in the auditorium of the woods, but not to get away from things. It was our habit, that was all, a thing we did on summer days, and much there was to listen to. A slight wind came and went in three birches by the pond. A crow uphill was going on about the black life it led, and a brown creeper went creeping up a brown trunk methodically with no record of ever having been understood by anyone. A woodpecker was working out a deep hole from the sound of it in a stand of dead trees up there. And then a jay, much put upon, complained about some treachery it may or may not have endured, though most are liars anyway. The farther in, the quieter, till only the snapping of a stick broke the silence we were in. The dog stood still and looked at me, the woods by then already dark. Much later, on the porch at night, I heard the owl, an eldritch thing. The dog, still with me, heard it too, a call that came from where we’d been, and where we would not be again. ~John Foy, “Woods,” from Night Vision
We live near fields and woods so the evening walks we take with the dogs are listening walks. There is always plenty to hear.
It is an immense relief to hear something other than the talking heads on TV or podcasts. The voices we hear in the woods are unconcerned about upcoming elections, pandemics or the state of the economy.
I listen for the sound of breezes rustling the tree branches, the crunch of sticks and dry leaves under my boots, and more often than not, the woodpeckers tapping away at tree trunks, eagles chittering from the treetops, and unseen owls visiting back and forth from their hidey-holes. The red-tailed hawks scream out warnings as they float from tree top to tree top, particularly upset that we’ve brought along the corgis into their territory.
So, like the outside world, this woods has its own talking heads and drama, but I know who I will listen to and where I prefer to hang out if given a choice. I understand I’m only a visitor to their world and will be invited back only as long as we tread softly.
I found a box of old hours at the back of the fridge. I don’t even know how long it had been there. Summer hours. Smelled like roses. ~Duchess Goldblatt on Twitter
We all have things we’ve forgotten tucked away in the back of the fridge. A good cleaning now and then will surface some things that are barely identifiable and, frankly, a little scary. But those of us who are nostalgic creatures, like the delightfully fictional Duchess Goldblatt who dispenses desperately needed ascerbic wisdom on Twitter (of all places), also store away a few things that just might come in handy on a depressing day
I like the idea of taking these long summer days, the countless hours of daylight and slowed-downness, putting them in a box and pushing them to the back of fridge for safe-keeping. I might even label it “open in case of emergency” or “don’t open until December 25” or “fragile – handle with care.” In the darkest hours of winter, when I need a booster shot of light, I would bend down to look as far back on the fridge shelf as possible, pushing aside the jam jars and the left-over pea soup and the blocks of cheese, and reach for my rescue inhaler.
I would lift the lid on the box of summer hours and take in a deep breath to remind myself of dewy mornings with a bit of fog, a scent of mown grass, a hint of campfire smoke. But mostly, I would open the box to smell the roses of summer, as no winter florist rose ever exudes that fragrance. It has to be tucked away in the summer hours box in the back of the fridge. Just knowing it’s there would make me glad.