Something Went Wrong

age nine

The time is ripe for looking back over the day, the week, the year, and trying to figure out where we have come from and where we are going to, for sifting through the things we have done and the things we have left undone for a clue to who we are and who, for better or worse, we are becoming. We cling to the present out of wariness of the past. But there is a deeper need yet, I think, and that is the need—not all the time, surely, but from time to time—to enter that still room within us all where the past lives on as a part of the present, where the dead are alive again, where we are most alive ourselves to turnings and to where our journeys have brought us. The name of the room is Remember—the room where with patience, with charity, with quietness of heart, we remember consciously to remember the lives we have lived.” 
~Frederick Buechner from A Room Called Remember

He was a big man, says the size of his shoes
on a pile of broken dishes by the house;
a tall man too, says the length of the bed
in an upstairs room; and a good, God-fearing man,
says the Bible with a broken back
on the floor below the window, dusty with sun;
but not a man for farming, say the fields
cluttered with boulders and the leaky barn.

A woman lived with him, says the bedroom wall
papered with lilacs and the kitchen shelves
covered with oilcloth, and they had a child,
says the sandbox made from a tractor tire.
Money was scarce, say the jars of plum preserves
and canned tomatoes sealed in the cellar hole.
And the winters cold, say the rags in the window frames.
It was lonely here, says the narrow country road.

Something went wrong, says the empty house
in the weed-choked yard. Stones in the fields
say he was not a farmer; the still-sealed jars
in the cellar say she left in a nervous haste.
And the child? Its toys are strewn in the yard
like branches after a storm—a rubber cow,
a rusty tractor with a broken plow,
a doll in overalls. Something went wrong, they say.

~Ted Kooser, “Abandoned Farmhouse” from Sure Signs: New and Selected Poems. 

In 1959, when I was five years old, my father left his high school agriculture teaching position for a new supervisor position with the state.
I didn’t understand at the time the reasons for his leaving his job after 13 years.

Our family moved from a large 3 story farm house in a rural community to a 1950’s newer rambler style home just outside the city limits of the state capitol.  It was a big adjustment to move to a much smaller house without a basement or upper story, no garage, and no large haybarn nor chicken coop.  It meant most things we owned didn’t make the move with us.

The rambler had two side by side mirror image rooms as the primary central living space between the kitchen on one side and the hallway to the bedrooms on the other.  The living room could only be entered through the front door and the family room was accessed through the back door with a shared sandstone hearth in the center, containing a fireplace in each room.  The only opening between the rooms had a folding door shut most of the year.  In December, the door was opened to accommodate a Christmas tree, so it sat partially in the living room and depending on its generous width, spilled over into the family room.  That way it was visible from both rooms, and didn’t take up too much floor space.

The living room, because it contained the only carpeting in the house, and our “best” furniture,  was strictly off-limits. In order to keep our two matching sectional knobby gray fabric sofas,  a green upholstered chair and gold crushed velvet covered love seat in pristine condition, the room was to be avoided unless we had company. The carpet was never to develop a traffic pattern, there would be no food, beverage, or pet ever allowed in that room, and the front door was not to be used unless a visitor arrived.  The hearth never saw a fire lit on that side because of the potential of messy ashes or smoke smell. This was not a room for laughter, arguments or games and certainly not for toys. The chiming clock next to the hearth, wound with weighted cones on the end of chains, called out the hours without an audience.

One week before Christmas, a tree was chosen to fit in the space where it could overflow into the family room.  I particularly enjoyed decorating the “family room” side of the tree, using all my favorite ornaments that were less likely to break if they fell on the linoleum floor on that side of the door.

It was as if the Christmas tree became divided, with a “formal” side in the living room and a “real life” face on the other side where the living (and hurting) was actually taking place.

The tree straddled more than just two rooms.  Every year that tree’s branches reached out to shelter a family that was slowly, almost imperceptibly, falling apart, like the fir needles dropping to the floor to be swept away. Something was going wrong.

Each year since, the Christmas tree bearing those old ornaments from my childhood reminds me of a still room of mixed memories within me.  I am no longer wary of the past, and when I sweep up the fir needles that inevitably drop, I no longer weep.

God is Weeping

The day is cold, and dark, and dreary
It rains, and the wind is never weary;
The vine still clings to the mouldering wall,
But at every gust the dead leaves fall,
And the day is dark and dreary.

