A Wondrous and Terrible Turning

When, in the science museum, I arrive at the overview of our galaxy, with its tiny arrow pointing to You are here (which really ought to be We are here), and see that the two to four hundred billion stars of our local cluster are drifting or chasing or dreaming after each other in circles within milky circles, I can’t help but think of those ancient paintings and rock engravings, discovered all over our celestial body, of that one line which begins at whatever point it can, then curls outward, or inward, toward nothing anyone can define—the oldest shape revered by Aborigine and Celt, by mathematician and engineer and Burning Man reveler alike, and even accorded a place of honor among the mess of thoughts on my desk, as a nifty paper clip of copper.

But it’s already there in the florets of the sunflower crisscrossing with the precision of a logarithm, and in the pin-wheel shape of the Nautilus shell, and in the coiling neurons of the cochlea that let us tell Art Tatum from a three year old’s improvisation.

Call it what you will—“God’s fingerprint,” “the soul unfolding through time,” “the passageway into the Self”— I can’t help but admire, even fear, something as mundane as a flush of the toilet, when its swirling is a variation on our sidereal drift, our existential pain.

And then there’s that famous falcon, “turning and turning in a widening gyre,” a portentous symbol of our own circling into some dread, some pernicious chaos we thought we had just escaped, one town burning a decade behind us, a millennium before that, and into next week, next year, next whenever.

And when the two of us took that winding road an infinity of others had wound down before us and would wind down again, our spirits hushed by the crosses and bouquets at each dead man’s curve and just burning in the dry heat to touch each other, wasn’t that a wondrous and terrible turning?
~Thomas Centolella “Why I’m in Awe of the Spiral”

photo by Kate Steensma
Photo by Kate Steensma

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
~William Butler Yeats “The Second Coming”

I look for the way
things will turn
out spiralling from a center,
the shape
things will take to come forth in

so that the birch tree white
touched black at branches
will stand out
wind-glittering
totally its apparent self:

I look for the forms
things want to come as

from what black wells of possibility,
how a thing will
unfold:

not the shape on paper, though
that, too, but the
uninterfering means on paper:

not so much looking for the shape
as being available
to any shape that may be
summoning itself
through me
from the self not mine but ours.

~A. R. Ammons, “Poetics” from A Coast of Trees

Our very origin as a unique organism is a process of unfolding and spiraling: from our very first doubling after conception expanding to a complexity of trillions of cells powering our every thought and movement.

Now I look everywhere in my backyard world for beginnings and endings, wanting to understand where I fit and where I am in the unfolding process of this spiraling life. As I grow older, I find myself more peripheral than central, just as I am meant to be – I have more perspective now having spun out from the vortex.

I can see where I came from, and have a sense of where I am headed.

We unfurl slowly, surely, gently, in the Hands of our Creator God. He knows how each of us began as He was there from the beginning, forming the very center of us. He remains at the core of our being, as our unfolding lasts forever.

Wing to Wing

No speed of wind or water rushing by
But you have speed far greater. You can climb
Back up a stream of radiance to the sky,
And back through history up the stream of time.
And you were given this swiftness, not for haste
Nor chiefly that you may go where you will,
But in the rush of everything to waste,
That you may have the power of standing still-
Off any still or moving thing you say.
Two such as you with such a master speed

Cannot be parted nor be swept away
From one another once you are agreed
That life is only life forevermore
Together wing to wing and oar to oar
~Robert Frost “Master Speed”

All at once I saw what looked like a Martian spaceship whirling towards me in the air. It flashed borrowed light like a propeller. Its forward motion greatly outran its fall. As I watched, transfixed, it rose, just before it would have touched a thistle, and hovered pirouetting in one spot, then twirled on and finally came to rest. I found it in the grass; it was a maple key, a single winged seed from a pair. Hullo. I threw it into the wind and it flew off again, bristling with animate purpose, not like a thing dropped or windblown, pushed by the witless winds of convection currents hauling round the world’s rondure where they must, but like a creature muscled and vigorous, or a creature spread thin to that other wind, the wind of the spirit which bloweth where it listeth, lighting, and raising up, and easing down. O maple key, I thought, I must confess I thought, o welcome, cheers.

And the bell under my ribs rang a true note, a flourish as of blended horns, clarion, sweet, and making a long dim sense I will try at length to explain. Flung is too harsh a word for the rush of the world. Blown is more like it, but blown by a generous, unending breath. That breath never ceases to kindle, exuberant, abandoned; frayed splinters spatter in every direction and burgeon into flame. And now when I sway to a fitful wind, alone and listing, I will think, maple key. When I see a photograph of earth from space, the planet so startlingly painterly and hung, I will think, maple key. When I shake your hand or meet your eyes I will think, two maple keys. If I am a maple key falling, at least I can twirl.
~Annie Dillard from Pilgrim at Tinker Creek

(Happy birthday to Annie today — her 76th !)

I think a lot about wings — particularly when I’m sitting belted in a seat looking out at them bouncing in turbulence, marveling at how they keep hundreds of people and an entire aircraft miles above ground. 

Wings, no matter what they belong to, are marvelous structures that combine strength and lift and lightness and expanse and mobility, with the ability to rise up and ease back to earth.

And so ideally I am blown rather than flung through my fitful windy days,
rising and falling as those thin veined wings guide me,
twirling, swirling as I fall,
oh so slowly, to settle, planted.

A new book available with Barnstorming photos and poetry by Lois Edstrom: