Something Aimed At You

And I was alive in the blizzard of the blossoming pear,
Myself I stood in the storm of the bird–cherry tree.
It was all leaflife and starshower, unerring, self–shattering
power,
And it was all aimed at me.

What is this dire delight flowering fleeing always earth?
What is being? What is truth?

Blossoms rupture and rapture the air,
All hover and hammer,
Time intensified and time intolerable, sweetness raveling rot.
It is now. It is not.

~Osip Mandelstam “And I Was Alive” (translated by Christian Wiman) from Stolen Air 

Ordinary things have always seemed numinous to me. 
One Calvinist notion deeply implanted in me is that
there are two sides to your encounter with the world.
You don’t simply perceive something that is statically present,
but in fact there is a visionary quality to all experience.
It means something because it is addressed to YOU. 
~Marilynne Robinson from The Paris Review 2008

We mostly live through routine and ordinary days, unconscious of many treasures and abundance laid before us.

In fact, these are addressed to us as pure gift –
postmarked to our address, fully paid, no postage due.

Daily I search the soil of my life, this farm, this faith
to find what in me still yearns to grow, to blossom, to fruit,
in order to be harvested to share with others.

Such sweetness undoes our inevitable decay.

I am so grateful for the tie that binds me to those who visit this page, hoping what I share makes a difference in your ordinary,
but still so precious, day. 

The gift of ordinary time is now.
Its numinosity is aimed at each one of us.

Poem by Dana Gioia

Echo of the clocktower, footstep
in the alleyway, sweep
of the wind sifting the leaves.
Jeweller of the spiderweb, connoisseur
of autumn’s opulence, blade of lightning
harvesting the sky.

Keeper of the small gate, choreographer
of entrances and exits, midnight
whisper traveling the wires.
Seducer, healer, deity or thief,
I will see you soon enough—
in the shadow of the rainfall,
in the brief violet darkening a sunset—

but until then I pray watch over him
as a mountain guards its covert ore
and the harsh falcon its flightless young.

Light Becomes What It Touches

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller from “Monet Refuses the Operation” from Second Language

Monet’s corner of a lily pond (1918-1919)

Heaven pulls earth into its arms…”

We all see things differently, don’t we?
What seems ordinary to one is extraordinarily memorable to another.

How might I help others to see the world as I do?
How might I learn to adjust my focus to see things as you do?

The world is in flux;
my delight and dismay flows
from moment to moment,
from object to absence,
from light to darkness,
from color to muted.

Perhaps the blur from Monet’s cataracts
also impedes my vision, creating a deeper understanding,
as I use my imagination to fill in what I can’t quite discern.

My heart and mind expands exponentially
to claim this world and all that beauty has to offer,
while heaven – all this while – pulls me into its arms.

In heaven, my focus will be clear.
All will be extraordinarily ordinary.

Gift of a Day

A hundred thousand birds salute the day:–
        One solitary bird salutes the night:
Its mellow grieving wiles our grief away,
        And tunes our weary watches to delight;
It seems to sing the thoughts we cannot say,
        To know and sing them, and to set them right;
Until we feel once more that May is May,
        And hope some buds may bloom without a blight.
This solitary bird outweighs, outvies,
        The hundred thousand merry-making birds
Whose innocent warblings yet might make us wise
Would we but follow when they bid us rise,
        Would we but set their notes of praise to words
And launch our hearts up with them to the skies.
~Christina Rossetti “A Hundred Thousand Birds”

Every day is perfect, if
when you wake, you hear birds
in the garden, in the yard. Birds


up and down, ushering in one more day
in all the houses on Shaker Way. Birds
on telephone lines, light posts. Birds


twit, twittering on trees
hailing fellow birds
with a nod of  beak—gray kingbird;


top-hatted, streamertail
tuxedoed, doctor bird—
busy-bodied hummingbird


tucking in, out, of pink, red ixoras
punch-drunk in love. Birds
preening for, chatting up other birds—


the oriole, the grass quit, in mid-song
on the lawn, in a dance of  birds
an all-day-long conference of bird;


red-headed woodpecker
—drummer boy, or girl bird
in this daily symphony of  birds


—an orchestra on Shaker Way
in serenade of each perfect day with birds—
from the very first mockingbird


heralding, in solo warble
one more day, filled with birds—
brightened, lightened, trilled by birds:


precious, diamond-throated
sweet song, miracle-toting birds
the-gift-of-day-is-here birds.