My life is cold, and dark, and dreary;
It rains, and the wind is never weary;
My thoughts still cling to the mouldering Past,
But the hopes of youth fall thick in the blast,
And the days are dark and dreary.

Be still, sad heart! and cease repining;
Behind the clouds is the sun still shining;
Thy fate is the common fate of all,
Into each life some rain must fall,
Some days must be dark and dreary.
~Henry Wadsworth Longfellow “The Rainy Day”

People who grow up in the Pacific Northwest suffer from peculiar climate-related disorders unique to only to us.   This deserves a page in the next version of the DSM — the diagnostic psychiatric manual:  we in the PNW don’t feel 100% normal unless it is raining.  We love weather like we’re having right now – full on gray and full on wet with threats of northeast winds and snow.

In fact, we born and bred web-footers can feel downright depressed when it is sunny all the time.  We groan inwardly when yet another day dawns bright instead of gray, we start to look longingly at accumulating clouds,  and we get positively giddy when morning starts with a drizzly mist.

It’s difficult to say what exactly is at work in brain chemistry in cases like this.  It is the opposite effect of classically described Seasonal Affective Disorder diagnosed especially in those transplants from more southerly climates who get sadder and slowed down with darker days and longer nights.   In people like me, born a stone’s throw from Puget Sound, the more sunlight there is, the more doldrums I feel:  desolaration (desolation from too much solar exposure).   The grayer the day, the wetter the sky–> a lightening of the heart and the spirit:  precipilicity (felicity arising from precipitation).

Like most northwesterners, I have low Vitamin D levels even in the summer.  It just isn’t seemly to expose all that skin to UV light.

So I celebrate the profound relief of a rainy day, thank you.   There would be no internal conflict about feeling compelled to go outside to work up a sweat and soak up the elusive sun rays.   There would only be the cozy invitation to stay inside to read and write and sleep.

I know I’m not alone in this disorder.  Many of us are closet sufferers but would never admit it in polite company.  To complain about sunny days is perceived as meteorologically, spiritually and poetically incorrect.  It is time to acknowledge that many of us are in this wet boat rowing together.

Robert Frost (definitely not a northwesterner) confessed his own case of desolaration in the first stanza of his poem November Guest:

My Sorrow, when she’s here with me,
Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;
She walks the sodden pasture lane.

And Jack Handey, the satirist, summarizes the real reason for the guilty pleasure of the northwest native in liking rain:

“If a kid asks where rain comes from, I think a cute thing to tell him is ‘God is crying.’
And if he asks why God is crying, another cute thing to tell him is ‘Probably because of something you did.”

Okay, okay, I guess we’ve been really naughty to have so much rainfall in the last month. We should repent for our misbehavior and eventually God’s tears will dry up and the sun would shine again.

Then again, maybe God likes a good rain and a good cry as much as we do.

A Few Tears at the End of the Year

Let us step outside for a moment
As the sun breaks through clouds
And shines on wet new fallen snow,
And breathe the new air.
So much has died that had to die this year.

Let us step outside for a moment.
It is all there
Only we have been slow to arrive
At a way of seeing it.
Unless the gentle inherit the earth
There will be no earth.
~May Sarton from “New Year Poem”

photo by Nate Gibson

Whenever you find tears in your eyes, especially unexpected tears, it is well to pay the closest attention.  They are not only telling you something about the secret of who you are, but more often than not God is speaking to you through them of the mystery of where you have come from and is summoning you to where, if your soul is to be saved, you should go next.
~Frederick Buechner
from Beyond Words

I don’t pay close enough attention to the meaning of my leaking eyes when I’m constantly looking for kleenex to stem the flow.  During the holidays it seems I have more than ample opportunity to find out from my tears the secret of who I am, where I have come from, and where I am to be next, so I keep my pockets loaded with kleenex.

It mostly has to do with spending time with far-flung children and grandchildren for the holidays. It is about reading books and doing puzzles together and reminiscing about what has been and what could be. It is about singing grace together before a meal and choking on precious words of gratitude.  It certainly has to do with bidding farewell until we meet again — gathering them in for that final hug and then that letting-go part.

We urged and encouraged our children to go where their hearts told them they are needed and called to be, even if thousands of miles away from their one-time home on this farm.

