Love Without Hesitation

Every morning I walk through folds of fields
searching.

Slants of sun
sink through triangled bones of leaves:
bold cold refuted.

Sparrows flutter warm in given nests,
ungriefed,
caught,
sustained by common grace.

Faith is the tenderness of banked coals in a grate,
Braeburn apples on a windowsill,
winding crisp with possibility.
The steadiness of conversations embered over decades;
a fire that has never left off crackling –
on this my soul has warmed her hands.


Divine ardor:
too strong and sweet
for the many years I’ve walked on earth.

Love without hesitation has swept my floorboards for seasons.
Deep and longing in and out of time the soul reaches out –
and He, grasps entire.
Hold – and tender.
Incandescent.
~Claire Hellar “A Search in Autumn”

photo by Josh Scholten

This time of year a chill is in the air,
urging us to feed the embers still throwing heat.

Warmed while eating a meal
together with decades-long friends,
everything grown from our own farms and gardens,
prepared with care and gratitude.

A shared gathering of words and food
in the waning softness of autumn;
we grow older round the table,
incandescent with grace,
a blessed communion.

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Living a Life to Die For

The sound of quiet. The sky
indigo, steeping
deeper from the top, like tea.
In the absence
of anything else, my own
breathing became obscene.
I heard the beating
of bats’ wings before
the air troubled above
my head, turned to look
and saw them gone.
On the surface of the black
lake, a swan and the moon
stayed perfectly
still. I knew this was
a perfect moment.
Which would only hurt me
to remember and never
live again. My God. How lucky to have lived
a life I would die for.

~Leila Chatti “I Went Out to Hear” from Wildness Before Something Sublime  

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.

~Mary Oliver “In Blackwater Woods” from Devotions

(thinking today of God’s gift to the world of Jane Goodall,
whose life was about keeping promises)

When the earth and all that is in it glows indigo
in the angled light of October;
opening my eyes as witness to beauty
takes my breath away.

I can’t imagine letting go this life,
yet the other side of ashes and loss is salvation.

My God.
I am so finite.
I hold this close to my bones
with miles to go before I sleep.

My life depends on realizing
I’m living a life I would die for.

photo by Josh Scholten
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Dropping Leaves on Time

Late in November, on a single night
Not even near to freezing, the ginkgo trees
That stand along the walk drop all their leaves
In one consent, and neither to rain nor to wind
But as though to time alone: the golden and green
Leaves litter the lawn today, that yesterday
Had spread aloft their fluttering fans of light.

What signal from the stars? What senses took it in?
What in those wooden motives so decided
To strike their leaves, to down their leaves,
Rebellion or surrender? and if this
Can happen thus, what race shall be exempt?
What use to learn the lessons taught by time,
If a star at any time may tell us: Now.

~Howard Nemerov “The Consent” from The Collected Poems of Howard Nemerov

So many reasons these days to awake in the night,
eyes wide open, searching the dark seas of trouble
for some sign of hope,
for calm and peace in this stormy world.

When asleep again, I float among abundant
golden gingko leaves, each waving like a sail in the breeze,
before they tumble, swirling, to the ground, forming
deeply cushioned and comforting pools of yellow.

Navigating these brutal times, I am meant to be
anchored within some safer harbor – I treasure
the old ginkgo as it reaches over each cherished child
with its golden cloak of love and protection.

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The Reason for October


I have been younger in October
than in all the months of spring
walnut and may leaves the color
of shoulders at the end of summer
a month that has been to the mountain
and become light there
the long grass lies pointing uphill
even in death for a reason
that none of us knows
and the wren laughs in the early shade now
come again shining glance in your good time
naked air late morning
my love is for lightness
of touch foot feather
the day is yet one more yellow leaf
and without turning I kiss the light
by an old well on the last of the month
gathering wild rose hips
in the sun

~W.S. Merwin from “The Love of October” from Migration: New & Selected Poems, 2005

Each leaf is beautifully unique,
one of a kind, each shaped and hued differently —
except those more tattered than others,
bespeaking the harshness of
their short existence when
all life surrounding them
seems at risk of being destroyed.

