Staring at Empty Air

On the green hill with the river beyond it
long ago and my father there
and my grandmother standing in her faded clothes
wrinkled high-laced black shoes in the spring grass
among the few gravestones inside their low fence
by the small white wooden church
the clear panes of its windows
letting the scene through from the windows
on the other side of the empty room
and a view of the trees over there
my grandmother hardly turned her head
staring like a cloud at the empty air
not looking at the green glass gravestone
with the name on it of the man to whom
she had been married and who had been
my father’s father she went on saying nothing
her eyes wandering above the trees
that hid the river from where we were
a place where she had stood with him one time
when they were young and the bell kept ringing
~W.S. Merwin “Widnoon” from The Moon Before Morning

peekaboocloud

I remember my grandfather as a somber man who slowly rocked in a wooden chair, staying warm by the wood stove.

That chair now sits empty in our home.

For most of his life, Grandpa drank heavily, but he wasn’t just any drunk. He was a mean drunk. Surly, cursing, prone to throwing things and people, especially at home.

Grandma used to say he learned to drink in the logging camps and I suspect that is true. He started working as a logger before he was fully grown, dropping out of school, leaving home around age sixteen and heading up to the hills where real money could be made. 

He learned how to cut down huge old growth Douglas Fir trees, skid them down the hills using a team of horses, and then roll them onto waiting wagons to be hauled to the mills.

He lived with a group of men who surfaced once or twice a month from the hills to take a bath, bootleg booze during prohibition then try to avoid being arrested and thrown in the local pokey. Once in awhile, they maybe went to church with their womenfolk.

Mostly, being a logger taught him how to curse and drink.

He headed home to his father’s homestead farm with muscles and attitude a few years later, and started the process of felling trees, creating a “stump farm” that was a challenge to work because huge “old growth” stumps dotted the fields and hills next to muddy Similk Bay. He slowly worked at blasting them out of the ground so the land could be tilled.

It proved more than he had strength and motivation to do, so his fields were never very fruitful on that rocky hillside. He mostly grew hay for his own animals. He went to work in the local saw mill to make ends meet.

He cleaned up some when he met my grandmother, who at eighteen was seven years younger, and eager to escape her role as chief cook and bottle washer for her widowed father and younger brother.  She was devout, lively and full of energy and talked constantly while he, especially when sober, preferred to let others do the talking. It was an unusual match but he liked her cooking and she was ready to be wooed to escape the drudgery of her father’s household.

They settled on the stump farm and began raising a family, trying to eke out what living they could from the land, from the sporadic work he found at the saw mill, and every Sunday, took the wagon a mile down the road to the Bible Church where they both sang with gusto.

He still drank when he had the money, blowing his pay in the local tavern, and stumbling in the back door roaring and burping, falling into bed with his shoes on. Grandma was a teetotaler and yelled into his ruddy face about the wrath of God anytime he drank, their four children hiding when the dishes started to fly, and when he would whip off his belt to hit anyone who looked sideways at him.

When their eldest daughter took sick and died of lymphoma at age eight despite the little doctoring that was available, Grandpa got sober for awhile. He saw it as punishment from God, or at least that is what Grandma told him through her sobs as she struggled to cope with her loss.

Over the years, he relapsed many times, losing fingers in his work at the mill, and losing the respect of his wife, his children and the people in the community. Grandma took the kids for several months to cook in a boarding house in a neighboring town, simply to be able to feed her family while Grandpa squandered what he had on drink.

Reconciled over and over again, Grandma would come back to him, sending their only son to fetch him from the tavern for the night. My Dad would bicycle to that dark and smoky place, stand Grandpa up and guide him staggering out to their truck for the weaving drive home on country roads. On more than one occasion, Grandpa, belligerent as ever, would resist leaving and throw a punch at his boy, usually missing by a mile.

But once the boy grew taller and strong enough to fight back, managing to knock Grandpa to the ground in self-defense, the punching and resistance stopped. The boozing didn’t.

Grandpa sobered up for good while his boy fought in the war overseas in the forties, striking a bargain with God that his boy would come home safe to work the farm as long as Grandpa left alcohol alone.  It stuck and he stayed sober. His boy came home. Grandpa saw it as a promise kept and became an elder in his Bible Church, taught Sunday School and gave his extra cash to the church rather than the tavern. He and Grandma donated a house on their property to the church for a parsonage.

