Fixing Eyes on the Unseen – Break Through to Bright Air

Oh let me fall as grain to the good earth
And die away from all dry separation,
Die to my sole self, and find new birth
Within that very death, a dark fruition,
Deep in this crowded underground, to learn
The earthy otherness of every other,
To know that nothing is achieved alone
But only where these other fallen gather.

If I bear fruit and break through to bright air,
Then fall upon me with your freeing flail
To shuck this husk and leave me sheer and clear
As heaven-handled Hopkins, that my fall
May be more fruitful and my autumn still
A golden evening where your barns are full.

~Malcolm Guite “Unless a Grain of Wheat Falls Into the Ground and Dies”

…new life starts in the dark.
Whether it is a seed in the ground,
a baby in the womb, or Jesus in the tomb,
it starts in the dark.
~Barbara Brown Taylor from Learning to Walk in the Dark

The ground is slowly coming to life again;
snowdrops, crocus, and daffodils are surfacing from months of dormancy,
buds are swelling, the spring chorus frogs have come from the mud to sing again
and birds now greet the lazy dawn.

The seed shakes off the darkness surrounding it as growth begins.

I too began a mere seed, plain and simple, lying dormant
in the darkness of my mother’s body.

Just as the spring murmurs life to the seed in the ground,
so the Word calls a human seed of life to stir and swell,
becoming at once both an animate and intimate reflection of Himself.

I was awakened in the dark to sprout, bloom and fruit, 
to reach as far as my tethered roots allow,
aiming beyond earthly bounds to touch the light.

Everything, everyone, so hidden;
His touch calls us back to life.
Love is come again
to the fallow fields of our hearts.

This year’s Lenten theme:
So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.
2 Corinthians 4: 18

Fixing Eyes on the Unseen – Realizing the Snow is Melting…

Our heart wanders lost in the dark woods.
Our dream wrestles in the castle of doubt.
But there’s music in us. Hope is pushed down
but the angel flies up again taking us with her.
The summer mornings begin inch by inch
while we sleep, and walk with us later
as long-legged beauty through
the dirty streets. It is no surprise 
that danger and suffering surround us.
What astonishes is the singing.
We know the horses are there in the dark
meadow because we can smell them,
can hear them breathing. 
Our spirit persists like a man struggling 
through the frozen valley
who suddenly smells flowers
and realizes the snow is melting
out of sight on top of the mountain,
knows that spring has begun.

~Jack Gilbert “Horses at Midnight Without a Moon”

As if —
we are walking through the darkest valley, still stuck in the throes of winter, and catch a whiff of a floral scent, or a hint of green grass, or hear the early jingle bells song of peeper frogs in the wetlands, or feel the warm breath of horses puffing steam at night.

As if —
there is hope on the other side, refreshment and renewal and rejoicing only around the corner.

As if —
things won’t always be frozen or muddy or barren, that something is coming behind the snowdrops and crocus.

The snow is melting, imperceptibly, but melting nonetheless.
And that, in turn, melts me…

This year’s Lenten theme:
So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.
2 Corinthians 4: 18

Sweeping the Path of Camellias

Near a shrine in Japan he’d swept the path
and then placed camellia blossoms there.

Or — we had no way of knowing — he’d swept the path
between fallen camellias.

~Carol Snow “Tour”

I’ve seen brilliant camellias blooming in Japan in late winter, a harbinger of the sakura blossom explosion right around the corner. The shiny-leafed camellia bushes are taller than I am, loaded with flowers, a showy yet still humble plant. As little else is blooming, walking along Tokyo rivers and pathways becomes a camellia scavenger hunt, checking out the different pinks and reds, looking for the most perfect blooms.

Although camellia blossoms are hardy enough to withstand variable temperatures and weather, their petals eventually begin to brown at the edges and wither. On windy days, the full intact blooms plop to the pavement without warning, scattering into a nubby floral throw rug. They are too bulky to step on, so the tendency is to pick a path around them, allowing them the dignity of a few more days before being swept away by street cleaners.

In an aging country of great order and tidiness, these fallen blossoms are almost sacred and clearly respected. They grace the paths the living still must navigate. They are indeed grounding for the passersby, reminding us our time to let go will come too. As we measure our steps, carefully making our way around their fading beauty, we acknowledge the blessing they unknowingly bestow.

