Blessed Days of More or Less

Now in the blessed days of more and less
when the news about time is that each day
there is less of it I know none of that
as I walk out through the early garden
only the day and I are here with no
before or after and the dew looks up
without a number or a present age
~W. S. Merwin “Dew Light”

A walk around the farm becomes more or less, before or after, now and then, a timelessness of shifting seasons and days each fading into the next.

A prayer is timeless, spoken to the God who was, is and ever will be, and who already knows what we are about to say. And He knows I don’t tend to say anything new.

And so He still blesses me with the light of His dew.

I began writing regularly over ten years ago as a way to explain myself to people I will never meet. Perhaps I actually am trying to explain myself to God.

God is,
if I stop to look and listen. 
Yesterday, today, tomorrow –
more or less, before or after, now and then,
ever and ever. Amen.

So Others See What I See

Tonight at dusk we linger by the fence
around the garden, watching the wound husks
of moonflowers unclench themselves slowly,
almost too slow for us to see their moving—
you notice only when you look away
and back, until the bloom decides,
or seems to decide, the tease is over,
and throws its petals backward like a sail
in wind, a suddenness about this as though
it screams, almost the way a newborn screams
at pain and want and cold, and I still hear
that cry in the shout across the garden
to say another flower is about to break.
I go to where my daughter stands, flowers
strung along the vine like Christmas lights,
one not yet lit. We praise the world by making
others see what we see. So now she points and feels
what must be pride when the bloom unlocks itself
from itself. And then she turns to look at me.
~James Davis May “Moonflowers” from
32 Poems Magazine, (Number 16.2, Winter, 2018)

Ever since I was a kid, I have had the need to share something special I’ve seen: a “hey, have you seen this too?” pointing it out to another to then witness it again through their eyes – that sharing can make it even sweeter. I guess that is much of what this blog is about.

Sometimes others can see what I see; sometimes not. Sometimes others wonder what has gotten into me.

I was an odd farm kid, no question: a summer twilight’s entertainment might be watching the evening primrose blossoms open at night. It, like the moonflower of the above poem, is one of a few night blooming plants meant to attract pollinating moths.   Its tall stems are adorned by lance shaped leaves, with multiple buds and blooms per stem.

Each evening, and it was possible to set one’s watch by its punctuality, only one green wrapped bud per stem opens, revealing a bright yellow blossom with four delicate veined petals, a rosette of stamens and a cross-shaped stigma in the center, rising far above the blossom.  The yellow was so vivid and lively, it seemed almost like a drop of sun was being left on earth to light the night.  By morning, the bloom would begin to wither and wilt under the real sunlight, somehow overcome with the brightness, and would blush a pinkish orange as it folded upon itself, ready to die and drop from the plant in only a day or two, leaving a bulging seed pod behind.

I would settle cross-legged on our damp lawn at twilight, usually right before dusk fell, to watch the choreography of the opening of evening primrose blossoms.  Whatever the trigger was for the process of the unfolding, there would be a sudden loosening of the protective green husk, in a nearly audible release.  Then over the course of about a minute, the overlapping yellow petals would unfurl, slowly, gently, purposefully in an unlocking action that revealed their pollen treasure trove inside.  

It was like watching time lapse cinematography, only this was an accelerated, real time flourish of sudden beauty, happening right before my eyes.  It was magic. I always felt privileged to witness each unveiling as few flowers would ever allow us to behold their birth. 

My brother wasn’t nearly as impressed when I tried to lure him into becoming audience with me. That’s okay; I was always underwhelmed by the significance of his favorite team’s touchdowns that he insisted in sharing with me.

It’s all praiseworthy as long as one among us notices.


Breathing the Spirit of the Seasons

photo of Grandma Emma by Sara Larsen

With my arms raised in a vee,
I gather the heavens and bring
my hands down slow together,
press palms and bow my head.

I try to forget the suffering,
the wars, the ravage of land
that threatens songbirds,
butterflies, and pollinators.

