Absence of Secrecy

I came here to study hard things – rock mountain and salt sea –
and to temper my spirit on their edges. 
“Teach me thy ways, O Lord” is, like all prayers, a rash one,
and one I cannot but recommend. 
These mountains — Mount Baker and the Sisters and Shuksan,
the Canadian Coastal Range and the Olympics on the peninsula —
are surely the edge of the known and comprehended world…. 
That they bear their own unimaginable masses and weathers aloft,
holding them up in the sky for anyone to see plain,
makes them, as Chesterton said of the Eucharist,
only the more mysterious by their very visibility and absence of secrecy.
~Annie Dillard from Holy the Firm

Sometimes the mountain
is hidden from me in veils
of cloud, sometimes
I am hidden from the mountain
in veils of inattention, apathy, fatique,
when I forget or refuse to go
down to the shore or a few yards
up the road, on a clear day,
to reconfirm
that witnessing presence.
~Denise Levertov “Witness”

Even on the days when the mountain is hidden behind a veil of clouds, I have every confidence it is there.  It has not moved in the night, gone to another county, blown up or melted down. My vision isn’t penetrating enough to see it through cloud cover today, but it will return to my line of sight, if not tomorrow, perhaps the next day, maybe not until next week. 

I know this and have faith it is true – the mountain does not keep itself a secret.

On the days when I am not bothering to look for it, too preoccupied so walk right past its obvious grandeur and presence, then it reaches out to me and calls me back, refocusing me. 

There are times when I turn a corner on the farm and glance up, and there it is, a silent and overwhelming witness to beauty and steadfastness.  I literally gasp at not noticing before, at not remembering how I’m blessed by it being there even at the times I can’t be bothered.

It witnesses my lack of witness and, so in its mysterious way of being in plain sight, stays put to hold me fast yet another day.  And so I keep coming back to gaze, sometimes just at clouds, yearning to lift the veil, and as a result, lift my veil, just one more time.

photo by Nate Gibson

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Morning Unfurls

I know this sound, first birds of morning.
As a child, I waited for hours for the drape
of night to roll up again. Leaning into the first
hint of the fresh day, the fragile lace of hesitant
light, the receding darkness dappled with bird song,
able at last to close my eyes.
I know this sound, some kind of redemption,
waking me from scattered sleep, a healing fragment
even as the work of the previous day marks my bones
in notches. Night leaves its small fur as the dawn
pushes, as the birds persist, and morning unfurls
like a promise you hoped someone would keep.
~Susan Moorhead “First Light” from Carry Darkness, Carry Light

Our February farm sunrises have always been full of promise over the three decades we’ve been here. The birds are waking earlier each day and when mornings are soaked, dripping with light and color, the air itself is alive.

Nothing though quite matches the phenomenon in February 2015 (top photo) when a fall streak hole or “key hole” cloud formed over nearby foothills. It looked to me as if angels were bursting through an unfurling break in heaven’s moving veil. Though it didn’t last long, it was seen for miles around us.

When morning breaks the night, it is like the first morning which came into being with His Words:

“Let there be light” and there continues to be the most amazing light…

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Landing Home

I was feeling lonely so
I went outside to the wind
swept yard and beyond
that to the wind-tousled outer
yard and found where last
night in the moonlight we left
two sets of boot prints, when
you stopped on your way
through the darkness to bring a
lemon bar and a movie, and
beside ours the tracks of the
smallest thing with claws, which
must have followed sometime
later. And I chased its tiny prints
and our mud-wash indents to
the far back gate and through
the gate out to where the
land is still dirt and brush
and bushes and cow
pies, my hair pinned
to my head but still blowing,
blowing, and finally a hard
breath, and I could see
through lonely to the wide
open, long blue lines of sunset,
moonlit night, the airplanes trailing
one another
down to tarmac, all those
people landing home.

~Angela Janda “At Quarter to Five” from Small Rooms with Gods.

When I walk out on our farm’s hilly fields, I’ve recently noticed more jets passing overhead than I remember in past years. They aren’t as low as I would expect for take offs and landings from Vancouver (B.C.) International Airport an hour north of us or descending for an approach to SeaTac International 100 miles to the south. They are in mid-flight mode, at least 35,000-45,000 feet above us. So I found a website that shows real-time location of flights all over the world. I can literally stand on our hill looking at a flight overhead while checking my phone to see where it has come from and where it is going. In that way, I feel linked with those people so far above me in that plane, strangers though they be.