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A Green Sprouting Thing

Now wind torments the field,
turning the white surface back
on itself, back and back on itself,
like an animal licking a wound.

Nothing but white–the air, the light;
only one brown milkweed pod
bobbing in the gully, smallest
brown boat on the immense tide.

A single green sprouting thing
would restore me . . .

Then think of the tall delphinium,
swaying, or the bee when it comes
to the tongue of the burgundy lily.
~Jane Kenyon “February: Thinking of Flowers”

Turning the page on the calendar last week or watching for groundhog predictions didn’t magically bring spring.  We’ve had more arctic wind and southerly blows as well. The sun has kept its face hidden behind its gray veil.

By this time of winter, I’m like a dog tormented by my own open and raw flesh, trying my best to lick it healed, unable to think of anything or anyone else, going over it again and again – how weary I feel, how bruised I am by the wind, how uprooted I feel, how impossibly long it will be until I feel warm again.

Then I see the photos from Turkey and Syria after the recent devastating series of building-shattering earthquakes leaving many dead, injured and homeless in mid-winter. I realize I truly have no idea how deep wounds can be…

Despite it all, green sprouts are trying to push up even while frozen by snow and ice. Soon fresh blooms will once again grace the barnyard and with that renewal of life and hope, I just might be distracted from my own wound-licking.

photo by Nate Gibson
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When One’s Ramble is Over

The smell of that buttered toast simply spoke to Toad,
and with no uncertain voice;
talked of warm kitchens,
of breakfasts on bright frosty mornings,
of cozy parlour firesides on winter evenings,
when one’s ramble was over
and slippered feet were propped on the fender;
of the purring of contented cats,
and the twitter of sleepy canaries.
~Kenneth Grahame, The Wind in the Willows

I’m not a practitioner of the ancient art of aromatherapy for medicinal purposes but I do know certain smells transport me more effectively than any other mode of travel. One whiff of a familiar scent can take me back years to another decade and place, in time traveling mode. I am so in the moment, both present and past, my brain sees, hears, tastes, feels everything just as it was before.

The most vivid are kitchen smells. Cinnamon becomes my Grandma’s farm kitchen full of rising breakfast rolls, roasting turkey is my mother’s chaotic kitchen on Thanksgiving Day, fresh baked bread is my own kitchen during those years I needed to knead as therapy during medical training.

The newly born wet fur of my foals in the barn carries the sweet and sour amnion that was part of every birth I’ve been part of: delivering others and delivering my own. My heart races at the memory of the drama of those first breaths.

The garden yields its own treasure: tea roses, sweet peas, heliotrope, mint, lemon verbena take me back to lazy breezes wafting through open bedroom windows in my childhood home. And of course the richness of petrichor: the fragrance of the earth after a long awaited rain will remind me of how things smell after a dry spell.

I doubt any aromatherapy kit available would include my most favorite farm smells: newly mown hay, fresh fir shavings for stall bedding,  the mustiness of the manure pile, the green sweetness of a horses’ breath.

Someday I’ll figure out how to bottle all these up to keep forever.   Years from now my rambles will be over, when I’m too feeble to walk to the barn,  I can sit by my fireplace, close my eyes, open it up and take a whiff now and then to remind me of all I’m grateful for. 

I’ll breathe deeply of those memories that speak to me through scents — with no uncertain voice.

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Immortal Flowers

“Did you ever know that a flower, once withered and freshened again, becomes an immortal flower, – that is, that it rises again?”
~Emily Dickinson in a letter to a friend

Emily Dickinson Herbarium – preservation of trillium

Emily Dickinson herbarium- preservation of wild ginger (asarum)

While I was fearing it, it came—
But came with less of fear
Because that fearing it so long
Had almost made it fair—

There is a Fitting—a Dismay—
A Fitting—a Despair
’Tis harder knowing it is Due
Than knowing it is Here.

The Trying on the Utmost
The Morning it is new
Is Terribler than wearing it
A whole existence through.

