The bud stands for all things, even for those things that don’t flower, for everything flowers, from within, of self-blessing; though sometimes it is necessary to reteach a thing its loveliness, to put a hand on its brow of the flower and retell it in words and in touch it is lovely until it flowers again from within, of self-blessing; as Saint Francis put his hand on the creased forehead of the sow, and told her in words and in touch blessings of earth on the sow, and the sow began remembering all down her thick length, from the earthen snout all the way through the fodder and slops to the spiritual curl of the tail, from the hard spininess spiked out from the spine down through the great broken heart to the sheer blue milken dreaminess spurting and shuddering from the fourteen teats into the fourteen mouths sucking and blowing beneath them: the long, perfect loveliness of sow. ~Galway Kinnell, “Saint Francis and the Sow” from Three Books.
We all need such a blessing – a gentle hand on our forehead to remind us of our budding loveliness. Without that affirmation, we become convinced we will never flower and fruit, that we are worthless to the world.
Due to cruel comparisons on social media and elsewhere, our young people (and too many older adults) remain crippled buds, feeling criticized and bullied into believing they don’t measure up and can never be crucially beautiful in the world.
And so I must ask: compared to what and whom? What is more glorious than blooming just as we were created – serving the very purpose for which we were intended? Why wish for something or someone else?
There is nothing more wonderful than exactly how God knitted us together for His own purpose and in His own image — imperfectly perfect.
Celebrate your lifelong loveliness, whoever you are!
We lose light so quickly by mid to late afternoon these days. There is no wistful lingering within the descent of evening; the curtain is pulled closed and it is dark — just like that.
I don’t know about you, but I’m having more difficulty adjusting to the loss of daylight this year than any year previously. This is perplexing as the change of seasons is no mystery to me. Somehow I’m feeling a new deprivation beyond the fact that shorter days are simply a part of the annual autumnal routine.
As if – something precious has been stolen away
as if – I had any claim to the light to begin with
as if – I exist only to notice what ceases to exist.
I’m ready for more than just feeling loss. I’m ready to break into blossom; to be the light instead of grumbling in the dark.
The melon shades of leaves will soon rust and fall gently to layers of rest and forgetting, like sunken poems, unusual love, and grave silence after the crows.
The black walnut tree trembles down its mysterious spheres to sleep darkly, to pulse with memory of heartwood.
Old roses are paling with grace in this air of ruining tomorrows. Autumn again, and all the years twisting a garland of melancholy. ~Tim Buck, “Autumn” from VerseWrights Journal
The beauty around me is dying. It becomes harder to find vibrance and life in my surroundings in the volatility of deep autumn: a high wind warning is on the horizon in a few hours and we face a long winter as the uncontrolled pandemic continues unabated.
Those facts alone are enough to make me wander about the farm feeling melancholic. Even more than the loss of mere leaves and the fading of blooms is the reality of so many afflicted and infected people whose season for dying will come too soon.
Woe to us who are more concerned about our inconvenience and discomfort today than the months of ruined tomorrows for millions.
Lest it be forgotten in our bitterness – the promise of healing and renewal is also on the horizon.
May I listen for the pulse deep within the heartwood of each person with whom I have differences; my love for them must not fade nor wither but grow more graceful, more forgiving, more vibrant and beautiful by the day.
Walking, I drew my hand over the lumpy bloom of a spray of purple; I stripped away my fingers, stained purple; put it to my nose,
the minty honey, a perfume so aggressively pleasant—I gave it to you to smell, my daughter, and you pulled away as if
I was giving you a palm full of wasps, deceptions: “Smell the way the air changes because of purple and green.”
