Forty-Five Years Ago Today

The meaning of marriage begins in the giving of words.
We cannot join ourselves to one another without giving our word. And this must be an unconditional giving,
for in joining ourselves to one another
we join ourselves to the unknown.
~Wendell Berry from “Poetry and Marriage” in Standing By Words

Our vows to one another forty-five years ago today:

Before God and this gathering, I vow from my heart and spirit that I will be your wife/husband for as long as we both shall live.

I will love you with faithfulness, knowing its importance in sustaining us through good times and bad.

I will love you with respect, serving your greatest good and supporting your continued growth.

I will love you with compassion, knowing the strength and power of forgiveness.

I will love you with hope, remembering our shared belief in the grace of God and His guidance of our marriage.

“And at home, by the fire, whenever you look up, there I shall be–and whenever I look up, there will be you.”

(our wedding vows for our September 19, 1981 wedding at First Seattle Christian Reformed Church — the last line adapted from Thomas Hardy’s  “Far From the Madding Crowd”)

Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.

We enter, willing to die,
into the commonwealth of its joy.
~Wendell Berry from “A Country of Marriage”

…Marriage… joins two living souls as closely as, in this world, they can be joined. This joining of two who know, love, and trust one another brings them in the same breath into the freedom of sexual consent and into the fullest earthly realization of the image of God. From their joining, other living souls come into being, and with them great responsibilities that are unending, fearful, and joyful. The marriage of two lovers joins them to one another, to forebears, to descendants, to the community, to heaven and earth. It is the fundamental connection without which nothing holds, and trust is its necessity.
~Wendell Berry from Sex, Economy, Freedom and Community

We married forty-five years ago today in our Seattle church with Pastor Peter Holwerda officiating, with a small group of family and friends as witnesses.

It was a wedding of two frugal people with little to spend – I sewed my dress and Dan’s shirt from muslin, we grew our own flowers, our families helped potluck the lunch afterward and our tiered carrot cake was made by a friend.

Yet our vows to one another were not frugal and held nothing back. They were extravagant and comprehensive, coming from our hearts and spirits. The music we asked our amazing organist to play (versions below) inspired us by its simplicity and complexity – very much like the families that raised us and the God we worship.

Our vows have taken us from the city to the countryside, to the raising and rejoicing in three amazing children and now soon to be seven grandchildren. We served more than forty years as a public-employed attorney and physician. We have laid down those responsibilities, and picked up the tools of farm and garden along with church and community service for as long as we are able.

We treasure each day of living together in faithfulness, respect, compassion and hope – knowing that how we love and find joy in one another mirrors how God loves and revels in His people.

We pray for many more days to fill us with what endures.

I want to remember us this way—
late September sun streaming through
the window, bread loaves and golden
bunches of grapes on the table,
spoonfuls of hot soup rising
to our lips, filling us
with what endures.
~Peter Pereira from “A Pot of Red Lentils”

Here are versions of the organ music we selected for prelude, processional, recessional and postlude

A Power Secret, Holy, and Fleet

God empties himself
into the earth like a cloud.
God takes the substance, contours
of a man, and keeps them,
dying, rising, walking,
and still walking
wherever there is motion.
Annie Dillard from “Feast Days” in Tickets for a Prayer Wheel

Divinity is not playful.
The universe was not made in jest
but in solemn incomprehensible earnest.
By a power that is unfathomably secret,
and holy, and fleet.
There is nothing to be done about it,
but ignore it,
or see. 

~Annie Dillard from Pilgrim at Tinker Creek

What does it feel like to be alive?
Living, you stand under a waterfall…
It is time pounding at you, time.
Knowing you are alive is watching on every side
your generation’s short time falling away
as fast as rivers drop through air,
and feeling it hit.

I had hopes for my rough edges.
I wanted to use them as a can opener,
to cut myself a hole in the world’s surface, and exit through it.