I too was let go once and though I would try to look back, too often in tears, I learned to set my face toward the future.  It led me here, to this marriage, this family, this farm, this work, our church, to more tears, to more letting go, as it will continue if I’m granted the years to weep again and again with gusto and grace.

This is where I must go next: to love so much and so deeply that letting go is so hard that tears are no longer unexpected or a mystery to me or my children and grandchildren.   They release a fullness that can no longer be contained: God’s still small voice spills down my cheeks drop by drop like wax from a burning candle.

A wise and precious friend once told me that “our tears are God’s tears; to be bereft is the only way to become one with God.

So no kleenex needed with these tears.

I’ll let them flow as I let them go.

The Long Road of Weariness and Want

We think of him as safe beneath the steeple,
Or cosy in a crib beside the font,
But he is with a million displaced people
On the long road of weariness and want.
For even as we sing our final carol
His family is up and on that road,

Fleeing the wrath of someone else’s quarrel,
Glancing behind and shouldering their load.
Whilst Herod rages still from his dark tower
Christ clings to Mary, fingers tightly curled,
The lambs are slaughtered by the men of power,
And death squads spread their curse across the world.
But every Herod dies, and comes alone
To stand before the Lamb upon the throne.
~Malcolm Guite “Refugee”

…as you sit beneath your beautifully decorated tree, eat the rich food of celebration, and laugh with your loved ones, you must not let yourself forget the horror and violence at the beginning and end of the Christmas story. The story begins with the horrible slaughter of children and ends with the violent murder of the Son of God. The slaughter depicts how much the earth needs grace. The murder is the moment when that grace is given.

Look into that manger representing a new life and see the One who came to die. Hear the angels’ celebratory song and remember that sad death would be the only way that peace would be given. Look at your tree and remember another tree – one not decorated with shining ornaments, but stained with the blood of God.

As you celebrate, remember that the pathway to your celebration was the death of the One you celebrate, and be thankful.
~Paul Tripp

There can be no consolation;
only mourning and great weeping,
sobbing that wrings dry
every human cell,
leaving dust behind,
dust, only dust
which is beginning
and end.

He came to us
for times such as this,
born of
the dust of woman and
the breath of Spirit,
God who bent down to
lie in barn dust,
walk on roads of dust,
die and be laid to rest as dust
in order to conquer
such evil as this
that could terrify masses
and massacre innocents.

He became dust to be
like us
He began a mere speck in a womb
like us,
so easily washed away
as unexpected, unneeded, unwanted.

Lord, You are long expected.
You are needed
You are wanted.

Your heart beat
like ours
breathing each breath
like ours
until a fearful fallen world
took Your
and our breath
away.

You shine through
the shadows of death
to guide our stumbling uncertain feet.
Your tender mercies flow freely
when there is no consolation
when there is no comfort.

You hear our cries
as You cry too.
You know our tears
as You weep too.
You know our mourning
as You mourned too.
You know our dying
as You died too.

Only God can glue together
what evil has shattered.

We will know His peace
when He comes
to bring us home,
our tears finally dried,
our cells no longer
just dust,
as we are glued together
by the breath of God
forevermore.

the tender mercy of our God,
    by which the rising sun will come to us from heaven
to shine on those living in darkness
    and in the shadow of death,
to guide our feet into the path of peace.
Luke 1: 78-79

Be Still, Now

 
 
The moon drops one or two feathers into the field.   
The dark wheat listens. 
Be still. 
Now. 
There they are, the moon’s young, trying 
Their wings. 
 
I stand alone by an elder tree, I do not dare breathe 
Or move. 
I listen. 
The wheat leans back toward its own darkness, 
And I lean toward mine.
~James Wright, from “Beginning” from Above the River: The Complete Poems and Selected Prose. 
 
 
 

And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

~T.S. Eliot from “Ash Wednesday”

In my beginning is my end. Now the light falls
I said to my soul, be still, and wait without hope.
~T.S. Eliot from “East Coker”

As we spend time with our young grandchildren,
learning what it means to be a grandparent,
we watch them discover
the many joys and unending sorrows of this world.
We must remember to remind them:
there is light beyond the darkness,
there is peace amid the chaos,
there is a smile behind the tears,
there is stillness within the noisiness,
there is grace and mercy as old gives way to new.

Heading Home

There are two ways of getting home; and one of them is to stay there.
~G. K. Chesterton

Those who know me, know I don’t care much for traveling. I prefer to stay home, but a near second best is heading home from where I’ve been.

