As If Living in a Prayer

Here in the time between snow
and the bud of the rhododendron,
we watch the robins, look into


the gray, and narrow our view
to the patches of wild grasses
coming green. The pile of ashes


in the fireplace, haphazard sticks
on the paths and gardens, leaves
tangled in the ivy and periwinkle


lie in wait against our will. This
drawing near of renewal, of stems
and blossoms, the hesitant return


of the anarchy of mud and seed
says not yet to the blood’s crawl.
When the deer along the stream


look back at us, we know again
we have left them. We pull
a blanket over us when we sleep.


As if living in a prayer, we say
amen to the late arrival of red,
the stun of green, the muted yellow


at the end of every twig. We will
lift up our eyes unto the trees hoping
to discover a gnarled nest within


the branches’ negative space. And
we will watch for a fox sparrow
rustling in the dead leaves underneath.

~Jack Ridl “Here in the Time Between” from Practicing to Walk Like a Heron

We live in an in-between time:
we see the coming glory of spring and rebirth
yet winter’s mud and ice still grasps at us.

We want to crawl back under the blankets,
hoping to wake again on a brighter day.

Praying to emerge from the mud of in-between and not-yet,
we are ready to bud and blossom and wholly bloom.

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The Magical Frontier

Between the March and April line —
That magical frontier
Beyond which summer hesitates,
Almost too heavenly near.


The saddest noise, the sweetest noise,
The maddest noise that grows, —
The birds, they make it in the spring,
At night’s delicious close.


It makes us think of all the dead
That sauntered with us here,
By separation’s sorcery
Made cruelly more dear.


It makes us think of what we had,
And what we now deplore.
We almost wish those siren throats
Would go and sing no more.


An ear can break a human heart
As quickly as a spear,
We wish the ear had not a heart
So dangerously near.
~Emily Dickinson
“The Saddest Noise”

Every spring
I hear the thrush singing
in the glowing woods
he is only passing through.
His voice is deep,
then he lifts it until it seems
to fall from the sky.
I am thrilled.
I am grateful.
Then, by the end of morning,
he’s gone, nothing but silence
out of the tree
where he rested for a night.
And this I find acceptable.
Not enough is a poor life.
But too much is, well, too much.
Imagine Verdi or Mahler
every day, all day.
It would exhaust anyone.
~Mary Oliver “In Our Woods, Sometimes a Rare Music ” from “A Thousand Mornings”

What does it say about me that a only a few months ago, in the inky darkness of December mornings, I was yearning for the earlier sunrises of spring. Once we’re well into April, the birdsong symphony alarm clock each morning is no longer so compelling. 

This confirms my suspicion that I’m incapable of reveling in the moment at hand, something that would likely take years of therapy to undo. I’m sure there is some deep seated issue here, but I’m too sleep deprived to pursue it.

My eyes pop open earlier than I wish, aided and abetted by vigorous birdsong in the trees surrounding our farm house. Daylight sneaks through the venetian blinds. Once the bird chorus starts, with one lone chirpy voice in the apple tree by our bedroom window, it rapidly becomes a full frontal onslaught orchestra from all manner of avian life-forms, singing from the plum, cherry, walnut, fir and chestnut. Sleep is irretrievable.

Yet it would be such a poor life without the birdsong.
Even so, too much is … a bit too much.

I already need a nap.

photo by Harry Rodenberger

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A Celebration of Resilience

Spring comes quickly: overnight
the plum tree blossoms,
the warm air fills with bird calls.

In the plowed dirt, someone has drawn a picture of
the sun
with rays coming out all around
but because the background is dirt, the sun is black.
There is no signature.

Alas, very soon everything will disappear:
the bird calls, the delicate blossoms. In the end,
even the earth itself will follow the artist’s name into
oblivion.

Nevertheless, the artist intends
a mood of celebration.

How beautiful the blossoms are — emblems of the
resilience of life.
The birds approach eagerly.

~Louise Glück “Primavera”

“Plowing the Field” by Joyce Lapp

Nothing is so beautiful as Spring –         
When weeds, in wheels, shoot long and lovely and lush;         
Thrush’s eggs look little low heavens, and thrush         
Through the echoing timber does so rinse and wring         
The ear, it strikes like lightnings to hear him sing;
The glassy peartree leaves and blooms, they brush         
The descending blue; that blue is all in a rush  
       
With richness; the racing lambs too have fair their fling.         

What is all this juice and all this joy?         
A strain of the earth’s sweet being in the beginning
In Eden garden. – Have, get, before it cloy,         
Before it cloud, Christ, lord, and sour with sinning,         
Innocent mind and Mayday in girl and boy,         
Most, O maid’s child, thy choice and worthy the winning.  
 
~Gerard Manley Hopkins “Spring”

And he who was seated on the throne said, “Behold, I am making all things new.” Also he said, ‘Write this down, for these words are trustworthy and true. ”
Revelation 21:5

Given a choice, humanity chose sour
over the sweetness we were created for ~
giving up walks together in the cool of the day
to feed an appetite that could never be sated.

God made a choice to bring us back with His own blood
as if we are worthy of Him.

He says we are.
He dies to prove it.

