Category: meekness

Each is Nothing Without the Others

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Theirs is a perfection of pure form.
Nobody but has his proper place and knows it.
Everything they do is functional.
Each foray in a zigzag line
Each prodigious lifting
Of thirty-two times their own weight
Each excavation into the earth’s core
Each erection
Of a crumbly parapetted tower —

None of these feats is a private pleasure,
None of them done
For the sake of the skill alone —

They’ve got a going concern down there,
A full egg-hatchery
A wet-nursery of aphids
A trained troop of maintenance engineers
Sanitation experts
A corps of hunters
And butchers
An army

A queen
Each
Is nothing without the others, each being a part
Of something greater than all of them put together
A purpose which none of them knows
Since each is only
The one thing that he does. There is
A true consistency
Toward which their actions tend.
The ants have bred and inbred to perfection.
The strains of their genes that survive survive.
Every possible contingency
Has been foreseen and written into the plan.

Nothing they do will be wrong.
~Daniel Hoffman “Ants” from Beyond Silence

The ant in the shadow of this blade of grass
Is indifferent to my presence, to the action
Of the day, to the creaking of the limbs
Of the sycamore, to the sun lowering itself
Slowly from the scaffolding of the sky…

The ant has not moved.  It is deep in meditation.

…Ants understand
The principle of undefiled silence.  My ant glows
Like charcoal now in the lengthening rays of the sun.
I kneel and whisper, “Look up at me.  I’m here.”
~John Gilgun from “The Ant in the Shadow of This Blade of Grass”

Today, when I could do nothing,
I saved an ant...

Small black ant, alone,
crossing a navy cushion,
moving steadily because that is what it could do.

Set outside in the sun,
it could not have found again its nest.
What then did I save?

It did not move as if it was frightened,
even while walking my hand,
which moved it through swiftness and air.

Ant, alone, without companions,
whose ant-heart I could not fathom—
how is your life, I wanted to ask.

I lifted it, took it outside.

This first day when I could do nothing,
contribute nothing…

…I did this.
~Jane Hirshfield from “Today When I Could Do Nothing”

The other day, as I sat down in the grass to take pictures, I felt a tickle at the nape of my neck. I reached up, felt something, and when I looked to see what it was, I found a tiny ant crushed in my fingers.

Suddenly it felt like things were crawling everywhere on me, especially my scalp. I shook out my hair and clothes and found there weren’t any more ants. It was only one unfortunate, defenseless victim who chose the wrong place and time to inhabit me.

As a child, I was fascinated by the ant hills in the woods and fields of our small farm. I would track yards and yards of ant trails from the busy mounded colonies to tree trunks and other sources of food, watching the single-file, single-minded insects heading through all sorts of terrain to sustain their community. Having ants crawling on me wasn’t a problem then – they were part of my exploration of creation … sometimes they explored me. So I’m sympathetic to a solitary ant’s curiosity.

When we share the same few square inches of landscape, we want to ask one another: How is your life? hoping to fathom each other’s heart. We are each of us a part of something greater than all of us put together.

In this small corner of the internet, I share words or pictures I hope might bring a smile, a nod of recognition, or a moistened eye, wanting to find common ground with people I likely will never meet in the chaos of existence.

So I ask you every now and again
because I want to know:
how is your life?

Though I may do nothing else of import
in this scatter-mess of life’s anthill, I can do this:
I’m here, exploring and caring,
listening for your comments, feedback and messages.
Nothing you say will be wrong…

One Hundred Ten Years Old

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The Old Church leans nearby a well worn road 
upon a hill that has no grass or tree 
The winds from off the prairie now unload 
the dust they bring around it fitfully 
The path that leads up to the open door 
is worn and grayed by many toiling feet 
of us who listen to the Bible lore 
and once again the old time hymns repeat.
And every Sabbath Morning we are still 
returning to the altar standing there; 
a hush, a prayer, a pause, and voices 
fill the Master’s House with a triumphant air.
The old church leans awry and looks quite odd,
But it is beautiful to us, and God.
~Della Vik “The Old Church”
(adapted in song by Stephen Paulus, linked below

photo by Barb Hoelle

…when I experienced the warm, unpretentious reception of those who have nothing to boast about, and experienced a loving embrace from people who didn’t ask any questions, I began to discover that a true spiritual homecoming means a return to the poor in spirit to whom the kingdom of heaven belongs.
~Henri Nouwen from The Return of the Prodigal Son

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Today is the 110th anniversary of Wiser Lake Chapel‘s building dedication ceremony and picnic.