Home can seem elusive and just out of reach for much of our lives. It may not feel we truly belong in any one place in this modern era of constant transitions and transfers. I’m a prime example of a truly ambivalent home body.

In high school, I could not plan a get-away from my home town fast enough, opting to go to college two states away.  Once I was away, I was hopelessly home-and-heartsick.   Miserable, I decided to come back home and go to school there instead.

Once back under my parents’ roof, my homesickness abated but the heartsick continued, having nothing to do with where I ate and slept.  I wasn’t at home inside myself.   It took time and various attempts at geographic cures to settle in and accept who I always had been.

Those who do move away often cast aspersions at people who never wander far from home.  The homebodies are seen as provincial, stuck in a rut, unenlightened and hopelessly small-town.  Yet later in life as the wanderers have a tendency to move back home, the stay-at-homers become solid friends and neighbors.   Remarkably, they often have become the pillars and life blood of a community.  They have slogged through long hours of keeping a place going when others left.

I did end up doing my share of wandering yet still sympathized with those who decided to stay put. I returned home by settling only a few miles from the stomping grounds of my homesteading great-grandparents, at once backwoods and backwater. Cast aspersions welcomed.

Now I get back home by mostly staying home. It takes something major, like a son spending the last decade teaching in Japan, now married with two children, to lure me away from my corner of the world once or twice a year. Getting away for a far away visit becomes a bigger effort as we get older, and coming back home is so bittersweet when hugging those loved ones goodbye. That is exactly what happened earlier today, as we sit at Narita airport waiting for our flight home.

I simply remember the assurance expressed so simply by Thomas Hardy in Far From the Madding Crowd,
“And at home, by the fire, whenever you look up, there I shall be–and whenever I look up, there will be you.”

Home so sweet. We all long for it, sometimes with our hearts breaking, wherever it may be.

We Are No Longer Alone: To Wedge a Path of Light

 When trees have lost remembrance of the leaves
 that spring bequeaths to summer, autumn weaves
 and loosens mournfully — this dirge, to whom
 does it belong — who treads the hidden loom?
 
 When peaks are overwhelmed with snow and ice,
 and clouds with crepe bedeck and shroud the skies — 
 nor any sun or moon or star, it seems,
 can wedge a path of light through such black dreams — 
  
 All motion cold, and dead all traces thereof:
 What sudden shock below, or spark above,
 starts torrents raging down till rivers surge — 
 that aid the first small crocus to emerge?
 
 The earth will turn and spin and fairly soar,
 that couldn't move a tortoise-foot before — 
 and planets permeate the atmosphere
 till misery depart and mystery clear! — 
 
 Who gave it the endurance so to brave
 such elements? — shove winter down a grave? — 
 and then lead on again the universe?
 ~Alfred Kreymborg from "Crocus" 

To be sure, it feels wintry enough still: but often in the very early spring it feels like that. Two thousand years are only a day or two by this [God’s] scale. A man really ought to say, ‘The Resurrection happened two thousand years ago’ in the same spirit in which he says, ‘I saw a crocus yesterday.’ Because we know what is coming behind the crocus. The spring comes slowly down this way; but the great thing is that the corner has been turned. . . It remains with us to follow or not, to die in this winter, or to go on into that spring and that summer.
~C.S. Lewis from God in the Dock

Whether late winter or autumn
the ground yields unexpected crocus,
surprising even to the observant.

Hidden beneath the surface,
their incubation readily triggered
by advancing or retreating light from above.

Waiting with temerity,
to be called forth from earthly grime
and granted reprieve from indefinite interment.

A luminous gift of hope and beauty
borne from a humble bulb
adorned with dirt.

Summoned, the harbinger rises
from sleeping dormant ground in February
or spent topsoil, exhausted by October.

These bold blossoms do not pause
for snow and ice nor hesitate to pierce through
a musty carpet of fallen leaves.

They break free to surge skyward
cloaked in tightly bound brilliance,
deployed against the darkness.

Slowly unfurling, the petals peel to reveal golden crowns,
royally renouncing the chill of winter’s beginning and end,
staying brazenly alive when little else is.

In the end,  they wilt, deeply bruised purple
a reflection of Light made manifest;
returning defeated, inglorious, fallen, to dust.

Yet like the Sun, we know
they will rise yet again.