Category: cozy

When One’s Ramble is Over

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The smell of that buttered toast simply spoke to Toad,
and with no uncertain voice;
talked of warm kitchens,
of breakfasts on bright frosty mornings,
of cozy parlour firesides on winter evenings,
when one’s ramble was over
and slippered feet were propped on the fender;
of the purring of contented cats,
and the twitter of sleepy canaries.
~Kenneth Grahame, The Wind in the Willows

I’m not a practitioner of the ancient art of aromatherapy for medicinal purposes but I do know certain smells transport me more effectively than any other mode of travel. One whiff of a familiar scent can take me back years to another decade and place, in time traveling mode. I am so in the moment, both present and past, my brain sees, hears, tastes, feels everything just as it was before.

The most vivid are kitchen smells. Cinnamon becomes my Grandma’s farm kitchen full of rising breakfast rolls, roasting turkey is my mother’s chaotic kitchen on Thanksgiving Day, fresh baked bread is my own kitchen during those years I needed to knead as therapy during medical training.

The newly born wet fur of my foals in the barn carries the sweet and sour amnion that was part of every birth I’ve been part of: delivering others and delivering my own. My heart races at the memory of the drama of those first breaths.

The garden yields its own treasure: tea roses, sweet peas, heliotrope, mint, lemon verbena take me back to lazy breezes wafting through open bedroom windows in my childhood home. And of course the richness of petrichor: the fragrance of the earth after a long awaited rain will remind me of how things smell after a dry spell.

I doubt any aromatherapy kit available would include my most favorite farm smells: newly mown hay, fresh fir shavings for stall bedding,  the mustiness of the manure pile, the green sweetness of a horses’ breath.

Someday I’ll figure out how to bottle all these up to keep forever.   Years from now my rambles will be over, when I’m too feeble to walk to the barn,  I can sit by my fireplace, close my eyes, open it up and take a whiff now and then to remind me of all I’m grateful for. 

I’ll breathe deeply of those memories that speak to me through scents — with no uncertain voice.

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Keeping It For Later

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When you are already here 
you appear to be only 
a name that tells of you 
whether you are present or not 
and for now it seems as though 
you are still summer 
still the high familiar 
endless summer 
yet with a glint 
of bronze in the chill mornings 
and the late yellow petals 
of the mullein fluttering 
on the stalks that lean 
over their broken 
shadows across the cracked ground 
but they all know 
that you have come 
the seed heads of the sage 
the whispering birds 
with nowhere to hide you 
to keep you for later 
you who fly with them 
you who are neither 
before nor after 
you who arrive 
with blue plums 
that have fallen through the night 
perfect in the dew
~W.S.Merwin “To the Light of September”

Each month has its own special lighting
though this past luminous September tended to sweep them all.

I loosen my grasp on September as we slip into October bronze.

There must be a place I can hide these riches,
tuck this light away for safe-keeping,
to bring it out on the darkest winter day
and feast upon it.

I do know better;
this glow follows the birds as they fly away.
They keep it with them, wherever they go,
towing it back on their wings come spring.

In the meantime I must remember how
this endless summer defined September.

A Galaxy of Grasses

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О Greater Light, we praise Thee for the less;
The eastern light our spires touch at morning,
The light that slants upon our western doors at evening.
The twilight over stagnant pools at batflight,
Moon light and star light, owl and moth light,
Glow-worm glowlight on a grassblade.
О Light Invisible, we worship Thee!
~T.S. Eliot from “O Light Invisible”

Look, in the early light, 
   Down to the infinite 
   Depths at the deep grass-roots; 
      Where the sun shoots 
In golden veins, as looking through 
   A dear pool one sees it do; 
   Where campion drifts 
Its bladders, iris-brinded, through the rifts 
      Of rising, falling seed
   That the winds lightly scour—
Down to the matted earth where over 
   And over again crow’s-foot and clover
      And pink bindweed
      Dimly, steadily flower.
~Michael Field “The Depths of the Grass”

We wove hip-high field grass 
into tunnels 

knotting the tops 
of bunched handfuls the drooping 
heads tied together. 

My seven siblings and I 
sheltered ourselves

inside these labyrinths 
in a galaxy of grasses.
~Heather Cahoon “Shelter”

As a child I liked to go out far into our hay field and find the tallest patch of grass. There, like a dog turning circles before a nap,  I’d trample down the tall waving stems that stretched up almost to my eyes, and create a grass nest, just cozy enough for me. I’d sit or lie down in this tall green fortress, gazing up at the blue sky, and watch the clouds lazily drift over top of me.  I’d suck on a hollow stem or two, to savor the bitter grass juice. Time felt suspended.

