All the Pretty Little Horses

The mare roamed soft about the slope,
Her rump was like a dancing girl’s.
Gentle beneath the apple trees
She pulled the grass and shook the flies,
Her forelocks hung in tawny curls,
She had a woman’s limpid eyes,
A woman’s patient stare that grieves.
And when she moved among the trees,
The dappled trees, her look was shy,
She hid her nakedness in leaves.
A delicate though weighted dance
She stepped while flocks of finches flew
From tree to tree and shot the leaves
With songs of golden twittering;
How admirable her tender stance.
And then the apple trees were new,
And she was new, and we were new,
And in the barns the stallions stamped
And shook the hills with trumpeting.
~Ruth Stone, 
“The Orchard” from What Love Comes To

Only one retired Haflinger mare remains on our farm now, her small herd diminishing one at a time as they passed from old age. She now is thirty herself, living her remaining days with two geldings in their twenties.

Over four decades, we have kept over a dozen mares born on this land, where they served us well, birthing us their foals and working when asked. In their retirement, they deserved this easy life on pasture for as long as their legs and feet could carry them up and down the slopes of our hilly farm – they more and more resembled our ancient crooked crippled orchard trees, some of which have toppled in the winter winds..

We are close to the end of our horse-keeping days; hard decisions must be made at some point and I don’t feel quite prepared to determine when they are no longer enjoying their time under the sun and I am too frail to care for them as they deserve.

I don’t want them or me to topple over like an old hollow tree in the wind.

I listen for their nickers as I come into the barn each morning and gauge their eagerness to be set free to the fields. The other day, as the sky was gray with a passing rain shower, the geldings went outside happily. As I let our mare out to pasture, she stopped on her way through the gate and turned around, poised to head back to the barn rather than get wet.

I looked her in the eyes and understood exactly how she was feeling.

Perhaps I have identified a bit too much with the stiffness as my aging mares move, their need for frequent napping times in the field, swishing at flies while they dream of younger days of flirting with stallions, nursing babies, having suppler joints and the occasional wild gallop at twilight.

I sing a sad lullaby to myself as I work about the barn with slow deliberation, knowing there is a somber sorrow to life change.
The years pass, never to return, leaving those limpid eyes, flowing manes and tails in their wake.

Ah, yes,
I have had
all the pretty little horses…

The Sweet Ache of Memories

All day the stars watch from long ago
my mother said I am going now
when you are alone you will be all right
whether or not you know you will know
look at the old house in the dawn rain
all the flowers are forms of water
the sun reminds them through a white cloud
touches the patchwork spread on the hill
the washed colors of the afterlife
that lived there long before you were born
see how they wake without a question
even though the whole world is burning

~W.S. Merwin “Rain Light”

Well-away and be it so,
To the stranger let them go.
Even cheerfully I yield
Pasture, orchard, mowing-field,
Yea and wish him all the gain
I required of them in vain.
Yea and I can yield him house,
Barn, and shed, with rat and mouse
To dispute possession of.
These I can unlearn to love.
Since I cannot help it? Good!
Only be it understood,

It shall be no trespassing
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.
~Robert Frost from “On the Sale of My Farm”

the farm where I grew up in east Stanwood
the Stanwood farm from the road

From the road, each of the two small farms where I grew up in western Washington state (Stanwood and Olympia) look nothing like they did in my childhood.  When I drive past now, whether on Google Earth virtually or for real, the outbuildings have changed and are unfamiliar, fences pulled down, the trees exponentially taller or gone altogether, the fields no longer well-tended. Instead the familiarity is in the road to get there, the lean into the curves, the acceleration in and out of dips, the landscape which triggers a simultaneous comfort and disquiet deep in my DNA.

Though my brother once stopped and got permission to look around our long-ago childhood home, and sent me pictures that looked barely recognizable, I myself have never stopped to knock; instead I have driven slowly past to sense if I feel what I used to feel in these places.  My memories are indeed triggered but feel a bit as if they must have happened to someone else.

