Our Neighbor The Moon

Just as the night was fading
Into the dusk of morning
When the air was cool as water
When the town was quiet
And I could hear the sea

I caught sight of the moon
No higher than the roof-tops
Our neighbor the moon

An hour before the sunrise
She glowed with her own sunrise
Gold in the grey of morning

World without town or forest
Without wars or sorrows
She paused between two trees

And it was as if in secret
Not wanting to be seen
She chose to visit us
So early in the morning.

~Anne Porter, “Getting Up Early” from An All Together Different Language. 

And who has seen the moon, who has not seen
Her rise from out the chamber of the deep,
Flushed and grand and naked, as from the chamber
Of finished bridegroom, seen her rise and throw
Confession of delight upon the wave,
Littering the waves with her own superscription
Of bliss, till all her lambent beauty shakes towards us
Spread out and known at last, and we are sure
That beauty is a thing beyond the grave,
That perfect, bright experience never falls
To nothingness, and time will dim the moon
Sooner than our full consummation here
In this odd life will tarnish or pass away.
~D.H. Lawrence “Moonrise”

photo of supermoon by Harry Rodenberger

What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. It’s full tonight.
So we go

and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit, myself

thinking how grateful I am for the moon’s
perfect beauty and also, oh! how rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up
into my face. As though I were just as wonderful
as the perfect moon.

~Mary Oliver “The Sweetness of Dogs” from Dog Songs

I could not sleep last night,
a tossing turmoil,
wrestling with my worries,
concerned I’ve dropped the ball.

As a beacon of calm,
the moon shone bright
onto our bed covers before sunrise.

This glowing ball is never dropped,
this holy sphere of the night
remains aloft, sailing the skies,
to rise again and again to light our darkest nights.

A lambent reflection of His Love and Peace;
I am soothed by its balming beauty.

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Like a Cat Asleep

All that matters is to be at one with the living God
to be a creature in the house of the God of Life.

Like a cat asleep on a chair
at peace, in peace
and at one with the master of the house, with the mistress,
at home, at home in the house of the living,
sleeping on the hearth, and yawning before the fire.

Sleeping on the hearth of the living world
yawning at home before the fire of life
feeling the presence of the living God
like a great reassurance
a deep calm in the heart
a presence
as of the master sitting at the board
in his own and greater being,
in the house of life.

~D.H. Lawrence “Pax”

When you notice a cat in profound meditation,
     The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
     Of the thought, of the thought, of the thought of his name:
          His ineffable effable
          Effanineffable
Deep and inscrutable singular name.
~T.S. Eliot from The Naming of Cats

The fat cat on the mat
may seem to dream
of nice mice that suffice
for him, or cream;
~J.R.R. Tolkien from “Cat” from Tales of the Perilous Realm

I don’t know where prayers go,
or what they do.
Do cats pray, while they sleep
half-asleep in the sun?

Is a prayer a gift, or a petition,
or does it matter?
The sunflowers blaze, maybe that’s their way.
Maybe the cats are sound asleep. Maybe not.

~Mary Oliver from “I Happened to be Standing” from A Thousand Mornings

Our cats seem to have no sense of time — until it is mealtime.

Otherwise they pussyfoot through the hours of the day, unworried about what comes next, or what just happened. They find a convenient patch of sun, or a particularly soft cushion, or sometimes a most unlikely place like a cardboard box or pile of shavings or top of a fencepost.

Then they yawn, become rubber-boned and curl up for a nap.

How do they contemplate the fact of their existence?
How do they appear so relaxed, in peace and serenity?
Do they understand their place in creation and give thanks?

God wants us to rest comfortably in our own skins, as adaptable as a sleeping cat. And He wants us to count our days without wasting a moment for thankfulness. We are meant to be more than just hungry and sleepy and rubber-boned.

We are created in His image, acutely aware of the privilege of our existence.

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Under My Eyelashes

9/24/2023 -7:12 AM
9/24/22 6:55 AM
9/24/21 6:34 AM
9/24/20 7:22 AM

You can
die for it-
an idea,
or the world. People
have done so,
brilliantly,
letting
their small bodies be bound
to the stake,
creating
an unforgettable
fury of light. But
this morning,
climbing the familiar hills
in the familiar
fabric of dawn, I thought
of China,
and India
and Europe, and I thought
how the sun
blazes
for everyone just
so joyfully
as it rises
under the lashes
of my own eyes, and I thought
I am so many!
What is my name?
What is the name
of the deep breath I would take
over and over
for all of us? Call it
whatever you want, it is
happiness, it is another one
of the ways to enter
fire.

