Driving at Night

I want to be a passenger
in your car again
and shut my eyes
while you sit at the wheel,


awake and assured
in your own private world,
seeing all the lines
on the road ahead,


down a long stretch
of empty highway
without any other
faces in sight.

I want to be a passenger
in your car again
and put my life back
in your hands.
~Michael Miller “December”

Up north, the dashboard lights of the family car
gleam in memory, the radio
plays to itself as I drive
my father plied the highways
while my mother talked, she tried to hide
that low lilt, that Finnish brogue,
in the back seat, my sisters and I
our eyes always tied to the Big Dipper
I watch it still
on summer evenings, as the fireflies stream
above the ditches and moths smack
into the windshield and the wildlife’s
red eyes bore out from the dark forests
we flew by, then scattered like the last bit of star
light years before.
It’s like a different country, the past
we made wishes on unnamed falling stars
that I’ve forgotten, that maybe were granted
because I wished for love.

~Sheila Packa “Driving At Night” from The Mother Tongue

The moon was like a full cup tonight,
too heavy, and sank in the mist
soon after dark, leaving for light

faint stars and the silver leaves
of milkweed beside the road,
gleaming before my car.

Yet I like driving at night
the brown road through the mist

of mountain-dark, among farms
so quiet
, and the roadside willows
opening out where I saw

the cows. Always a shock
to remember them there, those
great breathings close in the dark.

~Hayden Carruth from “The Cows at Night”

Some of my most comfortable childhood memories come from the long ride home in the car at night from holiday gatherings. My father always drove, my mother humming “I See the Moon” in the front passenger seat, and we three kids sat in the back seat, drowsy and full of feasting. The night world hypnotically passed by outside the car window. I wondered whether the rest of the world was as safe and content as I felt at that moment.

On clear nights, the moon followed us down the highway, shining a light on the road.

Now as a driver at night, transporting grandchildren from a family gathering, I want them to feel the same peaceful contentment that I did as a child. As an older driver, I don’t enjoy driving at night, especially dark rural roads in pouring rain. I understand the enormous responsibility I bear, transporting those whom I dearly love and want to keep safe.

In truth, I long to be a passenger again, with no worries or pressures – just along for the ride, watching the moon and the world drift by, knowing I’m well-cared for.

Despite my fretting about the immense burden I feel to make things right in a troubled world, I do realize:
I am a passenger on a planet that has a driver Who feels great responsibility and care for all He transports through the black night of the universe. He loves me and I can rest content in the knowledge that I am safe in His vigilant hands. I am not the driver – He knows how to safely bring me` home.

I see the moon, it’s shining from far away, Beckoning with ev‘ry beam.
And though all the start above cast down their light, Still the moon is all that I see
And it’s calling out, “Come run a way!
And we’ll sail with the clouds for our sea,
And we’ll travel on through the black of the night, ‘til we float back home on a dream!”
The moon approaches my window pane, stretching itself to the ground.
The moon sings softly and laughs and smiles, and yet never makes a sound!
I see the moon! I see the moon!
Part A
And it’s calling out, “Come run a way!
And we’ll sail with the clouds for our sea,
And we’ll travel on through the black of the night, ‘til we float back home on a dream!”
Part B
I see the moon, it’s shining from far away, Beckoning with ev‘ry beam.
And though all the stars above cast down their light, Still the moon is all that I see
~Douglas Beam

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Ah, What If?

What if you slept
And what if
In your sleep
You dreamed
And what if
In your dream
You went to heaven
And there plucked a strange and beautiful flower
And what if
When you awoke
You had that flower in your hand
Ah, what then?
~Samuel Coleridge  “What if you slept”

This mountain, this strange and beautiful Shuksan flower that appears suddenly as we round a corner on the hour drive up the Mt. Baker Highway:  this mountain has one foot on earth and one foot in heaven – a thin place if there ever was one.

The only way to approach is in awed silence, as if entering the door of a grand cathedral.  Those who are there speak in hushed tones if they speak at all.

Mt. Shuksan wears autumn lightly about its shoulders as a multi-faceted cloak, barely anticipating the heavy snow coat to descend in the next few weeks.

I hold this mountain tight in my fist, wanting to turn it this way and that, breathe in its fragrance, bring it home with me and never let go.

Ah, what then?

