The trees are undressing, and fling in many places— On the gray road, the roof, the window-sill— Their radiant robes and ribbons and yellow laces; A leaf each second so is flung at will, Here, there, another and another, still and still.
A spider’s web has caught one while downcoming, That stays there dangling when the rest pass on; Like a suspended criminal hangs he, mumming In golden garb, while one yet green, high yon, Trembles, as fearing such a fate for himself anon. ~Thomas Hardy “Last Week in October”
We too are flung into the unknown, trembling tethered in the breezes, unready to let go of what sustains us, fated to be tossed wherever the wind blows us.
If caught up by a silken thread, left to dangle, suspended by faith, we await the hope of rescue, alone and together, another and another, still and still.
God put the rainbow in the clouds, not just in the sky…. It is wise to realize we already have rainbows in our clouds, or we wouldn’t be here. If the rainbow is in the clouds, then in the worst of times, there is the possibility of seeing hope…. We can say, ‘I can be a rainbow in the clouds for someone yet to be.’ That may be our calling. ~Maya Angelou (Harrisburg Forum, November 30, 2001)
Be thou the rainbow in the storms of life. The evening beam that smiles the clouds away, and tints tomorrow with prophetic ray. ~Lord Byron
Painting the indescribable with words necessitates subtlety, sound and rhythm. The best word color portraits I know are by Gerard Manley Hopkins who described what he saw using startling combinations: “crimson-cresseted”, “couple-colour”, “rose-moles”, “fresh-firecoal”, “adazzle, dim”, “dapple-dawn-drawn”, “blue-bleak embers”, “gash gold-vermillion”.
My facility with words doesn’t measure up so I rely on pictures to show the hope I see when I look at the sky. I keep reaching for the rainbow hiding within the clouds, searching for the prophetic promise that preserves my days and nights forever.
After all, in the beginning was the Word, and no one says it better than He does.
A writer should concern himself with whatever absorbs his fancy, stirs his heart, and unlimbers his typewriter. I feel no obligation to deal with politics. I do feel a responsibility to society. A writer has the duty to be good, not lousy; true, not false; lively, not dull; accurate, not full of error. He should tend to lift people up, not lower them down.
A writer must reflect and interpret his society, his world; he must also provide inspiration and guidance and challenge. Much writing today strikes me as deprecating, destructive, and angry. There are good reasons for anger, and I have nothing against anger. But I think some writers have lost their sense of proportion, their sense of humor, and their sense of appreciation.
I am often mad, but I would hate to be nothing but mad: one role of the writer today is to sound the alarm. The environment is disintegrating, the hour is late, and not much is being done. Instead of carting rocks from the moon, we should be carting the feces out of Lake Erie. …I think I would lose what little value I may have as a writer if I were to refuse, as a matter of principle, to accept the warming rays of the sun, and to report them, whenever, and if ever, they happen to strike me. ~E.B. White 1969 (on writing)
It becomes tiresome always feeling angry about what it is happening in the world, feeling that everything, even a virus, has been made political. I’m done with reading and writing nothing but words of frustration, but will rail against the meanness that surrounds us, and push back the bully to seek out a balance of perspective and insight.
When I need to feel something other than mad, I’ll walk as far as I can go, look up, revel in the gift of rays of light and bask in their warmth and promise.
I will accept what the sun has to offer and tell about it so that my anger drains away like so much waste flushed down a pipe, never to be seen again.
There is not one blade of grass, there is no color in this world that is not intended to make us rejoice. ~John Calvin as quoted in John Calvin: A Sixteenth Century Portrait (Oxford, 1988)byWilliam J. Bouwsma
It is too easy to become blinded to the glory surrounding us if we perceive it to be routine and commonplace.
I can’t remember the last time I celebrated a blade of grass, given how focused I am at mowing it into conformity.
Too often I’m not up early enough to witness the pink sunrise or I’m too busy to take time to watch the sun paint the sky red as it sets or to witness our horses turning to gold in the evening glow.