Some twelve years later, sitting in a Christmas Sunday School program one Christmas Eve, Grandpa leaned toward Grandma; she saw his face broken out in sweat, his face ashen.

“It’s hot in here, I need air, “ he said and collapsed in her lap. 

He was gone, just like that. He left the rest of his family behind while he sat in church, sober as can be, on the day before Christmas.

There is no question in my mind he knew he was forgiven. He headed home one more time, not weaving or swerving but traveling straight and narrow.

marshmallowmay3

Imagining Glory Beyond Measure

The night of the Perseid shower,
thick fog descended
but I would not be denied.
I had put the children to bed,
knelt with them,
and later
in the quiet kitchen
as tall red candles
burned on the table between us,
I’d listened to my wife’s sweet imprecations,
her entreaties to see a physician.
But at the peak hour—
after she had gone to bed,
and neighboring houses
stood solemn and dark—
I felt no human obligation
and went without hope into the yard.
In the white mist
beneath the soaked and dripping trees,
I lifted my eyes
into a blind nothingness of sky
and shivered in a white robe.
I couldn’t see the outline
of the neighbor’s willows,
much less the host of streaking meteorites
no bigger than grains of sand
blazing across the sky.
I questioned the mind, my troubled thinking,
and chided myself to go in,
but looking up,
I thought of the earth
on which I stood,
my own
scanty plot of ground,
and as the lights passed unseen
I imagined glory beyond all measure.
Then I turned to the lights in the windows—
the children’s nightlights,
and my wife’s reading lamp, still burning.
~Richard Jones “The Manifestation”

Perhaps as a child you had the chicken pox
and your mother, to soothe you in your fever
or to help you fall asleep, came into your room
and read to you from some favorite book,
Charlotte’s Web or Little House on the Prairie,
a long story that she quietly took you through
until your eyes became magnets for your shuttering
lids and she saw your breathing go slow. And then
she read on, this time silently and to herself,
not because she didn’t know the story,
it seemed to her that there had never been a time
when she didn’t know this story—the young girl
and her benevolence, the young girl in her sod house—
but because she did not yet want to leave your side
though she knew there was nothing more
she could do for you. And you, not asleep but simply weak,
listened to her turn the pages, still feeling
the lamp warm against one cheek, knowing the shape
of the rocking chair’s shadow as it slid across
your chest. So that now, these many years later,
when you are clenched in the damp fist of a hospital bed,
or signing the papers that say you won’t love him anymore,
when you are bent at your son’s gravesite or haunted
by a war that makes you wake with the gun
cocked in your hand, you would like to believe
that such generosity comes from God, too,
who now, when you have the strength to ask, might begin
the story again, just as your mother would,
from the place where you have both left off.

~Keetje Kuipers “Prayer”

photo by Josh Scholten

Flung is too harsh a word for the rush of the world.
Blown is more like it, but blown by a generous, unending breath.
~Annie Dillard
from Pilgrim at Tinker Creek

How could it be possible? 

The five year old me had a sudden terrifying revelation that I would some day cease to walk this earth.

The much older me is more afraid of the faster and faster rush of the days than of their end. 

The world hurtles through space and time at a pace that leaves me breathless. Throughout my seventy-plus years, I have felt flung all too frequently, bruised and weary from hurry and hubbub.

I have need of Someone to stop me for a moment, sit down and begin the Story again with me, starting right where we left off.

Now, with retirement from daily work obligations: breathing space. 
I’m lifted lighter, drifting where I’m blown, less weighted down
by the next thing to do and the next place to be.

Instead I can just be…
part of the story to be told,
part of the wonder. 
Blown by breath that loves,
fills and nurtures,
a generous promise hopeful and fulfilled.

I’m grateful for the opportunity to see, even in the dark,
a manifestation of glory and love just beyond my vision,
praying that one day I will see and know it clearly.

The old me ~ 
Blown upon.

If only the five year old me could have known.

A Farmgirl from the Palouse

I saw a mom take her raincoat off
and give it to her young daughter when
a storm took over the afternoon. My god,
I thought, my whole life I’ve been under her
raincoat thinking it was somehow a marvel
that I never got wet.