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Back in the early days of Whatcom County,  the little church on Wiser Lake had been constructed through “contributions of the people” in a rural neighborhood only a few miles from where we now live.  $600 in lumber was provided by a local farmer whose trees were cut and milled and brought by horse drawn wagon to a building site adjacent to a one room school house along a corrugated plank road. The total property was “valued at $1800, but of even more value to the community.” 

The dedication ceremony was held on Sunday, August 27, 1916 followed by “a basket dinner—come with well filled baskets for a common table, under the direction of the Ladies Aid”. This was to be followed by a “Fellowship Meeting, special music and fraternal addresses” and the day ended at 8 PM with a Young People’s Meeting.

So began the long history of the “Wiser Lake Church”.

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For reasons unrecorded in the history of the church, the original denomination closed the doors thirty years later, and for a while the building was empty and in need of a congregation. 

By the fifties, it became a mission church of the local Christian Reformed Churches and launched a Sunday School program for migrant farm and Native American children in the surrounding rural neighborhood. No formal church services started until the 60s. By the time the building was sixty years old, so many children were arriving for Sunday School, there was not enough room so the building was hoisted up on jacks to allow a hole to be dug underneath for a basement full of classrooms. Over the course of a summer, the floor space doubled, and the church settled back into place, allowed to rest again on its foundation.

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Over seventy years after its dedication ceremony, our family drove past the boxy building countless times hurrying on our way to other places, barely giving it a second glance. It had a classic design, but showed its age with peeling paint,  a few missing shingles, an old fashioned square flat roofed belfry, and arched windows. The hand lettered sign spelling out “Wiser Lake Chapel” by the road constituted a humble invitation of sorts, simply by listing the time of the service.

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photo by Julie Garrett
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photo by Julie Garrett

On a blustery December Sunday evening, we had no place else to be for a change.  Instead of driving past, we stopped, welcomed by the yellow glow pouring from the windows and an almost full parking lot. Our young family climbed the steps to the big double doors, and inside were immediately greeted by a large balding man with a huge grin and encompassing handshake. He pointed us to one of the few open spots still available in the old wooden pews.

The sanctuary was a warm and open space with a high lofted ceiling, dark wood trim accents matching the ancient pews, and a plain wooden cross above the pulpit in front. There was a pungent smell from fir bough garlands strung along high wainscoting, and a circle of candles standing lit on a small altar table. Apple pie was baking in the kitchen oven, blending with the aroma of good coffee and hot cocoa.

The service was a Sunday School Christmas program, with thirty some children of all ages and skin colors standing up front in bathrobes and white sheet angel gowns, wearing gold foil halos, tinfoil crowns and dish towels wrapped with string around their heads. They were prompted by their teachers through carols and readings of the Christmas story. The final song was Silent Night, sung by candle light, with each child and member of the congregation holding a lit candle. There was a moment of excitement when one girl’s long hair briefly caught fire, but after that was extinguished by a quick-thinking mom in the pastor’s pulpit glass of water, the evening ended in darkness, with the soft glow of candlelight illuminating faces of the young and old, some in tears streaming over their smiles.

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photo by Julie Garrett

It felt like home. We had found our church.

We’ve never left, now well into our fourth decade here.

Over the past one hundred years this old building has seen a few thousand people come and go, has had peeling paint and missing shingles, a basement that floods when the rain comes down hard, toilets that don’t always flush very well, and though it smells heavenly every Sunday potluck after evening worship and teaching, there are times when it can be just a bit out of sorts and musty. It really isn’t anything to boast about.

It is humble and unpretentious yet envelops its people in its loving and imperfect embrace, with warmth, character and a uniqueness that is unforgettable.

It really is not so different from the folks who have gathered there over the years.

Like our pastors over the decades – Bruce Hemple, Stephen Tamminga, Albert Hitchcock and now Nathan Chambers – our chapel is humble and unpretentious, enveloping its people in a loving embrace of God’s Word, with warmth, character, grace and a uniqueness that is unforgettable.

We know we belong,
such as we are,
just as we are,
blessed by God in a wonderful old building to join together.

