Resting in the Grace of the World

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the green heron feeds.

I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
~Wendell Berry “The Peace of Wild Things” from The Selected Poems of Wendell Berry

When our grandchildren visit our farm,
I watch them rediscover
what I know are the joys and sorrows of this world.
I am reminded there is light beyond the darkness I fear,
there is peace amid the chaos,
there is a smile behind the tears,
there is stillness within the noisiness
there is rest despite my restlessness,
there is grace as old gives way to new.

A new book from Barnstorming is available to order here:

Sweating Under the High Arc of Midsummer

What is the hayfield in late afternoon
that it can fly in the face of time,

and light can be centuries old, and even
the rusted black truck I am driving

can seem to be an implement born
of some ancient harvest,

and the rhythmic baler, which spits out
massive bricks tied up in twine,

can seem part of a time before now
because light glitters on the hay dust,

because the sun is sinking and we sweat
under the high arc of mid-summer,

because our bodies cast such long shadows–
Rebecca, with the baby strapped to her back,

the men who throw impossible weight
to the top of the truck, the black and white

dog that races after mice or moles
whose lives have been suddenly exposed.

How does the taste of my sweat take me
down through the gate of childhood,

spinning backwards to land in a field
painted by Bruigel, where the taste of salt

is the same, and the same heat
rises in waves off a newly flattened field.

In the duskiness of slanted light, we laugh
just as we laughed then, because there is

joy in what the earth gives, allowing
our bodies to mingle with it, our voices

small on the field, our work assuring the goats
can give milk, the sheep can grow wool,

and we will have in our bones the taste
of something so old it travels in light.
~Susie Patlove “First Cutting” from Quickening

photo by Nate Gibson
photo by Nate Gibson
1994
2005
2011

There is a timelessness to mid-summer hay harvest that goes back generations on both sides of our family. The cutting, raking and gathering of hay has evolved from horse-drawn implements and gathering loose shocks of hay to 100+ horse power air-conditioned tractors and huge round bales wrapped and stored in plastic sheathing rather than in barns.

Our farm is happily stuck somewhere in-between: we still prefer filling the haybarn with bales that I can still lift and move myself to feed our animals. True hay harvest involves sweat and dust and a neighborhood coming together to preserve summer in tangible form.

I grew up on a farm with a hayfield – I still have the scar over my eyebrow where I collided with the handle of my father’s scythe when, as a toddler, I came too close behind him as he was taking a swing at cutting a field of grass one swath at a time. I remember the huge claws of the hay hook reaching down onto loose hay piled up on our wagon. The hook would gather up a huge load, lift it high in the air to be moved by pulley on a track into our spacious hay loft. It was the perfect place to play and jump freely into the fragrant memories of a summer day, even in the dark of winter.

But these days it is the slanted light of summer I remember most:
-the weightlessness of dust motes swirling down sun rays coming through the slats of the barn walls as the hay bales are stacked
-the long shadows and distant alpenglow in the mountains
-the dusk that goes on and on as owls and bats come out to hunt above us

Most of all, I will remember the sweaty days of mid-summer as I open the bales of hay in mid-winter – the light and fragrance of those grassy fields spilling forth into the chill and darkness, in communion of blessing for our animals.

photo by Tayler Rae
Pieter Bruegel “Hay Harvest”
My grandparents Leslie Polis and Kittie Lovelace standing in a hayfield with loose hay shocks — 1915

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Like Time’s Insidious Wrinkle

Like Time’s insidious wrinkle
On a beloved Face
We clutch the Grace the tighter
Though we resent the crease
~Emily Dickinson

People are more than just the way they look.
~Madeleine L’Engle from A Wrinkle in Time

1971 – not a wrinkle in sight
2021

Just a glance in the mirror tells me all I need to know:

the creases I see remind me
each wrinkle shows my life in action,
so tangible, so telling, so mobile –
they multiply particularly when I smile and laugh
so I must do both more often.

I won’t hide them
nor tighten them away
or inject them smooth.

Instead I’ll grin at the wrinkle of time’s passing
knowing each line gained
is grace clutched tightly
in my otherwise loosening grasp.