Scattered around my grassy cage, looking out of place attached to the broad grass stems, would be innumerable clumps of white foam. I’d tease out the hidden green spit bugs with their little black eyes from their white frothy bubble encasement. I too felt “bubble-wrapped” in my green hide-a-way.

My grassy nest was a time of retreat from the world.  I felt protected, surrounded, encompassed and free –at least until I heard my mother calling for me from the house, or a rain shower started, driving me to run for cover, or my dog found me by following my green path.

It has been decades since I hid away in a grass fort trying to defoam spit bugs. Surely, I’m overdue: instead of being determined to mow down and level the grass around me, I long for a galaxy of grassy bubble-wrap.

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I Am Partly Tuber

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Some of us . . . are darkness-lovers.
We do not dislike the early and late daylight of June,
but we cherish the gradually increasing dark of November,
which we wrap around ourselves in the prosperous warmth
of woodstove, oil, electric blanket, storm window, and insulation.

We are partly tuber, partly bear.
Inside our warmth we fold ourselves
in the dark and its cold –
around us, outside us,
safely away from us;
we tuck ourselves up
in the long sleep
and comfort of cold’s opposite,
warming ourselves
by thought of the cold,
lighting ourselves by darkness’s idea.
~Donald Hall from “Seasons at Eagle Pond”

I confess to a love of the dark of January winter mornings
as much as the pervasive light of mid-summer.

Drawn away from our warm bed
without need for an alarm,
I awake before sunrise
in inky blackness
to this yet uncharted day.

I am raw with underground ripening,
belonging to earth and dust
until the Light comes
to force me forth to seek out sun.

Only from darkness could I
sprout so boldly to find out
what comes next.

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My Secret Place

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It’s in the perilous boughs of the tree
out of blue sky    the wind
sings loudest surrounding me.

And solitude,   a wild solitude
’s reveald,  fearfully,  high   I’d climb
into the shaking uncertainties,

part out of longing,  part   daring my self,
part to see that
widening of the world, part

to find my own, my secret
hiding sense and place, where from afar
all voices and scenes come back

—the barking of a dog, autumnal burnings,
far calls,  close calls—the boy I was
calls out to me
here the man where I am “Look!

I’ve been where you

most fear to be.”
~Robert Duncan “Childhood’s Retreat”

Behind the house in a field
there’s a metal box I buried
full of childhood treasure, a map
of my secret place, a few lead pennies
from 1943.
The rest I’ve forgotten,
forgotten even the exact spot
I covered with moss and loam.
 
Now I’m back and twenty years
have made so little difference
I suspect they never happened,
this face in the mirror
aged with pencil and putty.
I suspect even
the box has moved as a mole would move
to a new place long ago.
~Dan Gerber “The Cache” from Particles

I came upon an oak where once when I was twelve
I had climbed up and screamed for Skip to get me down.
It was a thousand miles to earth. I shut my eyes and yelled.
My brother, richly compelled to mirth, gave shouts of laughter
And scaled up to rescue me.
“What were you doing there?” he said.
I did not tell. Rather drop me dead.
But I was there to place a note within a squirrel nest
On which I’d written some old secret thing now long forgot.

{Now} I lay upon the limb a long while, thinking.
I drank in all the leaves and clouds and weathers
Going by as mindless
As the days.
What, what, what if? I thought. But no. Some forty years beyond!

I brought forth:
The note.

I opened it. For now I had to know.
I opened it, and wept. I clung then to the tree
And let the tears flow out and down my chin.
Dear boy, strange child, who must have known the years
And reckoned time and smelled sweet death from flowers
In the far churchyard.
It was a message to the future, to myself.
Knowing one day I must arrive, come, seek, return.
From the young one to the old. From the me that was small
And fresh to the me that was large and no longer new.
What did it say that made me weep?

I remember you.
I remember you.
~Ray Bradbury from “Remembrance”

As a child, I left secret notes to my future self,
in hidden crevices of old barns,
and attic lofts up rickety stairs,
and yes, even in trees,
but never went back to retrieve them
except in my rare dreams of growing up
on Friendly Grove Road.

Back then my ten year old heart
tried to imagine me sixty some years hence
(counting out how old I would be in 2020 something)
as I squirreled away in some secret place.