I didn’t notice how the light was illuminating our walnut tree until I saw the perfect reflection of it in our koi pond — I had marveled at a reflection instead of the real thing itself.
I almost missed the miracle of a spider’s overnight work in the grass; from a distance, it looked like a dew-soaked tissue draped like a tent over the green blades. When I went to go pick it up to throw it away in the trash, I realized I was staring at a small creature’s masterpiece.
I miss opportunities to rejoice innumerable times a day. It takes only a moment of recognition and appreciation to feel the joy, and in that moment time stands still. Life stretches a little longer when I stop to acknowledge the intention of creation as an endless reservoir of rejoicing. If a blade of grass, if a leaf turning color, if a chance reflection, if a delicately knit tent in the grass — if all this is made for joy, then maybe so am I.
Even colorless, plain and commonplace me, created an image-bearer and intended reflector of Light.
Who made the world? Who made the swan, and the black bear? Who made the grasshopper?
I don’t know exactly what a prayer is. I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed, how to stroll through the fields, which is what I have been doing all day. Tell me, what else should I have done? Doesn’t everything die at last, and too soon? Tell me, what is it you plan to do with your one wild and precious life?
I’m reminded daily of how short our time on earth is – the evidence is everywhere. Yesterday it was the stark finality of discovering a beetle-cleaned bighorn sheep skull in the woods, in addition to the bold reality of a black bear paw print on the car sitting next to our cabin.
Each day I receive an email from the local hospital where I’ve had clinical privileges for 35 years – it innumerates the number of admitted COVID-19 cases and deaths, the number of ICU beds filled and the number of ventilators in use. Reading those numbers is like scanning the obituaries for names and ages and causes of death in the newspaper, the only consistent thing I read in the paper anymore. The deaths are reported dispassionately, as if they are inevitable, which they are, yet each happens too soon.
Much too soon.
So the admonition is to pay attention to each living thing and witness each moment, falling onto the grass in worship of this “wild and precious life” I’ve been given rather than dwell on the future when I’ll be buried under the grass.
I shall celebrate being a consumer of this precious life, overjoyed by these sweet weeds and colorful wildflowers. There is still much that awaits me on this earth before, inevitably, I too become the consumed.
As to me I know of nothing else but miracles, Whether I walk city streets, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love, or sleep in the bed at night with any one I love, Or sit at table at dinner with the rest, Or watch honey-bees busy around the hive of a summer forenoon, Or animals feeding in the fields, Or birds, or the wonderfulness of insects in the air, Or the wonderfulness of the sundown, or of stars shining so quiet and bright, Or the exquisite delicate thin curve of the new moon in spring; These with the rest, one and all, are to me miracles, The whole referring, yet each distinct and in its place.
To me every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same. Every spear of grass — the frames, limbs, organs, of men and women, and all that concerns them…
Everywhere I turn, there is a miracle in the making. I know this deep in my bones, even when our days on this earth are short. I turn my camera to try to preserve it; I search for words to do it justice.
The strange miracle is that we are here at all: in an instant we are formed in all our unique potential, never having happened before and never to happen again—to become brain and heart and skin and arms and legs. We were allowed to be born, a miracle in itself in this modern age of conditional conception.
Now precious lives are being prematurely lost in this pandemic of spreading virus as well as the societal pandemic of divisiveness, when we need unified meeting of the minds more than anything else. I am trying not to get infected: a mask may cover my face and my hands can be washed, but how do I shield my ears and eyes from the barrage of words and images that spread distrust more effectively than a cough or sneeze?
The strangest miracle of all is that we are still loved, corrupted as we are. We are still offered salvage, undeserving as we are. We are still gifted with the miracle of grace until our last breath.
Mostly, I want to be kind. And nobody, of course, is kind, or mean, for a simple reason. ~Mary Oliver from “Dogfish”
Be kind, for everyone you meet is fighting a harder battle. ~Plato
Our mare Belinda has a two decade history of fighting the hard battle of being consistently on the bottom of the mare hierarchy. She is unusually shy, very submissive and never one to stir up trouble in the herd. Most of the time she simply wants to disappear so the other mares can’t see her to bully her.