Home is not nearly big enough for heaven to dwell.  I must content myself with this visit to the thin edge, peering through the open door, waiting until invited to come inside.

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A Rapturous Morning


My father, when he was surprised
or suddenly impressed, would blurt
“Great day in the morning,” as though
a revelation had struck him.
The figure of his speech would seem
to claim some large event appeared
at hand, if not already here;
a mighty day or luminous age
was flinging wide its doors as world
on world revealed their wonders in
the rapturous morning, always new,
beginning as the now took hold.

~Robert Morgan “Great Day in the Morning” from Terroir.

All this he saw,
for one moment breathless and intense,
vivid on the morning sky;
and still, as he looked, he lived;
and still, as he lived, he wondered.
~Kenneth Grahame, The Wind in the Willows

Every time I open my eyes
as dawn streams through the window,
listening for the voice of yet another morning –
I am reminded how precious is this moment
~this “great day in the morning” ~
how intensely grateful I am
for each breath and each heartbeat
gifted to me.

We are created to experience this realization:
we are, everyone of us, beloved.

We are meant to wonder breathless at this,
to keep watch each new dawn, waiting to see what will happen next.

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As Much Serenity As Yearning

Last night I walked the woods
lit by the final moon of the month.
Days don’t count here
beneath the centuries-old pines
where my grandmother took her solace
on hard farm days, passing up
the washboard or jam-making
for the eternal whooshing
of the forest as much serenity
as yearning.
~Dave Malone, “Walk in the Woods” from Tornado Drill

My grandparents owned the land,
worked the land, bound
to the earth by seasons of planting
and harvest.

They watched the sky, the habits
of birds, hues of sunset,
the moods of moon and clouds,
the disposition of air.
They inhaled the coming season,
let it brighten their blood
for the work ahead.

Soil sifted through their fingers
imbedded beneath their nails
and this is what they knew;
this rhythm circling the years.
They never left their land;
each in their own time
settled deeper.
~Lois Parker Edstrom “Almanac” from Night Beyond Black.

My husband and I met in the late 70’s while we were both in graduate school in Seattle, living over 100 miles away from our grandparents’ farms farther north in Washington. We lived farther still from my grandparents’ wheat farm in Eastern Washington and his grandparents’ hog farm in Minnesota. One of our first conversations together, the one that told me I needed to get to know this man better, was about wanting to move back to work on the land. We were both descended from peasant immigrants from the British Isles, Holland and Germany – farming was in our DNA, the land remained under our fingernails even as we sat for endless hours studying in law school and medical school classes.

When we married and moved north after buying a small farm, we continued to work full time at desks in town. We’ve never had to depend on this farm for our livelihood, but we have fed our family from the land, bred and raised livestock, and harvested and preserved from a large garden and orchard. It has been a good balance thanks to career opportunities made possible by our education, something our grandparents would have marveled was even possible.

Like our grandparents, we watch in wonder at what the Creator brings to the rhythm of the land each day – the light of the dawn over the fields, the activity of the wild birds and animals in the woods, the life cycles of the farm critters we care for, the glow of the evening sun as night enfolds us when the moon ascends.

We are blessed by the land’s generosity when it is well cared for. Each new day promises another chance to treat it with the love it warrants.

Now forty-some years after that first conversation together about returning to farming, my husband and I hope we never have to leave the land. It brought us together, fed our family, remains imbedded under our fingernails and in our DNA.

Each in our own time, we will settle even deeper.

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A Deep Breath Over and Over

You can
die for it-
an idea,
or the world. People
have done so,
brilliantly,
letting
their small bodies be bound
to the stake,
creating
an unforgettable
fury of light. But
this morning,
climbing the familiar hills
in the familiar
fabric of dawn, I thought
of China,
and India
and Europe, and I thought
how the sun
blazes
for everyone just
so joyfully
as it rises
under the lashes
of my own eyes, and I thought
I am so many!
What is my name?
What is the name
of the deep breath I would take
over and over
for all of us? Call it
whatever you want, it is
happiness, it is another one
of the ways to enter
fire.

~Mary Oliver “Sunrise”

I woke at 5:10 AM bathed in rose-light. When I looked out the window, I could tell something extraordinary was happening in the sky.