~Ada Limón from “The Raincoat”

My mother, Elna Schmitz Polis, was born 106 years ago today in the lonely isolation of a Palouse wheat and lentil farm in eastern Washington. She drew her first breath in a two story white house located down a long poplar-lined lane and nestled in a draw between the undulating hills.

She attended a one room school house until 8th grade, located a mile away in the rural countryside, then moved in with her grandmother “in town” in Rosalia to attend high school, seeing her parents only a couple times a month.

It was a childhood which accustomed her to solitude and creative play inside her mind and heart – her only sibling, an older brother, was busy helping their father on the farm. All her life and especially in her later years, she would prefer the quiet of her own thoughts over the bustle of a room full of activities and conversation.

Her childhood was filled with exploration of the rolling hills, the barns and buildings where her father built and repaired farm equipment, and the chilly cellar where the fresh eggs were stored after she reached under cranky hens to gather them. She sat in the cool breeze of the picketed yard, watching the huge windmill turn and creak next to the house. She helped her weary mother feed farm crews who came for harvest time and then settled in the screened porch listening to the adults talk about lentil prices and bushel production. She woke to the mourning dove call in the mornings and heard the coyote yips and howls at night.

She nearly died at the age of 13 from a ruptured appendix, before antibiotics were an option. That near-miss haunted her life-long, filling her with worry that it was a mistake that she survived that episode at all. Yet she thrived despite the anxiety, and ended up, much to her surprise, living a long life full of family and faith, letting go at age 88 after fracturing a femur, which also broke her will to live.

As a young woman, she was ready to leave the wheat farm behind for college, devoting herself to the skills of speech, and the creativity of acting and directing in drama, later teaching rural high school students, including a future Pulitzer Prize winning poet, Carolyn Kizer. She loved words and the power and beauty they wielded.

Marrying my father was a brave and impulsive act, traveling by train to the east coast only a week before he shipped out for almost 3 years to the South Pacific to fight as a Marine in WWII. She must have wondered about the man who returned from war changed and undoubtedly scarred in ways she could not see or touch. They worked it out mostly in silence, as rocky as it must have been at times.

Her episode of Graves’ disease, before I was born, must have been agonizing for both of them and my older sister, as her storm of thyroid overactivity resulted in months of sleepless full time panic. Only thyroid removal saved her, but radical surgeries take their toll.
Their marriage never fully recovered.

In their reconciliation after a painful divorce decades later, I finally could see the devotion and mutual respect between life companions who had finally found shared purpose and love.

As a wife and mother, she rediscovered her calling as a steward of the land and a tireless steward of her family, gardening and harvesting fruits, vegetables and us children. When I think of my mother, I most often think of her tending us children in the middle of the night whenever we were ill; her over-vigilance was undoubtedly due to her worry we might die in childhood, as she almost did.

She never did stop worrying until the last few months. As she became more dependent on others in her physical decline, she gave up the control she thought she had to maintain through her “worry energy” and became much more accepting about the control the Lord maintains over all we are and will become.

I know from where my shyness comes, my preference for birdsongs rather than radio music, my love of naps, and my tendency to be serious and straight-laced with a twinkle in my eye. This is my German-Palouse side–immersing in the quietness of solitude, thrilling to the sight of the spring wheat flowing like a green ocean wave in the breeze and appreciating the warmth of rich soil held in my hands.

My mother came from that heritage and it is the legacy she left with me. I am forever grateful for her unconditional love to the end of her life; her willingness to share the sunshine and warmth of her nest whenever we felt the need to fly back home and shelter, overprotected but safe nonetheless, under her wings.

Gone to Feed the Roses

Done are the toils and the wearisome marches,
Done is the summons of bugle and drum.
Softly and sweetly the sky overarches,
Shelt’ring a land where Rebellion is dumb.
Dark were the days of the country’s derangement,
Sad were the hours when the conflict was on,
But through the gloom of fraternal estrangement
God sent his light, and we welcome the dawn.
O’er the expanse of our mighty dominions,
Sweeping away to the uttermost parts,
Peace, the wide-flying, on untiring pinions,
Bringeth her message of joy to our hearts.

Ah, but this joy which our minds cannot measure,
What did it cost for our fathers to gain!
Bought at the price of the heart’s dearest treasure,
Born out of travail and sorrow and pain;
Born in the battle where fleet Death was flying,
Slaying with sabre-stroke bloody and fell;
Born where the heroes and martyrs were dying,
Torn by the fury of bullet and shell.
Ah, but the day is past; silent the rattle,
And the confusion that followed the fight.
Peace to the heroes who died in the battle,
Martyrs to truth and the crowning of Right!