~Annie Dillard from An American Childhood

What I have been after all along
is not an explanation but a picture.
This is the way the world is, altar and cup,
lit by the fire from a star that has only begun to die.
My rage and shock at the pain and death
of individuals of my kind is the old, old mystery,
as old as man but forever fresh,
and completely unanswerable.
~Annie Dillard from Pilgrim at Tinker Creek

I came here to study hard things – rock mountain and salt sea –
and to temper my spirit on their edges.

“Teach me thy ways, O Lord” is, like all prayers, a rash one,
and one I cannot but recommend.

The Cascade Range, in these high latitudes, backs almost into the water. There is only a narrow strip, an afterthought of foothills and farms sixty miles wide, between the snowy mountains and the sea.
These mountains — Mount Baker and the Sisters and Shuksan,
the Canadian Coastal Range and the Olympics on the peninsula —
are surely the edge of the known and comprehended world….

That they bear their own unimaginable masses and weathers aloft,
holding them up in the sky for anyone to see plain,
makes them, as Chesterton said of the Eucharist,
only the more mysterious by their very visibility and absence of secrecy.
~Annie Dillard from  Holy the Firm

Some unwonted, taught pride diverts us from our original intent, which is to explore the neighborhood, view the landscape,
to discover at least where it is that we have been
so startlingly set down, if we can’t learn why.
~Annie Dillard from Pilgrim at Tinker Creek

The shadow’s the thing.
If I no longer see shadows as “dark marks,” as do the newly sighted,

then I see them as making some sort of sense of the light.
They give the light distance; they put it in its place.
They inform my eyes of my location here, here O Israel,
here in the world’s flawed sculpture,

here in the flickering shade of the nothingness
between me and the light.

~Annie Dillard from Pilgrim at Tinker Creek

We are here to abet creation and to witness it,
to notice each thing so each thing gets noticed.
Together we notice not only each mountain shadow
and each stone on the beach but we notice
each other’s beautiful face and complex nature
so that creation need not play to an empty house.
~Annie Dillard from The Meaning of Life (1991 Life Magazine)

But time is one thing we have been given,
and we have been given to time.
Time gives us a whirl.
We keep waking from a dream we can’t recall,
looking around in surprise,
and lapsing back, for years on end.
All I want to do is stay awake,
keep my head up, prop my eyes open,
with toothpicks, with trees. …
You don’t run down the present…
You wait for it, empty-handed, and you are filled.
~Annie Dillard from Pilgrim at Tinker Creek

An infant is a pucker of the earth’s thin skin; so are we.
We arise like budding yeasts and break off;
we forget our beginnings.
A mammal swells and circles and lays him down.
You and I have finished swelling;
our circling periods are playing out,
but we can still leave footprints in a trail whose end we do know.
~Annie Dillard from For the Time Being

The world is wilder in all directions,
more dangerous and bitter,
more extravagant and bright.
We are making hay
when we should be making whoopee;
we are raising tomatoes
when we should be raising Cain or Lazarus.
~Annie Dillard from Pilgrim at Tinker Creek

Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed?

Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts?

Why are we reading, if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage and the hope of meaningfulness, and press upon our minds the deepest mysteries, so we may feel again their majesty and power?

What do we ever know that is higher than that power which, from time to time, seizes our lives, and which reveals us startlingly to ourselves as creatures set down here bewildered?

Why does death so catch us by surprise, and why love?

We still and always want waking.
~Annie Dillard from “Write Till You Drop”

Annie Dillard passed into glory yesterday at age 81, finally witnessing firsthand the holy and sacred mysteries she pondered in her writings.

Since 1974, I have been indebted to her God-given gifts of observation and unique ability to share precisely perfect words to describe how she felt about what she saw. In 1976, she did a reading locally – I was amazed at her insistence that we all have the power to open our eyes to this place we have been set down, to witness all that is secret, holy and fleet in our existence…

She indeed left her mark while living, teaching and writing here in Whatcom County for a time nearly fifty years ago…

All the photos on this page are from my collection of pictures I’ve taken here in Whatcom County, as I can imagine this scenery inspired Annie in her writing while she was here.

We are invited by Christ Himself to “come and see.” (John 1:39)

We weren’t conceived by random happenstance –

We are here because we were earnestly needed and wanted,
by a power and divinity with a capacity for love and compassion
beyond anything we are capable of.