Bird, bird, bird. Hello bird.
You lift me up bird.
You sing the day beautiful, bird.

~Ann-Margaret Lim “Birdsong of Shaker Way”

Birds afloat in air’s current,
sacred breath? No, not breath of God,
it seems, but God
the air enveloping the whole
globe of being.
It’s we who breathe, in, out, in, the sacred,
leaves astir, our wings
rising, ruffled—but only saints
take flight…
But storm or still,
numb or poised in attention,
we inhale, exhale, inhale,
encompassed, encompassed.

~Denise Levertov from “In Whom We Live and Move and Have Our Being” from The Stream and the Sapphire

As if reluctant to let go the setting sun last night,
one lone bird still sang a twilight song,
long after the others fell asleep,
their heads tucked neatly under their wings.

This lone bird had not yet finished the day,
breathing in and out its plaintive melody,
articulating what my own thoughts could not say.

And before a hint of light this June morning,
I am swept from my dreams at 4:30 AM
by a full chorus singing from the same tree,
no longer a lone voice, but hundreds.

Although my day is launched early by warbling songs,
I cannot forget twilight’s one reluctant bird
who fought back the impending darkness using only its voice.

I too resist the darkness with what I write here,
if only I can keep it at bay:
inhaling, exhaling, encompassed in holy Breath.

I want to sing out light and love to Light:
encompassed by no darkness here.

I hear a bird chirping, up in the sky
I’d like to be free like that spread my wings so high I
see the river flowing water running by
I’d like to be that river, see what I might find

I feel the wind a blowin’, slowly changing time
I’d like to be that wind, I’d swirl and the shape sky
I smell the flowers blooming, opening for spring
I’d like to be those flowers, open to everything

I feel the seasons change, the leaves, the snow and sun
I’d like to be those seasons, made up and undone
I taste the living earth, the seeds that grow within
I’d like to be that earth, a home where life begins

I see the moon a risin’, reaching into night
I’d like to be that moon, a knowing glowing light
I know the silence as the world begins to wake
I’d like to be that silence as the morning breaks

He doesn’t know the world at all
Who stays in his nest and doesn’t go out.
He doesn’t know what birds know best
Nor what I sing about, Nor what I sing about, Nor what sing about:
That the world is full of loveliness.

When dew-drops sparkle in the grass
And earth is aflood with morning light. light
A blackbird sings upon a bush
To greet the dawning after night,
the dawning after night,
the dawning after night.
Then I know how fine it is to live.

Hey, try to open your heart to beauty;
Go to the woods someday
And weave a wreath of memory there.
Then if tears obscure your way
You’ll know how wonderful it is
To be alive.

~Paul Read

Blossoms Pure and White…

O! my heart now feels so cheerful as I go with footsteps light
      In the daily toil of my dear home; 
And I’ll tell to you the secret that now makes my life so bright—
      There’s a flower at my window in full bloom. 

It is radiant in the sunshine, and so cheerful after rain; 
        And it wafts upon the air its sweet perfume. 
It is very, very lovely! May its beauties never wane—
        This dear flower at my window in full bloom. 

Nature has so clothed it in such glorious array, 
      And it does so cheer our home, and hearts illume; 
Its dear mem’ry I will cherish though the flower fade away—
      This dear flower at my window in full bloom. 

Oft I gaze upon this flower with its blossoms pure and white. 
        And I think as I behold its gay costume, 
While through life we all are passing may our lives be always bright 
        Like this flower at my window in full bloom.

~Lucian Watkins “The Flower at My Window” from Voices of Solitude

Details of the life of poet Lucian Watkins are few: a black man born in 1879 in Virginia, educated as a teacher, a writer and poet, then served as a U.S. Army Sergeant during WWI in the Philippines and France, dying of an unknown illness in Fort McHenry hospital in 1921.