Out of the blood of a conflict fraternal,
Out of the dust and dimness of death,
Burst into blossoms of glory eternal
Flowers that sweeten the world with the breath.
Flowers of charity, peace, and devotion
Bloom in the hearts that are empty of strife;
Love that is boundless and broad as the ocean
Leaps into beauty and fullness of life.
So, with the singing of paeans and chorals,
And with the flag flashing high in the sun,
Place on the graves of our heroes the laurels
Which their unfaltering valor has won!

~Paul Dunbar “Ode for Memorial Day”

homepristinerose

I am not resigned to the shutting away
of loving hearts in the hard ground.
So it is, and so it will be,

for so it has been, time out of mind:

Into the darkness they go, the wise and the lovely.  Crowned
With lilies and with laurel they go; but I am not resigned.
Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.

A fragment of what you felt, of what you knew,
A formula, a phrase remains,—but the best is lost.
The answers quick and keen, the honest look,

the laughter, the love,—
They are gone.  They are gone to feed the roses.  Elegant and curled
Is the blossom.  Fragrant is the blossom.  I know. 

But I do not approve.

More precious was the light in your eyes
than all the roses in the world.
Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;

Quietly they go, the intelligent, the witty, the brave.
I know.  But I do not approve.  And I am not resigned.
~Edna St. Vincent Millay “Dirge Without Music”

weepingrose

Each Memorial Day weekend without fail ~

we gather with family, have lunch, reminisce,
and trek to a cemetery high above the Sound
to catch up with our relatives who lie there, still.
Some for nearly 120 years, some more recent,
some we knew and loved and miss every day,
others not so much, unknown to us
except on genealogy charts,
their long-ago names and dates and these stones
all that is left of them.

Seven generations together briefly,
above and below the ground,
age 6 through 200 years.

Yet we know each
(as we know for ourselves and others)
was tender and kind, even though flawed and broken,
was beautiful and strong, even though wrinkled and frail,
was hopeful and faithful, even though too soon in the ground.

We know this about them
as we know it about ourselves:
someday we too will feed roses,
the light in our eyes transformed into elegant swirls
emitting the fragrant scent of heaven.

No one asks if we approve.
Nor am I resigned to this but only know:
So it is, so it has been, so it will be.

roseonblack

Goin’ home, goin’ home,
I’m a goin’ home;
Quiet like, some still day,
I’m jes’ goin’ home.
It’s not far, jes’ close by,
Through an open door;
Work all done, care laid by,
gwine to fear no more.

Mother’s there ‘spectin’ me,
Father’s waitin’ too;
Lots o’folk gather’d there,
All the friends I knew.

Home, home,
I’m goin’ home!
Nothin’ lost, all’s gain,
No more fret nor pain,
No more stumblin’ on the way,
No more longin’ for the day,
Gwine to roam no more!

Mornin’ star lights the way,
Res’less dreams all done;
Shadows gone, break o’day,
Real life jes’ begun.

Dere’s no break, ain’t no end,
Jes’ a livin’ on;
Wide awake, with a smile.
Goin’ on and on.

Goin’ home, goin’ home,
I’m jes’ goin’ home.
It’s not far, jes’ close by,
Through an open door;
I’m jes’ goin’ home.
Goin’ home.

A Delicate Sadness of Dusk

The talkative guest has gone,
and we sit in the yard
saying nothing. The slender moon
comes over the peak of the barn.

The air is damp, and dense
with the scent of honeysuckle. . . .
The last clever story has been told
and answered with laughter.