Here is what I saw: a turmoil of clouds to the northeast reflecting the fire of the sun, sunrise rays over our barn, and remarkably to the south west, a bright rainbow at dawn pouring glory onto our hill pasture.

But most remarkable of all is the deer standing in our pasture witnessing it all with me. She looked at me, then looked at the rainbow and wandered off to be drenched in its color, her thirst quenched.

So my thirsty soul longs to enter the fire of God’s promise to us. I breathe deeply of this.

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Watching Ensanguining Skies

Ensanguining the skies
How heavily it dies
  Into the west away;
Past touch and sight and sound
Not further to be found,
How hopeless under ground
  Falls the remorseful day.
~A.E. Houseman from “How Clear, How Lovely Bright”

O’er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold…

~John Greenleaf Whittier from “The Barefoot Boy”

Once I saw a chimpanzee gaze at a particularly beautiful sunset for a full 15 minutes, watching the changing colors [and then] retire to the forest without picking a pawpaw for supper.
~Adriaan Krotlandt, Dutch ethologist in Scientific American (1962)

It was like a church to me.
I entered it on soft foot,
Breath held like a cap in the hand.
It was quiet.
What God there was made himself felt,
Not listened to, in clean colours
That brought a moistening of the eye,
In a movement of the wind over grass.
There were no prayers said. But stillness
Of the heart’s passions — that was praise
Enough; and the mind’s cession
Of its kingdom. I walked on,
Simple and poor, while the air crumbled
And broke on me generously as bread.
R.S. Thomas “The Moor”

How can I feel so warm   
Here in the dead center of January? I can   
Scarcely believe it, and yet I have to, this is   
The only life I have. 
~James Wright from “A Winter Daybreak Above Vence”

Last night was a once a year sunset experience in the dead center of January, following a full day of pouring-rain gray-skies monochrome nothingness.

For twenty minutes our region was blissed to witness an evolving array of crimson and purple color and patterns, streaks and swirls, gradation and gradual decline.

It all took place in silence.  No bird song, no wind, no spoken prayer.
Yet a communion took place – the air broke and fed us like manna from heaven. And so filled to the brim…

May I squander my life no more and instead treasure each moment.

May I vow to cherish God, church, family, friends, and those in my community who are strangers to me.

May I never forget my witness this winter day of the bleeding of the last light of day.

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An Absence of Secrecy

I came here to study hard things
– rock mountain and salt sea –
and to temper my spirit on their edges. 
“Teach me thy ways, O Lord” is, like all prayers,
a rash one, and one I cannot but recommend. 

These mountains — Mount Baker and the Sisters and Shuksan,
the Canadian Coastal Range and the Olympics on the peninsula — are surely the edge of the known and comprehended world…. 

That they bear their own unimaginable masses and weathers aloft, holding them up in the sky for anyone to see plain, makes them,
as Chesterton said of the Eucharist, only the more mysterious
by their very visibility and absence of secrecy.
~Annie Dillard from Holy the Firm

Sometimes the mountain
is hidden from me in veils
of cloud, sometimes
I am hidden from the mountain
in veils of inattention, apathy, fatigue,
when I forget or refuse to go
down to the shore or a few yards
up the road, on a clear day,
to reconfirm
that witnessing presence.
~Denise Levertov  “Witness”

Even on the days like today when the mountain is hidden behind a veil of clouds, I have every confidence it is there.  It has not moved in the night, gone to another county, blown up or melted down.  My vision isn’t penetrating enough to see it through cloud cover today, but it will return to my line of sight, if not tomorrow, perhaps the next day, maybe not until next week. 

I know this and have faith it is true – the mountain does not keep itself a secret.

On the days when I am not bothering to look for it, too preoccupied so walk right past its obvious grandeur and presence, then it reaches out to me and calls me back, refocusing me. 

There are times when I turn a corner on the farm and glance up, and there it is, a silent and overwhelming witness to beauty and steadfastness.  I literally gasp at not noticing before, at not remembering how I’m blessed by it being there even at the times I can’t be bothered.

It witnesses my lack of witness and, so in its mysterious way of being in plain sight, stays put to hold me fast yet another day.  And so I keep coming back to gaze, sometimes just at clouds, yearning to lift the veil, and as a result, lift my veil, just one more time.