A book from Barnstorming is available for order here:

The Forgiveness of Sleep

The children have gone to bed.
We are so tired we could fold ourselves neatly
behind our eyes and sleep mid-word, sleep standing
warm among the creatures in the barn, lean together
and sleep, forgetting each other completely in the velvet,
the forgiveness of that sleep.

Then the one small cry:
one strike of the match-head of sound:
one child’s voice:
and the hundred names of love are lit
as we rise and walk down the hall.

One hundred nights we wake like this,
wake out of our nowhere
to kneel by small beds in darkness.
One hundred flowers open in our hands,
a name for love written in each one.
~Annie Lighthart “The Hundred Names of Love”

In the lull of evening, your son nested in your arms
becomes heavier and with a sigh his body
sloughs off its weight like an anchor into deep sleep,
until his small breath is the only thing that exists.

And as you move the slow dance through the dim hall
to his bedroom and bow down to deliver his sleeping form,
arms parting, each muscle defining its arc and release—
you remember the feeling of childhood,

traveling beneath a full moon,
your mother’s unmistakable laugh, a field of wild grass,
windows open and the night rushing in
as headlights trace wands of light across your face—

there was a narrative you were braiding,
meanings you wanted to pluck from the air,
but the touch of a hand eased it from your brow
and with each stroke you waded further

into the certainty of knowing your sleeping form
would be ushered by good and true arms
into the calm ocean that is your bed.
 — Alexandra Lytton Regalado, “The T’ai Chi of Putting a Sleeping Child to Bed” author of Matria

Each of those countless nights of a child wakening,
each of the hundreds of hours of lulling them in the moonlit dark,
leading them back to the soft forgiveness of sleep.

I remember the moves of that hypnotic dance,
a head nestled snug into my neck,
their chest pressed into mine,
our hearts beating in synchrony
as if they were still inside.

Even when our sleep was spare and our rest was sparse,
those night times rocking in unison
were worth every waking moment, trusting
we’re in this together, no matter what,
no matter how long.

We’re in this together.

A new book from Barnstorming is available to order here:


Presences of Absences

The sunlight now lay over the valley perfectly still.
I went over to the graveyard beside the church
and found them under the old cedars…
I am finding it a little hard to say that I felt them resting there, but I did…

I saw that, for me, this country would always be populated
with presences and absences,
presences of absences,
the living and the dead.
The world as it is

would always be a reminder
of the world that was,
and of the world that is to come.
~Wendell Berry in Jayber Crow

Today, as always during the last weekend of May, we have a family reunion where most turn up missing.  A handful of the living come together with a slew of the no-longer-living. Some, who have been caught napping for a century or more, are no-shows.

It is always on this day of cemetery visiting that I feel keenly the presence of their absence: the great greats I never knew, a great aunt who kept so many secrets, my alcoholic grandfather (who I remember as a very old man) who died of sudden cardiac arrest at the age I am now, my grandmother from whom I inherited inherent messiness and the love of things that bloom, my parents who divorced for ten years late in life, yet reunited long enough for their ashes to rest together for eternity.

These givers of my genes rest here in this beautiful place above Puget Sound, the Cascade Mountains with shining snow beside them. It is a peaceful spot to lay one’s dust for eternity.

It is good, as one of the still-for-now living, to approach these plots of grass with a wary weariness of the aging.  But for the grace of God, there will I be sooner than I wish to be.  There, thanks to the grace of God, will I one day be an absent presence for my children and grandchildren to ponder if they keep up this annual tradition of the cemetery-visit.

The world as it is…remembers the world that was. 

The world to come calls us home in its time, where we all will be present and accounted for — our reunion celebration where we pray no one is missing.

All in good time. All in good time.

A new book from Barnstorming – available for order here

Holding Hands


They disappear with friends
near age 11. We lose them
to baseball and tennis, garage
bands, slumber parties, stages
where they rehearse for the future,
ripen in a tangle of love knots.
With our artificial knees and hips
we move into the back seats
of their lives, obscure as dust
behind our wrinkles, and sigh
as we add the loss of them
to our growing list of the missing.

Sometimes they come back,
carting memories of sugar cookies
and sandy beaches, memories of how
we sided with them in their wars
with parents, sided with them
even as they slid out of our laps
into the arms of others.