This is the promise I make to you: I will never give you a fist full of wasps, just the surprise of purple and the scent of rain. ~Kwame Dawes “Purple”
But maybe I ought to practise a little now? So people who know me are not too shocked and surprised When suddenly I am old, and start to wear purple. ~Jenny Joseph from “Warning”
Blazing in Gold and quenching in Purple Leaping like Leopards to the Sky Then at the feet of the old Horizon Laying her spotted Face to die Stooping as low as the Otter’s Window Touching the Roof and tinting the Barn Kissing her Bonnet to the Meadow And the Juggler of Day is gone ~Emily Dickinson “228”
I haven’t anything purple to wear – never have. It’s not that I don’t like purple – I do. I just have never felt worthy to be adorned in it like the sky and flowers and fruit.
Perhaps my reluctance to wear purple is that it represents the rich and royal … yet also the bruised and battered … all at once. I know One who was both and took a beating for me in place of me.
What if you slept And what if In your sleep You dreamed And what if In your dream You went to heaven And there plucked a strange and beautiful flower And what if When you awoke You had that flower in your hand Ah, what then? ~Samuel Taylor Coleridge “What if you slept…”
What do our dreams tell us of heaven?
The last few nights I have dreamed of those with whom I once had a warm friendship but no longer do. My dreams were of grace and reconciliation, of walking and talking together and rediscovering our common goals and beliefs rather than dwelling on estrangement and sadness as we’ve gone our separate ways.
Upon waking, I wonder what vision of heaven this could be: finding the lost treasure of connection that I allowed to let go. Restoring a friendship is a strange and beautiful flower plucked in a dream. I must hold it gently in my hand as the precious gem it is.
Tis the last rose of summer Left blooming alone; All her lovely companions Are faded and gone: No flower of her kindred, No rose-bud is nigh, To reflect back her blushes, Or give sigh for sigh.
I’ll not leave thee, thou lone one! To pine on the stem; Since the lovely are sleeping, Go, sleep thou with them. Thus kindly I scatter Thy leaves o’er the bed, Where thy mates of the garden Lie scentless and dead.
So soon may I follow, When friendships decay, And from Love’s shining circle The gems drop away. When true hearts lie wither’ d, And fond ones are flown, Oh! who would inhabit This bleak world alone? ~Thomas Moore “The Last Rose of Summer”
The last rose of the season is one tough bud. It has persisted through months of prunings and aphids and withering heat and frost-tipped mornings.
It doesn’t elegantly swell and swirl like its summer cousins adorned with pristine petals and silky smooth surface. It is blotchy and brown-tipped and not-a-little saggy.
Yet the last rose bud of the season is what I am. I would rather stay out on the bush than be plucked and admired in a vase. I would rather, plain as I am, weather my way through the elements to the fullest bloom possible and then drop, petal by petal, piece by piece to litter the ground below. I am meant to become the ground that will bear beauty next spring.
Rather than born for display, the last rose of October is born for hope.
…and the garden diminishes: cucumber leaves rumpled and rusty, zucchini felled by borers, tomatoes sparse on the vines. But out in the perennial beds, there’s one last blast of color: ignitions of goldenrod, flamboyant asters, spiraling mums, all those flashy spikes waving in the wind, conducting summer’s final notes. The ornamental grasses have gone to seed, haloed in the last light. Nights grow chilly, but the days are still warm; I wear the sun like a shawl on my neck and arms. Hundreds of blackbirds ribbon in, settle in the trees, so many black leaves, then, just as suddenly, they’re gone. This is autumn’s great Departure Gate, and everyone, boarding passes in hand, waits patiently in a long, long line. ~Barbara Crooker “And Now It’s September” from Spillway
The advance of autumn usually feels like I’m waiting to embark on an unplanned journey that I wish to avoid. I don’t like airports, don’t like the strangeness of unfamiliar destinations, don’t like flying with nothing between me and the ground.
Now “fall” is just like that — like I’m falling.
I look at what is dying around me and know these blasts of color and fruitfulness are their last sad gasps.
So too, when I go out the departure gate, may I go down the long ramp gaily without fear and without regrets — maybe even with a skip in my step as I fall.