At the end of their allotted life span
they return to the earth from which they came.
And the Creator-God is pleased.
His creations have served the purpose

for which He created them.
Now, they will enrich the soil,
each leaving its own special contribution
toward the next generation

where differences no longer matter.
The unseen birthing and dying mystery continues….
~Alice La Chapelle, in a comment

The wind gusts through shedding branches
stripping them bare,
carrying the leaves
far away, piling up a diverse gathering
they have never known before –
chestnut, cherry, birch, walnut, apple, katsura,
maple, parrotia, pear, oak, poplar, dogwood –
suddenly all sharing the same fate and grave,
each wearing a color of its own,
soon to blend with the others
as all slowly melt to brown.

There is lightness in the letting go,
for reasons none of us knows.

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Follow a Drop’s Path

For this you may see no need,
You may think my aim
Dead set on something

 
Devoid of conceivable value:
An Anthology of Rain,
A collection of voices

 
Telling someone somewhere
What it means to follow a drop
Traveling to its final place of rest.

 
By opening anywhere, a drop
And its story reappear
As air turns to water, water to air.
~Phyllis Levin – excerpt from “An Anthology of Rain”

A drop fell on the apple tree,
Another on the roof;
A half a dozen kissed the eaves,
And made the gables laugh.

A few went out to help the brook,
That went to help the sea.
Myself conjectured, Were they pearls,
What necklaces could be

~Emily Dickinson

At first glance, this soppiness is melancholic.

Yet, when studied up close,
rain droplets glisten like jewels.

The onset of rainy season isn’t all sadness~
there is solace in knowing
the landscape and I share
an inner world of change:
though sodden,
these are the promises of renewal
within our tears.

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Heavens’ Embroidered Cloths

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To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the Palm of your Hand,
and Eternity in an Hour.

When the Soul Slept in Beams of Light 
God Appears & God is Light
To those poor Souls who dwell in Night 
But does a Human Form Display
To those who Dwell in Realms of day
~William Blake from “Auguries of Innocence”

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Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
~William Butler Yeats “Aedh Wishes for the Cloths of Heaven”

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If I look closely enough underfoot,
I might find the extraordinary
in the commonplace things of life.

So I keep my eyes alert;
my heart open to infinite possibilities
and try to tread softly.

Sometimes what I see is so beautiful,
it is uncovering heaven come to earth,
when the cosmos is contained
within the commonplace.

The God of Light and Living Water
is no further away
than my back yard.

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A Thing or Two

My father always knew the secret
name of everything—
stove bolt and wing nut,
set screw and rasp, ratchet
wrench, band saw, and ball—
peen hammer. He was my
tour guide and translator
through that foreign country
with its short-tempered natives
in their crewcuts and tattoos,
who suffered my incompetence
with gruffness and disgust.
Pay attention, he would say,
and you’ll learn a thing or two.


Now it’s forty years later,
and I’m packing up his tools
(If you know the proper
names of things you’re never
at a loss)
 tongue-tied, incompetent,
my hands and heart full
of doohickeys and widgets,
whatchamacallits, thingamabobs.

~Ronald Wallace “Hardware” from Time’s Fancy

“Hold on,” she said, “I’ll just run out and get him.
The weather here’s so good, he took the chance
To do a bit of weeding.”


So I saw him
Down on his hands and knees beside the leek rig,
Touching, inspecting, separating one
Stalk from the other, gently pulling up
Everything not tapered, frail and leafless,
Pleased to feel each little weed-root break,
But rueful also . . . 


Then found myself listening to
The amplified grave ticking of hall clocks
Where the phone lay unattended in a calm
Of mirror glass and sunstruck pendulums . . . 