What fears and joys would pass through like pumping blood,
what wounds would I bear and cause to bleed,
what smiles and tears would trace my face?

I have not forgotten who I was then.

No, I have never forgotten that girl who kept secrets,
who dreamed of a someday gray-haired grandma
who now looks back to my secret places,
and remembers being remembered.

A book of Barnstorming photos and poems by Lois Edstrom is available for order here:

Stitching Broken Pieces Together

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“I make them warm to keep my family from freezing;
I make them beautiful to keep my heart from breaking.”
–From the journal of a prairie woman, 1870

To keep a husband and five children warm,
she quilts them covers thick as drifts against
the door. Through every fleshy square white threads
needle their almost invisible tracks; her hours
count each small suture that holds together
the raw-cut, uncolored edges of her life.
She pieces each one beautiful, and summer bright
to thaw her frozen soul. Under her fingers
the scraps grow to green birds and purple
improbable leaves; deeper than calico, her mid-winter
mind bursts into flowers. She watches them unfold
between the double stars, the wedding rings.
~Luci Shaw “Quiltmaker”

Perhaps the world was made this way:
piecemeal, the parts fitting together exactly
as if made for one another~
the unique, disparate and separate
coming together in a glorious harmony.

The point of its creation is
forever functional and full of love –
a blanket of warmth and security
for generations to come.
Our legacy is to preserve this
beauty arising from scraps,
this broken stitched to broken
in a tapestry holy and whole.

all quilts here are on display this week at the Northwest Washington Fair
see previous year’s artwork here and here and here and here

This new Barnstorming book is like a quilt made of pieces of poetry and photographs – available for order here:

The Forgiveness of Sleep

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The children have gone to bed.
We are so tired we could fold ourselves neatly
behind our eyes and sleep mid-word, sleep standing
warm among the creatures in the barn, lean together
and sleep, forgetting each other completely in the velvet,
the forgiveness of that sleep.

Then the one small cry:
one strike of the match-head of sound:
one child’s voice:
and the hundred names of love are lit
as we rise and walk down the hall.

One hundred nights we wake like this,
wake out of our nowhere
to kneel by small beds in darkness.
One hundred flowers open in our hands,
a name for love written in each one.
~Annie Lighthart “The Hundred Names of Love”

In the lull of evening, your son nested in your arms
becomes heavier and with a sigh his body
sloughs off its weight like an anchor into deep sleep,
until his small breath is the only thing that exists.

And as you move the slow dance through the dim hall
to his bedroom and bow down to deliver his sleeping form,
arms parting, each muscle defining its arc and release—
you remember the feeling of childhood,

traveling beneath a full moon,
your mother’s unmistakable laugh, a field of wild grass,
windows open and the night rushing in
as headlights trace wands of light across your face—

there was a narrative you were braiding,
meanings you wanted to pluck from the air,
but the touch of a hand eased it from your brow
and with each stroke you waded further

into the certainty of knowing your sleeping form
would be ushered by good and true arms
into the calm ocean that is your bed.
 — Alexandra Lytton Regalado, “The T’ai Chi of Putting a Sleeping Child to Bed” author of Matria

Each of those countless nights of a child wakening,
each of the hundreds of hours of lulling them in the moonlit dark,
leading them back to the soft forgiveness of sleep.

I remember the moves of that hypnotic dance,
a head nestled snug into my neck,
their chest pressed into mine,
our hearts beating in synchrony
as if they were still inside.

Even when our sleep was spare and our rest was sparse,
those night times rocking in unison
were worth every waking moment, trusting
we’re in this together, no matter what,
no matter how long.

We’re in this together.

A new book from Barnstorming is available to order here:


For a Bee’s Experience

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Like trains of cars on tracks of plush
I hear the level bee:
A jar across the flowers goes,
Their velvet masonry

Withstands until the sweet assault
Their chivalry consumes,
While he, victorious, tilts away
To vanquish other blooms.

His feet are shod with gauze,
His helmet is of gold;
His breast, a single onyx
With chrysoprase, inlaid.

His labor is a chant,
His idleness a tune;
Oh, for a bee’s experience
Of clovers and of noon!

~Emily Dickinson “The Bee”

There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.

~Li-Young Lee, last stanza of “From Blossoms” from Rose.

I try, as best I can, to see the world from a perspective other than my own:

Spending this week with our toddler grandson has helped me to look at things at the three foot rather than six foot level and suddenly I’m overwhelmed with how large everything appears.