With my sleeping self I met
my obligations, but now I am aware
of the silence, and your affection,
and the delicate sadness of dusk.
~Jane Kenyon, “The Visit” from Collected Poems

From morning suns and evening dews
At first thy little being came:
If nothing once, you nothing lose,
For when you die you are the same;
The space between, is but an hour,
The frail duration of a flower.
~Philip Freneau from “The Wild Honey Suckle”

It sprang up wild along the chain link fence—thick,
with glorious white
and yellow summer blooms, and green tips that we
pinched and pulled for one
perfect drop of gold honey. But Dad hated
it—hated its lack
of rows and containment, its disorder. Each
year, he dug, bulldozed,
and set fire to those determined vines. But each
year, they just grew back
stronger. Maybe that’s why I felt the urge to
plant it that one day
in May, when cancer stepped onto my front porch
and rang the doorbell,
loose matches spilling out of its ugly fists.
~Karla Morton “Honeysuckle” from Accidental Origami: New and Selected Works

Some things are very dear to me–
Such things as flowers bathed by rain
Or patterns traced upon the sea
Or crocuses where snow has lain . . .
The iridescence of a gem,
The moon’s cool opalescent light,
Azaleas and the scent of them,
And honeysuckles in the night.
And many sounds are also dear–
Like winds that sing among the trees
Or crickets calling from the weir
Or Negroes humming melodies.
But dearer far than all surmise
Are sudden tear-drops in your eyes
~Gwendolyn Bennett— Sonnet 2

I am an easy cryer. It takes very little to tip me over the edge: a hymn, a poem, simply witnessing a child’s joy.

Suddenly my eyes fill up.

I blame this on my paternal grandmother who was in tears much of the time while visiting our family, crying happy, crying sad, crying frustrated and angry tears, crying desperate tears after being diagnosed with metastatic pancreatic cancer. I think of her often as she was the age I am now, grateful I too have not been visited with such dire news.

My greatest trigger to weep myself is watching someone else tear up.
I think my grandmother left behind some powerful empathy genes and I will honor that when I visit her grave this weekend to lay flowers.

I needed to desensitize my response to others’ tears to be effective as a physician/healer. Witnessing tears in the exam room is a normal part of the job: patients are anxious, ill, in pain or just need to decompress in safety. I learned early on to be unobtrusive and not interrupt, letting the flow of tears be part of how the patient was trying to communicate their distress. It was a struggle when my inclination was to cry right along with them.

But I needed to remain the rock in the room, solid and steady. I could understand their tears as yet another symptom of a clinical presentation, allowing me to observe without being clouded by my own emotional response.

Sometimes that worked. Sometimes not. At times overwhelmed myself, I wept at births, I wept at deaths, I wept at the sharing of bad news.

Now retired and liberated from the exam room, I freely and regularly weep at the state of the world, or when I read of disaster and tragedy, and especially when I witness intentional harm and cruelty in others. I’m no longer a stone, but more like an over-filled sponge being squeezed – everything builds up until I can hold it no more.

Reading headlines in the news is sometimes more than I can bear.
I cry myself dry.

And that is okay, thanks to Grandma. Once emptied out, I can be filled again by so much that is good and precious and beautiful in this life – a sad and delicate dusk, the promising light of dawn, the persistence of the wild honeysuckles, the raindrops on colorful blooms, the resonance of a heartfelt spiritual, the love of my husband, children, grandchildren and friends.

Now those are worth weeping over.

The Bee-Loud Glade

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

~William Butler Yeats “The Lake Isle of Innisfree”

O gentle bees, I have come to say
That grandfather fell to sleep to-day.
And we know by the smile on grandfather’s face.
He has found his dear one’s biding place.
So, bees, sing soft, and, bees, sing low.
As over the honey-fields you sweep,—
To the trees a-bloom and the flowers a-blow
Sing of grandfather fast asleep;
And ever beneath these orchard trees
Find cheer and shelter, gentle bees.
~Eugene Field from “Telling the Bees”

Here is the place; right over the hill    
Runs the path I took; 
You can see the gap in the old wall still,    
And the stepping-stones in the shallow brook. 

There is the house, with the gate red-barred,    
And the poplars tall; 
And the barn’s brown length, and the cattle-yard,    
And the white horns tossing above the wall. 

There are the beehives ranged in the sun;    
And down by the brink 
Of the brook are her poor flowers, weed-o’errun,    
Pansy and daffodil, rose and pink. 

A year has gone, as the tortoise goes,    
Heavy and slow; 
And the same rose blows, and the same sun glows,    
And the same brook sings of a year ago. 

I can see it all now,—the slantwise rain    
Of light through the leaves, 
The sundown’s blaze on her window-pane,    
The bloom of her roses under the eaves. 

Just the same as a month before,—    
The house and the trees, 
The barn’s brown gable, the vine by the door,—    
Nothing changed but the hives of bees. 

