Like Current Through a Wire

What courage we had,
our infantry stretched across the yard,
no shields, no swords,
no cavalry assembled behind us
calming their nervous mounts.
We had the strength of our arms,
the speed of our legs.
We had our friends and our convictions.
Opposite us, the undulating line
of children drew suddenly straight.
It was early on a summer day
but the larks fell silent.
A high voice
invoked the name Red Rover;
we could not say who said it first.
But righteousness passed through us
like current through a wire.
Or like an inaugural sip of wine
burning in our chests,
something father gave us
over our mother’s earnest
protestations.
~Connie Wanek, “Red Rover” from Rival Gardens

… if you ran, time ran. You yelled and screamed and raced and rolled and tumbled and all of a sudden the sun was gone and the whistle was blowing and you were on your long way home to supper. When you weren’t looking, the sun got around behind you! The only way to keep things slow was to watch everything and do nothing! You could stretch a day to three days, sure, just by watching!
~Ray Bradbury from Dandelion Wine

I was a kid born without the necessary courage to enjoy playground games and sports – I was always chosen last as I didn’t have good coordination, I wasn’t fast or strong and I wasn’t physically aggressive. Games like dodge ball and Red Rover were too intimidating as I inevitably got battered and bruised by the other kids.

In Red Rover, that impenetrable line-up of kids found a weak link in me. I could feel the electricity like a current through the linked arms in the line, until it came to me. I became the off switch. Kids knew to choose my arm to break through because I tended to let go rather than have my arm bashed and bruised by some big kid running straight into it.

How have my years of work felt similar? Now well into my seventh decade, I can recall a few times when I’ve chosen to “let go” rather than get bruised. I’ve tried to be strong enough to stand up to the battering that comes with leadership positions and taking unpopular stands. It takes its toll and I regret I’m not strong enough at times. However, there is relief in no longer being connected to the electric current of these times.

What I always liked best about the playground was to simply run and jump and holler and hoot from the joy of being alive, or to just stand and watch what was going on around me without having to be in the center of things. Now decades later, I find myself again standing apart, just watching, grateful I’m no longer part of the line up about to get bashed.

Little Life Safe

He calls the honeybees his girls although
he tells me they’re ungendered workers
who never produce offspring. Some hour drops,
the bees shut off. In the long, cool slant of sun,
spent flowers fold into cups. He asks me if I’ve ever
seen a Solitary Bee where it sleeps. I say I’ve not.
The nearest bud’s a long-throated peach hollyhock.
He cradles it in his palm, holds it up so I spy
the intimacy of the sleeping bee. Little life safe in a petal,
little girl, your few furious buzzings as you stir
stay with me all winter, remind me of my work undone.
~Heid E. Erdrich, from “Intimate Detail” from The Mother’s Tongue

The barn’s brown gable, the vine by the door,—    
Nothing changed but the hives of bees. 
Before them, under the garden wall,    
Forward and back, 
Went drearily singing the chore-girl small,    
Draping each hive with a shred of black. 
Trembling, I listened: the summer sun    
Had the chill of snow; 
For I knew she was telling the bees of one    
Gone on the journey we all must go! 
~John Greenleaf Whittier from “Telling the Bees”

An old Celtic tradition necessitates sharing any news from the household with the farm’s bee hives, whether cheery like a new birth or a wedding celebration or sad like a family death.  This ensures the hives’ well-being and continued connection to home and community – the bees are kept in the loop, so to speak, so they stay at home, not swarm and move on to a more hospitable place.

Each little life safe at home, each little life with work undone.

Good news seems always easy to share; we tend to keep bad news to ourselves so this tradition helps remind us that what affects one of us, affects us all.

These days, with instant news at our fingertips at any moment, bad news is constantly bombarding us. Like the bees in the hives of the field, we want to flee from it and find a more hospitable home.

I hope the Beekeeper, our Creator, comes personally to each of us to say:
“Here is what has happened. All will be well, dear one. We will navigate your little life together.”