Sometimes they come back
and hold onto our hands
as if they were the thin strings
of helium balloons
about to drift off.

~Olivia Stiffler “Grandchildren”, from Otherwise, We Are Safe

Spending a few precious days with a grandchild who lives far away just whets the appetite for wanting more time. These are such short years before they are off to their own lives, leaving their grandparents (and parents) behind.

So when they take my hand, my heart melts, knowing I hold on loosely, knowing I must, someday, somehow, let go.

And before I do, they will come back to hold my hand loosely, knowing they need to let me go.

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Hollowed

The barn roof sags like an ancient mare’s back.
The field, overgrown, parts of it a marsh
where the pond spills over. No hay or sacks
of grain are stacked for the cold. In the harsh
winters of my youth, Mama, with an axe,
trudged tirelessly each day through deep snow,
balanced on the steep bank, swung down to crack
the ice so horses could drink. With each blow
I feared she would fall, but she never slipped.
Now Mama’s bent and withered, vacant gray
eyes fixed on something I can’t see. I dip
my head when she calls me Mom. What’s to say?
The time we have’s still too short to master
love, and then, the hollow that comes after.
~Kitty Carpenter “Farm Sonnet”

Vigil at my mother’s bedside

Lying still, your mouth gapes open as
I wonder if you breathe your last.
Your hair a white cloud
Your skin baby soft
No washing, digging, planting gardens
Or raising children
Anymore.
Hollowed.

Where do your dreams take you?
At times you wake in your childhood home of
Rolling wheat fields, boundless days of freedom.
Other naps take you to your student and teaching days
Grammar and drama, speech and essays.
Yesterday you were a young mother again
Juggling babies, farm and your wistful dreams.

Today you looked about your empty nest
Disguised as hospital bed,
Wondering aloud about
Children grown, flown.
You still control through worry
and tell me:
Travel safely
Get a good night’s sleep
Take time to eat
Call me when you get there

I dress you as you dressed me
I clean you as you cleaned me
I love you as you loved me
You try my patience as I tried yours.
I wonder if I have the strength to
Mother my mother
For as long as she needs.

When I tell you the truth
Your brow furrows as it used to do
When I disappointed you~
This cannot be
A bed in a room in a sterile place
Waiting for death
Waiting for heaven
Waiting

And I tell you:
Travel safely
Eat, please eat
Sleep well
Call me when you get there.

photo by Andrea Nipges

New book available to order from Barnstorming!

Singing Between Two Great Rests

When I lay my head in my mother’s lap
I think how day hides the stars,
the way I lay hidden once, waiting
inside my mother’s singing to herself. And I remember
how she carried me on her back
between home and the kindergarten,
once each morning and once each afternoon.

I don’t know what my mother’s thinking.

When my son lays his head in my lap, I wonder:
Do his father’s kisses keep his father’s worries
from becoming his? I think Dear God, and remember
there are stars we haven’t heard from yet:
They have so far to arrive. Amen,
I think, and I feel almost comforted.


I’ve no idea what my child is thinking.

Between two unknowns, I live my life.
Between my mother’s hopes, older than I am
by coming before me. And my child’s wishes,

older than I am by outliving me. And what’s it like?
Is it a door, and a good-bye on either side?
A window, and eternity on either side?
Yes, and a little singing between two great rests.
~Li-Young Lee The Hammock

I’ve become the window bridging four generations, waiting for the door to reopen:


I remember my grandmother’s soft hands smoothing my hair when I was upset.
I still see her tears when she said goodbye.

I remember my father carrying me on his shoulders when my legs grew weary and my patience short.
I still feel his final breath as he finally gave up his struggle.

I remember my children needing me for nearly everything.
Now, living so far away, I give so little as they soothe and comfort my grandchildren when I cannot.

I wonder what my grandmother, my father, my children, my grandchildren were thinking. I can only imagine, stuck as I am between the closed pandemic door and the someday-open window.

Once again I am the one in need: praying life and hugs might happen again.

Soon. Soon and very soon. I can almost hear the singing between us.