I have the same feeling when driving past my parents’ childhood farms on Similk Bay on Fidalgo Island and in the Palouse wheat fields. Part of me belongs to these places even though they have never been truly “mine” – only part of sweet memories from my own childhood.

barn on Olympia farm
Olympia house
the driveway to my mother’s Palouse farm where she grew up
my mother’s childhood home in Spring Valley, the Palouse

One clinic day years ago, I glanced at the home address of a young man I was about to see for a medical issue and I realized he now lived in my childhood home located over 100 miles away.  When I greeted him I told him we had something in common: we had grown up under the same roof, inside the same walls, though children of two different generations. 

He was curious but seemed skeptical — how could this gray-haired middle aged woman know anything about his home?  He told me a bit about the house, the barn, the fields, the garden and how he experienced it felt altogether strange to me.  He and I had shared nothing but a patch of real estate — our recollections were so completely disparate.

The two daughters of the family who sold our current farm to us over thirty years ago have been back to visit a time or two, and have driven by whenever they are in the area. Many things remain familiar to them but also too much has changed – it is not quite the same farm they remember from their childhood. I know it aches to visit here but they do let me know when a photo I post has a particular sweet memory for them.

I worry for the fearsome ache if someday, due to age or finances, we must sell this farm we cherish ~ this beloved place our children were raised, animals bred and cared for, fruit picked from an ancient orchard, plants tended and soil turned over. It will remain on the map surely as the other two farms of my past, visible as we pass by slowly on the road, but primarily preserved in the words and photos I harvest here.

Only be it understood,
It shall be no trespassing
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.


There will always be hoping something will still remain familiar on the map of my memory. After all, there is no such beauty as the place where I belonged – now and forever ago.

eveningporch51218

Tell me, where is the road
I can call my own
That I left, that I lost
So long ago?
All these years I have wandered
Oh, when will I know
There’s a way, there’s a road
That will lead me home

After wind, after rain
When the dark is done
As I wake from a dream
In the gold of day
Through the air there’s a calling
From far away
There’s a voice I can hear
That will lead me home

Rise up, follow me
Come away, is the call
With the love in your heart
As the only song
There is no such beauty
As where you belong
Rise up, follow me
I will lead you home
~Michael Dennis Browne

Always Enough


There is always enough.
       My old cat of long years, who
              stayed all the months of his dying,


though, made sick by food,
       he refused to eat, till, long-stroked,
              he turned again to accept


another piece of dry catfood
       or spoonful of meat, a little water,
              another day through which


he purred, small engine
       losing heat—I made him nests
              of pillow and blanket, a curve of body


where he curled against my legs,
       and when the time came, he slipped out
              a loose door into the cold world


whose abundance included
              the death of his choosing.

~Robin Chapman “Enough” from Abundance

\

I remember the long orange carp you once scooped
from the neighbor’s pond, bounding beyond
her swung broom, across summer lawns

to lay the fish on my stoop. Thanks
for that. I’m not one to whom offerings
often get made. You let me feel

how Christ might when I kneel,
weeping in the dark
over the usual maladies: love and its lack.

Only in tears do I speak
directly to him and with such
conviction. And only once you grew frail

did you finally slacken into me,
dozing against my ribs like a child.
You gave up the predatory flinch

that snapped the necks of so many
birds and slow-moving rodents.
Now your once powerful jaw

is malformed by black malignancies.
It hurts to eat. So you surrender in the way
I pray for: Lord, before my own death,

let me learn from this animal’s deep release
into my arms. Let me cease to fear
the embrace that seeks to still me.
~Mary Karr “For a Dying Tomcat Who’s Relinquished His Former Hissing and Predatory Nature”

I have reposted these memories of José after learning of my farmer friend Zach’s recent loss of his 16 year old black farm cat friend Toby, after years of love, companionship, shenanigans and persistent doctoring…

When you look back, Zach, you’ll know Toby’s secret power was to always be enough to get you through the day…

José had been our front porch cat for years.