Every day I choose to believe
earth can be sweet and beautiful again.
Each spring becomes a celebration of our resilience.

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A Clamor of Questions

I’m scrambling an egg for my daughter.
“Why are you always whistling?” she asks.
“Because I’m happy.”
And it’s true,
Though it stuns me to say it aloud;
There was a time when I wouldn’t
Have seen it as my future.
It’s partly a matter
Of who is there to eat the egg:
The self fallen out of love with itself
Through the tedium of familiarity,
Or this little self,
So curious, so hungry,
Who emerged from the woman I love,
A woman who loves me in a way
I’ve come to think I deserve,
Now that it arrives from outside me.
Everything changes, we’re told,
And now the changes are everywhere:
The house with its morning light
That fills me like a revelation,
The yard with its trees
That cast a bit more shade each summer,
The love of a woman
That both is and isn’t confounding,
And the love
Of this clamor of questions at my waist.
Clamor of questions,
You clamor of answers,
Here’s your egg.

~C.G. Hanzlicek “Egg” from Against Dreaming.

Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —

~Emily Dickinson

When a grandchild asks a question, it is like a smooth and perfect egg safely in the nest, awaiting the exact moment to open up to breathe deeply of the world.

Sometimes my answer, try as I might, results in broken shell fragments, the insides all scrambled and released too soon.

I’m confounded by my love for childrens’ innocence in a harsh and painful world – I don’t always know the best thing to say when the truth has bits of hard shell in it. I end up telling the truth a bit slant so it might dazzle them gradually.

So I encourage them to keep asking their clamor of questions, and I do my best to answer in a way so they stay hungry for more, filled with truths without being blinded.

So many questions in their minds and mine.
So many eggs to open gently so the truth remains whole.

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If I Choose to Fly…

If I had a yellow breast, I would perch in high shadows.
And in my dreams, if I had to fly, I would fly quickly

because if I shone, the tabby on the ground would
not be fooled. He knows these trees do not flower.

Above me, bark rains down. And as his lifting paw
reaches me I sense Don’t move. And I don’t. 

~Lola Haskins “Goldfinch” from Homelight

The bird flying up at the windowpane
aspired to the blue sky reflected in it
but learned the hard truth and flew off again.
Was it a finch, a blue tit or a linnet?
I couldn’t quite identify the strain.


Checking a pocket guide to get it right
(The Birds of lreland, illustrated text)
I note the precise graphic work and definite
descriptions there, and yet I’m still perplexed.
I only glimpsed the bird in busy flight:


a bit like a goldfinch, like the captive one
perched on a rail, by Rembrandt’s young disciple,
except for the colouring, blue, yellow and green.
A tit so, one of those from the bird table
who whirr at hanging nuts and grain.


Off he flew. Now there’s a mist out there
and a mist in here that wouldn’t interest him
since what he wants is sky and open air.
He’s in the trees; I’m trying one more time
to find an opening in the stratosphere.

~Derek Mahon “At the Window”

In this world full of predators and prey,
even perching high on a tree branch,
motionless as a leaf or a bird-like blossom,
is risking a sharp-eyed hunter’s detection.

Or flying, oblivious, head-long into an enticing
reflection of blue sky might take me down

– any move I make could be my last –

So perhaps the moves I make,
whether subtle or grand,
must mean more than simply avoiding
being eaten by the eater.

Instead, I move with grace and purpose
to forage to feed my young,
to offer a bit of flashing gold to a gray landscape,
or fly with abandon because it is exactly
what my wings are created to do –

even when I’m aware hungry whiskers twitch below…

“handkerchief” tree in Northern Ireland
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Choosing to Protect Unseen Nests

I go to the mountain side
of the house to cut saplings,
and clear a view to snow
on the mountain. But when I look up,
saw in hand, I see a nest clutched in
the uppermost branches.
I don’t cut that one.
I don’t cut the others either.
Suddenly, in every tree,
an unseen nest
where a mountain
would be.
~Tess Gallagher “Choices” from Midnight Lantern: New and Selected Poems

Might I be capable of such tenderness?
Might I consider the needs of others,
by saving not just one nest,
but all future nests,
rather than exercise my right
to an unimpeded view,
wanting the world to be exactly
how I want it?

I must not forget:
my right to choose
demands that I
choose to do right by those
who have no choice.

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A Crooked Furrow

photo by Joel DeWaard
photo by Joel DeWaard

My father swerves the team
to miss the quail’s nest
hidden in the furrow
she rises up beating her wings
her cries fill all the world
of sky and cloud echoing her call…

and so he passes
the caring farmer with his crooked furrow
saluting life the warm round eggs
hidden in the spring grass
the quail rising and falling
pulled by invisible heartstrings.
~Dorothy Hewitt  “Quail’s Nest”

photo by Kate Steensma
photo by Joel DeWaard
photo by Joel DeWaard

I remember my father driving a wooden post in the ground
where a killdeer nest held 6 speckled eggs;
the mother would run off crying plaintively,
flapping her “broken” wing
to lure him away from her precious brood.