He leaves behind only a handful of poems, including the one above.

Among the sparse information available about Lucian are three letters written by him. This was a young man who earnestly wanted to have both a writing career and a “bread-winning vocation.” He describes feeling compelled to compose poetry, no matter what else he accomplishes.

The obvious challenges he faced –
–as a black man looking for a suitable place to live in Illinois so he can attend a college where there are no other people of color nearby,
–as a veteran of a most horrific war,
–as a creative mind trying to find a way to make a living.

He writes passionately about the aspirational purity of a white flower outside his window. Its bright radiance represents what he longs for in his own life.

From his letter to President Bissell of Bissell Colleges in Effingham, Illinois in 1919 after President Bissell is unable to assist in finding him a place to live, having suggested that the war veteran might consider “doing light housekeeping” – essentially live as a servant in a white household:

“About this matter of a boarding place. While I had hoped to obtain board with a member of my own race in Effingham, I had not thought it imperative that I should do so. I feel sure that there is enough Christianity in Effingham to provide that a brother-stranger in their midst shall not die of hunger.

What would Jesus do?

It seems that some places in the south they rise more readily to our American ideal of democracy than in the North and Middle-West. ‘The Richmond Planet’ of Richmond, Va., states that ‘right here in Richmond, the capital of the late Confederacy, colored soldiers are welcomed to aristocratic Westhampton, and with no sigh of racial discrimination or antipathy to their being there.’

What is the matter with Illinois?

I am not sure as to what your question involves. We shall talk it over when I arrive. There must be a way that is just and that will be good for all concerned. Very respectfully, signed Lucian B. Watkins

**This man was not only a poet. He was a statesman.**

And a few months later, to the Editor of Crisis Magazine, the publication for the NAACP:

I have tried my best to forget poetry since being here – this with the hope I could the better prepare for a sure-enough bread-winning vocation. But the spell is on me again.

With me, this thing is a madness. I hope you understand me, as it is really a painful matter that I have never expressed to anyone before. I have always felt that people can never know as to what this fever means.

Had I the world to give, I would give it freely for my ability to concentrate my mental and physical forces on real money-earning work as I seem compelled to do in the making of a quatrain. Now unless I can get away from this verse-making obsession, I must fail in everything, because success as a poet means very little, in a material way, even for those who are called masters in the art.

I hope you will pardon me for this much of your time I have taken.

Though Lucian Watkins’ life was cut short by an unknown illness, and his portfolio of poetry is small, he is nonetheless a gift to generations of future poets and readers.

This black artist did not let the inevitable rainfall in his life discourage his world view; he himself is radiant with illumination, showing a budding cheerfulness. His work reminds us:

Something as simple as observing a resilient flower outside our window can help heal painful hurts and fulfill our deepest longing.

Something as basic as seeing life through different perspectives or lenses can make all the difference in how we feel about our existence.

In his writing, Lucian Watkins draws a thin line between joy and sorrow, embracing joy in a simple white flower in full bloom —
before it, as will we all, fades away.

From this low-lying valley; Oh, how sweet 
And cool and calm and great is life, I ween, 
There on yon mountain-throne—that sun-gold crest! 

From this uplifted, mighty mountain-seat: 
How bright and still and warm and soft and green
Seems yon low lily-vale of peace and rest! 

~Lucian Watkins “Two Points of View”

from Artist Point
photo by Josh Scholten — view of Mt Shuksan from the top of Mt. Baker
photo by Josh Scholten – dawn from the top of Mt. Baker, seeing its shadow to the west

Flower gleam and glow
let your power shine
make the Clock reverse
bring back what once was mine
What once was mine
Heal what has been hurt
change the fate’s design
Save what has been lost
bring back what once was mine
what once was mine

~Healing Song from Tangled

https://www.youtube.com/embed/gYyasBjwoCc?version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparentNo matter if you’re bornTo play the king or pawnFor the line is thinly drawn ‘tween joy and sorrowSo my fantasy becomes realityAnd I must be what I must be and face tomorrowSo I’ll continue to continue to pretendMy life will never endAnd flowers never bend with the rainfall~Paul Simon

A Farmgirl from the Palouse

I saw a mom take her raincoat off
and give it to her young daughter when
a storm took over the afternoon. My god,
I thought, my whole life I’ve been under her
raincoat thinking it was somehow a marvel
that I never got wet.