Before them, under the garden wall,    
Forward and back, 
Went drearily singing the chore-girl small,    
Draping each hive with a shred of black. 

Trembling, I listened: the summer sun    
Had the chill of snow; 
For I knew she was telling the bees of one    
Gone on the journey we all must go! 
~John Greenleaf Whittier from “Telling the Bees”

If you talk to him,
he will not pretend to be
an ordinary man.
He won’t let on
he is one who isn’t afraid to hold
in his outstretched hands
the buzzing gold.

He won’t tell you he is the man who keeps farmers
warm in their livelihood,
or the man who keeps the grocery shelves
full, then adds, simply for good measure,
jars of his shining honey.
He won’t explain that he is the one
who sets his suffering neighbors
free from their pain
with gifts of jars that sting.

He won’t let on to be the lifegiver or a god.
He will pretend he is just an old man with sand-colored hair,
a blue truck heavy with breezy hives,
and a comb-spinner in his cellar.

~Sidney Hall Jr., from This Understated Land

…The world was really one bee yard,
and the same rules work fine in both places.
Don’t be afraid, as no life-loving bee wants to sting you.
Still, don’t be an idiot; wear long sleeves and pants.
Don’t swat. Don’t even think about swatting.
If you feel angry, whistle.

Anger agitates while whistling melts a bee’s temper.
Act like you know what you’re doing, even if you don’t.
Above all, send the bees love. Every little thing wants to be loved.

~Sue Monk Kidd from The Secret Life of Bees

He calls the honeybees his girls although
he tells me they’re ungendered workers
who never produce offspring. Some hour drops,
the bees shut off. In the long, cool slant of sun,
spent flowers fold into cups. He asks me if I’ve ever
seen a Solitary Bee where it sleeps. I say I’ve not.
The nearest bud’s a long-throated peach hollyhock.
He cradles it in his palm, holds it up so I spy
the intimacy of the sleeping bee. Little life safe in a petal,
little girl, your few furious buzzings as you stir
stay with me all winter, remind me of my work undone.
~Heid E. Erdrich, from “Intimate Detail” from The Mother’s Tongue

It was just like I was telling the bees last night. I saw two of them asleep inside the cup of a hollyhock, covered in pollen, just holding each other’s feet, just sleeping in the flower waiting for the sun to warm them so they could fly off. To see two of them curled up like that, it was very sweet.
~Diana Gabaldon/Matt Roberts from the final episode of Outlander TV series

A beekeeper must be a loving and patient person; the bees know who loves them, and who will always be there to care for them.

An old Celtic tradition necessitates sharing any news from the household with the farm’s bee hives, whether cheery like a new birth or a wedding celebration or sad like a family death.  This ensures the hives’ well-being and continued connection to home and community – the bees are kept in the loop, so to speak, so they stay at home, not swarm and move on to a more hospitable place.

Each little life safe at home, each little life with work still undone.

Good news seems always easy to share; we tend to keep bad news to ourselves so this tradition helps remind us that what affects one of us, affects us all.

These days, with instant news at our fingertips at any moment, bad news is constantly bombarding us. Like the bees in the hives of the field, we want to flee from it and find a more hospitable home.

Our Creator (the ultimate Beekeeper) says personally to each of us:
“Here is what has happened. All will be well, dear one. We will navigate your life together.”

The Humblest of Things

chestnutbloom1
dandy430164

The power of finding beauty in the humblest things makes home happy and life lovely.
~Louisa May Alcott

walnutowl

And as you sit on the hillside, or lie prone under the trees of the forest, or sprawl wet-legged on the shingly beach of a mountain stream, the great door, that does not look like a door, opens.
~Stephen Graham from The Gentle Art of Tramping

That great door opens on the present, illuminates it as with a multitude of flashing torches.
~Annie Dillard (in response to the above quote) from Pilgrim at Tinker Creek

About living in the country?
…peace can deafen one, beauty surprise
No longer.  There is only the thud
Of the slow foot up the long lane
At morning and back at night.
~R.S. Thomas

tjoelkerbarn
morning32116

Ever since I started noticing
how beautiful are the most humble things
and the most humble people,
I realized a great door was opened to me:
the door to my own soul
and my own happiness.
I need go no further than my own back yard.

I must not forget my
astonishment
at the beauty around me
even on the grayest of days,
trudging the barnyard path
to exhausted chores.