Not our garage cat, our upper barn cat, our lower barn cat or those that come and go on the farm because we’re a hospitable place where food is always on the table.

He was the king of the farm cats.  No one questioned him (usually) and no one occupied his front porch bench/throne without his express permission. His Majesty showed mercy to any who showed proper submission, and every once in awhile, that included the dogs.

He trained every pup here over the years.

He was the official front porch farm greeter, rising from his throne cushion to investigate any newcomer walking up the sidewalk, mewing a cheerful little “chirp” of a meow in welcome. Then he turned around and returned to his perch.

José was a performance cat, having been trained in his younger years to ride on a bareback pad on our Haflingers, at walk, trot and over jumps (sorry, no pictures). This once again proved his ability to get any creature, large or small, to submit to his will.

The only love of his life was our daughter, Lea. As José arrived to our farm at an indeterminate age, we didn’t really know how many years he would be with us. Before Lea headed off to college, and when home on breaks, they had many happy snuggles together for nearly 15 years.

During our harsh winter storms, José would move to a warm farm building with all the necessary provisions until the storm was done, then reclaim his favorite spot on the front porch when he deemed it cozy enough to be worthy of him.

After one particularly nasty storm, when the cold northeast wind went away, José didn’t return from his hiding place.

I looked, I called, I left goodies out. But no José. No chirpy meow, no yellow-eyed gaze, no black velvet fur to stroke, no rumbly purr to vibrate in my lap. I think this tough cat chose a bad winter to leave for warmer quarters far far away.

I suspect – as I still keep an eye out for it — there must be a velvety black coat he abandoned somewhere here on the farm.

He simply didn’t need it any more and unafraid, he left it behind.

photo by Lea

Lost in Woodland Shade

photo of Calypso Bulbosa by Kate Steensma

Though I know well enough
To hunt the Lady’s Slipper now
Is playing blindman’s-buff,
For it was June She put it on
And grey with mist the spider’s lace
Swings in the autumn wind,
Yet through this hill-wood, high and low,
I peer in every place;
Seeking for what I cannot find
I do as I have often done
And shall do while I stay beneath the sun.
~Andrew Young “Lady’s Slipper Orchid”

photo from USNPS

Everything is beautiful and I am so sad.
This is how the heart makes a duet of
wonder and grief. The light spraying
through the lace of the fern is as delicate
as the fibers of memory forming their web
around the knot in my throat. The breeze
makes the birds move from branch to branch
as this ache makes me look for those I’ve lost
in the next room, in the next song, in the laugh
of the next stranger. In the very center, under
it all, what we have that no one can take
away and all that we’ve lost face each other.
It is there that I’m adrift, feeling punctured
by a holiness that exists inside everything.
I am so sad and everything is beautiful.
~Mark Nepo “Adrift” from Inside the Miracle: Enduring Suffering, Approaching Wholeness

Under the pines, near the murmuring brook,
I know the wild orchids grow,
Fair and pure in their shady nook,
A page in God’s own wonderful book
With a message for me to know.

Come in the Spring to that beautiful bower
And pause by the moss and the fern
To study. And know from the little flower
God’s promise of hope is ready to shower
On those who will trust and learn.

Over the land, with colors so bright,
Leaves whirl in the chill, fitful breeze.
The gurgling brook, ice-coated and white;
Ferns, mosses and orchids have vanished from sight,
Dead and lost in the Winter’s first freeze.

In weakening faith and hopeless despair,
Black winters of woe hold my soul.
For death is the end; and each mortal must share
The fate of the orchids that once blossomed there.
Oblivion marketh the goal.

Hold thy hope, faithless soul, for again in the Spring
Neath the pines, the wild orchids will bloom.
Struggle upward toward God, thy Creator and King.
The Saviour is risen and Nature doth sing,
Christ overcomes death and the tomb!