~Ada Limón from “The Raincoat”

My mother, Elna Schmitz Polis, was born 106 years ago today in the lonely isolation of a Palouse wheat and lentil farm in eastern Washington. She drew her first breath in a two story white house located down a long poplar-lined lane and nestled in a draw between the undulating hills.

She attended a one room school house until 8th grade, located a mile away in the rural countryside, then moved in with her grandmother “in town” in Rosalia to attend high school, seeing her parents only a couple times a month.

It was a childhood which accustomed her to solitude and creative play inside her mind and heart – her only sibling, an older brother, was busy helping their father on the farm. All her life and especially in her later years, she would prefer the quiet of her own thoughts over the bustle of a room full of activities and conversation.

Her childhood was filled with exploration of the rolling hills, the barns and buildings where her father built and repaired farm equipment, and the chilly cellar where the fresh eggs were stored after she reached under cranky hens to gather them. She sat in the cool breeze of the picketed yard, watching the huge windmill turn and creak next to the house. She helped her weary mother feed farm crews who came for harvest time and then settled in the screened porch listening to the adults talk about lentil prices and bushel production. She woke to the mourning dove call in the mornings and heard the coyote yips and howls at night.

She nearly died at the age of 13 from a ruptured appendix, before antibiotics were an option. That near-miss haunted her life-long, filling her with worry that it was a mistake that she survived that episode at all. Yet she thrived despite the anxiety, and ended up, much to her surprise, living a long life full of family and faith, letting go at age 88 after fracturing a femur, which also broke her will to live.

As a young woman, she was ready to leave the wheat farm behind for college, devoting herself to the skills of speech, and the creativity of acting and directing in drama, later teaching rural high school students, including a future Pulitzer Prize winning poet, Carolyn Kizer. She loved words and the power and beauty they wielded.

Marrying my father was a brave and impulsive act, traveling by train to the east coast only a week before he shipped out for almost 3 years to the South Pacific to fight as a Marine in WWII. She must have wondered about the man who returned from war changed and undoubtedly scarred in ways she could not see or touch. They worked it out mostly in silence, as rocky as it must have been at times.

Her episode of Graves’ disease, before I was born, must have been agonizing for both of them and my older sister, as her storm of thyroid overactivity resulted in months of sleepless full time panic. Only thyroid removal saved her, but radical surgeries take their toll.
Their marriage never fully recovered.

In their reconciliation after a painful divorce decades later, I finally could see the devotion and mutual respect between life companions who had finally found shared purpose and love.

As a wife and mother, she rediscovered her calling as a steward of the land and a tireless steward of her family, gardening and harvesting fruits, vegetables and us children. When I think of my mother, I most often think of her tending us children in the middle of the night whenever we were ill; her over-vigilance was undoubtedly due to her worry we might die in childhood, as she almost did.

She never did stop worrying until the last few months. As she became more dependent on others in her physical decline, she gave up the control she thought she had to maintain through her “worry energy” and became much more accepting about the control the Lord maintains over all we are and will become.

I know from where my shyness comes, my preference for birdsongs rather than radio music, my love of naps, and my tendency to be serious and straight-laced with a twinkle in my eye. This is my German-Palouse side–immersing in the quietness of solitude, thrilling to the sight of the spring wheat flowing like a green ocean wave in the breeze and appreciating the warmth of rich soil held in my hands.

My mother came from that heritage and it is the legacy she left with me. I am forever grateful for her unconditional love to the end of her life; her willingness to share the sunshine and warmth of her nest whenever we felt the need to fly back home and shelter, overprotected but safe nonetheless, under her wings.