Most of these flights are bound for Japan or Korea, coming from the east coast or midwest United States. Apparently these flights are taking a longer circuit over the Pacific Ocean to avoid going too close to Russian air space. They have a long flight ahead as they pass the coastline here in northwest Washington and over Vancouver Island. My husband and I have made that trek over the Pacific to Japan a half dozen times. I can easily imagine myself seated in the economy section, trying to keep my legs from stiffening up over 10+ hours, distracting myself watching movies on the inflight channels.

Instead of having leg cramps, I am here with my dog and farm cat leaving a trail of footprints in a frosty winter field. Above me, a plane leaves a condensation trail which blurs, fades and disappears in the evening light. I stand on a hillside at home, someone living out my days in this spot; those flying above are in transit, each with an individual story of their own. Though we are miles apart, the passengers in the plane connect with me for a brief few minutes.

It makes sense for me to pray for these people I will never meet to fly safely to their destination.

We all find our way home eventually, leaving our transient and temporary trails behind us. Surely, that home will be breathtaking and beautiful – just exactly where we belong.

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Ah, What If?

What if you slept
And what if
In your sleep
You dreamed
And what if
In your dream
You went to heaven
And there plucked a strange and beautiful flower
And what if
When you awoke
You had that flower in your hand
Ah, what then?
~Samuel Coleridge  “What if you slept”

This mountain, this strange and beautiful Shuksan flower that appears suddenly as we round a corner on the hour drive up the Mt. Baker Highway:  this mountain has one foot on earth and one foot in heaven – a thin place if there ever was one.

The only way to approach is in awed silence, as if entering the door of a grand cathedral.  Those who are there speak in hushed tones if they speak at all.

Mt. Shuksan wears autumn lightly about its shoulders as a multi-faceted cloak, barely anticipating the heavy snow coat to descend in the next few weeks.

I hold this mountain tight in my fist, wanting to turn it this way and that, breathe in its fragrance, bring it home with me and never let go.

Ah, what then?

Home is not nearly big enough for heaven to dwell.  I must content myself with this visit to the thin edge, peering through the open door, waiting until invited to come inside.

Original Barnstorming artwork note cards available as a gift to you with a $50 donation to support Barnstorming – information here
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Patchworks – Warm and Beautiful

In your life, the people become like a patchwork quilt. Some leave with you a piece that is bigger than you wanted and others smaller than you thought you needed. Some are that annoying itchy square in the corner, and others that piece of worn flannel. You leave pieces with some and they leave their pieces with you. All the while each and every square makes up a part of what is you. Be okay with the squares people leave you. For life is too short to expect from people what they do not have to give, or were not called to give you.
~Anna M. Aquino

“I make them warm to keep my family from freezing; I make them beautiful to keep my heart from breaking.”
–From the journal of a prairie woman, 1870

To keep a husband and five children warm,
she quilts them covers thick as drifts against
the door. Through every fleshy square white threads
needle their almost invisible tracks; her hours
count each small suture that holds together
the raw-cut, uncolored edges of her life.
She pieces each one beautiful, and summer bright
to thaw her frozen soul. Under her fingers
the scraps grow to green birds and purple
improbable leaves; deeper than calico, her mid-winter
mind bursts into flowers. She watches them unfold
between the double stars, the wedding rings.
~Luci Shaw “Quiltmaker”

Like a fading piece of cloth
I am a failure

No longer do I cover tables filled with food and laughter
My seams are frayed my hems falling my strength no longer able
To hold the hot and cold

I wish for those first days
When just woven I could keep water
From seeping through
Repelled stains with the tightness of my weave
Dazzled the sunlight with my
Reflection

I grow old though pleased with my memories
The tasks I can no longer complete
Are balanced by the love of the tasks gone past

I offer no apology only
this plea:

When I am frayed and strained and drizzle at the end
Please someone cut a square and put me in a quilt
That I might keep some child warm

And some old person with no one else to talk to
Will hear my whispers

And cuddle
near
~Nikki Giovanni “Quilts”

We stitch together quilts of meaning to keep us warm and safe, with whatever patches of beauty and utility we have on hand.”
~Anne Lamott

When I no longer have strength
or the usefulness to perform my daily tasks,
piece me up and sew me into a greater whole
along with pieces of others who are fading.
We are so much better together,
so much more colorful and bold,
becoming art and function in our fraying state.