And found myself then thinking: if it were nowadays,
This is how Death would summon
Everyman.

Next thing he spoke and I nearly said I loved him.
~Seamus Heaney “A Call” from ‘Poems That Make Grown Men Cry’

Between my finger and my thumb   
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound   
When the spade sinks into gravelly ground: 
  

My father, digging. I look down
By God, the old man could handle a spade.
   

Just like his old man.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

~Seamus Heaney from “Digging” from Death of a Naturalist

My father was a complex man. As I’ve aged, I understand better where my own complicated nature comes from.

As inscrutable as he could be, there were things I absolutely understood about him:

he was a man of action
– he never just sat, never took a nap, never wasted a day of his life without accomplishing something tangible.

he was a man of the soil
– he plowed and harrowed and sowed and fertilized and weeded and cut brush and harvested

he was a man of inventiveness
– he figured out a better way, he transformed tools and buildings, he started from scratch and built the impossible

he didn’t explain himself
– and never felt the need to.

Time keeps ticking on without him here, now 30 years since he took his last breath as the clock pendulum swung back and forth in his bedroom. He was taken too young for all the projects he still had in mind.

He handed off a few to me.
Some I have done.
Some still wait, I’m not sure why.

My regret is not understanding how much he needed to hear how loved he was. He seemed fine without it being said.

But he wasn’t fine. And neither was I.

I wish I had said it when I had the chance.
I guess I am digging it out from the soil of my heart now.

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End of Summer’s Waiting Room

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fallyard1

For today, I will memorize
the two trees now in end-of-summer light

and the drifts of wood asters as the yard slopes away toward
the black pond, blue

dragonflies
in the clouds that shine and float there, as if risen

from the bottom, unbidden. Now, just over the fern—
quick—a glimpse of it,

the plume, a fox-tail’s copper, as the dog runs in ovals and eights,
chasing scent.

The yard is a waiting room. I have my chair. You, yours.

The hawk has its branch in the pine.

White petals ripple in the quiet light. 
~Margaret Gibson from “Solitudes”

photo by Josh Scholten
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I want to memorize it all before it changes:
the shift of sun from north to south barely
balances on our east- west road at equinox.

The flow of geese overhead, honking while waving farewell,
the hawks’ screams in the firs,
dragonflies trapped in the barn light fixtures
several generations of coyotes hollering at dusk.

The pond quiets with cooler nights,
hair thickens on horses, cats and dogs,
dying back of the garden vines reveals
what lies unharvested beneath.

And so we part again, Summer –
your gifts were endless
until you now have parted ways.

I sit silenced, brooding, waiting for what comes next.

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A Faded Sort of Cow

Summer is over, the old cow said,
And they’ll shut me up in a draughty shed
To milk me by lamplight in the cold,
But I won’t give much for I am old.
It’s long ago that I came here
Gay and slim as a woodland deer;
It’s long ago that I heard the roar
Of Smith’s white bull by the sycamore.
And now there are bones where my flesh should be;
My backbone sags like an old roof tree,
And an apple snatched in a moment’s frolic
Is just so many days of colic.

I’m neither a Jersey nor Holstein now
But only a faded sort of cow.
My calves are veal and I had as lief
That I could lay me down as beef;
Somehow, they always kill by halves, —
Why not take me when they take my calves?
Birch turns yellow and sumac red,
I’ve seen this all before, she said,
I’m tired of the field and tired of the shed.
There’s no more grass, there’s no more clover;
Summer is over, summer is over.

~Robert Hillyer “Moo!”

photo by Kate Steensma of Steensma Creamery

Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.
Her face is flecked with pomace and she drools
A cider syrup. Having tasted fruit,
She scorns a pasture withering to the root.
She runs from tree to tree where lie and sweeten
The windfalls spiked with stubble and worm-eaten.
She leaves them bitten when she has to fly.
She bellows on a knoll against the sky.
Her udder shrivels and the milk goes dry.