Waiting in Wilderness: Not Quite Ready Yet

In the cemetery
a mile away
from where we used to live,
my aunts and mother
my father and uncles lie
in two long rows,
almost the way
they used to sit around
the long planked table
at family dinners.
And walking beside
the graves today, down
one straight path
and up the next,
I don’t feel sad, exactly,
just left out a bit,
as if they kept
from me the kind
of grown-up secret
they used to share
back then, something
I’m not quite ready yet
to learn.
~Linda Pastan “Unveiling” from Carnival Evening

Some family gatherings can wait. I don’t feel ready yet to learn what they all now know posthumously, in their tidy rows in peaceful settings. I feel some curiosity as I wander among them, realizing my invitation is coming, most likely before I wish to receive it.

I nod to one and then another, greeting them as I used to when we gathered around the same dinner table. To those I never met but share DNA, I introduce myself, hoping to make a good impression.

They still have their secrets, as they always had. And I try not to ask too many questions. No, not yet.

“Oh, that I had the wings of a dove! I would fly away and be at rest.
Psalm 55:6

other side of the same stone

Some glad morning when this life is over
I’ll fly away
To a home on God’s celestial shore
I’ll fly awayI’ll fly away, oh, Glory
I’ll fly away
When I die, Hallelujah, by and by
I’ll fly awayJust a few more weary days and then
I’ll fly away
To a land where joy shall never end
I’ll fly awayI’ll fly away, oh, Glory
I’ll fly away
When I die, Hallelujah, by and by
I’ll fly awayYeah, when I die, Hallelujah, by and by
I’ll fly away

Waiting in Wilderness: Dialogue with God

Coffee in one hand
leaning in to share, listen:
How I talk to God.

“Momma, you’re special.”
Three-year-old touches my cheek.
How God talks to me.

While driving I make
lists: done, do, hope, love, hate, try.
How I talk to God.

Above the highway
hawk: high, alone, free, focused.
How God talks to me.

Rash, impetuous
chatter, followed by silence:
How I talk to God.

First, second, third, fourth
chance to hear, then another:
How God talks to me.

Fetal position
under flannel sheets, weeping
How I talk to God.

Moonlight on pillow
tending to my open wounds
How God talks to me.

Pulling from my heap
of words, the ones that mean yes:
How I talk to God.

Infinite connects
with finite, without words:
How God talks to me.
~Kelly Belmonte “How I Talk to God”

I don’t always realize I am constantly in a dialogue with God, but He knows and He hears. He talks back to me but I’m not always hearing Him.

Whenever I’m occupied with the daily-ness of life and am thinking “if only” this or that could be different, I’m telling God I know better. He lets me know in subtle and not-so-subtle ways that He made the world, He knows what comes next and I don’t.

If I get impatient or irritable rather than grateful and awed, I’m talking like a petulant child wanting my way. When God gifts me with a moment of color in the sky or a golden light across the landscape, I need to pause, waiting in my personal wilderness, and remain wordless.

The Infinite is trying to talk to the finite. I am only asked to listen.

You heard my voice, I came out of the woods by choice
Shelter also gave their shade
But in the dark I have no name
So leave that click in my head
And I will remember the words that you said
Left a clouded mind and a heavy heart
But I am sure we could see a new start
So when your hopes on fire
But you know your desire
Don’t hold a glass over the flame
Don’t let your heart grow cold
I will call you by name
I will share your road
But hold me fast, hold me fast
‘Cause I’m a hopeless wanderer
And hold me fast, hold me fast
‘Cause I’m a hopeless wanderer
I wrestled long with my youth
We tried so hard to live in the truth
But do not tell me all is fine
When I lose my head, I lose my spine
So leave that click in my head
And I won’t remember the words that you said
You brought me out from the cold
Now, how I long, how I long to grow old
So when your hope’s on fire
But you know your desire
Don’t hold a glass over the flame
Don’t let your heart grow cold
I will call you by name
I will share your road
But hold me fast, hold me fast
‘Cause I’m a hopeless wanderer
And hold me fast, hold me fast
‘Cause I’m a hopeless wanderer
I will learn, I will learn to love the skies I’m under
And I will learn, I will learn to love the skies I’m under
The skies I’m under
Source: LyricFindSongwriters: Benjamin Walter David Lovett / Edward James Milton Dwane / Marcus Oliver Johnstone Mumford / Winston Aubrey Aladar Marshall