We aren’t a cosmic joke,
or random couplings of DNA.
We aren’t pawns in the universe’s chess game.

We have the capacity to see
the image of God in one another,
as well as in the mirror,
yet we ignore with our own eyes,
His shimmering reflection.

…beauty and grace are performed
whether or not we will or sense them.
The least we can do is try to be there…
~Annie Dillard from Pilgrim at Tinker Creek

Mountains are giant, restful, absorbent.
You can heave your spirit into a mountain
and the mountain will keep it, folded,
and not throw it back as some creeks will.
The creeks are the world with all its stimulus and beauty;
I live there. But the mountains are home.
~Annie Dillard from Pilgrim at Tinker Creek

To Be Still…

I wanted to see the tea house
a bridge arching over water

I wanted to study Japanese maples
their fine-toothed fiery leaves

I wanted to bow my head to chance,
to a lantern, to stones placed in a wall

The paths led us down and down
far off we heard workmen building a road
overhead a jet scrawled a contrail note of farewell

If I wanted to kneel at the pond, it was to know
how like my mother I’ve become

I wanted to admire hydrangeas, exclaim
at a lace-cap two-color one—both blush pink

and purple, on one stem—taking a photo to share—
I wanted to touch the clapper in the bronze bell

at the gate, where two panels slide together,
each side making one half of the sun—

letting it sound and then be still
~Patricia Clark “Kubota Garden” from Self-Portrait with a Million Dollars

Stand still. The trees ahead and bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.
~David Wagoner “Lost”

Our grandchildren —
born in Tokyo, adapting to a rural life here —
bring within them the serenity
of the gardens they visited there,
finding respite from worldly worries and sorrows.

We remind them to love such stillness:
there is rest after busyness,
there is light beyond darkness,
there is peace amid chaos,
there are smiles after tears,
there is quiet within noisiness,
there is grace and mercy forever…

…as we who are older
give way to the new.

Unanswerable Questions

Under the harvest moon,
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker,
Comes and whispers to you
As a beautiful friend
Who remembers.

   Under the summer roses
When the flagrant crimson
Lurks in the dusk
Of the wild red leaves,
Love, with little hands,
Comes and touches you
With a thousand memories,
And asks you
Beautiful, unanswerable questions.
~Carl Sandburg “Under the Harvest Moon”

I mistake the sound of a recycling cart
hitting the curb

for the latch of our gate
and picture him instantly:

my father stumbling
into the light of the backyard


to shoot himself.

I’d been looking at the fruit trees
and the fire pit,


the loose board of the old fence
in the wind.

I’d been thinking of how lost
you’d have to be


to believe you knew
everything there was to know


about yourself.
And now this sound


I mistake for my father
going through with it: one


awful letter in his coat pocket
to me, another


to my unborn son.
~Bobby Elliot “Mondegreen” from The Same Man

I’ve been there, and so have you.

I might hear or see or smell something
completely benign and insignificant,
but my brain processes it differently,
its similarity to past memory or experience
bringing it front and center and real again.

Often it is a song, or a smell, or a date on the calendar.
It can be an unexpected, sudden sound,
like a slammed door
or a recorded voice or photo from long ago.

This can lead to time travel
back to that previous moment in time,
with the feeling of being right there again.

It can be a lovely memory, warm and comforting,
or it can be a total nightmare
I never want to remember or reexperience.

When it happens to me,
to distract from the distress it can cause,
I instead admire the stickiness of my stored memories,
how powerful chemical connections are
between my body and my feelings.

There is poignancy in how I
relive those moments of past joy and struggles,
trying to capture in words what just happened,
all the while knowing, for the rest of my days,
some questions will forever remain unanswered.