~Robert Frost “The Cow in Apple Time”

I have lived among cows, our own and our neighbors’, dairy and beef, most of my life. Given their status as a food source, cows aren’t always granted a long life, but I do envy those who spend much of the year chewing cud outside in pastoral settings.

We’ve owned some aged cows. They can be set in their ways and don’t particularly like a change in routine. They prefer a communal life, bearing calves, surrendering their milk, and ensuring the herd hierarchy is maintained with a minimum of fuss.

I remember my dad curing a cow’s habit of eating apples directly from a tree branch. She had the apple lodged in her esophagus as it had slipped down her throat unchewed, but too large to pass through to her rumen. She was foaming at the mouth, breathing fine, but the apple was a visible lump palpable mid-way down her neck. My dad grabbed a short two by four board and a hammer, placed the board on one side of her neck lump, and with the hammer, hit her neck precisely over the apple, crushing it. She was immediately cured and sauntered over to grab more apples, off the ground rather than the branch.

Cows can experience various health issues, sometimes relating to infections in their udders, but not infrequently, trouble with their hooves. They can get abscesses which are quite painful until emptied, as well as sharp rocks or gravel wedged into their foot. This sometimes necessitates hoof work done by a specialist who visits dairy farms on a regular basis.

I confess I (along with a million or so other folks) spend an inordinate amount of time watching YouTube channels of cow hoof trimming. I have no desire to do the job myself, but restoring a limping cow to a comfortably walking cow is a skill that must be very gratifying.

As an aging female myself, I know all about aches and pains. I too feel the sadness of summer coming to an end, when the grass and clover grows sparse in the field, and when chilly nights are best spent in the shelter of the barn.

But I’m not yet ready to give up on this sweet pastoral life. There are still some days left, and apples to pick up off the ground, for this fading old cow…

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A Light of Beginnings

For seasons the walled meadow
south of the house built of its stone
grows up in shepherd’s purse and thistles
the weeds share April as a secret
finches disguised as summer earth
click the drying seeds
mice run over rags of parchment in August
the hare keeps looking up remembering 
a hidden joy fills the songs of the cicadas

two days’ rain wakes the green in the pastures
crows agree and hawks shriek with naked voices
on all sides the dark oak woods leap up and shine
the long stony meadow is plowed at last and lies
all day bare
I consider life after life as treasures
oh it is the autumn light

that brings everything back in one hand
the light again of beginnings
the amber appearing as amber
~ W. S. Merwin, “September Plowing” from Flower & Hand

photo by Joel De Waard

When you are already here
you appear to be only
a name that tells of you
whether you are present or not


and for now it seems as though
you are still summer
still the high familiar
endless summer
yet with a glint
of bronze in the chill mornings
and the late yellow petals
of the mullein fluttering
on the stalks that lean
over their broken
shadows across the cracked ground

but they all know
that you have come
the seed heads of the sage
the whispering birds
with nowhere to hide you
to keep you for later

you
who fly with them

you who are neither
before nor after
you who arrive
with blue plums
that have fallen through the night

perfect in the dew
~W.S. Merwin “To the Light of September”

Now that it has rained a bit, the light of September is a filtered, more gentle illumination than we have experienced for the past several months of dry summer glare.

It is more lambent: a soft radiance that simply glows at certain times of the day when the angle of the sun is just right, and the clouds are in position to soften and cushion the luminence.

It is also liminal: it is neither before or after, on the threshold between seasons when there is both promise and caution in the air.

Sometimes I think I can breathe in light like this, if not through my lungs, then through my eyes.

It is a temptation to bottle it up with a stopper somehow, stow it away hidden in a back cupboard. Then I can bring it out on the darkest days, pour a bit into a glass, and imbibe.

But for now, I fill myself full to the brim. And my only means of preservation is with a camera and a few words.

So I share it now with all of you to tuck away for a future day.
Perhaps you too will be thirsty for a lambent light.

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