~Mary Oliver “Sunrise”

9/24/19 6:55 AM
9/24/18 6:50 AM
9/24/17 7:03 AM
9/24/17 (later)
9/24/17 (even later~)

Over the years, I have not missed many early autumn sunrises – most I have not recorded as they are often gray and rainy.

This particular day of September – the 24th – has been a treasure trove of color and cloud patterns and light for the last decade. Today I share these with you in their variety and beauty.

Every day, let us watch the sun rise with its light under our eyelashes – the fire of happiness illuminating us all as morning breaks open, like the First Day.

9/24/16
9/24/15
9/24/14
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Filling Our Dry Wells

My uncle in East Germany
points to the unicorn in the painting
and explains it is now extinct.
We correct him, say such a creature
never existed. He does not argue,
but we know he does not believe us.
He is certain power and gentleness
must have gone hand in hand
once. A prisoner of war
even after the war was over,
my uncle needs to believe in something
that could not be captured except by love,
whose single luminous horn
redeemed the murderous forest
and, dipped into foul water,
would turn it pure. This world,
this terrible world we live in,
is not the only possible one,
his eighty-year-old eyes insist,
dry wells that fill so easily now.
~Lisel Mueller “The Exhibit”

This is the animal that never was.
Not knowing that, they loved it anyway;
its bearing, its stride, its high, clear whinny,
right down to the still light of its gaze.

It never was. And yet such was their love
the beast arose, where they had cleared the space;
and in the stable of its nothingness
it shook its white mane out and stamped its hoof.

And so they fed it, not with hay or corn
but with the chance that it might come to pass.
All this gave the creature such a power

its brow put out a horn; one single horn.
It grew inside a young girl’s looking glass,
then one day walked out and passed into her.
~Rainer Maria Rilke “Unicorn”

I sometimes feel the need for magical thinking to help restore goodness in the sad ways of this world. We have fouled our own nest, destroying each other and the extravagant garden we were given.

Hope for restoration feels almost mythical and the stuff of legends.

Power and gentleness do come together in the story of our redemption. We are delivered into a new world by the sacrifice of the most pure and generous Spirit.

Our dry well is filled by a love that quenches all our thirst, promising that our belief in goodness is not myth or legend, but real and true.

Out of Imagination

Sometimes the mind

is taken by surprise
as it speaks, are you
sure this is the right street?
for example—or just

cowpath—no more: a blurb,
a bleep, really, out of
the imagination, and then
once again everything is

perfectly still, save, perhaps,
a cow or two on the horizon,—

and the sound of cowbirds
in sudden excellence, where

formerly there were none.
~Jane Mead “Sometimes the Mind” From The Usable Field

photo by Bette Vander Haak
photo by Bette Vander Haak
photo by Bette Vander Haak

Many current roads started out as cowpaths decades ago. These meandering trails made sense to cows at the time. Subsequently, because people lack imagination, we tend to also follow those original twist and turns as we navigate life’s byways. Now paved with asphalt and good intentions, our roads accommodate more than a herd of cows giving hitchhiking cowbirds a free meal.

Cowbirds don’t lack imagination though; they are ready-made opportunists. They occupy any furry back that happens to attract tasty insects. The (horse?)birds happily set sail on a dinner cruise while doing their host a favor by gobbling irritating flies.

Imagine meandering through countryside pastures all day, unconcerned where the next meal will come from because it always comes to you.

Its easy if you try. You can say I’m a dreamer, but I’m not the only one. I hope someday you’ll join us and the world (horses, cows, birds) will live as one…

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The Moon-Pale Promise

from Claude Debussy’s Suite Bergamasque in memory of my mother

There’s D-flat major at the first and last,
but in between, a haze of harmonies
yearns lightward, though the light has long since passed.

I played the notes; she heard the light. The keys
were mine to coax and animate; their sound
was hers to claim: a shimmer of heart’s ease.

And while my fingers stretched and danced and found
their way through black and white, her ear would find
a prism—her own light parsed and unbound.

She had a knack for joy and was inclined
to wonder. Clair de lune had mesmerized
her, in a spell that left me far behind.