~Joseph Pullman Porter “Wild Orchids”

How strange to find you where I did
along a path beside a road,
your legs in graceful green dancing
to music made by wind and woods.

Like ladies from a bygone age,
you left your slippers there to air
in dappled shade, while you, barefoot,
relaxed your stays, let loose your hair.

The treasures of this world might be
as simple as an orchid’s bloom;
how sad that so much time is spent
in filling coffers for the tomb.

If only life could be so fresh
and free as you in serenade,
we might learn we value most those
things found lost in woodland shade.

~Mike Orlock “Lady Slipper Serenade (in 4/4 time)”

My grandmother’s house where my father was born had been torn down. She sold her property on Fidalgo Island near Anacortes, Washington to a lumber company – this was the house where all four of her babies were born, where she and my grandfather loved and fought and separated and finally loved again, and where we spent chaotic and memorable Thanksgiving and Christmas meals. After Grandpa died, Grandma took on boarders, trying to afford to remain there on the homesteaded wooded acreage on Similk Bay, fronted by meadows where her Scottish Highland cattle grazed. Her own health was suffering and she reached a point when it was no longer possible to make it work. A deal was struck with the lumber company and she moved to a small apartment for the few years left to her, remaining bruised by leaving her farm.

My father realized what selling to a lumber company meant and it was a crushing thought. The old growth woods would soon be stumps on the rocky hill above the bay, opening a view to Mt. Baker to the east, to the San Juan Islands to the north, and presenting an opportunity for development into a subdivision. He woke my brother and me early one Saturday in May and told us we were driving the 120 miles to Anacortes.

He was on a mission.

As a boy growing up on that land, he had wandered the woods, explored the hill, and helped his dad farm the rocky soil. There was only one thing he felt he needed from that farm and he had decided to take us with him, to trespass where he had been born and raised to bring home a most prized treasure–his beloved lady slippers (Calypso bulbosa) from the woods.

These dainty flowers enjoy a spring display known for its brevity–a week or two at the most–and they tend to bloom in small little clusters in the leafy duff mulch of the deep woods, preferring only a little indirect sunlight part of the day.  They are not easy to find unless you know where to look. 

My father remembered exactly where to look.

We hauled buckets up the hill along with spades, looking as if we were about to dig for clams at the ocean. Dad led us up a trail into the thickening foliage, until we had to bushwhack our way into the taller trees where the ground was less brush and more hospitable ground cover. He would stop occasionally to get his bearings as things were overgrown.  We reached a small clearing and he knew we were near.  He went straight to a copse of fir trees standing guard over a garden of lady slippers.

There were almost thirty of them blooming, scattered about in an area the size of my small bedroom.  Each orchid-like pink and lavender blossom had a straight backed stem that held it with sturdy confidence. To me, they looked like they could be little shoes for fairies who may have hung them up while they danced about barefoot.  To my father, they represented the last redeeming vestiges of his often traumatic childhood, and were about to be trammeled by bulldozers.  We set to work gently digging them out of their soft bedding, carefully keeping their bulb-like corms from losing a protective covering of soil and leafy mulch. Carrying them in the buckets back to the car, we felt some vindication that even if the trees were to be lost to the saws, these precious flowers would survive.

When we got home, Dad set to work creating a spot where he felt they could thrive in our own woods. He found a place with the ideal amount of shade and light, with the protection of towering trees and the right depth of undisturbed leaf mulch. We carefully placed the lady slippers in their new home, scattered in a pattern similar to how we found them. Then Dad built a four foot split rail fence in an octagon around them, as a protection from our cattle and a horse who wandered the woods, and as a way to demarcate that something special was contained inside.

The next spring, only six lady slippers bloomed from the original thirty.  Dad was disappointed but hoped another year might bring a resurgence as the flowers established themselves in their new home.  The following year there were only three. A decade later, my father left our farm and family, not looking back.

Sometime after the divorce, when my mother had to sell the farm, I visited our lady slipper sanctuary in the woods for the last time in the middle of May, seeking what I hoped might still be there, but I knew was no longer. 