Something Went Wrong

age nine

The time is ripe for looking back over the day, the week, the year, and trying to figure out where we have come from and where we are going to, for sifting through the things we have done and the things we have left undone for a clue to who we are and who, for better or worse, we are becoming. We cling to the present out of wariness of the past. But there is a deeper need yet, I think, and that is the need—not all the time, surely, but from time to time—to enter that still room within us all where the past lives on as a part of the present, where the dead are alive again, where we are most alive ourselves to turnings and to where our journeys have brought us. The name of the room is Remember—the room where with patience, with charity, with quietness of heart, we remember consciously to remember the lives we have lived.” 
~Frederick Buechner from A Room Called Remember

He was a big man, says the size of his shoes
on a pile of broken dishes by the house;
a tall man too, says the length of the bed
in an upstairs room; and a good, God-fearing man,
says the Bible with a broken back
on the floor below the window, dusty with sun;
but not a man for farming, say the fields
cluttered with boulders and the leaky barn.

A woman lived with him, says the bedroom wall
papered with lilacs and the kitchen shelves
covered with oilcloth, and they had a child,
says the sandbox made from a tractor tire.
Money was scarce, say the jars of plum preserves
and canned tomatoes sealed in the cellar hole.
And the winters cold, say the rags in the window frames.
It was lonely here, says the narrow country road.

Something went wrong, says the empty house
in the weed-choked yard. Stones in the fields
say he was not a farmer; the still-sealed jars
in the cellar say she left in a nervous haste.
And the child? Its toys are strewn in the yard
like branches after a storm—a rubber cow,
a rusty tractor with a broken plow,
a doll in overalls. Something went wrong, they say.

~Ted Kooser, “Abandoned Farmhouse” from Sure Signs: New and Selected Poems. 

In 1959, when I was five years old, my father left his high school agriculture teaching position for a new supervisor position with the state.
I didn’t understand at the time the reasons for his leaving his job after 13 years.

Our family moved from a large 3 story farm house in a rural community to a 1950’s newer rambler style home just outside the city limits of the state capitol.  It was a big adjustment to move to a much smaller house without a basement or upper story, no garage, and no large haybarn nor chicken coop.  It meant most things we owned didn’t make the move with us.

The rambler had two side by side mirror image rooms as the primary central living space between the kitchen on one side and the hallway to the bedrooms on the other.  The living room could only be entered through the front door and the family room was accessed through the back door with a shared sandstone hearth in the center, containing a fireplace in each room.  The only opening between the rooms had a folding door shut most of the year.  In December, the door was opened to accommodate a Christmas tree, so it sat partially in the living room and depending on its generous width, spilled over into the family room.  That way it was visible from both rooms, and didn’t take up too much floor space.

The living room, because it contained the only carpeting in the house, and our “best” furniture,  was strictly off-limits. In order to keep our two matching sectional knobby gray fabric sofas,  a green upholstered chair and gold crushed velvet covered love seat in pristine condition, the room was to be avoided unless we had company. The carpet was never to develop a traffic pattern, there would be no food, beverage, or pet ever allowed in that room, and the front door was not to be used unless a visitor arrived.  The hearth never saw a fire lit on that side because of the potential of messy ashes or smoke smell. This was not a room for laughter, arguments or games and certainly not for toys. The chiming clock next to the hearth, wound with weighted cones on the end of chains, called out the hours without an audience.

One week before Christmas, a tree was chosen to fit in the space where it could overflow into the family room.  I particularly enjoyed decorating the “family room” side of the tree, using all my favorite ornaments that were less likely to break if they fell on the linoleum floor on that side of the door.

It was as if the Christmas tree became divided, with a “formal” side in the living room and a “real life” face on the other side where the living (and hurting) was actually taking place.

The tree straddled more than just two rooms.  Every year that tree’s branches reached out to shelter a family that was slowly, almost imperceptibly, falling apart, like the fir needles dropping to the floor to be swept away. Something was going wrong.