Preserving the Sweetness

photo by Joel DeWaard

How beautiful the things are that you did not notice before!
A few sweetclover plants
Along the road to Bellingham,
Culvert ends poking out of driveways,
Wooden corncribs, slowly falling,
What no one loves, no one rushes towards or shouts about,
What lives like the new moon,
And the wind
Blowing against the rumps of grazing cows.
~Robert Bly from “Like the New Moon I Will Live My Life”

culvert

“A devout but highly imaginative Jesuit,”
Untermeyer says in my yellowed
college omnibus of modern poets,
perhaps intending an oxymoron, but is it?
Shook foil, sharp rivers start to flow.
Landscape plotted and pieced, gray-blue, snow-pocked
begins to show its margins. Speeding back
down the interstate into my own hills
I see them fickle, freckled, mounded fully
and softened by millennia into pillows.
The priest’s sprung metronome tick-tocks,
repeating how old winter is. It asks
each mile, snow fog battening the valleys,
what is all this juice and all this joy?
~Maxine Kumin “Almost Spring, Driving Home, Reciting Hopkins”

The Robert Bly poem reminds me to see in a new way
as I travel the road to Bellingham, Washington
(not Bly’s Bellingham, Minnesota).

My eyes scan for the unnoticed and unremarkable,
along these rural byways I traveled decades to work,
now only to meetings or shopping –
when feeling the need to wander and wonder.

Forty years ago in my twice-daily
hour-long Seattle traffic commute to reach my clinic,
I could only pay attention to the cars around me,
blinkered to all else happening.

Since moving north to Whatcom County,
I try to notice what small things
I might keep handy in my memory for another day,
like a jar of canned peaches in our root cellar,
just so I won’t forget,
ready to pull them off the shelf someday
so I might share
their sweetness with someone else.

morning113157
photo by Joel DeWaard
photo by Joel DeWaard

Our goal should be to live life in radical amazement. 
…to get up in the morning
and look at the world in a way
that takes nothing for granted. 
Everything is phenomenal;
everything is incredible;
never treat life casually.
To be spiritual is to be amazed.
~Abraham Joshua Hershel

photo by Harry Rodenberger
photo by Harry Rodenberger
groundcover

All the Pretty Little Horses

The mare roamed soft about the slope,
Her rump was like a dancing girl’s.
Gentle beneath the apple trees
She pulled the grass and shook the flies,
Her forelocks hung in tawny curls,
She had a woman’s limpid eyes,
A woman’s patient stare that grieves.
And when she moved among the trees,
The dappled trees, her look was shy,
She hid her nakedness in leaves.
A delicate though weighted dance
She stepped while flocks of finches flew
From tree to tree and shot the leaves
With songs of golden twittering;
How admirable her tender stance.
And then the apple trees were new,
And she was new, and we were new,
And in the barns the stallions stamped
And shook the hills with trumpeting.
~Ruth Stone, 
“The Orchard” from What Love Comes To

Only one retired Haflinger mare remains on our farm now, her small herd diminishing one at a time as they passed from old age. She now is thirty herself, living her remaining days with two geldings in their twenties.

Over four decades, we have kept over a dozen mares born on this land, where they served us well, birthing us their foals and working when asked. In their retirement, they deserved this easy life on pasture for as long as their legs and feet could carry them up and down the slopes of our hilly farm – they more and more resembled our ancient crooked crippled orchard trees, some of which have toppled in the winter winds..

We are close to the end of our horse-keeping days; hard decisions must be made at some point and I don’t feel quite prepared to determine when they are no longer enjoying their time under the sun and I am too frail to care for them as they deserve.

I don’t want them or me to topple over like an old hollow tree in the wind.

I listen for their nickers as I come into the barn each morning and gauge their eagerness to be set free to the fields. The other day, as the sky was gray with a passing rain shower, the geldings went outside happily. As I let our mare out to pasture, she stopped on her way through the gate and turned around, poised to head back to the barn rather than get wet.

I looked her in the eyes and understood exactly how she was feeling.

Perhaps I have identified a bit too much with the stiffness as my aging mares move, their need for frequent napping times in the field, swishing at flies while they dream of younger days of flirting with stallions, nursing babies, having suppler joints and the occasional wild gallop at twilight.

I sing a sad lullaby to myself as I work about the barn with slow deliberation, knowing there is a somber sorrow to life change.
The years pass, never to return, leaving those limpid eyes, flowing manes and tails in their wake.