If ever I fail to see
what is right in front of me,
this Lord’s grace-given gift
to my eyes and ears and arms,
I do not deserve to put on boots
or hold a pitchfork.

mushrooms103115
wwupinks1
willow9

Lyrics
Praise to the Lord of the small broken things
Who sees the poor sparrow that cannot take wing
Who loves the lame child and the wretch in the street
Who comforts their sorrows and washes their feet

Praise to the Lord of the faint and afraid
Who girds them with courage and lends them His aid
He pours out his spirit on vessels so weak
That the timid can serve and the silent can speak

Praise to the Lord of the frail and the ill
Who heals their afflictions or carries them till
They leave this tired frame and to paradise fly
To never be sick and never to die
Never die

Praise him, O praise Him all ye who live
Who’ve been given so much and can so little give
Our frail lisping praise God will never despise
He sees His dear children through mercy-filled eyes

Something the World Should Know

There we shall rest and we shall see;
we shall see and we shall love;
we shall love and we shall praise.
Behold what shall be in the end and shall not end.
~St. Augustine: ‘The City of God,’ Bk. XXII, Chap. 30.

The cows know. Standing still
in the pasture, chewing cud
and steadily swishing flies.
With those enormous eyes,
they look for all the world
as if they know
.

The wind knows.
It whispers to the grass.
The grass tells the trees
who pass it on to the birds.
The crickets discover it
all on their own.

But you and I, we don’t.
Though on a day like today
when the sun is bright
and the cattails let loose
a flurry of tiny parachutes,
we sense there’s something
the world knows.

The dogs would tell us
if only we would listen.
~Kendall Dunkelberg”They Know” from Tree Fall with Birdsong

A man crosses the street in rain,
stepping gently, looking two times north and south,
because his son is asleep on his shoulder.

No car must splash him.
No car drive too near to his shadow.

This man carries the world’s most sensitive cargo
but he’s not marked.
Nowhere does his jacket say FRAGILE,
HANDLE WITH CARE.

His ear fills up with breathing.
He hears the hum of a boy’s dream
deep inside him.

We’re not going to be able
to live in this world
if we’re not willing to do what he’s doing
with one another.

The road will only be wide.
The rain will never stop falling.

~Naomi Shihab Nye “Shoulder” from Red Suitcase

And just what is it that we should know?
What are we missing that the cows, the wind, the trees, the grass, the birds, the crickets, the cattails, and certainly dogs know that we struggle to understand?

Simply this:
be content,
live aware of each moment as it comes,
be grateful for it and say so,
then have hope for the next moment, no matter how hard it may be.

Cherish whatever and whoever depends on us,
love them with all we’ve got.
Provide the shoulder that someone else needs.
Give ourselves away without expecting something in return.
Write it down so it is not lost.

We can see it deep in our dogs’ eyes. They know.

photo by Nate Gibson

The Lines Went Flat…

First of all, we’ve been using the wrong word all these years. It means without rhythm. The only arrhythmia is asystole, I tell my students. That’s the flat line accompanied by the clang of alarms in all the television dramas. There’s not much you can do about it; the patient is dead and usually stays dead. The correct word to describe all the ways a heart can dance and die is dysrhythmia, which means a disordered rhythm. There’s the soldiered march of ventricular tachycardia or the pirouette twirl of Torsades. Ventricular fibrillation simply quivers on the monitor. When these rhythms occur, the patient is pulseless and sometimes you give magnesium, usually shock, and always pump their chest to the beat of whatever song lives in your head. Once I was speaking with a man who stopped in the middle of a word, and I watched the rhythm on the monitor change. When I didn’t feel a pulse, I started CPR, and then we placed the paddles on his chest and shouted, Clear, just like in the movies. And it worked. He opened his eyes and looked at me and said, I don’t feel good. And I said, It’s okay, I’m going to get you better and smoothed the fair from his forehead, but then the alarms blared and the V tach returned, and we did it all over again—the drugs and compressions and shocks, and his eyes opened one more time and he mouthed I’m scared around the tube I’d placed in his throat, and I said, I’m here with you. But that was the last time he said anything. We didn’t stop for thirty minutes or more. He’d waved to his family when the medics loaded him into the ambulance with just a little chest pain, so they were shocked when I entered the small consult room to tell them he had died. His teenage son collapsed and landed on his knees and punched the ground and said, But we were fighting, and I think the last thing I said was I hate you.