The split rail fence still stood, guarding nothing but old memories. No lady slippers bloomed. There was not a trace they had ever been there. They had given up and disappeared.

The new owners of the farm surely puzzled over the significance of the small fenced-in area in the middle of our woods. They probably thought it surrounded a graveyard of some sort.

And they would be right – it did.


An embroidery I made for my father after he replanted the lady slippers — on the back I wrote “The miracle of creation recurs each spring in the delicate beauty of the lady slipper – may we ourselves be recreated as well…”

Bring to Light the Mystery: That Patch of Sunlight

It appears now that there is only one
age and it knows
nothing of age as the flying birds know
nothing of the air they are flying through
or of the day that bears them up
through themselves
and I am a child before there are words
arms are holding me up in a shadow
voices murmur in a shadow
as I watch one patch of sunlight moving
across the green carpet
in a building
gone long ago and all the voices
silent and each word they said in that time
silent now
while I go on seeing that patch of sunlight

~W.S. Merwin, “Still Morning” from The Shadow of Sirius

photo by Barbara Hoelle

Our memories can play tricks.

Just a whiff of a fragrance can trigger an experience of another time and place, a song can transport us to a decade long ago, a momentary sensation will remind us of a past experience long forgotten.

We dwell inside a different age as the years go by, in a body that no longer looks or feels exactly the same, yet our memories take us powerfully back to a special moment that happened before.

For those who struggle with post-trauma recollections, this is a curse to be overcome. For those whose memories bring joy and comfort, they seek to nurture and cherish what has been as if it is still here and now.

Let us remember the Light, just as the poet W.S. Merwin in this poem “Still Morning” remembers the moment of his baptism in a church long gone and whose voices are long since stilled. The Light of that day remains, as fresh today as it was when it moved toward him.

Our memories aren’t tricks, and neither is the Light that shone on us. They sustain us in the here and now.

Our Savior: an ever-moving patch of Light in our lives –
forever radiant.

This year’s Barnstorming Lenten theme is Ephesians 3:9:

…to bring to light for everyone what is the plan of the mystery hidden for ages in God, who created all things…

TEXT
O nata lux de lumine,
Jesu redemptor saeculi,
Dignare clemens supplicum
Laudes precesque sumere.

Qui carne quondam contegi
Dignatus es pro perditis,
Nos membra confer effici
Tui beati corporis.

TRANSLATION
O Light born of Light,
Jesus, redeemer of the world,
Mercifully deign to accept
The praises and prayers of your suppliants.

O you who once deigned to be hidden in flesh
For the sake of the lost,
Grant us to be made members
Of your blessed body.

No Trifling Matter

For the bark, dulled argent, roundly wrapped
And pigeon-collared.

 
For the splitter-splatter, guttering
Rain-flirt leaves.

 
For the snub and clot of the first green cones,
Smelted emerald, chlorophyll.

 
For the scut and scat of cones in winter,
So rattle-skinned, so fossil-brittle.

 
For the alder-wood, flame-red when torn
Branch from branch.

 
But mostly for the swinging locks
Of yellow catkins.

 
Plant it, plant it,
Streel-head in the rain.

~Seamus Heaney “Planting the Alder” with an explanation of some of the poet’s poetic words here

Alder catkin,
weightless as down,
only blow it away
and all changes utterly,
and life, it appears,
is not such a trifling matter,
when nothing about it
seems merely a trifle.

…an alder catkin
lies in my palm,
and quivers, as if living..

~Yevgeny Yevtushenko from “Alder Catkin” translated by Arthur Boyars and Simon Franklin

The alder tree branches are still winter-naked as their catkins start to emerge, other-worldly in appearance.

The swinging catkins search out every breeze to spread pollen as far as possible, engaging in serious alder-production business. It’s effective, as annually our pastures fill with baby alder trees, eager to form their own dense community in the wet ground of our lowlands.