Ah, yes,
I have had
all the pretty little horses…

The Sweet Ache of Memories

All day the stars watch from long ago
my mother said I am going now
when you are alone you will be all right
whether or not you know you will know
look at the old house in the dawn rain
all the flowers are forms of water
the sun reminds them through a white cloud
touches the patchwork spread on the hill
the washed colors of the afterlife
that lived there long before you were born
see how they wake without a question
even though the whole world is burning

~W.S. Merwin “Rain Light”

Well-away and be it so,
To the stranger let them go.
Even cheerfully I yield
Pasture, orchard, mowing-field,
Yea and wish him all the gain
I required of them in vain.
Yea and I can yield him house,
Barn, and shed, with rat and mouse
To dispute possession of.
These I can unlearn to love.
Since I cannot help it? Good!
Only be it understood,

It shall be no trespassing
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.
~Robert Frost from “On the Sale of My Farm”

the farm where I grew up in east Stanwood
the Stanwood farm from the road

From the road, each of the two small farms where I grew up in western Washington state (Stanwood and Olympia) look nothing like they did in my childhood.  When I drive past now, whether on Google Earth virtually or for real, the outbuildings have changed and are unfamiliar, fences pulled down, the trees exponentially taller or gone altogether, the fields no longer well-tended. Instead the familiarity is in the road to get there, the lean into the curves, the acceleration in and out of dips, the landscape which triggers a simultaneous comfort and disquiet deep in my DNA.

Though my brother once stopped and got permission to look around our long-ago childhood home, and sent me pictures that looked barely recognizable, I myself have never stopped to knock; instead I have driven slowly past to sense if I feel what I used to feel in these places.  My memories are indeed triggered but feel a bit as if they must have happened to someone else.

I have the same feeling when driving past my parents’ childhood farms on Similk Bay on Fidalgo Island and in the Palouse wheat fields. Part of me belongs to these places even though they have never been truly “mine” – only part of sweet memories from my own childhood.

barn on Olympia farm
Olympia house
the driveway to my mother’s Palouse farm where she grew up
my mother’s childhood home in Spring Valley, the Palouse

One clinic day years ago, I glanced at the home address of a young man I was about to see for a medical issue and I realized he now lived in my childhood home located over 100 miles away.  When I greeted him I told him we had something in common: we had grown up under the same roof, inside the same walls, though children of two different generations. 

He was curious but seemed skeptical — how could this gray-haired middle aged woman know anything about his home?  He told me a bit about the house, the barn, the fields, the garden and how he experienced it felt altogether strange to me.  He and I had shared nothing but a patch of real estate — our recollections were so completely disparate.

The two daughters of the family who sold our current farm to us over thirty years ago have been back to visit a time or two, and have driven by whenever they are in the area. Many things remain familiar to them but also too much has changed – it is not quite the same farm they remember from their childhood. I know it aches to visit here but they do let me know when a photo I post has a particular sweet memory for them.

I worry for the fearsome ache if someday, due to age or finances, we must sell this farm we cherish ~ this beloved place our children were raised, animals bred and cared for, fruit picked from an ancient orchard, plants tended and soil turned over. It will remain on the map surely as the other two farms of my past, visible as we pass by slowly on the road, but primarily preserved in the words and photos I harvest here.

Only be it understood,
It shall be no trespassing
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.


There will always be hoping something will still remain familiar on the map of my memory. After all, there is no such beauty as the place where I belonged – now and forever ago.

eveningporch51218

Tell me, where is the road
I can call my own
That I left, that I lost
So long ago?
All these years I have wandered
Oh, when will I know
There’s a way, there’s a road
That will lead me home

After wind, after rain
When the dark is done
As I wake from a dream
In the gold of day
Through the air there’s a calling
From far away
There’s a voice I can hear
That will lead me home

Rise up, follow me
Come away, is the call
With the love in your heart
As the only song
There is no such beauty
As where you belong
Rise up, follow me
I will lead you home
~Michael Dennis Browne

Always Enough


There is always enough.
       My old cat of long years, who
              stayed all the months of his dying,


though, made sick by food,
       he refused to eat, till, long-stroked,
              he turned again to accept


another piece of dry catfood
       or spoonful of meat, a little water,
              another day through which


he purred, small engine
       losing heat—I made him nests
              of pillow and blanket, a curve of body


where he curled against my legs,
       and when the time came, he slipped out
              a loose door into the cold world


whose abundance included
              the death of his choosing.