All I’m trying to say is that it’s really important to use the right words.
~Rachel Mallalieu “A Brief History of Arrhythmia” from the journal PEMBROKE MAGAZINE

If you break
break going out not in.
How you live your life I don’t care
but I’ll sell my arms for you,
hold your secrets for ever.

If I speak of death
which you fear now, greatly,
it is without answers,
except that each
one we know is
in our blood.
Don’t recall graves.
Memory is permanent.

~Michael Ondaatje from “To a Sad Daughter”

I was still a kid
interning at State
he reminisces late in the meal—
It was a young red-headed woman
looked like my sister
when the lines went flat
I fell apart
shook
like a car with a broken axle
Went to the head surgeon
a fatherly man
Boy, he said, you got to fill a graveyard
before you know this business
and you just did row one, plot one.
~Alicia Suskin Ostriker, “The Surgeon” from The Book of Seventy

Like many other medical professionals who have worked in the trenches of frontline healthcare, I too am fascinated by the emergency room streaming drama “The Pitt.”

At first, I couldn’t watch without feeling I too should be working at the bedside alongside the ER team, trying my best to do the task assigned to me, responding to each new instruction, grateful when things go as hoped, crushed when nothing helps and the patient is lost.

The Pitt is the newest addition to the canon of medical dramas and feels like the real thing. All the technology is there, the medical terminology and procedures are real, in addition to the fraught interaction of professionals under stress. Most of all, it feels real because it shows patients and their families trying to cope with the worst day of their lives.

And medical miracles do happen, on TV and in real life.

Recently, a church friend was rescued in a drowning event, was unconscious on a ventilator for nearly a week, with much uncertainty about how much damage his brain had endured while under water. Several weeks later, he is now home, dealing with some memory gaps and muscle weakness, but improving strength daily.

Last week, I had the privilege of meeting a middle-aged pastor who was saved a few weeks ago when his heart stopped in his sleep. His wife started CPR, paramedics shocked his heart in the field more than once, he was stabilized in the ER, unconscious on a ventilator, cooled down to a lower body temperature to preserve his brain function.

His care team, along with family and friends, watched and waited and prayed, uncertain what would be the rest of his story.

When he was warmed up 24 hours later, he woke up, able to breathe on his own. Other than no memory for those brief hours of unconsciousness, he is still himself – living with a new awareness of his vulnerability and an immense gratitude, now with an implanted defibrillator in his chest.

The right words after being brought back from the dead?
The right words when we never know if they will be the last words we utter or the last we will ever hear?

I know what they would be for me. I carry them in my heart…

What is Left Undone Will Wait

To rest before the sheaves are bound,
toss the scythes aside, bare the feet and sink
into the nearest haystack, release
the undone task and consent to sleep
while the brightest hour burns an arc
across its stretch of sky:
this is the body’s prayer, mid-day angelus
whispered in mingled breath while the limbs
stretch in thanksgiving and the body turns
toward the beloved.

This is the prayer of trust:
what’s left undone will wait. The unattended
child, the uncut acre, cracked wheel, broken
fence that are occupations of the waking mind
soften into shadow in the semi-darkness
of dream. All shall be well. Little depends on us.
The turning world is held and borne in love.
We give good measure in our toil and, meet and right,
obey the body when it calls us to rest.

~Marilyn Chandler McEntyre “Noon Rest (after Millet: 1890)” from “The Color of Light: Poems on Van Gogh’s Late Paintings”

Van Gogh: Noon Rest at Musée d’Orsay, Paris
Lying Man in Meijer Gardens

When you lie down, you will not be afraid;
when you lie down, your sleep will be sweet.
Proverbs 3:24

Thanks to retirement, I have learned to love mid-day naps.

After forty-plus years of 10 hour work days, then awakened with calls at night, I managed to semi-thrive on minimal sleep.

Not any more.

In my new reality, I have discovered that it is possible to leave things undone, something that was never possible during doctoring and patient care. Now it is okay to set a task aside and think about it later. All this hasn’t come naturally to me, but I’m learning.

So it is time to kick off my shoes, pull a quilt up to my chin and close my eyes, just for a little while.

All will be well. The world keeps turning, even when I’m not the one pedaling to keep it going.