~Emily Dickinson

Over a decade ago, as I was going through my mother’s boxed-up possessions after her death, I found the 1956 Webster’s New Dictionary of the Twentieth Century that I grew up with. This book was massive, easily weighing 10 pounds, and served as a booster seat for haircuts, a step stool for trying to reach the cookie jar on the kitchen cupboard, and of course, for looking up any obscure word that ever existed in all of history. Or so it seemed.

It was an amazing tome. And as I flipped through the pages, I found some old familiar friends that were neither black nor white nor read all over. They had survived over half a century.

Wildflowers had been carefully pressed between the pages–over two dozen specimens paper thin themselves, their existence squeezed into two dimensions–still showing faint pink or blue, or purple color, almost exuding a long ago fragrance from a summer over fifty years ago. As a child I regularly wandered out to our fields and woods to gather crimson clover blossoms, buttercup, dandelions, daisies, wild violets, wild ginger, calypso lady slippers for bouquets for my mother, and she would select the most perfect to slide between the pages of the dictionary. Occasionally she would pull one out to gently paste on a hand written card she sent to a friend.

Here were my perfect flowers, preserved and pressed for time, just waiting for the senior-citizen me to rediscover them lying between wonderful words that I love to roll in my mouth and type on a page. They are too fragile to paste to a greeting card, or even to handle due to their brittleness. They need to stay right where they are, for another generation or two or three to discover.

As a child, I was always very worried about losing my parents, fearing their death would be the end of me as well. But as Emily Dickinson writes “fearing it so long/Had almost made it fair” – as an adult, I was more prepared for the day each parted from this life. As the poet suggests, fearing it for years was much harder than the acceptance when that time had come.

Now I too am pressed for time, fading and more fragile, perhaps more brittle than I care to admit. My mother and father have blown away like the puff ball seeds of the dandelion, on to other horizons, but the sturdy old dictionary is going nowhere. It will be passed down, its delicate passengers preserved inside from a long-ago-far-away summer afternoon of flower gathering. They will be shared as a great grandchild opens the book to look up a favorite word sometime in the not-so-far-off future.

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Dawn on our Darkness: How is it Possible?

The yellow tulip in the room’s warmth opens.

Can I say it, and not seem to taunt

all who live in torment? Believe it, yet

remain aware of the world’s anguish?

But it’s so: a caravan arrives constantly

out of desert dust, laden

with gift beyond gift, beyond reason.

Item: a yellow tulip
opens; at its center
a star of greenish indigo,
a subtle wash of ink
at the base of each of
six large petals.
The black stamens
are dotted with white.
At the core, the ovary,
applegreen fullness
tapering to proffer—sheltered
in the wide cup of primary
yellow—its triune stigma, clove
of green and gold.

That’s one, at nightfall of a day which brought

a dozen treasures, exotic surprises, landscapes,

music, words, acts of friendship, all of them wrapped

in mysterious silk, each unique.

How is it possible?

The yellow tulip in the room’s warmth opens.
~Denise Levertov “A Yellow Tulip” from Sands of the Well

I feel like I’m constantly aware of the world’s anguish, reminded in headlines, and radio news updates. The knowledge of others’ grief and mourning, their losses and struggles can be overwhelming. This world is a darkened place of pain and tears for so many, so much of the time.

So who am I to write of a moment of incredible encouragement and beauty, to post pictures of the latest masterpiece painted through sunrise and sunset, to search out and share the gifts that exist all around me – while people are suffering?

We were not created to wallow in anguish – yet here we are, trying to every way to climb our way out of the mess.

I only know this Advent promise: I am but one of countless witnesses to the dawn which has been sent to diminish and overwhelm our darkest times. I seek an oasis of restoration in the desert dust that comprise our days.

I cannot turn away from the gifts laid at my feet — they are as unexpected and awe-inspiring as the angel chorus must have been to lonely shepherds that glorious night. Suddenly, for those isolated people, nothing was the same ever again.

How is it possible?

So too, I open: waiting, watching, longing for the glory.
Nothing will be the same, ever again.

This year’s Advent theme “Dawn on our Darkness” is taken from this 19th century Christmas hymn.

