Peeling Back the Veil

In the season leaves should love,
since it gives them leave to move
through the wind, towards the ground
they were watching while they hung,
legend says there is a seam
stitching darkness like a name.

Now when dying grasses veil
earth from the sky in one last pale
wave, as autumn dies to bring
winter back, and then the spring,
we who die ourselves can peel
back another kind of veil

that hangs among us like thick smoke.
Tonight at last I feel it shake.
I feel the nights stretching away
thousands long behind the days
till they reach the darkness where
all of me is ancestor.

~Annie Finch, from “Samhain” in Eve

Let’s go our old way
by the stream, and kick the leaves
as we always did, to make
the rhythm of breaking waves.

This day draws no breath –
shows no colour anywhere
except for the leaves – in their death
brilliant as never before.

Ah, but you were always leaf-light.
And you so seldom talk
as we go. But there at my side
through the bright leaves you walk.

And yet – touch my hand
that I may be quite without fear,
for it seems as if a mist descends,
and the leaves where you walk do not stir.

~Francis Bellerby from “All Souls’ Day”

And blessèd are the ones we overlook;
The faithful servers on the coffee rota,
The ones who hold no candle, bell or book
But keep the books and tally up the quota,

The gentle souls who come to ‘do the flowers’,
The quiet ones who organise the fete,
Church sitters who give up their weekday hours,
Doorkeepers who may open heaven’s gate.

God knows the depths that often go unspoken
Amongst the shy, the quiet, and the kind,
Or the slow healing of a heart long broken
Placing each flower so for a year’s mind.

Invisible on earth, without a voice,
In heaven their angels glory and rejoice.

~Malcolm Guite “The Last Beattitude”

There is no denying I am composed of all of the thousands of my ancestors, carrying their DNA in every cell of my body. Their traits and characteristics pulse continuously in my blood even when at times I wish they didn’t.

On All Souls’ Day, we remember those from whom we come — all those spirited ghosts within our cells who shake and rattle a bit louder this time of year in the foggy darkness.

I wave at them warily from my perch in the 21st century.

I come from somber folk. That explains a lot.

I feel great kinship to the peasant farmers I descend from though I wish I could turn off the genes that lead me to eat too much, and worry too much and my tendency toward the melancholy rather than the jocular. Somehow I have suppressed the tendency to drink too much and curse too much. I do come from a long line of believers in ghosts, so these days of Samhain and All Hallows’ tend to open those creaky doors of shivers and chills, so I avoid anything even remotely scary. It only encourages those more tenuous strands of my DNA.

I am indeed made up of all-ancestor bits and pieces, and can’t deny it.

There is some comfort in realizing there is nothing really brand new about me, so I try not to make a fool of myself on behalf of the hosts of others sitting tidily wrapped up in my nuclei. There is additional comfort knowing a small part of me will continue in my descendants, who will ponder their family tree wondering which great-great-great-great grandparent passed down which annoying characteristic.

I wave hopefully from the 21st century to those generations to come, to remind them not to forget those of us who came before. If there are spirits that come to visit on Samhain, I promise to be a friendly ghost.

Reflecting Light Like Drops of Dew

Though Satan breaks our dark glass into shards
Each shard still shines with Christ’s reflected light,
It glances from the eyes, kindles the words
Of all his unknown saints. The dark is bright
With quiet lives and steady lights undimmed,
The witness of the ones we shunned and shamed.
Plain in our sight and far beyond our seeing
He weaves them with us in the web of being
They stand beside us even as we grieve,
The lone and left behind whom no one claimed,
Unnumbered multitudes, he lifts above
The shadow of the gibbet and the grave,
To triumph where all saints are known and named;
The gathered glories of His wounded love.
~Malcolm Guite “All Saints’ Day”