Taking a Few More Steps to the Light

And Jesus, perceiving in himself that power had gone out from him, immediately turned about in the crowd and said, “Who touched my garments?”  

And he looked around to see who had done it. 

But the woman, knowing what had happened to her, came in fear and trembling and fell down before him and told him the whole truth. 

And he said to her, “Daughter, your faith has made you well; go in peace, and be healed of your disease.”
Mark 5: 30, 32-34

…the whole experience of compline is in some way a touching of the hem of Christ’s garment: something has been given, something disclosed. And the person holding a candle at compline may hear a call, and make a journey, as another stressed woman once did, from touching the hem of Christ’s garment to meeting him face to face.

… just occasionally, it opens into deeper things, on to more ultimate questions. Just occasionally, there is an opening of heart and soul, which in some sense the liturgy itself has made possible; and then it is that, just sometimes, someone takes a few more steps on that journey from the hem of his garment to the light of his countenance.
~Malcolm Guite from Poet’s Corner

Most of us are like that desperate woman
hoping for healing by reaching out
to touch the hem of His robe –
ashamed to be so needy,
hoping to go unnoticed,
not actually wanting to bother anyone,
but still helpless –
so very helpless, but not without hope.

He knows when we reach out in desperation;
He feels it.

So He lifts us up as we begin our journey to His light –
from a touch of His hem to seeing His face.

It starts with reaching out.
It starts with taking a few more steps.
It starts with hope in the Light.

Before the ending of the day,
Creator of the world, we pray
That with Thy wonted favour Thou
Wouldst be our guard and keeper now.

From all ill dreams defend our eyes,
From nightly fears and fantasies;
Tread under foot our ghostly foe
That no pollution we may know.

O Father, that we ask be done
Through Jesus Christ, thine only Son,
Who with the Holy Ghost and Thee
Dost live and reign eternally.

Come and See: Why Be Angry?

About the middle of the feast Jesus went up into the temple and began teaching. The Jews therefore marveled, saying, “How is it that this man has learning, when he has never studied?” 
So Jesus answered them, 
“My teaching is not mine, but his who sent me. If anyone’s will is to do God’s will, he will know whether the teaching is from God or whether I am speaking on my own authority. The one who speaks on his own authority seeks his own glory; but the one who seeks the glory of him who sent him is true, and in him there is no falsehood. Has not Moses given you the law? Yet none of you keeps the law. Why do you seek to kill me?” 
The crowd answered, 
“You have a demon! Who is seeking to kill you?” 
Jesus answered them, 
“I did one work, and you all marvel at it. Moses gave you circumcision (not that it is from Moses, but from the fathers), and you circumcise a man on the Sabbath. If on the Sabbath a man receives circumcision, so that the law of Moses may not be broken, are you angry with me because on the Sabbath I made a man’s whole body well? Do not judge by appearances, but judge with right judgment.”
John 7:14-24

The onening, she saw, the onening
with the Godhead opened Him utterly
to the pain of all minds, all bodies
– sands of the sea, of the desert –
from first beginning
to last day. The great wonder is
that the human cells of His flesh and bone
didn’t explode
when utmost Imagination rose
in that flood of knowledge. Unique
in agony, infinite strength, Incarnate,
empowered Him to endure
inside of history,
through those hours when He took Himself
the sum total of anguish and drank
even the lees of that cup:

within the mesh of the web, Himself
woven within it, yet seeing it,
seeing it whole, Every sorrow and desolation
He saw, and sorrowed in kinship.
~Denise Levertov from “On a Theme from Julian’s Chapter XX”

Jesus seems perplexed:
He came to deliver a new covenant with God’s people so why did those He came to save now seek to kill him?

Why are they angry when He healed one of their own, no matter what day of the week?

This makes no sense to the One who shares human cells
with those who now want Him dead,
with whom He came alongside to become “one,”
experiencing all our pain and sorrows and loneliness.

He is “one-ning” with those who seek to crush Him.

Jesus is – incredibly – our kin within our skin, woven within us and yet, knowing all our sins, He still loves us and wants to bring us home to Him.

Amazing grace.

