Never Leaving the Land

My grandparents owned the land,
worked the land, bound
to the earth by seasons of planting
and harvest.

They watched the sky, the habits
of birds, hues of sunset,
the moods of moon and clouds,
the disposition of air.
They inhaled the coming season,
let it brighten their blood
for the work ahead.

Soil sifted through their fingers
imbedded beneath their nails
and this is what they knew;
this rhythm circling the years.
They never left their land;
each in their own time
settled deeper.
~Lois Parker Edstrom “Almanac” from Night Beyond Black. © MoonPath Press, 2016

My husband and I met in the late 70’s while we were both in graduate school in Seattle, living over 100 miles away from our grandparents’ farms farther north in Washington. We lived farther still from my grandparents’ wheat farm in Eastern Washington and his grandparents’ hog farm in Minnesota. One of our first conversations together, the one that told me I needed to get to know this man better, was about wanting to move back to work on the land. We were both descended from peasant immigrants from the British Isles, Holland and Germany – farming was in our DNA, the land remained under our fingernails even as we sat for endless hours studying in law school and medical school classes.

When we married and moved north after buying a small farm, we continued to work full time at desks in town. We’ve never had to depend on this farm for our livelihood, but we have fed our family from the land, bred and raised livestock, and harvested and preserved from a large garden and orchard. It has been a good balance thanks to career opportunities made possible by our education, something our grandparents would have marveled was even possible.

Like our grandparents, we watch in wonder at what the Creator brings to the rhythm of the land each day – the light of the dawn over the fields, the activity of the wild birds and animals in the woods, the life cycles of the farm critters we care for, the glow of the evening sun as night enfolds us. We are blessed by the land’s generosity when it is well cared for.

Now forty years after that first conversation together about returning to farming, my husband and I hope to never leave the land. It brought us together, fed our family, remains imbedded under our fingernails and in our DNA. Each in our own time, we will settle even deeper.

Thank you to retired RN and poet Lois Parker Edstrom for this exquisite poem about living and dying on the land. It has been my privilege to meet her and her husband and welcome them to our farm.
Your words have brought me many blessings!

The Secret of Who I Am

You never know what may cause them. The sight of the ocean can do it, or a piece of music, or a face you’ve never seen before. A pair of somebody’s old shoes can do it. Almost any movie made before the great sadness that came over the world after the Second World War, a horse cantering across a meadow…

You can never be sure. But of this you can be sure. Whenever you find tears in your eyes, especially unexpected tears, it is well to pay the closest attention.  They are not only telling you something about the secret of who you are, but more often than not God is speaking to you through them of the mystery of where you have come from and is summoning you to where, if your soul is to be saved, you should go next.
~Frederick Buechner from
 Whistling in the Dark

photo by Emily Vander Haak

I’m not paying close enough attention to the meaning of my leaking eyes if I’m constantly looking for kleenex to stem the flow.  During the holidays it seems I have more than ample opportunity to find out the secret of who I am, where I have come from and where I am to be next.

So I keep my pockets loaded with kleenex.

It mostly has to do with welcoming family members back home for the holidays to become a full-out noisy messy chaotic household again, with puzzles and games and music and laughter and laundry and meal preparation.  It is about singing grace together before a meal in five-part harmony and choking on precious words of gratitude.  It is about remembering the drama of our youngest’s birthday twenty six years ago today, when she was saved by a snowstorm.

It certainly has to do with bidding farewell again as we will this weekend, gathering them all in for that final hug and then letting go.

We urge and encourage them to go where their hearts are telling them they are needed and called to be, even if that means thousands of miles away from their one-time home on the farm.

I too was let go once and though I would try to look back, too often in tears, I set my face toward the future.  It led me here, to this marriage, this family, this farm, this work, our church, to more tears, to more letting go if I’m granted more years to weep again and again with gusto and grace.

This is the secret of me: to love so much and so deeply that letting go is so hard that tears are no longer unexpected or a mystery to me or my children and grandchildren.   They are the spill-over of fullness that can no longer be contained: God’s still small voice spills down my cheeks drop by drop like wax from a burning candle.

No kleenex are needed with these tears.

Let them flow as I let them go.

Smells That Speak

October

 

 

The smell of that buttered toast simply spoke to Toad, and with no uncertain voice;
talked of warm kitchens,
of breakfasts on bright frosty mornings,
of cozy parlour firesides on winter evenings,
when one’s ramble was over and slippered feet were propped on the fender;
of the purring of contented cats,
and the twitter of sleepy canaries.

~Kenneth Grahame, The Wind in the Willows

 

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I’m not a practitioner of the ancient art of aromatherapy for medicinal purposes but I do know certain smells transport me more effectively than any other mode of travel.  One whiff of a familiar scent can take me back years to another decade and place, almost in time traveling mode.  I am so in the moment, both present and past, my brain sees, hears, tastes, feels everything just as it was before.

The most vivid are kitchen smells, to be sure.  Cinnamon becomes my Grandma’s farm kitchen full of rising breakfast rolls, roasting turkey is my mother’s chaotic kitchen on Thanksgiving Day, fresh baked bread is my own kitchen during those years I needed to knead as therapy during medical training.

Sometimes I have the privilege of holding infants whose skin smells of baby shampoo and powder, so like the soft velvet of my own childrens’.   The newly born wet fur of my foals carries the sweet and sour amnion that was part of every birth I’ve been part of: delivering others and delivering my own.  My heart races at the memory of the drama of those first breaths.

The garden yields its own treasure: tea roses, sweet peas, heliotrope, mint, lemon verbena and lemon blossom take me back to lazy breezes wafting through open bedroom windows in my childhood home.  And of course the richness of petrichor: the fragrance of the earth after a long awaited rain will remind me of how things smell after a dry spell.

I doubt any aromatherapy kit available includes my most favorite farm smells: newly mown hay, fresh fir shavings for stall bedding,  the mustiness of the manure pile, the green sweetness of a horses’ breath.

Someday I’ll figure out how to bottle all these up to keep forever.   Years from now my rambles will be over, when I’m too feeble to walk to the barn or be part of the hay harvest crew any longer,  I can sit by my fireplace, close my eyes, open it up and take a whiff now and then and remind me of all I’m grateful for.  It’ll take me back to a day just like today when I cooked in the kitchen, held a friend’s sweet infant, moved hay to the horses and cleaned the barn:

I’ll breathe deeply of the smells that speak to me with no uncertain voice.

 

 

 

 

 

 

 

 

 

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Is This the Party to Whom I am Speaking?

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(As a child, I well remember our rural community’s party line — this was what social media was like 60 years ago, only you couldn’t choose your friends and you certainly couldn’t “unfriend” or block anyone from knowing all about your business.  Privacy was a relative concept during those days, so I decided to write this little story about how a “typical” neighborhood party line functioned) 

 

Two longs and a short is for the Williams farm,
Two shorts and a long is for Abner and Gladys, retired down the road,
A short and a long is for Aunt Bessie who lives nearby with her cat,
One long is for the Mitchell family of ten next door,
One short means it’s for me, alone since my son got married.

Most of the rings are for the Mitchells as four of their girls are over thirteen,
But when I pick up the receiver, it is Aunt Bessie’s voice I hear most,
As she likes to call the ladies from church and find out who’s sick,
Who’s not, and who’s maybe not going to make it through the week
To be sitting in their pew come Sunday.

Gladys is usually listening on the line real quiet-like and I know that
Because I can hear her sniff every once in awhile
Due to her allergies, kind of a little snort which she tries to cover up
But it does no good as we know she’s there and everything we say
Will be spread to town by tomorrow anyways.

Which reminds me the Williams’ are having money troubles
Because the bank is calling them about their overdue loan payments
And the crops are poor this year so there is worry about foreclosure.
And if that wasn’t enough, the Mrs. has made a doctor’s appointment in the city
Because of a new lump she found just yesterday.

Wouldn’t you know one of the Mitchell girls was talking about running off
With that Howard boy but I can’t imagine how word got back to her daddy
Who has put the phone and the boy off-limits for the time being
Until summer is over and she can be sent to the city to be a nanny to a wealthy family
And maybe meet a rich city boy who will keep her occupied.

Of course we’ve all offered solutions for Abner’s hemorrhoids
And his itchy scalp, even when we aren’t asked for our opinion.
Then when the youngest Mitchell was refusing to sleep through the night
Aunt Bessie suggested a little blackberry cordial might help but
Mrs. Mitchell was properly horrified and hung up then and there.

Last night the phone rang one short ring, sometime after 1 AM,
I woke with my nerves all a-jangle, wondering what bad news I would hear,
Four other people were on the line listening for my bad news too.
When I heard my oldest boy back east shout  “Mama, it’s a girl, you’re a granny!”
My heart swelled and my tears flowed for this answer to my prayers.

In the morning, when I went to walk down the driveway to get the mail
There was a bright bouquet of pink dahlias from the Williams’ on my front porch,
A drawing colored up real nice from the Mitchell kids “to our favorite new granny”
And a still warm fresh loaf of bread from Gladys waiting in the mailbox
Which made for a real fine party for Bessie and me sipping on her blackberry cordial.