The ordinary saints, the ones we know,
Our too-familiar family and friends,
When shall we see them? Who can truly show
Whilst still rough-hewn, the God who shapes our ends?
Who will unveil the presence, glimpse the gold
That is and always was our common ground,
Stretch out a finger, feel, along the fold
To find the flaw, to touch and search that wound
From which the light we never noticed fell
Into our lives? Remember how we turned
To look at them, and they looked back? That full-
-eyed love unselved us, and we turned around,
Unready for the wrench and reach of grace.
But one day we will see them face to face.
~Malcom Guite “Ordinary Saints”

As grains of sand, as stars, as drops of dew,
Numbered and treasured by the Almighty Hand,
The Saints triumphant throng that holy land
Where all things and Jerusalem are new.

We know not half they sing or half they do,
But this we know, they rest and understand;
While like a conflagration freshly fanned,
Their love glows upward, outward, through and through.

Lo! like a stream of incense launched on flame
Fresh Saints stream up from death to life above,
To shine among those others and rejoice.

What matters tribulation whence they came?
All love, and only love, can find a voice
Where God makes glad His Saints, for God is Love.

~Christina Rossetti “As Grains of Sand“

At almost four in the afternoon, the
wind picks up and sifts through the golden woods.

The tree trunks bronze and redden, branches
on fire in the heavy sky that flickers

with the disappearing sun. I wonder
what I owe the fading day, why I keep

my place at this dark desk by the window
measuring the force of the wind, gauging

how long a certain cloud will hold that pink
edge that even now has slipped into gray?

Quickly the lights are appearing, a lamp
in every window and nests of stars

on the rooftops. Ladders lean against the hills
and people climb, rung by rung, into the night.

~Joyce Sutphen “On the Shortest Days” from Modern Love and Other Myths

We are created to reflect the Light sent from above, whether we are the smallest dewdrop, a grain of sand on an infinite beach, or the first rung on a ladder set for heaven.

We are here today due to sacrifices of ordinary saints who came before:
the parents who stayed up all night with our high fever measles,
the grandparents who nurtured us when our parents were too weary, the church members who prayed over us when we went astray.

We are who we are today because of people who invested in our surviving, who bore arms in foreign lands far from home, who strived to keep water and air clean, who grew good food not knowing who would benefit.

We are gifted from the reach of common grace that emanates from common people; grace such as this wrenches us away from caring only for ourselves and thrusts us into the lives of others.

We are all created in the image of a very personal God who knows our very folds and inner and outer flaws, but loves us nonetheless, reminding us to sacrifice self for the sake of the other, to reflect His Light no matter where He sends us.

We are unselved by the saints today: loved for who we are
yet created to love those we’ll never know.

Lyrics:
All around us and within us
And yet it’s only at times we notice
As real as rain, and soft as stardust
We know deep down, what nobody told us.

Chorus: Can’t you feel it ever closer
We breathe it in and we then we exhale
We touch both sides and now eternal
Standing closer to the veil


Now is just a, moving image
Not a ribbon, a start and end
There is a bird, a hidden singer
That calls and listens, and calls again

Centered down and moving outward
Sometimes almost, to sweet to bare
There are endless ways to reach home
Just keep walking and I’ll meet you there

Standing closer to the veil
There’s a blurring of the borders
And I swear that I heard voices
But every act of, simple kindness
Calls the kingdom down and all around us


A Latticework of Bones

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And then in the falling comes a rising,
as of the bass coming up for autumn’s last insects
struggling amid the mosaic of leaves on the lake’s surface.
We express it as the season of lacking, but what is this nakedness
— the unharvested corn frost-shriveled but still a little golden
under the diffuse light of a foggy sky,
the pin oak’s newly stark web of barbs, the woodbine’s vines
shriven of their scarlet and left askew in the air
like the tangle of threads on the wall’s side
of the castle tapestry—what is it but greater intimacy,
the world slackening its grip on the veils, letting them slump
to the floor in a heap of sodden colors, and saying,
this is me, this is my skeletal muscle,
my latticework of bones, my barren winter skin,
this is it and if you love me, know that this is what you love.
~Laura Fargas “October Struck” from Animal of the Sixth Day

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Something about the emerging nakedness of autumn reassures;
we are loved even when stripped down to our bones.