Perhaps you belong at this old church too…

Wiser Lake Chapel Bus – in retirement
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Peacing Each One Beautiful

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Like a fading piece of cloth
I am a failure

No longer do I cover tables filled with food and laughter
My seams are frayed my hems falling my strength no longer able
To hold the hot and cold

I wish for those first days
When just woven I could keep water
From seeping through
Repelled stains with the tightness of my weave
Dazzled the sunlight with my
Reflection

I grow old though pleased with my memories
The tasks I can no longer complete
Are balanced by the love of the tasks gone past

I offer no apology only
this plea:

When I am frayed and strained and drizzle at the end
Please someone cut a square and put me in a quilt
That I might keep some child warm

And some old person with no one else to talk to
Will hear my whispers

And cuddle
near
~Nikki Giovanni “Quilts”

“I make them warm to keep my family from freezing;
I make them beautiful to keep my heart from breaking.”
–From the journal of a prairie woman, 1870

To keep a husband and five children warm,
she quilts them covers thick as drifts against
the door. Through every fleshy square white threads
needle their almost invisible tracks; her hours
count each small suture that holds together
the raw-cut, uncolored edges of her life.
She pieces each one beautiful, and summer bright
to thaw her frozen soul. Under her fingers
the scraps grow to green birds and purple
improbable leaves; deeper than calico, her mid-winter
mind bursts into flowers. She watches them unfold
between the double stars, the wedding rings.
~Luci Shaw “Quiltmaker” from Polishing the Petoskey Stone: New and Selected Poems.

Perhaps the world was made this way:
piecemeal, the parts fitting together exactly
as if made for one another~
the unique, disparate and separate
coming together in a glorious harmony.

The point of its creation is
forever functional and full of love –
a blanket of warmth and security
for generations to come.

Our legacy is to preserve this
beauty arising from scraps,
this broken stitched to broken
in a tapestry holy and whole.

When I no longer have strength
or the usefulness to perform my daily tasks,
piece me up and sew me into a greater whole
along with pieces of others who are fading.

We are so much better together,
so much more colorful and bold,
becoming art and function in our fraying state.

Full of warmth and comfort
covering all who are sick
and sleep and love and cuddle,
and drift off to heaven as the last breath is breathed.

all quilts above are on display this week at the Northwest Washington Fair – to see previous year’s artwork:
2015, 2016, 2017, 2018, 2021, 2022, 2023 , 2024

No Furrow on the Glow

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Further in Summer than the Birds
Pathetic from the Grass
A minor Nation celebrates
Its unobtrusive Mass.

No Ordinance be seen
So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

Antiquest felt at Noon
When August burning low
Arise this spectral Canticle
Repose to typify

Remit as yet no Grace
No Furrow on the Glow
Yet a Druidic Difference
Enhances Nature now 
~Emily Dickinson

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“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time. The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world. She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:

So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state. Words are indivisible with the highest realization of human being.”
~N. Scott Momaday from The Man Made of Words

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On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard.  He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition.  In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse poet — someone as culturally distant from him and his people as possible.

But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem.  What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.

As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending, particularly when the skies are filled with smoke from uncontrolled wildfires in the north, the east and the south.  There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.

Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone.  The Word brings Grace, like no other, to pathetic and transient man who will emerge transformed.

There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.

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Feeling the Twinges of this World

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Under a canopy of leaves,
the irises, bountiful,
the calico butterfly flashing

and this one golden head
of a dazzling sunflower grasping
its cowled neck,

outweighing its stalk

in order to turn,
full bonneted,
to the absolute light.

What wonders these are:
things struggling
filament by filament,

birds twittering in a laughter
that could be weeping,
barely feeling the twinges of this world,

where the weak get stronger
or snailish with cracks

a day at a time.
~Judith Harris “Recovery”

Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue.

Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything.

Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.

Be patient and without bitterness, and realize that the least we can do is to make coming into existence no more difficult for Him than the earth does for spring when it wants to come.
~Rainier Marie Rilke from Letters to a Young Poet

We feel the twinges of struggling to live broken in difficult times; indeed, all our days are difficult times.

We won’t get out of this predicament alive, yet we are loved.

Whether we care or not about what happens
after our last breath does not alter the fact
Christ dwells alongside us;
our heavy heads bow as we turn to face
the compelling Light.

Like Mary, we must say:  “Let it be,” – not “no, not me, not now.”