~Robin Chapman “Enough” from Abundance

\

I remember the long orange carp you once scooped
from the neighbor’s pond, bounding beyond
her swung broom, across summer lawns

to lay the fish on my stoop. Thanks
for that. I’m not one to whom offerings
often get made. You let me feel

how Christ might when I kneel,
weeping in the dark
over the usual maladies: love and its lack.

Only in tears do I speak
directly to him and with such
conviction. And only once you grew frail

did you finally slacken into me,
dozing against my ribs like a child.
You gave up the predatory flinch

that snapped the necks of so many
birds and slow-moving rodents.
Now your once powerful jaw

is malformed by black malignancies.
It hurts to eat. So you surrender in the way
I pray for: Lord, before my own death,

let me learn from this animal’s deep release
into my arms. Let me cease to fear
the embrace that seeks to still me.
~Mary Karr “For a Dying Tomcat Who’s Relinquished His Former Hissing and Predatory Nature”

I have reposted these memories of José after learning of my farmer friend Zach’s recent loss of his 16 year old black farm cat friend Toby, after years of love, companionship, shenanigans and persistent doctoring…

When you look back, Zach, you’ll know Toby’s secret power was to always be enough to get you through the day…

José had been our front porch cat for years.

Not our garage cat, our upper barn cat, our lower barn cat or those that come and go on the farm because we’re a hospitable place where food is always on the table.

He was the king of the farm cats.  No one questioned him (usually) and no one occupied his front porch bench/throne without his express permission. His Majesty showed mercy to any who showed proper submission, and every once in awhile, that included the dogs.

He trained every pup here over the years.

He was the official front porch farm greeter, rising from his throne cushion to investigate any newcomer walking up the sidewalk, mewing a cheerful little “chirp” of a meow in welcome. Then he turned around and returned to his perch.

José was a performance cat, having been trained in his younger years to ride on a bareback pad on our Haflingers, at walk, trot and over jumps (sorry, no pictures). This once again proved his ability to get any creature, large or small, to submit to his will.

The only love of his life was our daughter, Lea. As José arrived to our farm at an indeterminate age, we didn’t really know how many years he would be with us. Before Lea headed off to college, and when home on breaks, they had many happy snuggles together for nearly 15 years.

During our harsh winter storms, José would move to a warm farm building with all the necessary provisions until the storm was done, then reclaim his favorite spot on the front porch when he deemed it cozy enough to be worthy of him.

After one particularly nasty storm, when the cold northeast wind went away, José didn’t return from his hiding place.

I looked, I called, I left goodies out. But no José. No chirpy meow, no yellow-eyed gaze, no black velvet fur to stroke, no rumbly purr to vibrate in my lap. I think this tough cat chose a bad winter to leave for warmer quarters far far away.

I suspect – as I still keep an eye out for it — there must be a velvety black coat he abandoned somewhere here on the farm.

He simply didn’t need it any more and unafraid, he left it behind.

photo by Lea

Lost in Woodland Shade

photo of Calypso Bulbosa by Kate Steensma

Though I know well enough
To hunt the Lady’s Slipper now
Is playing blindman’s-buff,
For it was June She put it on
And grey with mist the spider’s lace
Swings in the autumn wind,
Yet through this hill-wood, high and low,
I peer in every place;
Seeking for what I cannot find
I do as I have often done
And shall do while I stay beneath the sun.
~Andrew Young “Lady’s Slipper Orchid”

photo from USNPS

Everything is beautiful and I am so sad.
This is how the heart makes a duet of
wonder and grief. The light spraying
through the lace of the fern is as delicate
as the fibers of memory forming their web
around the knot in my throat. The breeze
makes the birds move from branch to branch
as this ache makes me look for those I’ve lost
in the next room, in the next song, in the laugh
of the next stranger. In the very center, under
it all, what we have that no one can take
away and all that we’ve lost face each other.
It is there that I’m adrift, feeling punctured
by a holiness that exists inside everything.
I am so sad and everything is beautiful.
~Mark Nepo “Adrift” from Inside the Miracle: Enduring Suffering, Approaching Wholeness