While making quite a show of shedding our coverings,
our bits and pieces fluttering down to rejoin the soil,
what is left is meager lattice.

But when the light is just right,
we simmer gold,
illuminated and illuminating,
even if barely there.

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Comprehending the Difference

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…the essence of sin
is man substituting himself for God,
while the essence of salvation
is God substituting himself for man.

~John Stott from The Cross of Christ

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Try as we might
to make things in our own image,
no matter what discontent we feel,
we fail to comprehend
we are not God
and never can be.

Try as we might
to pick ourselves up when we fall,
no matter the anguish we feel,
we struggle to understand
He fell to earth specifically to catch us:
He bled our blood, shed our tears, brought us home.

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Lyrics from Psalm 84:

How lovely is your dwelling place,
O Lord of hosts!
2 My soul longs, yes, faints
for the courts of the Lord;
my heart and flesh sing for joy
to the living God.

3 Even the sparrow finds a home,
and the swallow a nest for herself,
where she may lay her young,
at your altars, O Lord of hosts,
my King and my God.
4 Blessed are those who dwell in your house,
ever singing your praise!

A Broken Globe

The skull wasn’t there.
We listened


to the heartbeat.
Would our child


live?
Air tinted


gray, I moved
closer, searched the screen


for the halo
of bone,


touched glass

and stroked
our bad luck,


my finger leaving
its smudge


on the oval glow,

delicate as a grape.
The head would


never form.
Grace stared


at the brightness


then closed her eyes,
the light flickered


on our hands.
This second child. Never.

The dark

washed in,
heavy as water.


Did our baby know pain?
Inside tiny feet


kicking, small hands

open, fingers
reached out. Drift


of white static,
this broken globe

we had made.
~Brian Komei Dempster “Glow” from Seize

The call came in the middle of a busy night
as we worked on a floppy baby with high fever,
a croupy toddler whose breathing squeezed and squeaked,
a pale adolescent transfusing due to leukemia bleeding.

It was an anencephalic baby just born, unexpected, unwanted
in a hospital across town, and she needed a place to die.

Our team of three puzzled how to manage a baby without a brain–
simply put her in a room, swaddled, kept warm but alone?
Hydrate her with a dropper of water to moisten her mouth?
Offer her a taste of milk?

She arrived by ambulance, the somber attendants
leaving quickly, unnerved by her mewing cries.

I took the wrapped bundle and peeled away the layers
to find a plump full term baby, her hands gripping, arms waving
once freed;  just another newborn until I pulled off her stocking cap
and looked into an empty crater — only a brainstem lumped at the base.

No textbook pictures had prepared me
for the wholeness, the holiness of this living, breathing child.

Her forehead quit above the eyebrows with the entire skull missing,
tufts of soft brown hair fringed her perfect ears,
around the back of her neck.
Her eyelids puffy, squinting tight, seemingly too big
above a button nose and rosebud pink lips.

She squirmed under my fingers, her muscles strong, breaths coming steady despite no awareness of light or touch or noise.

Yet she cried in little whimpers, mouth working, seeking,
lips tentatively gripping my fingertip. A bottle warmed,
nipple offered, a tentative suck allowing tiny flow,
then, amazing,  a gurgling swallow.

Returning every two hours, more for me than for her, I picked her up
to smell the salty sweet scent of amnion still on her skin as she grew dusky.

Her breathing weakened, her muscles loosened, giving up her grip
on a world she would never see or hear or feel — to behold
something far more glorious.

I gazed into her emptiness, waiting my turn to be filled.