The ghosts of their wings flutter
past my closed eyes as I breathe
the spirit of seasons, the stirrings
in soil, trees moving with sap.

With my third eye, I conjure
the red fox, its healthy tail, recount
the good of this world, the farmer
tending her tomatoes, the beans

dazzled green al dente in butter,
salt and pepper, cows munching
on grass. The orb of sun-gold
from which all bounty flows.
~Twyla M. Hansen “Trying to Pray” from
 Rock. Tree. Bird

There is much to pray about.
The list is endless and the need overwhelming.

Where even to begin?

It is for good reason we are advised by Paul to “pray without ceasing” (the word in Greek is adialeiptos or “uninterruptedly”) in 1 Thessalonians 5:17.

It is not only when we audibly and in form,
address our petitions to the Deity that we pray.
We pray without ceasing.
Every secret wish is a prayer.
Every house is a church;
the corner of every street is a closet of devotion.
~Ralph Waldo Emerson in his sermon: Pray Without Ceasing

A farmer may have an addendum:
every barn is a church,
every moment kneeling and weeding the soil an act of devotion,
every moment of care-taking God’s creation an act of sacramental obedience.
Praying without ceasing in the course of one’s day.

Yet even before we clasp our hands together,
we are told to “Rejoice always.”
-Rejoice before complaining.
-Rejoice before requesting.
-Rejoice before losing heart.

Let me be breathing in the spirit of the seasons, overwhelmed by joy, before I talk with God. He knows which tears are which.

Sauntering in a Musing Pace

The south-west wind! how pleasant in the face
It breathes! while, sauntering in a musing pace,
I roam these new ploughed fields; or by the side
Of this old wood, where happy birds abide,
And the rich blackbird, through his golden bill,
Utters wild music when the rest are still.
Luscious the scent comes of the blossomed bean,
As o’er the path in rich disorder lean
Its stalks; when bees, in busy rows and toils,
Load home luxuriantly their yellow spoils.
The herd-cows toss the molehills in their play;
And often stand the stranger’s steps at bay,
Mid clover blossoms red and tawny white,
Strong scented with the summer’s warm delight.
~John Clare “Beans in Blossom”

Walking, thinking and paying attention to one’s surroundings all at the same time requires a slower pace than the recommended 3x a week standard cardiovascular work-out.

So, even if it isn’t getting my heart rate up, I’m trying out sauntering. Ambling.
Meandering.
Strolling.
Dilly-dallying.
Lingering.

As my feet move more slowly, my brain stays busy, even as my muscles aren’t so much.
Musing.
Cogitating.
Contemplating.
Reflecting.
Pondering.
Ruminating.
Appreciating.

What takes place is a perplexing paradox:
I empty out while filling up:

letting go of worry, doubt, fear, anxiety, grief, self-absorption
allowing room for praise, contentment, grace, gratitude, worship

A fair trade if you ask me.


What the Sun Lights Up

It is possible, I suppose that sometime 
we will learn everything 
there is to learn: what the world is, for example, 
and what it means. I think this as I am crossing 
from one field to another, in summer, and the 
mockingbird is mocking me, as one who either 
knows enough already or knows enough to be 
perfectly content not knowing. Song being born 
of quest he knows this: he must turn silent 
were he suddenly assaulted with answers. Instead 
oh hear his wild, caustic, tender warbling ceaselessly 
unanswered. At my feet the white-petalled daisies display 
the small suns of their center piece, their – if you don’t 
mind my saying so – their hearts. Of course 
I could be wrong, perhaps their hearts are pale and 
narrow and hidden in the roots. What do I know? 
But this: it is heaven itself to take what is given, 
to see what is plain; what the sun lights up willingly; 
for example – I think this 
as I reach down, not to pick but merely to touch – 
the suitability of the field for the daisies, and the 
daisies for the field.
~Mary Oliver “Daisies”

I spend much of my time acknowledging I don’t know what I wish I knew. Aging means becoming content with the mystery and ceasing to strive so much for what is not yet illuminated, but will soon be.