I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.

The Bee-Loud Glade

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

~William Butler Yeats “The Lake Isle of Innisfree”

O gentle bees, I have come to say
That grandfather fell to sleep to-day.
And we know by the smile on grandfather’s face.
He has found his dear one’s biding place.
So, bees, sing soft, and, bees, sing low.
As over the honey-fields you sweep,—
To the trees a-bloom and the flowers a-blow
Sing of grandfather fast asleep;
And ever beneath these orchard trees
Find cheer and shelter, gentle bees.
~Eugene Field from “Telling the Bees”

Here is the place; right over the hill    
Runs the path I took; 
You can see the gap in the old wall still,    
And the stepping-stones in the shallow brook. 

There is the house, with the gate red-barred,    
And the poplars tall; 
And the barn’s brown length, and the cattle-yard,    
And the white horns tossing above the wall. 

There are the beehives ranged in the sun;    
And down by the brink 
Of the brook are her poor flowers, weed-o’errun,    
Pansy and daffodil, rose and pink. 

A year has gone, as the tortoise goes,    
Heavy and slow; 
And the same rose blows, and the same sun glows,    
And the same brook sings of a year ago. 

I can see it all now,—the slantwise rain    
Of light through the leaves, 
The sundown’s blaze on her window-pane,    
The bloom of her roses under the eaves. 

Just the same as a month before,—    
The house and the trees, 
The barn’s brown gable, the vine by the door,—    
Nothing changed but the hives of bees. 

Before them, under the garden wall,    
Forward and back, 
Went drearily singing the chore-girl small,    
Draping each hive with a shred of black. 

Trembling, I listened: the summer sun    
Had the chill of snow; 
For I knew she was telling the bees of one    
Gone on the journey we all must go! 
~John Greenleaf Whittier from “Telling the Bees”

If you talk to him,
he will not pretend to be
an ordinary man.
He won’t let on
he is one who isn’t afraid to hold
in his outstretched hands
the buzzing gold.

He won’t tell you he is the man who keeps farmers
warm in their livelihood,
or the man who keeps the grocery shelves
full, then adds, simply for good measure,
jars of his shining honey.
He won’t explain that he is the one
who sets his suffering neighbors
free from their pain
with gifts of jars that sting.

He won’t let on to be the lifegiver or a god.
He will pretend he is just an old man with sand-colored hair,
a blue truck heavy with breezy hives,
and a comb-spinner in his cellar.

~Sidney Hall Jr., from This Understated Land

…The world was really one bee yard,
and the same rules work fine in both places.
Don’t be afraid, as no life-loving bee wants to sting you.
Still, don’t be an idiot; wear long sleeves and pants.
Don’t swat. Don’t even think about swatting.
If you feel angry, whistle.

Anger agitates while whistling melts a bee’s temper.
Act like you know what you’re doing, even if you don’t.
Above all, send the bees love. Every little thing wants to be loved.

~Sue Monk Kidd from The Secret Life of Bees

He calls the honeybees his girls although
he tells me they’re ungendered workers
who never produce offspring. Some hour drops,
the bees shut off. In the long, cool slant of sun,
spent flowers fold into cups. He asks me if I’ve ever
seen a Solitary Bee where it sleeps. I say I’ve not.
The nearest bud’s a long-throated peach hollyhock.
He cradles it in his palm, holds it up so I spy
the intimacy of the sleeping bee. Little life safe in a petal,
little girl, your few furious buzzings as you stir
stay with me all winter, remind me of my work undone.
~Heid E. Erdrich, from “Intimate Detail” from The Mother’s Tongue

It was just like I was telling the bees last night. I saw two of them asleep inside the cup of a hollyhock, covered in pollen, just holding each other’s feet, just sleeping in the flower waiting for the sun to warm them so they could fly off. To see two of them curled up like that, it was very sweet.
~Diana Gabaldon/Matt Roberts from the final episode of Outlander TV series

A beekeeper must be a loving and patient person; the bees know who loves them, and who will always be there to care for them.