We are transformed by accepting He has come on our behalf:
an oh-so-difficult faith connecting us like a slender filament to heaven:
like the bird greeting the morning with songs that weep,
like the butterfly emerging from its cracked chrysalis to try its wings,
like the cracked snail shell abandoned
because we no longer fit inside its broken confinement.

Preoccupied by Tiny Flowers

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Still, what I want in my life
Is to be willing
To be dazzled-
To cast aside the weight of facts

And maybe even
To float a little
Above this difficult world.
I want to believe I am looking 

Into the white fire of a great mystery.
I want to believe that the imperfections are nothing —
that the light is everything —
that it is more than the sum
of each flawed blossom rising and fading. And I do.
~Mary Oliver from “The Ponds” from House of Light

Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —
~Emily Dickinson 1263

Who would have thought it possible that a tiny little flower could preoccupy a person so completely that there simply wasn’t room for any other thought?
~ Sophie Scholl from At the Heart of the White Rose

There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.
~Li-Young Lee from “From Blossoms”

I can’t always handle all the truth all at once,
especially when it hurts. 

It is best if truth
coaxes me slowly out of the shadows
where I like to hunker down, preoccupied,
like a tight little bud refusing to open.

Truth told slant is an illuminating back drop,
encouraging me to peek out from the darkness,
open up, dazzled by the light.

And then, perhaps,
~just maybe~
I too may become almost
dazzling to behold.

A Tumble of Onions

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How easily happiness begins by   
dicing onions. A lump of sweet butter   
slithers and swirls across the floor   
of the sauté pan, especially if its   
errant path crosses a tiny slick
of olive oil. Then a tumble of onions.

This could mean soup or risotto   
or chutney (from the Sanskrit
chatni, to lick). Slowly the onions   
go limp and then nacreous
and then what cookbooks call clear,   
though if they were eyes you could see

clearly the cataracts in them.
It’s true it can make you weep
to peel them, to unfurl and to tease   
from the taut ball first the brittle,   
caramel-colored and decrepit
papery outside layer, the least

recent the reticent onion
wrapped around its growing body,   
for there’s nothing to an onion
but skin, and it’s true you can go on   
weeping as you go on in, through   
the moist middle skins, the sweetest

and thickest, and you can go on   
in to the core, to the bud-like,   
acrid, fibrous skins densely   
clustered there, stalky and in-
complete, and these are the most   
pungent, like the nuggets of nightmare

and rage and murmury animal   
comfort that infant humans secrete.   
This is the best domestic perfume.   
You sit down to eat with a rumor
of onions still on your twice-washed   
hands and lift to your mouth a hint

of a story about loam and usual   
endurance. It’s there when you clean up   
and rinse the wine glasses and make   
a joke, and you leave the minutest   
whiff of it on the light switch,
later, when you climb the stairs.
~William Matthews “Onions”

I don’t mean to make you cry.
I mean nothing, but this has not kept you
From peeling away my body, layer by layer,

The tears clouding your eyes as the table fills
With husks, cut flesh, all the debris of pursuit.
Poor deluded human: you seek my heart.

Hunt all you want. Beneath each skin of mine
Lies another skin: I am pure onion–pure union
Of outside and in, surface and secret core.

Look at you, chopping and weeping…
~Suji Kwock Kim from “Monologue for a Onion”

…It’s true it can make you weep
to peel them, to unfurl and to tease   
from the taut ball first the brittle,   
caramel-colored and decrepit
papery outside layer, the least

recent the reticent onion
wrapped around its growing body,   
for there’s nothing to an onion
but skin, and it’s true you can go on   
weeping as you go on in, through   
the moist middle skins, the sweetest

and thickest, and you can go on   
in to the core, to the bud-like,   
acrid, fibrous skins densely   
clustered there, stalky and in-
complete, and these are the most   
pungent…
~William Matthews from “Onions”

…I would never scold the onion
for causing tears.
It is right that tears fall
for something small and forgotten.
How at meal, we sit to eat,
commenting on texture of meat or herbal aroma
but never on the translucence of onion,
now limp, now divided,
or its traditionally honorable career:
For the sake of others,
disappear.
~Naomi Shihab Nye from “The Traveling Onion”
from Words Under the Words: Selected Poems.