Under the pines, near the murmuring brook,
I know the wild orchids grow,
Fair and pure in their shady nook,
A page in God’s own wonderful book
With a message for me to know.

Come in the Spring to that beautiful bower
And pause by the moss and the fern
To study. And know from the little flower
God’s promise of hope is ready to shower
On those who will trust and learn.

Over the land, with colors so bright,
Leaves whirl in the chill, fitful breeze.
The gurgling brook, ice-coated and white;
Ferns, mosses and orchids have vanished from sight,
Dead and lost in the Winter’s first freeze.

In weakening faith and hopeless despair,
Black winters of woe hold my soul.
For death is the end; and each mortal must share
The fate of the orchids that once blossomed there.
Oblivion marketh the goal.

Hold thy hope, faithless soul, for again in the Spring
Neath the pines, the wild orchids will bloom.
Struggle upward toward God, thy Creator and King.
The Saviour is risen and Nature doth sing,
Christ overcomes death and the tomb!

~Joseph Pullman Porter “Wild Orchids”

How strange to find you where I did
along a path beside a road,
your legs in graceful green dancing
to music made by wind and woods.

Like ladies from a bygone age,
you left your slippers there to air
in dappled shade, while you, barefoot,
relaxed your stays, let loose your hair.

The treasures of this world might be
as simple as an orchid’s bloom;
how sad that so much time is spent
in filling coffers for the tomb.

If only life could be so fresh
and free as you in serenade,
we might learn we value most those
things found lost in woodland shade.

~Mike Orlock “Lady Slipper Serenade (in 4/4 time)”

My grandmother’s house where my father was born had been torn down. She sold her property on Fidalgo Island near Anacortes, Washington to a lumber company – this was the house where all four of her babies were born, where she and my grandfather loved and fought and separated and finally loved again, and where we spent chaotic and memorable Thanksgiving and Christmas meals. After Grandpa died, Grandma took on boarders, trying to afford to remain there on the homesteaded wooded acreage on Similk Bay, fronted by meadows where her Scottish Highland cattle grazed. Her own health was suffering and she reached a point when it was no longer possible to make it work. A deal was struck with the lumber company and she moved to a small apartment for the few years left to her, remaining bruised by leaving her farm.

My father realized what selling to a lumber company meant and it was a crushing thought. The old growth woods would soon be stumps on the rocky hill above the bay, opening a view to Mt. Baker to the east, to the San Juan Islands to the north, and presenting an opportunity for development into a subdivision. He woke my brother and me early one Saturday in May and told us we were driving the 120 miles to Anacortes.

He was on a mission.

As a boy growing up on that land, he had wandered the woods, explored the hill, and helped his dad farm the rocky soil. There was only one thing he felt he needed from that farm and he had decided to take us with him, to trespass where he had been born and raised to bring home a most prized treasure–his beloved lady slippers (Calypso bulbosa) from the woods.

These dainty flowers enjoy a spring display known for its brevity–a week or two at the most–and they tend to bloom in small little clusters in the leafy duff mulch of the deep woods, preferring only a little indirect sunlight part of the day.  They are not easy to find unless you know where to look. 

My father remembered exactly where to look.

We hauled buckets up the hill along with spades, looking as if we were about to dig for clams at the ocean. Dad led us up a trail into the thickening foliage, until we had to bushwhack our way into the taller trees where the ground was less brush and more hospitable ground cover. He would stop occasionally to get his bearings as things were overgrown.  We reached a small clearing and he knew we were near.  He went straight to a copse of fir trees standing guard over a garden of lady slippers.