An old Celtic tradition necessitates sharing any news from the household with the farm’s bee hives, whether cheery like a new birth or a wedding celebration or sad like a family death.  This ensures the hives’ well-being and continued connection to home and community – the bees are kept in the loop, so to speak, so they stay at home, not swarm and move on to a more hospitable place.

Each little life safe at home, each little life with work still undone.

Good news seems always easy to share; we tend to keep bad news to ourselves so this tradition helps remind us that what affects one of us, affects us all.

These days, with instant news at our fingertips at any moment, bad news is constantly bombarding us. Like the bees in the hives of the field, we want to flee from it and find a more hospitable home.

Our Creator (the ultimate Beekeeper) says personally to each of us:
“Here is what has happened. All will be well, dear one. We will navigate your life together.”

Where the Ordinary Comes Alive

your slightest look easily will unclose me
though i have closed myself as fingers, 
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose

~e.e.cummings from “[somewhere I have never traveled,gladly beyond]

Do not ask your children
to strive for extraordinary lives.
Such striving may seem admirable,
but it is a way of foolishness.
Help them instead to find the wonder
and the marvel of an ordinary life.
Show them the joy of tasting
tomatoes, apples, and pears.
Show them how to cry
when pets and people die.
Show them the infinite pleasure
in the touch of a hand.
And make the ordinary come alive for them.
The extraordinary will take care of itself.
~William Martin from The Parent’s Tao Te Ching: Ancient Advice for Modern Parents

Flowers seem intended for the solace of ordinary humanity.
~John Ruskin

It is at the edge of a petal that love waits.
~William Carlos Williams from Spring and All 

Here is the fringy edge where elements meet and realms mingle, where time and eternity spatter each other with foam.
~Annie Dillard from Holy the Firm

We tend to look for love only inside the heart of things,
watching it pulse as both showpiece and show off,
reverberating from deep within,
yet loud enough for all the world to bear witness.

But as I advance on this life’s road,
I find love lies waiting at the periphery of my heart,
fragile and easily torn as a petal edge – 
clinging to the fringe of my days,
holding on through storms and trials.

This love is ever-present,
protects and cherishes,
fed by fine little veins which branch
from the center to the tender margins of infinity.

It is on that delicate edge of forever I dwell,
waiting to be fed, trembling with anticipation.

A Speechless Receptacle

It doesn’t have to be
the blue iris,
it could be weeds
in a vacant lot,
or a few
small stones;
just pay attention, then patch


a few words together
and don’t try to make them elaborate.
This isn’t
a contest but the doorway


into thanks, and a silence
in which another voice may speak.
~Mary Oliver
“Praying” from Thirst

Now that I’m free to be myself, who am I?
Can’t fly, can’t run, and see how slowly I walk.
Well
, I think, I can read books.

Well, I can write down words, like these, softly.

It doesn’t happen all of a sudden, you know.

“Doesn’t it?” says the wind, and breaks open, releasing
distillation of blue iris.

And my heart panics not to be, as I long to be,
the empty, waiting, pure, speechless receptacle.
~Mary Oliver from The Blue Iris

To plunge headlong into
the heart of a blossom, its amber eyes
inscrutably focusing on your own,
magnified by a lens of dew.
Whose scent, invisible,
drowns you in opulence, and for which
you can find nothing adequate to say.

You sense that you are loved wholly,
yet are quite unable to understand why.
But then, you lift your face,
creased with the ordinary, to a heaven
that is breaking into blue,
and find your contentment utterly beyond
telling, unspeakable, uncontained.
~Luci Shaw from “Speechless” from  Sea Glass

Now that I’m free to be myself,
I’m also free to tell about how
creased with the ordinary,
I notice things I passed by before.

Fleeting moments become more precious,
as I long to be
while time pours through my fingers.

It doesn’t have to be the blue iris,
it doesn’t have to be glistening raindrops,
but today it is both…

I fall headlong into their depths,
through a doorway
into thanks,
lost in their earthbound ethereal beauty,
to a heaven that is breaking into blue.

Oh, and so grateful to Mary and Luci,
I am no longer a speechless receptacle without words…

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