In its desire to dominate the woodlands and allergies here in the northwest, the alder catkin is nothing to trifle with. Though we don’t want a field full of them, I can’t help but admire them this time of year for their bold color and knobby texture, reminiscent of the upholstery of my family’s well-loved 1950’s davenport sofa which converted to a bed for sick kids or visiting cousins.

Another world, another life-time full of dreams…

Clinging to the Present Out of Wariness of the Past

I wondered if that was how forgiveness budded;
not with the fanfare of epiphany,
but with pain gathering its things, packing up,
and slipping away unannounced in the middle of the night.

— Khaled Hosseini from 
The Kite Runner

The time is ripe for looking back over the day, the week, the year, and trying to figure out where we have come from and where we are going to, for sifting through the things we have done and the things we have left undone for a clue to who we are and who, for better or worse, we are becoming.

We cling to the present out of wariness of the past.

But there is a deeper need yet, I think, and that is the need—not all the time, surely, but from time to time—to enter that still room within us all where the past lives on as a part of the present, where the dead are alive again, where we are most alive ourselves to turnings and to where our journeys have brought us.

The name of the room is Remember—the room where with patience, with charity, with quietness of heart, we remember consciously to remember the lives we have lived.
~Frederick Buechner from A Room Called Remember

age nine
age 14
age 15

Something went wrong, says the empty house
in the weed-choked yard. Stones in the fields
say he was not a farmer; the still-sealed jars
in the cellar say she left in a nervous haste.
And the child? Its toys are strewn in the yard
like branches after a storm—a rubber cow,
a rusty tractor with a broken plow,
a doll in overalls. Something went wrong, they say.

~Ted Kooser, from “Abandoned Farmhouse” from Sure Signs: New and Selected Poems. 

In 1959, when I was five years old, my father took a new job so our family moved from a large 3 story farm house in a rural community to a 1950’s newer rambler-style home just outside the city limits of the state capitol.

It was a big adjustment to move to a much smaller house without a basement or upper story, no garage, and no large haybarn nor chicken coop. It meant most things we owned didn’t make the move with us.

The rambler had two side-by-side mirror image rooms as the primary central living space between the kitchen/dining area on one side and the hallway to the bedrooms on the other. The living room could only be entered through the front door and the family room was accessed through the back door with a shared sandstone hearth in the center, containing a fireplace in each room. The only opening between the rooms had a folding door shut most of the year. In December, the door was opened to accommodate a Christmas tree, so it sat partially in the living room and depending on its generous width, spilled over into the family room.  That way it was visible from both rooms, and didn’t take up too much floor space.

The living room, because it contained the only carpeting in the house, and our “best” furniture, was strictly off-limits. In order to keep our two matching sectional knobby gray fabric sofas,  a green upholstered chair and gold crushed velvet covered love seat in pristine condition, the room was to be avoided unless we had company. The carpet was never to develop a traffic pattern, there would be no food, beverage, or pet ever allowed in that room, and the front door was not to be used unless a visitor arrived. The hearth never saw a fire lit on that side because of the potential of messy ashes or smoke smell.

This was not a room for toys or games. The chiming clock next to the hearth, wound with weighted cones on the end of chains, called out the hours without an audience.

One week before Christmas, a tree was chosen to fit in the space where it could overflow into the family room. I particularly enjoyed decorating the “family room” side of the tree, using all my favorite ornaments that were less likely to break if they fell on the linoleum floor on that side of the door.

It was almost as if the Christmas tree itself became divided, with a “formal” side in the living room and a “real life” face on the other side where the living (and hurting) was actually taking place.

The tree straddled more than just two rooms. Every year that tree’s branches reached out to shelter a family that was slowly, almost imperceptibly, falling apart, like the fir needles dropping to the floor to be swept away.

Something was going wrong, only I didn’t see it at the time.

Each year since, our Christmas tree, bearing those old ornaments from my childhood, reminds me of that still room of memories. 