I read opinions that differ considerably from my own so I can gain understanding and hopefully compassion for how others perceive the events of the world, even when I don’t and won’t agree.

And I’ve always wondered what it would be like to be a bee – to leave my warm and cozy community to find the best sources of pollen, diving bum-deep into a plethora of colors and fragrances, from ‘blossom to blossom to impossible blossom.’

Bees have a life-preserving mission in the world – not only to sustain themselves and their hive, but pollinating millions of blooms, an essential task for the fruiting of the land. Now that is a purpose-driven life.

We are no different. Our reason to exist goes far beyond our self-preservation, or the preservation of everyone who looks like or thinks like we do, i.e. “hive-mind.” We were created to care for the rest of the world, by dipping into each beautiful and sacred thing that thrives here because of us, not despite us.

And that includes each other, as different as we look and think and act. Each of us a sweet impossible blossom.

New book available from Barnstorming — information on how to order it here

Merely to Be There

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That house was, as Bilbo had long ago reported, “a perfect house, whether you liked food or sleep or story-telling or singing, or just sitting and thinking best, or a pleasant mixture of them all.”
Merely to be there was a cure for weariness, fear, and sadness.
~J.R.R. Tolkien, The Fellowship of the Ring

I wish I was at home in my nice hole by the fire,
with the kettle just beginning to sing!
~J.R.R. Tolkien from The Hobbit

We sleep to time’s hurdy-gurdy; we wake, if ever we wake, to the silence of God. And then, when we wake to the deep shores of time uncreated, then when the dazzling dark breaks over the far slopes of time, then it’s time to toss things, like our reason, and our will;
then it’s time to break our necks for home.
~Annie Dillard from Holy the Firm

Every now and then, I forget to turn off the lights in the barn. I usually notice just before I go to bed, when the farm’s boundaries seem to have drawn in close. That light makes the barn seem farther away than it is — a distance I’m going to have to travel before I sleep. The weather makes no difference. Neither does the time of year.

Usually, after turning out that forgotten barn light, I sit on the edge of the tractor bucket for a few minutes and let my eyes adjust to the night outside. City people always notice the darkness here, but it’s never very dark if you wait till your eyes owl out a little….I’m always glad to have to walk down to the barn in the night, and I always forget that it makes me glad. I heave on my coat, stomp into my barn boots and trudge down toward the barn light, muttering at myself. But then I sit in the dark, and I remember this gladness, and I walk back up to the gleaming house, listening for the horses.
~Verlyn Klinkenborg  from A Light in the Barn

I have always been, and always will be a home-body. As a child, I was hopelessly homesick and miserable whenever I visited overnight somewhere else: not my bed, not my window, not anything that was familiar and comfortable. Going away to college was an ordeal and I had to do two runs at it to finally feel at home somewhere else. I traveled plenty during those young adult years and adapted to new and exotic environs, but never easily.

I haven’t changed much in my older years. Even now, travel is fraught with anxiety for me, not anticipation. I secretly had hoped for a prolonged stay-cation for a change rather than rushing about at break-neck speed when we had a few days off from work. I must be careful for what I wish for, as it is now seven months of stay-and-work-at-home with only two brief sojourns to visit out of town children.

It has been blissful — yet I dare not say that out loud as so many people don’t do well staying at home and are kicking the traces to be set free.

Not so me. I am content on our farm, appreciating our “perfect house, whether you liked food or sleep or story-telling or singing, or just sitting and thinking best, or a pleasant mixture of them all.”

Merely allowed to just be here is my ultimate answer to weariness, fear and sadness.

Savoring a Bad Mood

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I like these cold, gray winter days.
Days like these let you savor a bad mood. 
~Bill Watterson from “Calvin and Hobbes”

The wind is keen coming over the ice;
it carries the sound of breaking glass.
And the sun, bright but not warm,
has gone behind the hill. Chill, or the fear
of chill, sends me hurrying home.
~Jane Kenyon from “Walking Alone in Late Winter”

Roused by faint glow at midnight
peering between slats
of window blinds
closed tight to a chill wind-

Bedroom becomes suffused
in ethereal light
from a moonless sky~
a million stars fall silent as

Snow light covers all,
settling gently while
tucking the downy corners
of the snowflake comforter

of heaven, plumping the pillows,
cushioning the landscape,
lightening and illuminating
a fearfully chilled and grumpy heart.