He drove the plow around the nest,
marking their spot for the season,
respecting their presence,
preserving their future,
without anyone saying
he should or he must –
only his heart had told him
it was the right thing to do.

photo by Joel DeWaard
photo by Kate Steensma
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Sing a Prayer from the Heart’s Deep Core

I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;   
When the wind stirs soft through the springing grass,   
And the river flows like a stream of glass;
When the first bird sings and the first bud opes,   
And the faint perfume from its chalice steals—
I know what the caged bird feels!

I know why the caged bird beats his wing
Till its blood is red on the cruel bars;   
For he must fly back to his perch and cling   
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars   
And they pulse again with a keener sting—
I know why he beats his wing!

I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,   
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!
~Paul Dunbar “Sympathy”

A free bird leaps
on the back of the wind   
and floats downstream   
till the current ends
and dips his wing
in the orange sun rays
and dares to claim the sky.

But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and   
his feet are tied
so he opens his throat to sing.

The caged bird sings   
with a fearful trill   
of things unknown   
but longed for still   
and his tune is heard   
on the distant hill   
for the caged bird   
sings of freedom.

The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn bright lawn
and he names the sky his own.

But a caged bird stands on the grave of dreams   
his shadow shouts on a nightmare scream   
his wings are clipped and his feet are tied   
so he opens his throat to sing.

The caged bird sings   
with a fearful trill   
of things unknown   
but longed for still   
and his tune is heard   
on the distant hill   
for the caged bird   
sings of freedom.

~Maya Angelou “Caged Bird”

photo by Harry Rodenberger

Three weeks old
when its mother allowed me
a peek in the nest
to spy its fledgling wings;
she did her best to hide it from view.

It was another week before
it was clear
this youngster could not stand or perch,
its legs deformed,
sprawled and spraddled.

It flopped rather than hopped
out of the nest at five weeks,
fluttering to the ground
in pursuit of freedom
outside its mother’s wings.

Crouched next to seed and water,
it fed itself, tucked in a corner
watching others come and go.
Its desire to live so strong,
its voice forming in its throat.

Though it could not stand
and might never fly –
even so, this bird sang of
its longing for freedom
just so our hearts may hear.

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As If All Time Were Theirs

The thrushes sing as the sun is going,
And the finches whistle in ones and pairs,
And as it gets dark loud nightingales
In bushes
Pipe, as they can when April wears,
As if all Time were theirs.

These are brand-new birds of twelve months’ growing,
Which a year ago, or less than twain,
No finches were, nor nightingales,
Nor thrushes,
But only particles of grain,
And earth, and air, and rain.
~Thomas Hardy “Proud Songsters”

Each year I watch the new hatchlings fledge and fly and feed, and marvel at how they know so young how to sing and survive. Last year they were mere elements and now they bring the world beauty and Grace.

They live as if all Time were theirs.

Now in my seventh decade, do I know how to sing and survive? Did I become more than the elements from which I arose?

Only thanks to the Maker of heaven and earth was I born to recognize Beauty and Grace when I see and hear it. And so I bring it here, now to share with all of you.

I live as if all Time is so precious, so fleeting.

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A Residual Celestial Heat

grumpyfinch

 

“Somehow the question of identity is always emerging on this farm. I found the body of a barn swallow lying just inside the barn the other day. There was no telling how it died. I noticed the intense particularity of its body, its sharply cut wings, the way its plumage seemed to glow with some residual celestial heat. But it was the particularity of death, not the identity of life, a body in stillness while all around me its kin were twittering and swooping in and out of the hayloft.”
~Verlyn Klinkenborg from “A Swallow in the Hand”

 

 

crowdedout

 

molepaw

 

Stumbling across death on the farm is always startling.  The farm teems with life 24 hours a day: frogs croaking, dawn bird chorus, insects buzzing and crawling, cats stalking, coyotes yipping, raccoons stealing, dogs wagging, horses galloping, owls and bats swooping.  Amid so much activity, it doesn’t seem possible that some simply cease to be.

An ancient apple tree mysteriously topples over one morning, a beloved riding horse dies of colic, another dies of lymphoma, an old cat finds her final resting place in the hay loft, another old cat naps forever under a tree,  a newborn foal fails to break free of its amniotic sac, another foal delivered unexpectedly and prematurely lies still and lifeless in the shavings of the stall, a vibrantly alive dog is put to sleep due to a growing tumor,  an old dog passes during an afternoon nap, a predator raids the dove cage and leaves behind carnage, our woods bears its own tragic history.

Yet, as often as it happens,  there is a unique particularity about the end of life.  The stillness of death permits a full appreciation of who this individual is, the remarkable care that went into creating every molecule of its being.

The sudden presence of absence is a stark and necessary reminder of what I myself want to leave behind.

In truth, we will glow with residual celestial heat, still warm even after our hearts cease to beat.  We are distinct individuals in our own particularity:  living and dying at a particular time and place as a unique creature, given a chance in the cosmos of infinite possibilities.  The Creator knit us together specially, every feather, hair, bone and sinew a unique work of His Hands, and what we do with what we are given is the stuff between our first God-given breath and our last, handed back to Him.

May we not squander our particular role in the history of the world.

 

redfinch

 

evening72182

 

ladderup