Each year since, the Christmas tree bearing those old ornaments from my childhood reminds me of a still room of mixed memories within me.  I am no longer wary of the past, and when I sweep up the fir needles that inevitably drop, I no longer weep.

In the Blink of an Eye

May the wind always be in her hair
May the sky always be wide with hope above her
And may all the hills be an exhilaration
the trials but a trail,
all the stones but stairs to God.

May she be bread and feed many with her life and her laughter
May she be thread and mend brokenness and knit hearts…
~Ann Voskamp from “A Prayer for a Daughter”

“I have noticed,” she said slowly, “that time does not really exist for mothers, with regard to their children. It does not matter greatly how old the child is – in the blink of an eye, the mother can see the child again as she was when she was born, when she learned to walk, as she was at any age — at any time, even when the child is fully grown….”
~Diana Gabaldon from Voyager

Just checking to see if she is real…

Your rolling and stretching had grown quieter that stormy winter night
twenty seven years ago, but no labor came as it should.
A week overdue post-Christmas,
you clung to amnion and womb, not yet ready.
Then the wind blew more wicked
and snow flew sideways, landing in piling drifts,
the roads becoming impassable, nearly impossible to traverse.

So your dad and I tried,
worried about being stranded on the farm far from town.
Our little car got stuck in a snowpile in the deep darkness,
our tires spinning, whining against the snow.
A nearby neighbor’s bulldozer dug us out to freedom.
You floated silent and still, knowing your time was not yet.

Creeping slowly through the dark night blizzard,
we arrived to the warm glow of the hospital.
You slept.
I, not at all.

Morning sun glistened off sculptured snow outside our window,
and your heart had ominously slowed in the night.
We both were jostled, turned, oxygenated, but nothing changed.
You beat even more slowly, letting loose your tenuous grip on life.

The nurses’ eyes told me we had trouble.
The doctor, grim faced, announced
delivery must happen quickly,
taking you now, hoping we were not too late.
I was rolled, numbed, stunned,
clasping your father’s hand, closing my eyes,
not wanting to see the bustle around me,
trying not to hear the shouted orders,
the tension in the voices,
the quiet at the moment of opening
when it was unknown what would be found.

And then you cried. A hearty healthy husky cry, a welcomed song.
Perturbed and disturbed from the warmth of womb,
to the cold shock of a bright lit operating room,
your first vocal solo brought applause
from the surrounding audience who admired your pink skin,
your shock of damp red hair, your blue eyes squeezed tight,
then blinking open, wondering and wondrous,
emerging saved from the storm within and without.

You were brought wrapped for me to see and touch
before you were whisked away to be checked over thoroughly,
your father trailing behind the parade to the nursery.
I closed my eyes, swirling in a brain blizzard of what-ifs.

If no snow storm had come,
you would have fallen asleep forever within my womb,
no longer nurtured by my aging placenta,
cut off from what you needed to stay alive.
There would have been only our soft weeping,
knowing what could have been if we had only known,
if God provided a sign to go for help.

Saved by a storm and dug out from a drift:
I celebrate each time I hear your voice singing,
knowing you are a thread born to knit and mend hearts.

my annual January 5 “happy birthday” to our daughter Lea, a 4th grade school teacher, soon to be married

My First Step Toward Not Returning

I was cold and leaned against the big oak tree
as if it were my mother wearing a rough apron
of bark, her upraised arms warning of danger.
Through those boughs and leaves I saw
dark patches of sky…
I looked to the roof of mom and dad’s house
and wondered if the paisley couch patterns
would change during the day. My brother peeked
from a window and waved. When the bus came,
I pawed away from the trunk, fumbled,
and took my first step toward not returning.
~Dante Di Stefano from “With a Coat”

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
~T.S. Eliot from “Little Gidding”

I remember the restlessness of my late teens when I learned homesickness was not a terminal condition.  There was a world out there to be explored and I knew I was meant to be a designated explorer,  seeking out the extraordinary.