I’ve watched her over the years to learn how she copes day in and day out with her low status. She is clearly more clever than the higher-ranking mares who lord it over her, reminding her of their rank.
In the mornings when the mares are turned out to pasture from their individual stalls, I always open Belinda’s door first so she has the option to walk out to pasture ahead of the others if she chooses. Instead, she’ll stand waiting at the open door, watching the other mares leave their stalls and pass by, then follow behind them out to pasture keeping a safe distance between them and herself.
Once outside, she’ll stand at the water barrel just inside the pasture gate, and pretend to drink water for several minutes (I’m convinced she doesn’t actually drink a drop) while the other mares wander into the field to find their preferred grazing spot.
Once the others are clearly settled, she joins them at a safe distance. Then the worst bully will approach her, just as Belinda has started to eat, and will start to groom Belinda’s withers with her teeth. This is a clear invitation to be scratched back, so despite being hungry and clearly fearful, Belinda mutually chews/scratches for at least ten minutes with her mortal enemy. I’d like to think this is their brief truce in the battle for status every day; one clearly has a need and wants Belinda to comply. Belinda is more than willing to set aside her own needs if it means keeping peace in the herd.
At the end of the day, Belinda stays up in the field until the other mares have returned to the barn and are back in their stalls with the doors latched. I know she counts the number of doors she hears closing because she will refuse to come in from outside and return to her stall until she hears the last door closing, knowing it is then safe to some into the barn.
The first thing she does returning to her stall is to drop a pile of manure right inside her door. It is her claim of “mine” – no other horse here does that, since they would have to walk through manure to leave the stall, but for Belinda, it is a way of saying if for some reason the closed door isn’t enough to keep her secure, the pile of manure at least marks her territory.
She does not always have a peaceful night alone in her stall as I would expect. Her stall floor is churned and messy in the morning, as if she continues to be on the move even in the darkness, or perhaps she is a mare having nightmares.
I know her long life has been one of constant worry and vigilance despite always having access to plenty of food, a safe place to rest at night and always being part of a community, though not one that has supported her.
She reminds me that everyone, especially the lowest on the totem pole, deserves kindness because I cannot possibly understand the battles they are fighting, both day and night.
And they deserve respect: to simply survive, they are much smarter than I am.
I took the dog and went to walk in the auditorium of the woods, but not to get away from things. It was our habit, that was all, a thing we did on summer days, and much there was to listen to. A slight wind came and went in three birches by the pond. A crow uphill was going on about the black life it led, and a brown creeper went creeping up a brown trunk methodically with no record of ever having been understood by anyone. A woodpecker was working out a deep hole from the sound of it in a stand of dead trees up there. And then a jay, much put upon, complained about some treachery it may or may not have endured, though most are liars anyway. The farther in, the quieter, till only the snapping of a stick broke the silence we were in. The dog stood still and looked at me, the woods by then already dark. Much later, on the porch at night, I heard the owl, an eldritch thing. The dog, still with me, heard it too, a call that came from where we’d been, and where we would not be again. ~John Foy, “Woods,” from Night Vision
We live near fields and woods so the evening walks we take with the dogs are listening walks. There is always plenty to hear.
It is an immense relief to hear something other than the talking heads on TV or podcasts. The voices we hear in the woods are unconcerned about upcoming elections, pandemics or the state of the economy.
I listen for the sound of breezes rustling the tree branches, the crunch of sticks and dry leaves under my boots, and more often than not, the woodpeckers tapping away at tree trunks, eagles chittering from the treetops, and unseen owls visiting back and forth from their hidey-holes. The red-tailed hawks scream out warnings as they float from tree top to tree top, particularly upset that we’ve brought along the corgis into their territory.
So, like the outside world, this woods has its own talking heads and drama, but I know who I will listen to and where I prefer to hang out if given a choice. I understand I’m only a visitor to their world and will be invited back only as long as we tread softly.