There were almost thirty of them blooming, scattered about in an area the size of my small bedroom.  Each orchid-like pink and lavender blossom had a straight backed stem that held it with sturdy confidence. To me, they looked like they could be little shoes for fairies who may have hung them up while they danced about barefoot.  To my father, they represented the last redeeming vestiges of his often traumatic childhood, and were about to be trammeled by bulldozers.  We set to work gently digging them out of their soft bedding, carefully keeping their bulb-like corms from losing a protective covering of soil and leafy mulch. Carrying them in the buckets back to the car, we felt some vindication that even if the trees were to be lost to the saws, these precious flowers would survive.

When we got home, Dad set to work creating a spot where he felt they could thrive in our own woods. He found a place with the ideal amount of shade and light, with the protection of towering trees and the right depth of undisturbed leaf mulch. We carefully placed the lady slippers in their new home, scattered in a pattern similar to how we found them. Then Dad built a four foot split rail fence in an octagon around them, as a protection from our cattle and a horse who wandered the woods, and as a way to demarcate that something special was contained inside.

The next spring, only six lady slippers bloomed from the original thirty.  Dad was disappointed but hoped another year might bring a resurgence as the flowers established themselves in their new home.  The following year there were only three. A decade later, my father left our farm and family, not looking back.

Sometime after the divorce, when my mother had to sell the farm, I visited our lady slipper sanctuary in the woods for the last time in the middle of May, seeking what I hoped might still be there, but I knew was no longer. 

The split rail fence still stood, guarding nothing but old memories. No lady slippers bloomed. There was not a trace they had ever been there. They had given up and disappeared.

The new owners of the farm surely puzzled over the significance of the small fenced-in area in the middle of our woods. They probably thought it surrounded a graveyard of some sort.

And they would be right – it did.


An embroidery I made for my father after he replanted the lady slippers — on the back I wrote “The miracle of creation recurs each spring in the delicate beauty of the lady slipper – may we ourselves be recreated as well…”

Bring to Light the Mystery: That Patch of Sunlight

It appears now that there is only one
age and it knows
nothing of age as the flying birds know
nothing of the air they are flying through
or of the day that bears them up
through themselves
and I am a child before there are words
arms are holding me up in a shadow
voices murmur in a shadow
as I watch one patch of sunlight moving
across the green carpet
in a building
gone long ago and all the voices
silent and each word they said in that time
silent now
while I go on seeing that patch of sunlight

~W.S. Merwin, “Still Morning” from The Shadow of Sirius

photo by Barbara Hoelle

Our memories can play tricks.

Just a whiff of a fragrance can trigger an experience of another time and place, a song can transport us to a decade long ago, a momentary sensation will remind us of a past experience long forgotten.

We dwell inside a different age as the years go by, in a body that no longer looks or feels exactly the same, yet our memories take us powerfully back to a special moment that happened before.

For those who struggle with post-trauma recollections, this is a curse to be overcome. For those whose memories bring joy and comfort, they seek to nurture and cherish what has been as if it is still here and now.

Let us remember the Light, just as the poet W.S. Merwin in this poem “Still Morning” remembers the moment of his baptism in a church long gone and whose voices are long since stilled. The Light of that day remains, as fresh today as it was when it moved toward him.

Our memories aren’t tricks, and neither is the Light that shone on us. They sustain us in the here and now.

Our Savior: an ever-moving patch of Light in our lives –
forever radiant.

This year’s Barnstorming Lenten theme is Ephesians 3:9:

…to bring to light for everyone what is the plan of the mystery hidden for ages in God, who created all things…

TEXT
O nata lux de lumine,
Jesu redemptor saeculi,
Dignare clemens supplicum
Laudes precesque sumere.

Qui carne quondam contegi
Dignatus es pro perditis,
Nos membra confer effici
Tui beati corporis.

TRANSLATION
O Light born of Light,
Jesus, redeemer of the world,
Mercifully deign to accept
The praises and prayers of your suppliants.

O you who once deigned to be hidden in flesh
For the sake of the lost,
Grant us to be made members
Of your blessed body.