Brightest and best of the sons of the morning,
dawn on our darkness and lend us your aid.
Star of the east, the horizon adorning,
guide where our infant Redeemer is laid.
~Reginald Heber -from “Brightest and Best”

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Vines Running Wild

Poetry is a rich, full-bodied whistle,
cracked ice crunching in pails,
the night that numbs the leaf,
the duel of two nightingales,
the sweet pea that has run wild,
Creation’s tears in shoulder blades.
~Boris Pasternak

Here are sweet-peas, on tip-toe for a flight:
With wings of gentle flush o’er delicate white,
And taper fingers catching at all things,
To bind them all about with tiny rings.
~John Keats
from I Stood Tip-toe Upon a Little Hill

Sweet peas and pumpkins are strange neighbors on the table
Usually separated by weather and season,
one from late spring,
the other from mid-autumn,
truly never meant to meet.

Yet here they are, side by side,
grown in the same soil
through the same weeks,
their curling vines entwined.

A few dropped sweet pea seeds
forgotten in the summer weeds;
eventually swelled and thrived,
now forming rich autumn blooms
gracing a harvest table
with bright pastels and spring time fragrance.

Perhaps I too may bloom where I land,
even if ill-timed and out of place,
I might run wild, interwoven, bound to others
who look nothing like me,
encouraged to climb higher,
to blossom bravely,
even in the face of knowing
the killing frost is soon to come.

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Sun Drunk

The happiest field in all the harvest
is the field of sunflowers at their peak.
Drinking the rays and dancing in the breeze.
The saddest field is the same field, six weeks later.
Drunk on the sun and burnt with shame,
they drop their heads to hide their mane.

R.S. Barrington

Three months of no appreciable rain is unprecedented here in the Pacific northwest.  We have been dryer than the plains states; tractors raise vast dust clouds as they harvest the fields around our farm.  No precipitation is mentioned in the forecast over the next ten days.

It has been simply too much for web foot natives like myself.  We are so inebriated from this interrupted run of perpetually sunny days, we are unable to take in any more, now bloated with Vitamin D, sickened with shame at soaking in more than our allotted share of rays. 

We are at serious risk of solar withdrawal when the rain starts.  I’m already shaky at the thought of gray clouds.  Shorter days and foggy mornings might bring on the dry heaves.  Hallucinations could include parades of multicolored bumbershoots multiplying like Mickey’s brooms in Fantasia’s The Sorcerer’s Apprentice.   Someone will need to detox us with a full spectrum seasonal affective disorder light to taper us down slowly.

Okay, enough is enough.  We’ve had our run, we’ve had our fun drunk on the sun but we’ve had enough.  We are exhausted and in need of reprieve.

Let the rains begin. Please!

And all the people said, “Amen!”

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Into Every Small Fold

It is not enough to offer a silent thank you,
looking down at dark mums and the garden’s final offerings
of autumn—late-planted greens, their small leaves
fragile and pale. And bright orange peppers,
the odd liveliness of their color signaling an end.
To see the dense clouds drop into its depths and know
who placed them there. It is not enough to welcome God
into every small fold of the day’s passing.
To call upon some unknown force
to let the meat be fresh, the house not burn,
the evening to find us all here again. Yet,
we are here again. And we have witnessed
the miracle of nothing. A slight turning of empty time,
bare of grief and illness and pain. We have lived
nondescript this season, this day, these sixty-minutes.
But it is not enough. To bow our heads in silence.
To close our eyes and see in each moment
of each second the uneventful wonder
of none.
~Pamela Steed Hill “The Miracle of Nothing”

Sometimes I have loved the peacefulness of an ordinary Sunday.
It is like standing in a newly planted garden after a warm rain.
You can feel the silent and invisible life.
~Marilynne Robinson from Gilead

I am covered with Sabbath rest
quiet and deep~
planted, grown, and now harvested in soil
still warm and dry from a too long summer,
now readying for sleep again.

I know there is nothing ordinary
in this uneventful wonder of none.

I am called by such Light
to push out against darkness,
to be witness to the miracle of nothing
and everything.

Can there be nothing more eventful
than the wonder of an ordinary Sunday?

Original Barnstorming artwork note cards available as a gift to you with a $50 donation to support Barnstorming – information here