As the Rain Begins…

The room darkened, darkened until
our nakedness became a form of gray;
then the rain came bursting,
and we were sheltered, blessed,
upheld in a world of elements
that held us justified.
In all the love I had felt for you before,
in all that love,
there was no love
like that I felt when the rain began…
~John Updike from “The Blessing” from Collected Poems.

As the rains return,
as we shelter together,
blessed by the passing years and miles,
our unknowns have become known,
our understanding breathed in silence.

Though we be gray as the clouds above,
our hearts still beat in synchrony
each pulsing moment
more sacred than the last.

Lyrics: A soft voice, a kind word
A tender touch in a hard world
Your voice like rain after the seeds are sown
Your kindness and grace is all I’ve ever known

We’re not the same, you and me
You’re an evergreen and I’m a maple tree
Sometimes I’m bare, sometimes I’m sweet
You can carry on consistently
And in a million little ways, you show
How to take two souls and make one home

You love the dirt, I find life in words
I sit and think, you relish your work
You could teach, teach a master class
Without a word you show us how to make a feast from scratch
And in a million little ways, you show
How to take two souls and make one home
And in a million little ways, you show
How to take two souls and make one home

A sanctuary for our children
A sanctuary for our fears and hopes
Here in the wilderness, our world longs for this
To be known and loved
To be known and loved

Lyrics: In the quiet misty morning
When the moon has gone to bed,
When the sparrows stop their singing
And the sky is clear and red,
When the summer’s ceased its gleaming
When the corn is past its prime,
When adventure’s lost its meaning –
I’ll be homeward bound in time

Bind me not to the pasture
Chain me not to the plow
Set me free to find my calling
And I’ll return to you somehow

If you find it’s me you’re missing
If you’re hoping I’ll return,
To your thoughts I’ll soon be listening,
And in the road I’ll stop and turn
Then the wind will set me racing
As my journey nears its end
And the path I’ll be retracing
When I’m homeward bound again

Bind me not to the pasture
Chain me not to the plow
Set me free to find my calling
And I’ll return to you somehow

In the quiet misty morning
When the moon has gone to bed,
When the sparrows stop their singing
I’ll be homeward bound again.

~Marta Keen “Homeward Bound”

So Easy to Love

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It’s easy to love a deer
But try to care about bugs and scrawny trees
Love the puddle of lukewarm water

From last week’s rain.
Leave the mountains alone for now.
Also the clear lakes surrounded by pines.
People are lined up to admire them.
Get close to the things that slide away in the dark.
Be grateful even for the boredom
That sometimes seems to involve the whole world.
Think of the frost
That will crack our bones eventually.
~Tom Hennen “Love for Other Things”

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My only purpose this moment
is looking at a lizard.
Does he know he’s not alone?

He breathes with tiny push-ups,
his skin all hairline caverns
soaking up the sun.

I doubt, alive, I’m liable to get
closer to timelessness than this,
looking at a little lizard breathing.

~Barry Spacks “Looking at a Lizard” from Shaping Water

Oh, it is easy to love the beautiful things of God’s creation~
we drive long hours to stand in awe,
gaping at mountains and valleys and waterfalls
and kaleidoscopes of color

so if God decides He wants a slug or lizard or bug
and allows drought and mud and frost
and ice storms and hurricanes
then I guess, if He so chooses,
He could look at each of us and say
I need one of you too.

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When Old and Lame

All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;

and after noon’s heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun’s muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground – old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
~Donald Hall “Name of Horses”

Today, we said goodbye to our last Haflinger mare after four decades of being a breeding farm. We have two geldings left on the farm, in their early 20’s.

I was dreading this day but knew it would eventually come.

Belinda, who I have written about here, flew from the Netherlands as a baby with her mother in 1998, bringing new bloodlines to North America from an East German Haflinger breeding program, at the time only recently accessible to breeders with the opening of the Berlin Wall.