Onion,
luminous flask,
your beauty formed
petal by petal,
crystal scales expanded you
and in the secrecy of the dark earth
your belly grew round with dew.
Under the earth
the miracle
happened
and when your clumsy
green stem appeared,
and your leaves were born
like swords
in the garden,
the earth heaped up her power
showing your naked transparency…

…You make us cry without hurting us.
I have praised everything that exists,
but to me, onion, you are
more beautiful than a bird
of dazzling feathers,
heavenly globe, platinum goblet,
unmoving dance
of the snowy anemone

and the fragrance of the earth lives
in your crystalline nature.
~Pablo Neruda from “Ode to the Onion”

Everything smells of “eau de onion” here in the kitchen when the onions are brought in from our garden to be stored or dehydrated and frozen for winter soups and stews.

This is weepy business, but these are good tears like I spill over the whistled Greensleeves theme from the old “Lassie” TV show, or during any childrens’ choir song, or by simply watching videos of our grandchildren who live too far away to visit every day.

It takes almost nothing these days to make me weep, so onions are a handy excuse, allowing my tears to flow without explanation:

I weep over the headlines.

I weep over how messy things can get between people who don’t listen to one another or who misinterpret what they think they hear.

I weep knowing we all have layers and layers of skin that appear tough on the outside, but as you peel gently or even ruthlessly cut them away, the layers get more and more tender until you reach the throbbing heart of us.

We tend to hide our hearts out of fear of being hurt, crying out in pain.

Like an onion, each one of us exists to make the day a bit better, the meal more savory, to enhance the flavors of all who are mixed into this melting pot together, trying to make sad things new.

We aren’t meant to stand alone, but to disappear into the stew, and be sorely missed if we are absent.

So very dish needs an onion, and for the sake of the dish, every onion vanishes in the process.

No, I don’t mean to make you cry
as you peel my layers away,
gently, one by one,
each more tender until you reach my heart.
Chop away at me if you must
but weep the good tears, the ones that mean
we weep for the sake of our meal together:
you eating and drinking,
and me – consumed.

Lyrics:
When the dark wood fell before me
And all the paths were overgrown
When the priests of pride say there is no other way
I tilled the sorrows of stone

I did not believe because I could not see
Though you came to me in the night
When the dawn seemed forever lost
You showed me your love in the light of the stars

Chorus:
Cast your eyes on the ocean
Cast your soul to the sea
When the dark night seems endless
Please remember me

Then the mountain rose before me
By the deep well of desire
From the fountain of forgiveness
Beyond the ice and fire

Though we share this humble path, alone
How fragile is the heart
Oh, give these clay feet wings to fly
To touch the face of the stars

Breathe life into this feeble heart
Lift this mortal veil of fear
Take these crumbled hopes, etched with tears
We’ll rise above these earthly cares

Lyrics: Light after darkness, gain after loss
Strength after weakness, crown after cross;
Sweet after bitter, hope after fears
Home after wandering, praise after tears

Alpha and Omega
Beginning and the end
He is making all things new
Springs of living water
Shall wash away each tear
He is making all things new
​
Sight after mystery, sun after rain
Joy after sorrow, peace after pain;
Near after distant, gleam after gloom
Love aftеr wandering, life after tomb

Come and See: Greater Than All

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“For this reason the Father loves me, because I lay down my life that I may take it up again. No one takes it from me, but I lay it down of my own accord. I have authority to lay it down, and I have authority to take it up again. This charge I have received from my Father.”

There was again a division among the Jews because of these words. Many of them said, “He has a demon, and is insane; why listen to him?”  Others said, “These are not the words of one who is oppressed by a demon. Can a demon open the eyes of the blind?”

At that time the Feast of Dedication took place at Jerusalem. It was winter, and Jesus was walking in the temple, in the colonnade of Solomon. So the Jews gathered around him and said to him, “How long will you keep us in suspense? If you are the Christ, tell us plainly.”

Jesus answered them, “I told you, and you do not believe. The works that I do in my Father’s name bear witness about me, but you do not believe because you are not among my sheep. My sheep hear my voice, and I know them, and they follow me. I give them eternal life, and they will never perish, and no one will snatch them out of my hand. My Father, who has given them to me, is greater than all, and no one is able to snatch them out of the Father’s hand. I and the Father are one.”

The Jews picked up stones again to stone him. Jesus answered them, “I have shown you many good works from the Father; for which of them are you going to stone me?” The Jews answered him, “It is not for a good work that we are going to stone you but for blasphemy, because you, being a man, make yourself God.”