 

 

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The Tenderness of Mortals

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How joyful to be together, alone
as when we first were joined
in our little house by the river
long ago, except that now we know

each other, as we did not then;
and now instead of two stories fumbling
to meet, we belong to one story
that the two, joining, made. And now

we touch each other with the tenderness
of mortals, who know themselves:
how joyful to feel the heart quake

at the sight of a grandmother,
old friend in the morning light,
beautiful in her blue robe!
~Wendell Berry “The Blue Robe” from  New Collected Poems

 

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We have been grandparents for over 17 months, mostly from a great distance of thousands of miles, but today I get to actually hold this growing and precious grandchild in my arms on my 64th birthday.

During these many years, to love and be loved as a daughter, a sister, an aunt, a wife, a mother, and now a grandmother with whitening hair, is the greatest privilege and blessing of my life.

And to think, this tenderness these two new grandparents feel in our nearly four decades together,  this loving as a grandmother in a blue robe, is the most wonderful gift of all.

 

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Not long ago on winter mornings
Waking dark to part
From your warm side,
Leaving behind my soft imprint,
I wrap up in my blue robe
To walk the gravel drive
For the newspaper

Our hilltop farm
Lies silent amid fallow fields
Moon shadows
Broad across my path
Star sparks overhead
Tree lined yard shields
The house from road.

In ink of early morning
I walk noiseless;
Step out to the mailbox
Then turn~ startled~
A flashlight
Approaching on the road-
An early walker and his dog
Illuminate me in dawn disarray
Like a deer in headlights:
My ruffled hair,  my sleep lined face
Vulnerability suddenly
Uncovered in the darkness;
Exposed.

Now this birthday summer morning
Wakes me early to streaming light
Poured out on quilt and blankets.
I part from your warmth again
Readied for ritual walk.
Dew sparkling below
Rich foliage above
Road stretches empty
For miles east and west

Crossing to the mailbox
I reach for the paper
Suddenly surrounded by
A bovine audience
Appreciative and nodding
Riveted by my bold approach
In broad daylight.
Yet abruptly scatter, tails in the air
When in rumpled robe and woolen slippers
I dance and twirl
In a hilltop celebration
Of ordinary life and extraordinary love
Exposed.

 

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Gone to Feed the Roses

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I am not resigned to the shutting away of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely.  Crowned
With lilies and with laurel they go; but I am not resigned.
Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains,—but the best is lost.
The answers quick and keen, the honest look, the laughter, the love,—
They are gone.  They are gone to feed the roses.  Elegant and curled
Is the blossom.  Fragrant is the blossom.  I know.  But I do not approve.
More precious was the light in your eyes than all the roses in the world.
Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know.  But I do not approve.  And I am not resigned.
~Edna St. Vincent Millay “Dirge Without Music”
bakeranacortes
bayviewanacortes
Each Memorial Day weekend without fail,
we gather with family, have lunch, reminisce,
and trek to a cemetery high above Puget Sound
to catch up with our relatives who lie there still.Some for over 100 years, some for less than a decade,
some we knew and loved and miss every day,
others not so much, unknown to us
except on genealogy charts,
their names and dates and these stones
all that is left of them:the red-haired great-grandmother who died too young,

the aunt who was eight when lymphoma took,
the Yukon river boat captain,
the logger and stump farmer,
the unmarried school teacher who hid away an oil well,
the two in-laws who lie next to each other
but could not co-exist in the same room while they lived and breathed.
Yet we know each of these
(as we know ourselves and others)
was tender and kind, though flawed and broken,
was beautiful and strong, though wrinkled and frail,
was hopeful and faithful, though too soon in the ground.

We know this about them
as we know it about ourselves:
someday we too will feed roses,
the light in our eyes transformed into elegant swirls
emitting the fragrant scent of heaven.

No one asks if we approve.
Nor am I resigned to this but only know:
So it is,  so it has been, so it will be.

 

anna

 

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Life Making Life

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In the beginning
is a dream of being.
This is real:
What the earthworm
and slug do in their becoming
what cells and galaxies do
what the atoms in lichen and microbes are–
the glue and the forces
that hold us together–
the armature of bones and stones.
How the mountain and trees and oceans breathe.
What the whale knows.
We don’t know why
only glimpses of how and what
from the source of compassion–
life making life and becoming
as it turns again and again.
~Carol Snyder Halberstadt “What We Are”

 

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Each day I glimpse cells organized into structures programmed to reproduce themselves. The essence of life making life comes from a spark of continuous renewal, from the dying away to the born once again.

The spark may be sheer chemistry between molecules, or an electromagnetic interaction of particles.

It may be a prophecy fulfilled or an old story retold or a dream made real.

I believe the spark is nothing less than Love itself, whether within the DNA of slugs or lichens or that of our precious next generation born in the image of God.

In the beginning, we were begun by this Love. In His compassionate grace, we will begin again and again.

 

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photo by Tomomi Gibson