Ordinary simply wouldn’t do.  Ordinary was plentiful at home on a small farm with a predictable routine, a garden to be weeded and daily chores to be done, with middle-aged parents tight with tension in a struggling marriage.

On a whim at age nineteen, I applied for wild chimpanzee research study in Africa, and much to my shock, was accepted.  A year of academic and physical preparation as well as Swahili language study was required, so this was no impulsive adventure.   I had plenty of time to back out, reconsider and be ordinary again.

It was an adventure, far beyond what I had anticipated and trained for.  When I had to decide between more exploration, without clear purpose or funding, or returning home, I opted to return to the place I started, seeing home differently, as if for the first time,  after having been away.

Ordinary is a state of mind, not a place.  I can choose to be deeply rooted in the mundane, or I can seek the extraordinary in attentive exploration of my everyday world.

Returning back where I started – knowing the place for the first time.

A Few Tears at the End of the Year

Let us step outside for a moment
As the sun breaks through clouds
And shines on wet new fallen snow,
And breathe the new air.
So much has died that had to die this year.

Let us step outside for a moment.
It is all there
Only we have been slow to arrive
At a way of seeing it.
Unless the gentle inherit the earth
There will be no earth.
~May Sarton from “New Year Poem”

photo by Nate Gibson

Whenever you find tears in your eyes, especially unexpected tears, it is well to pay the closest attention.  They are not only telling you something about the secret of who you are, but more often than not God is speaking to you through them of the mystery of where you have come from and is summoning you to where, if your soul is to be saved, you should go next.
~Frederick Buechner
from Beyond Words

I don’t pay close enough attention to the meaning of my leaking eyes when I’m constantly looking for kleenex to stem the flow.  During the holidays it seems I have more than ample opportunity to find out from my tears the secret of who I am, where I have come from, and where I am to be next, so I keep my pockets loaded with kleenex.

It mostly has to do with spending time with far-flung children and grandchildren for the holidays. It is about reading books and doing puzzles together and reminiscing about what has been and what could be. It is about singing grace together before a meal and choking on precious words of gratitude.  It certainly has to do with bidding farewell until we meet again — gathering them in for that final hug and then that letting-go part.

We urged and encouraged our children to go where their hearts told them they are needed and called to be, even if thousands of miles away from their one-time home on this farm.

I too was let go once and though I would try to look back, too often in tears, I learned to set my face toward the future.  It led me here, to this marriage, this family, this farm, this work, our church, to more tears, to more letting go, as it will continue if I’m granted the years to weep again and again with gusto and grace.

This is where I must go next: to love so much and so deeply that letting go is so hard that tears are no longer unexpected or a mystery to me or my children and grandchildren.   They release a fullness that can no longer be contained: God’s still small voice spills down my cheeks drop by drop like wax from a burning candle.

A wise and precious friend once told me that “our tears are God’s tears; to be bereft is the only way to become one with God.

So no kleenex needed with these tears.

I’ll let them flow as I let them go.

Be Still, Now

 
 
The moon drops one or two feathers into the field.   
The dark wheat listens. 
Be still. 
Now. 
There they are, the moon’s young, trying 
Their wings. 
 
I stand alone by an elder tree, I do not dare breathe 
Or move. 
I listen. 
The wheat leans back toward its own darkness, 
And I lean toward mine.
~James Wright, from “Beginning” from Above the River: The Complete Poems and Selected Prose. 
 
 
 

And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

~T.S. Eliot from “Ash Wednesday”

In my beginning is my end. Now the light falls
I said to my soul, be still, and wait without hope.
~T.S. Eliot from “East Coker”

As we spend time with our young grandchildren,
learning what it means to be a grandparent,
we watch them discover
the many joys and unending sorrows of this world.
We must remember to remind them:
there is light beyond the darkness,
there is peace amid the chaos,
there is a smile behind the tears,
there is stillness within the noisiness,
there is grace and mercy as old gives way to new.