 Jesus answered them, “Is it not written in your Law, ‘I said, you are gods’? If he called them gods to whom the word of God came—and Scripture cannot be broken— do you say of him whom the Father consecrated and sent into the world, ‘You are blaspheming,’ because I said, ‘I am the Son of God’? If I am not doing the works of my Father, then do not believe me; but if I do them, even though you do not believe me, believe the works, that you may know and understand that the Father is in me and I am in the Father.” Again they sought to arrest him, but he escaped from their hands.

He went away again across the Jordan to the place where John had been baptizing at first, and there he remained. And many came to him. And they said, “John did no sign, but everything that John said about this man was true.” And many believed in him there.
John 10: 17-42

Quiet he lies
whose vigor hurled
a universe. He sleeps
whose eyelids have not closed before.
His breath (so slight it seems
no breath at all) once ruffled the dark deeps
to sprout a world.
Charmed by doves’ voices, the whisper of straw,
he dreams,
hearing no music from his other spheres.
Breath, mouth, ears, eyes
he is curtailed
who overflowed all skies,
all years.
~Luci Shaw from “Mary’s Song” from Accompanied by Angels: Poems of the Incarnation

When, in the cavern darkness, Jesus
opened his small, bleating mouth (even before
his eyes widened to the supple world his
lungs had sighed into being), did he intuit
how hungrily the lungs gasp? Did he begin, then,
to love the way air sighs as it brushes in and out
through the portals of tissue to sustain
the tiny heart’s iambic beating? And how,
fueled by air, the dazzling blood tramps
the crossroads of the brain like donkey tracks,
corpuscles skittering to the earlobes and toenails?

Bottle of the breath of God, speaking in stories,
shouting across wild, obedient water, his voice
was stoppered only by inquisition, unfaith
and anguish. Did he know that he would,
in the end, leak all his blood, heave a final
groan and throw his breath,
oxygen for the world, back to its Source
before the next dark cave?
~Luci Shaw “Breath” from Accompanied by Angels: Poems of the Incarnation

Greater than all –
Creator of breath and sky and dust –
yet came to us as helpless baby.

He who is the air we need –
resides in our cells, our blood, our lungs, our heart.

He who lays down His life for us –
then picks it up again –
we are made in His image.

Listen for Him –
watch Him change the sky –
know He fills us wholly
with His Words and Breath.

I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.

An Inordinate Fondness for Beetles

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What
if you were
a beetle,
and a soft wind

and a certain allowance of time
had summoned you
out of your wrappings,
and there you were,

so many legs
hardening,
maybe even
more than one pair of eyes

and the whole world
in front of you?
And what if you had wings
and flew

into the garden,
then fell
into the up-tipped
face

of a white flower,
and what if you had
a sort of mouth,
a lip

to place close
to the skim
of honey
that kept offering itself –

what would you think then
of the world
as, night and day,
you were kept there –

oh happy prisoner –
sighing, humming,
roaming
that deep cup?
~Mary Oliver “How Everything Adores Being Alive” from “Why I Wake Early?”

We have not yet encountered any god who is as merciful as a man who flicks a beetle over on its feet.
~Annie Dillard from The Force That Drives the Flower

What inference might one draw about the nature of God
from a study of his works?
An inordinate fondness for beetles.
The Creator would appear as endowed with
a passion for stars, on the one hand,
and for beetles on the other.
~ J.B.S. Haldane, British biologist

Beetles haven’t figured out a way to help each other get back on their feet (whereas an upside down turtle helps his friend), but a bug must depend on help from beyond their kind.

Indeed, we stranded folk do encounter a God who saves us by flipping us back onto our feet as we lie helplessly waving our arms and legs in the air, so stuck and pitiful.

God knows all about the helplessness of suffering and hears our cry for mercy.

Once we are righted back to our feet, we walk forth forever changed – restored to the world, ready to help anyone we encounter who finds themselves stuck upside down in their misery.

When beetles fight these battles in a bottle with their paddles
and the bottle’s on a poodle and the poodle’s eating noodles…
…they call this a muddle puddle tweetle poodle beetle noodle bottle paddle battle.
~ Dr. Seuss from Fox in Socks

Come and See: One Flock, One Shepherd

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“Truly, truly, I say to you, he who does not enter the sheepfold by the door but climbs in by another way, that man is a thief and a robber. But he who enters by the door is the shepherd of the sheep. To him the gatekeeper opens. The sheep hear his voice, and he calls his own sheep by name and leads them out. 