Full of warmth and beauty and fun
covering all who are sick and sleep
and love and cuddle,
and who drift off to heaven on a quilt-cloud
as their last breath is breathed.

~~click each quilt to enlarge and admire the handiwork~~

(thank you again to the quilters displaying their art at the NW Washington Fair in Lynden
(see previous years’ work here, here, here, here, and here )

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The Edible World

I came downstairs for Lavina’s scones, butter-ready
from the oven, crusty and cratered, awaiting their dollop
of jam.


The morning clouds had whipped themselves up
to a billow, mounds of soft cream.


The plink plink song of a chaffinch dotted the air like currants.
Daffodils, pats of butter on thin stems, did their little dance, and the edible world spread its feast before me on the fresh green tablecloth.

Oh, how delicious, this sweet Irish spring.
~Barbara Crooker, “Morning Tea” from The Book of  Kells

Northern Ireland
Whatcom County
Northern Ireland
Home
Whatcom County
Whatcom County

It was nine years ago we visited Northern Ireland where we were surrounded by ever-delicious colors and landscape and gracious hospitality where ever we went.

As I look out at our own rolling green hills and billowy clouds of a Whatcom County springtime, I am filled as if it were all edible feast, reminded of the vibrant green of the Irish countryside, backed by the silhouettes of the nearby Mourne Mountains.

If only all the world could be blessed and tasty as fresh warm scones with jam and a pot of tea.

Mourne Mtns – Northern Ireland
Whatcom County
Northern Ireland
Northern Ireland
Northern Ireland

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An Absence of Secrecy

I came here to study hard things
– rock mountain and salt sea –
and to temper my spirit on their edges. 
“Teach me thy ways, O Lord” is, like all prayers,
a rash one, and one I cannot but recommend. 

These mountains — Mount Baker and the Sisters and Shuksan,
the Canadian Coastal Range and the Olympics on the peninsula — are surely the edge of the known and comprehended world…. 

That they bear their own unimaginable masses and weathers aloft, holding them up in the sky for anyone to see plain, makes them,
as Chesterton said of the Eucharist, only the more mysterious
by their very visibility and absence of secrecy.
~Annie Dillard from Holy the Firm

Sometimes the mountain
is hidden from me in veils
of cloud, sometimes
I am hidden from the mountain
in veils of inattention, apathy, fatigue,
when I forget or refuse to go
down to the shore or a few yards
up the road, on a clear day,
to reconfirm
that witnessing presence.
~Denise Levertov  “Witness”

Even on the days like today when the mountain is hidden behind a veil of clouds, I have every confidence it is there.  It has not moved in the night, gone to another county, blown up or melted down.  My vision isn’t penetrating enough to see it through cloud cover today, but it will return to my line of sight, if not tomorrow, perhaps the next day, maybe not until next week. 

I know this and have faith it is true – the mountain does not keep itself a secret.

On the days when I am not bothering to look for it, too preoccupied so walk right past its obvious grandeur and presence, then it reaches out to me and calls me back, refocusing me. 

There are times when I turn a corner on the farm and glance up, and there it is, a silent and overwhelming witness to beauty and steadfastness.  I literally gasp at not noticing before, at not remembering how I’m blessed by it being there even at the times I can’t be bothered.

It witnesses my lack of witness and, so in its mysterious way of being in plain sight, stays put to hold me fast yet another day.  And so I keep coming back to gaze, sometimes just at clouds, yearning to lift the veil, and as a result, lift my veil, just one more time.

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Best of Barnstorming Photos: Summer/Fall 2021

You don’t take a photograph. You ask quietly to borrow it.
~Author unknown

For more “Best of Barnstorming” photos from over the past decade, see these links:

Winter/Spring 2021

Summer/Fall 2020

Winter/Spring 2020

Summer/Fall 2019

Winter/Spring 2019

Summer/Fall 2018

Winter/Spring 2018

Summer/Fall 2017

Winter/Spring 2017

Summer/Fall 2016

Winter/Spring 2016

Summer/Fall 2015

Winter/Spring 2015

Summer/Fall 2014

Winter/Spring 2014

Best of 2013

Seasons on the Farm:

BriarCroft in Summerin Autumnin Winter, 
at Year’s End

More Barnstorming photos in this book of Lois Edstrom poetry, available to order here:

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We Were All Beautiful Once

Everything in the garden is dead, killed by a sudden hard
freeze, the beans, the tomatoes, fruit still clinging to the
branches. It’s all heaped up ready to go to the compost
pile: rhubarb leaves, nasturtiums, pea vines, even the
geraniums. It’s too bad. The garden was so beautiful,
green and fresh, but then we were all beautiful once.
Everything dies, we understand. But the mind of the
observer, which cannot imagine not imagining, goes on.
The dynasties are cut down like the generations of grass,
the bodies blacken and turn into coal. The waters rise and
cover the earth and the mind broods on the face of the
deep, and learns nothing.
~Louis Jenkins, “Freeze” from Where Your House is Near: New and Selected Poems

This week was our first hard freeze of autumn, following on the heels of the worst flooding in a half century in our county. The land and all that grows here experienced a one-two punch – when the waters pulled back into the streams and rivers, what was left behind looked frozen, soaked and miserable. The people whose homes were devastated are so much more than miserable; they are mudding out by removing everything down to the studs to try to begin again. With hundreds of volunteers and disaster teams helping, there are piles of kitchen appliances, dry wall, carpet and every household item along the main streets of nearby towns, waiting to be hauled off.

Surveying our dying garden is small potatoes in comparison to a flooded town only a few miles away. The memories of how beautiful our garden was a 2-3 months ago is nothing in contrast to the families who lost their stored heirlooms and cherished memories to the muck and mire of deep waters.

But we are a resilient community. We are people of persistence and creativity and there will eventually be beauty again here. Driving on a newly opened road beside the still-surging river where a few days ago several feet of water covered a cornfield, I spotted a trumpeter swan, standing in glorious spotless white, picking her way through the mud-stained cornstalks, hoping to find something of value left behind in the devastation.

There is still hope; it did not wash away. We only need to use our imagination to find it.

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A book of beauty in words and photography, available to order here:

Most Poignant of All

In the years to come they will say,
“They fell like the leaves
In the autumn of nineteen thirty-nine.”
November has come to the forest,
To the meadows where we picked the cyclamen.
The year fades with the white frost
On the brown sedge in the hazy meadows,
Where the deer tracks were black in the morning.
Ice forms in the shadows;
Disheveled maples hang over the water;
Deep gold sunlight glistens on the shrunken stream.
Somnolent trout move through pillars of brown and gold.
The yellow maple leaves eddy above them,
The glittering leaves of the cottonwood,
The olive, velvety alder leaves,
The scarlet dogwood leaves,
Most poignant of all.


In the afternoon thin blades of cloud
Move over the mountains;
The storm clouds follow them;
Fine rain falls without wind.
The forest is filled with wet resonant silence.
When the rain pauses the clouds
Cling to the cliffs and the waterfalls.
In the evening the wind changes;
Snow falls in the sunset.
We stand in the snowy twilight
And watch the moon rise in a breach of cloud.
Between the black pines lie narrow bands of moonlight,
Glimmering with floating snow.
An owl cries in the sifting darkness.
The moon has a sheen like a glacier.
~Kenneth Rexroth, “Falling Leaves and Early Snow” from The Collected Shorter Poems.


These photos of our farm are from last week, before an atmospheric river fell in torrents from the sky. The downpour precipitated melting of new-fallen snow in the nearby Cascade mountains and foothills, with subsequent cresting of the rivers and streams in lower mainland British Columbia and our local counties over the weekend.

Before the storm hit us, these pictures depict a flood of golden sunshine in the late afternoon. It was the kind of saturation of light we all were needing, unaware that our skies and ground would soon be over-saturated with far too much water in a few days.

Our communities, both north and south of our nearby Canadian border, continue to reel from this unprecedented flood event, with roads impassable due to standing water and landslides, as well as whole towns evacuated by boat and homes and businesses will be uninhabitable for weeks, if not months.

The sun has returned now that the river in the sky has dried up, having dumped its load. We now wait for the waters and the misery to recede.

The scarlet red of the dying dogwood leaves are poignant indeed, but nothing like the poignancy of communities pulling together to restore normalcy after disaster. Churches have quickly become places of refuge for those who have no home this week and in the weeks to come.

Bless those who are able to help, if not with boats and muscle, then with donations:

The Whatcom Community Foundation Resilience Fund is targeting the local efforts as well as support of the Red Cross, critical in meeting all disaster needs everywhere.

Thank you for reading and praying for restoration for the affected Canadians and Americans.