I don’t fight my dark ignorance like I used to — no longer cry out in frustration about what I don’t understand and stomp angrily through each bewildering day.

Instead I am grateful for what insight is given freely and willingly, what is plainly illuminated, to be touched without being picked and destroyed.

I realize, if only I open up just enough to the Sun, it is my own heart that is alit and ripening. That is how heaven must be and I remain content to stay planted where I am until I’m picked.



Never Leaving the Land

My grandparents owned the land,
worked the land, bound
to the earth by seasons of planting
and harvest.

They watched the sky, the habits
of birds, hues of sunset,
the moods of moon and clouds,
the disposition of air.
They inhaled the coming season,
let it brighten their blood
for the work ahead.

Soil sifted through their fingers
imbedded beneath their nails
and this is what they knew;
this rhythm circling the years.
They never left their land;
each in their own time
settled deeper.
~Lois Parker Edstrom “Almanac” from Night Beyond Black. © MoonPath Press, 2016

My husband and I met in the late 70’s while we were both in graduate school in Seattle, living over 100 miles away from our grandparents’ farms farther north in Washington. We lived farther still from my grandparents’ wheat farm in Eastern Washington and his grandparents’ hog farm in Minnesota. One of our first conversations together, the one that told me I needed to get to know this man better, was about wanting to move back to work on the land. We were both descended from peasant immigrants from the British Isles, Holland and Germany – farming was in our DNA, the land remained under our fingernails even as we sat for endless hours studying in law school and medical school classes.

When we married and moved north after buying a small farm, we continued to work full time at desks in town. We’ve never had to depend on this farm for our livelihood, but we have fed our family from the land, bred and raised livestock, and harvested and preserved from a large garden and orchard. It has been a good balance thanks to career opportunities made possible by our education, something our grandparents would have marveled was even possible.

Like our grandparents, we watch in wonder at what the Creator brings to the rhythm of the land each day – the light of the dawn over the fields, the activity of the wild birds and animals in the woods, the life cycles of the farm critters we care for, the glow of the evening sun as night enfolds us. We are blessed by the land’s generosity when it is well cared for.

Now forty years after that first conversation together about returning to farming, my husband and I hope to never leave the land. It brought us together, fed our family, remains imbedded under our fingernails and in our DNA. Each in our own time, we will settle even deeper.

Thank you to retired RN and poet Lois Parker Edstrom for this exquisite poem about living and dying on the land. It has been my privilege to meet her and her husband and welcome them to our farm.
Your words have brought me many blessings!

The Lapse of Time

A single gentle rain makes the grass many shades greener.
So our prospects brighten on the influx of better thoughts.
We should be blessed if we lived in the present always, and
took advantage of every accident that befell us.

Sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise till noon, rapt in a revery, amidst the pines and hickories and sumachs, in undisturbed solitude and stillness, while the birds sing around or flitted noiseless through the house, until by the sun falling in at my west window, or the noise of some traveller’s wagon on the distant highway, I was reminded of the lapse of time.
~Henry David Thoreau from “Simplicity” in Walden.

I’m completely unskilled at doing nothing and have no idea how to go about it.

There is no continuing education course or training in it. I can’t get credit hours for accumulating guilt about wasting time — I get antsy at the mere thought of inactivity. Simply watching the hours pass makes me itchy for productivity.

So I’m practicing at nothing whatsoever this summer, just to see if I’m really cut out for it. I’ve read up on “how to rest”: connecting to nature, taking a break from being responsible, choosing not to be helpful and just remaining still and to be content to watch what is around me. Except for the nature part, I’m an utter failure otherwise.

It starts to feel like work to not work.

Even Thoreau ended up writing down and then publishing his meandering thoughts. Sounds like work to me.

Time for a nap.