She proved to be a great broodmare here on our farm and her foals all sold quickly to other breeders. However, her last twelve years of retirement were complicated by metabolic imbalance and a tendency toward laminitis. We finally had to make the hard choice to bring out the vet to gently help her pass with intravenous medication into eternal lush pastures she could tolerate. Then the local hauler picked her up for cremation. No bullets to the brain, no hole to be dug.

We have done our final parting with our horses in this way over our forty years of Haflinger ownership. It is certainly different from how it was done when I was a kid on a small cow and horse farm. Our family mare, Dolly, in 1965, was put down by a vet’s bullet to the head after an agonizing bout with colic. My dad sent me back to the house beforehand, not wanting me to watch. Still, I could not help but hear the gunshot as if it had gone right through me as well. It took Dad the rest of the day to dig a hole deep enough so she could be buried on our farm.

At first her grave was my place to cry where no one but the trees and wild flowers could see.

When my tears finally dried up, it was a place to sing loudly where no one but chipmunks and my dog could hear.

And before I left for college, it became the sanctuary where I retreated to talk to God when my church no longer was.

I suspect her bones lie there still, with tall trees now growing through her ribs. That dent in the ground will always betray the spot.

We’ll remember you fondly, Belinda. You traveled far to come here and gave us your best. We promised you would live here on this farm, in peace, until your last breath.

Belinda’s last evening out on pasture

What Else is There?

The way the trees empty themselves of leaves,
let drop their ponderous fruit,
the way the turtle abandons the sun-warmed log,
the way even the late-blooming aster
succumbs to the power of frost—


this is not a new story.
Still, on this morning, the hollowness
of the season startles, filling
the rooms of your house, filling the world
with impossible light, improbable hope.


And so, what else can you do
but let yourself be broken
and emptied? What else is there
but waiting in the autumn sun?

~Carolyn Locke “What Else?” from The Place We Become

So this is how life goes:

we are sowed, set down roots, bud and grow and flower and bloom and fruit and flourish,

then dry and change and wither and empty and break away
to be carried off beyond this air and water and soil.

We thrive where we are planted,
do what we could with a little nurture,
then transcend the here and now.

So shall we plant the next generation in healthy soil.
May we weed and water and feed as needed.
May we never seek to overshadow the sun
but step aside so its light fully shines on whoever comes next.

A Strange Blurring of Seasons

Van Gogh – “Avenue of Plane Trees near Arles Station”

After Van Gogh
Things are growing strange these days,
like Van Gogh’s yellow trees. Oh, do not
be surprised by these yellow immensities,
how out of proportion things in the picture seem.
What you see in a way makes sense:
the enormous, barren trees eclipsing
the unimportant buildings at Arles station,
the people all small, shadow-like, cast
to the side. Perhaps Van Gogh should have
left us out entirely, but then who would
be left to blame for the strange blurring
of the seasons in the forefront, the way
summer bleeds into autumn, the forests
burning deep into the winter, those winters
where the snow piled so high, we were all
nearly buried alive. Soon we’ll vanish,
and no picture will even exist—unless,
unless someone will answer (who will dare
to answer), where in the world is spring?
~Jodi Hollander “Avenue of Plane Trees”

Who might dare to answer:
where in the world is spring?


Who can know with any certainty?
Sometimes it feels like time skips forward
and a whole season is left behind.

The signs of the seasons might blur so there is no telling
whether it is fall or spring without a calendar.

Are those trees just leafing out or simply trying to shed?
Is the sunset’s golden glow from an early October light or April?

I can’t feel the movement of the earth under my feet.
It needs to slow its spin on its axis
and lengthen its orbital oval trip around the sun
so I have more minutes in the day and more weeks in a year.

But, of course, that would make a huge mess of things.
It is a good thing I’m not the design engineer.

It is as it is,
and meant to be this way.

Though it may be blurry to me,
it is clear and good and intentional to God.
So He dares to answer where in the world is spring?
Only He knows precisely where we are in the heavens…