After my mother’s death, I was surprised
I still played it so often; I suppose
the effort occupied and organized

my sorrow-scattered mind. So in the throes
of grief, I practiced, as if I’d impress
a ghost with my devotion. And in those

half-haunted hours, I mastered more, I guess,
than just the notes. I hadn’t thought I’d learn
to hear what she did—but through some finesse

of time and skill and need, I now discern
the half-lit murmurings that no midnight
can mute, the moon-pale promise that can turn

unrest to peace, a star-sung appetite
for breath. At last I share my mother’s light.
~Jean Kreiling “Claire de Lune

photo by Lea Lozano

I never practiced as much as I could have. Since the old piano sat in the living room right next to the kitchen, my mother endured my wrong notes and mis-timed rhythms, but never said a word of criticism. She was not an avid music listener, preferring radio talk and news, but committed to taking me to piano lessons over eight long years, sitting in the car reading a book while she waited for me.

Though not someone who listened to classical music for pleasure, she did love Clair de Lune, saying she could “see” the moon rise when I played it. Thus encouraged, I chose it as a recital piece so I could play it often for her, flowing my fingers across the keyboard smoothly, steadily, faithfully, like the rise of the moon in the night sky.

I want to feel a connection to a piece of music that so grips my heart and waters my eyes. It happens only rarely when I play – as an average pianist, I never truly progressed beyond technique – hitting the right notes and being true to the timing. But this piece comes close. When I hear it, I am no longer the youngster practicing it over and over, trying to somehow bring light to our dark living room. With age, I can now lose myself in the beauty of what Debussy was trying to convey in his choice of progression of notes, his resolution of harmony and key change, his slowing and flowing illumination of the piano keys.

I begin to hear what my mother must have heard, although I made so many mistakes, over and over.

Even so, the moon still rose for her.

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Moonlight Looming in Memory

No Ansel Adams
but the snapshots we captured
through the open car window
on our eight megapixel cell phones

on the side of the road off an exit ramp
as truck taillights streaked eastbound
opposite the earth’s rotation
in startling calm that evening
a mere dot-glow above dun fields

Look, life is like this, filled
with moments of meaning
paid attention to or not
but we tried we lingered

and sure enough it is here
looming in memory-mind
the fat orange ball above horizon
inching up into blank navy air
the full moon in early spring

we drove toward in silence
~Twyla M. Hansen “Moonrise, Aurora, Nebraska” from Rock. Tree. Bird. 

photo of supermoon by Harry Rodenberger

I now take photos of a cherished moment; before owning a camera, I only took brain snapshots. In my memory, I tend to embroider and edit what I see to make things stick. Usually, photos tell the real story.

However, moon glow is always better in my memory than it is in my photos. The lucent light is something I can feel more than see. Last night, moonbeams woke me by touching my sleeping face. That glow in the shadow of our bedroom was at once ethereal and palpable, something a photo simply can’t capture.

Still, I attempt to preserve these moments to share with others. I linger longingly whenever my eyes are drawn to such a heavenly light, hoping it might touch and illuminate us all.

photo by Josh Scholten
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Glimpsing Gold Beneath the Rags

April is like the raggedy, wandering gypsy lad of the fairy tale.
When he moves, streaks of gold show beneath his torn garments
and you suspect that this elfin creature is actually a prince in disguise.

April is just that.

There are raggedy, cold days, dark black ones,
but all through the month for a second, for an hour, or for three days at a stretch you glimpse pure gold.


The weeks pass and the rags slip away, a shred at a time.
Toward the end of the month his royal highness stands before you.
~Jean Hersey from The Shape of a Year

I avoid spending much time in front of mirrors now as I age. Clothed in rags, I’m thinning here, thickening there, sagging and stretching, wrinkled and patched up.

Still, if I look closely past the rags and sags, I see the same eyes as my younger self peering back at me. There are some things that age does not disguise.

The lightness and freshness of youth might be covered up with the trappings of aging, but I’m still delighted to be here, just as I am. Every once in awhile, I believe I glimpse a little gold under the surface. This farm girl isn’t a queen or a princess in disguise, but breathing in the scents of certain golden days of April can make me feel like one.

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Driving at Night

I want to be a passenger
in your car again
and shut my eyes
while you sit at the wheel,


awake and assured
in your own private world,
seeing all the lines
on the road ahead,


down a long stretch
of empty highway
without any other
faces in sight.