When he has brought out all his own, he goes before them, and the sheep follow him, for they know his voice. A stranger they will not follow, but they will flee from him, for they do not know the voice of strangers.“

This figure of speech Jesus used with them, but they did not understand what he was saying to them.

So Jesus again said to them, “Truly, truly, I say to you, I am the door of the sheep. All who came before me are thieves and robbers, but the sheep did not listen to them. I am the door. If anyone enters by me, he will be saved and will go in and out and find pasture.  The thief comes only to steal and kill and destroy. I came that they may have life and have it abundantly.  

I am the good shepherd. The good shepherd lays down his life for the sheep.  He who is a hired hand and not a shepherd, who does not own the sheep, sees the wolf coming and leaves the sheep and flees, and the wolf snatches them and scatters them. He flees because he is a hired hand and cares nothing for the sheep. 

 I am the good shepherd. I know my own and my own know me,  just as the Father knows me and I know the Father; and I lay down my life for the sheep. And I have other sheep that are not of this fold. I must bring them also, and they will listen to my voice.

So there will be one flock, one shepherd.“
John 10: 1-16

Not one that’s gently hinged or deftly hung,
Not like the ones you planed at Joseph’s place,
Not like the well-oiled openings that swung
So easily for Pilate’s practiced pace,
Not like the ones that closed in Mary’s face
From house to house in brimming Bethlehem,
Not like the one that no man may assail,
The dreadful curtain, The forbidding veil
That waits your breaking in Jerusalem.
Not one you made but one you have become:
Load-bearing, balancing, a weighted beam
To bridge the gap, to bring us within reach
Of your high pasture. Calling us by name,
You lay your body down across the breach,
Yourself the door that opens into home.
~Malcolm Guite “I Am the Door of the Sheepfold” from Parable and Paradox

The fence was down. 
 
Led by their bellwether bellies, the sheep
had toddled astray. The neighbor farmer’s woods
or coyotes might have got them, or the far road.
 
I remember the night, the moon-colored grass
we waded through to look for them, the oaks
tangled and dark, like starting a story midway.
 
We gazed over seed heads to the barn
toppled in the homestead orchard. Then we saw
the weather of white wool, a cloud in the blue
 
moving without sound as if charmed
by the moon beholding them out of bounds.
Time has not tightened the wire or righted the barn.
 
The unpruned orchard rots in its meadow
and the story unravels, the sunlight creeping back
like a song with nobody left to hear it.
~David Mason from “Mending Time” in The Sound: New and Selected Poems

When so much shepherding has gone so wrong,
So many pastors hopelessly astray,
The weak so often preyed on by the strong,
So many bruised and broken on the way,
The very name of shepherd seems besmeared,
The fold and flock themselves are torn in half,
The lambs we left to face all we have feared
Are caught between the wasters and the wolf.
Good Shepherd now your flock has need of you,
One finds the fold and ninety-nine are lost
Out in the darkness and the icy dew,
And no one knows how long this night will last.
Restore us; call us back to you by name,
And by your life laid down, redeem our shame.
~Malcolm Guite “I Am the Good Shepherd” from Parable and Paradox

On the surface, a sheep’s life looks pretty easy – grazing in beautiful pastoral settings, blending in as a member of a flock, with the primary job being prolific in wool and lamb production.

Sounds pretty swell, all in all.

Yet it can be a hard-scrabble existence with not enough food or water in rocky terrain that is steep and tough to traverse. The wool coat can be incredibly burdensome and hooves can get too long or too short and watch out for the “bloat.”

And then there are the enemies: just ready to pounce, eager to pick off the too young or too old or anyone just not paying attention. That’s why a Shepherd is so critical to our survival because they pay attention to threats and needs and are there to defend the defenseless.

I’ve been labeled a sheep for unquestioningly following directions given to me, preferring to blend in, and appreciating the wisdom of the Shepherd. I don’t consider being considered a sheep an insult. I know I don’t know everything, nor am I capable of finding everything I need when I need it and I’m certainly not strong enough to fend off my worst enemies.

How often do we, like sheep, wander astray – out of the broken down barn, or through the fallen fence, into the orchards of rotting delights?

And Someone, always Someone, comes looking for us, lost and always hungering and endangered. Someone, always Someone, lays down in the doorway to become the breach we need to stay safe and whole.

We need our Shepherd.
We know His voice.
He leads us home.

I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.