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On the Outside of the World

At present we are on the outside of the world,
the wrong side of the door.
We discern the freshness and purity of morning,
but they do not make us fresh and pure.
We cannot mingle with the splendours we see.
But all the leaves of the New Testament are rustling with the rumour
that it will not always be so.
Some day, God willing, we shall get in.
~C.S. Lewis, from The Weight of Glory

Sometimes I’m on the outside looking in,
other times I’m on the inside looking out,
wondering where I should be,
knowing where I want to be,
longing for something I can’t quite reach.

We see through a glass darkly,
waiting for the day when all will be clear,
waiting to be invited into the purity
of where God dwells richly.

A book of beauty in words and photography, available for order here:

Wired With Alertness

Edmund Darch Lewis – Susquehanna
Agnes Wallace by Robert Sivell

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.


Not in July or any month
have I had the pleasure — if it is a pleasure —
of fishing on the Susquehanna.


I am more likely to be found
in a quiet room like this one —
a painting of a woman on the wall,


a bowl of tangerines on the table —
trying to manufacture the sensation
of fishing on the Susquehanna.


There is little doubt
that others have been fishing
on the Susquehanna,


rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.


But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,


when I balanced a little egg of time
in front of a painting
in which that river curled around a bend


under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana


sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.


That is something I am unlikely

ever to do, I remember
saying to myself and the person next to me.


Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,


even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame. 
~Billy Collins Fishing On The Susquehanna In July

A Hare in the Forest by Hans Hoffman (Getty Museum)
Susquehanna by Jasper Francis Cropsey
Hayfield–oil painting by Scott Prior http://www.scottpriorart.com

I live a quiet life in a quiet place. There are many experiences not on my bucket list that I’m content to simply imagine.

I’m not a rock climber or a zip liner or willing to jump out of an airplane. I won’t ride a horse over a four foot jump or race one around a track. Not for me waterskis or unicycles or motorcycles.

I’m grateful there are those who are eagerly wired with alertness for the next experience: adventurers who seek out the extremes of life so the rest of us can sit back and admire their courage and applaud their explorations and achievement.

My mind’s eye and imagination is powerful enough, thanks to the words and pictures of others. I find I’m content to explore the corners of my quiet places, both inside and outside, to see what I can build from what I find right here under my nose.

When the light is right, and I’m open enough to it, what I see is ready to spring right out of the frame.

The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—

….and August the most peaceful month.

To be, in the grass, in the peacefullest time,
And to feel that the light is a rabbit-light
In which everything is meant for you
And nothing need be explained;

You become a self that fills the four corners of
night.
~Wallace Stevens, from “A Rabbit As King of the Ghosts”

More of my images along with Lois Edstrom’s ekphrastic poetry can be found in this book, available for order here:

To Live in the Layers

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon

How shall the heart be reconciled
to its feast of losses?


Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.

In my darkest night,
when the moon was covered

and I roamed through wreckage,
a nimbus-clouded voice
directed me:

“Live in the layers,
not on the litter.”

Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.

I am not done with my changes.
~Stanley Kunitz from “The Layers”

A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life—the nation, the city, the neighborhood, the house where the family lives—as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them.

I breathed the air of history all unaware, and walked oblivious through its littered layers.
~Annie Dillard from An American Childhood

photo of Wiser Lake and Mt. Baker by Joel de Waard

…we become whole by having the courage to revisit and embrace all the layers of our lives, denying none of them, so that we’re finally able to say, “Yes, all of this is me, and all of this has helped make me who I am.”

When we get to that point, amazingly, we can look at all the layers together and see the beauty of the whole.
~Parker Palmer from “Embracing All the Layers of Your Life” in On Being

My favorite scenes are ones where there are several “layers” to study, whether it is a still life of petals or a deep landscape with a foreground, middle and backdrop. The challenge is to decide where to look first, what to draw into sharp focus, and how to absorb it all as a whole. In fact, if I only see one aspect, I miss the entire point of the composition. It is wonderfully multi-faceted and multi-layered because that is how my own life is – complex with so much diverse and subtle shading.

If I try to suppress some darker part of my own life I wish to forget and blur out, I ignore the beauty of the contrast with the light that illuminates the rest.

The layers reflect who I was created to be as an image-bearer – complex, nuanced, illuminated in the presence of dark.

Beautifully composed and ultimately transformed.

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