I want to be a passenger
in your car again
and put my life back
in your hands.
~Michael Miller “December”

Up north, the dashboard lights of the family car
gleam in memory, the radio
plays to itself as I drive
my father plied the highways
while my mother talked, she tried to hide
that low lilt, that Finnish brogue,
in the back seat, my sisters and I
our eyes always tied to the Big Dipper
I watch it still
on summer evenings, as the fireflies stream
above the ditches and moths smack
into the windshield and the wildlife’s
red eyes bore out from the dark forests
we flew by, then scattered like the last bit of star
light years before.
It’s like a different country, the past
we made wishes on unnamed falling stars
that I’ve forgotten, that maybe were granted
because I wished for love.

~Sheila Packa “Driving At Night” from The Mother Tongue

The moon was like a full cup tonight,
too heavy, and sank in the mist
soon after dark, leaving for light

faint stars and the silver leaves
of milkweed beside the road,
gleaming before my car.

Yet I like driving at night
the brown road through the mist

of mountain-dark, among farms
so quiet
, and the roadside willows
opening out where I saw

the cows. Always a shock
to remember them there, those
great breathings close in the dark.

~Hayden Carruth from “The Cows at Night”

Some of my most comfortable childhood memories come from the long ride home in the car at night from holiday gatherings. My father always drove, my mother humming “I See the Moon” in the front passenger seat, and we three kids sat in the back seat, drowsy and full of feasting. The night world hypnotically passed by outside the car window. I wondered whether the rest of the world was as safe and content as I felt at that moment.

On clear nights, the moon followed us down the highway, shining a light on the road.

Now as a driver at night, transporting grandchildren from a family gathering, I want them to feel the same peaceful contentment that I did as a child. As an older driver, I don’t enjoy driving at night, especially dark rural roads in pouring rain. I understand the enormous responsibility I bear, transporting those whom I dearly love and want to keep safe.

In truth, I long to be a passenger again, with no worries or pressures – just along for the ride, watching the moon and the world drift by, knowing I’m well-cared for.

Despite my fretting about the immense burden I feel to make things right in a troubled world, I do realize:
I am a passenger on a planet that has a driver Who feels great responsibility and care for all He transports through the black night of the universe. He loves me and I can rest content in the knowledge that I am safe in His vigilant hands. I am not the driver – He knows how to safely bring me` home.

I see the moon, it’s shining from far away, Beckoning with ev‘ry beam.
And though all the start above cast down their light, Still the moon is all that I see
And it’s calling out, “Come run a way!
And we’ll sail with the clouds for our sea,
And we’ll travel on through the black of the night, ‘til we float back home on a dream!”
The moon approaches my window pane, stretching itself to the ground.
The moon sings softly and laughs and smiles, and yet never makes a sound!
I see the moon! I see the moon!
Part A
And it’s calling out, “Come run a way!
And we’ll sail with the clouds for our sea,
And we’ll travel on through the black of the night, ‘til we float back home on a dream!”
Part B
I see the moon, it’s shining from far away, Beckoning with ev‘ry beam.
And though all the stars above cast down their light, Still the moon is all that I see
~Douglas Beam

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Ah, What If?

What if you slept
And what if
In your sleep
You dreamed
And what if
In your dream
You went to heaven
And there plucked a strange and beautiful flower
And what if
When you awoke
You had that flower in your hand
Ah, what then?
~Samuel Coleridge  “What if you slept”

This mountain, this strange and beautiful Shuksan flower that appears suddenly as we round a corner on the hour drive up the Mt. Baker Highway:  this mountain has one foot on earth and one foot in heaven – a thin place if there ever was one.

The only way to approach is in awed silence, as if entering the door of a grand cathedral.  Those who are there speak in hushed tones if they speak at all.

Mt. Shuksan wears autumn lightly about its shoulders as a multi-faceted cloak, barely anticipating the heavy snow coat to descend in the next few weeks.

I hold this mountain tight in my fist, wanting to turn it this way and that, breathe in its fragrance, bring it home with me and never let go.

Ah, what then?

Home is not nearly big enough for heaven to dwell.  I must content myself with this visit to the thin edge, peering through the open door, waiting until invited to come inside.

Original Barnstorming artwork note cards available as a gift to you with a $50 donation to support Barnstorming – information here
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