No longer am I wary of the past. As I sweep up the fir needles that inevitably drop, I no longer weep.

What I’ll Remember

old milk barn

The partly open hay barn door, white frame around the darkness,
the broken board, small enough for a child
to slip through.


Walking in the cornfields in late July, green tassels overhead,
the slap of flat leaves as we pass, silent
and invisible from any road.


Hollyhocks leaning against the stucco house, peonies heavy
as fruit, drooping their deep heads
on the dog house roof.


Lilac bushes between the lawn and the woods,
a tractor shifting from one gear into
the next, the throttle opened,


the smell of cut hay, rain coming across the river,
the drone of the hammer mill,
milk machines at dawn.

~Joyce Sutphen “The Last Things I’ll Remember” from First Words

I turn this seasonal corner, facing deep into autumn,
summer fading in the rear view mirror.

Even as the air bares chill, and the clouds sopping soak,
the riches of summer remain vivid.

Let me remember:
even if I too fade away, readying for the next turn.

Lest I Forget…

Let me remember you, voices of little insects, 
Weeds in the moonlight, fields that are tangled with asters, 
Let me remember, soon will the winter be on us, 
Snow-hushed and heavy. 

Over my soul murmur your mute benediction, 
While I gaze, O fields that rest after harvest, 
As those who part look long in the eyes they lean to, 
Lest they forget them.
~Sara Teasdale from “September Midnight”

The tumult and the shouting dies;
The Captains and the Kings depart:
Still stands Thine ancient sacrifice,
An humble and a contrite heart.
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!
~Rudyard Kipling from “Recessional”

If I were called upon to identify briefly the principal trait of the entire twentieth century, here too, I would be unable to find anything more precise and pithy than to repeat once again:
Men have forgotten God.
~Aleksandr Solzhenitzyn from his 1983 acceptance speech for the Templeton Prize

Lest I forget…

I look long in the eyes I lean to

whether a loved one, or the mountains, or summer-weary fields,
or the face of God Himself.

I cannot risk forgetting Who must be remembered —
He is encased in my heart
like a treasured photograph,
like a precious gem,
like a benediction soothing me quiet when anxious.

It is His ultimate promise:
Neither will He forget me –
looking long in my eyes that lean in to Him.

[And the Lord answered] Can a woman forget her nursing child, that she should not have compassion on the son of her womb?
Yes, they may forget, yet I will not forget you.
Isaiah 49:15

Those Quiet Eyes…

Who loves the rain    
    And loves his home, 
And looks on life with quiet eyes,  
     Him will I follow through the storm;    
     And at his hearth-fire keep me warm;
Nor hell nor heaven shall that soul surprise,    
     Who loves the rain, 
     And loves his home, 
And looks on life with quiet eyes.

~Frances Shaw, “Who loves the rain” from Look To the Rainbow of Grace

Now more than ever you can be
generous toward each day
that comes, young, to disappear
forever, and yet remain
unaging in the mind.
Every day you have less reason
not to give yourself away.
~Wendell Berry from “There is no going back”

What a wonder I was
when I was young, as I learn
by the stern privilege
of being old: how regardlessly
I stepped the rough pathways
of the hillside woods,
treaded hardly thinking
the tumbled stairways
of the steep streams, and worked
unaching hard days
thoughtful only of the work,
the passing light, the heat, the cool
water I gladly drank.
~Wendell Berry “VII” 2015 from Another Day

Love is a universe beyond
The daylight spending zone:
As one we more abound
Than two alone.
~Wendell Berry “VIII” 2015 from Another Day


Thinking out loud on this day you were born,
I thank God each day
for bringing you to earth
so we could meet,
raise three amazing children,
now six wonderful grandchildren,
and walk this journey together
with pulse and breath and dreams.

The boy you were
became the man you are:
so blessed by God,
so needed by your family, church and community.

You give yourself away every day with such grace.

It was your quiet brown eyes I trusted first
and just knew
I’d follow you anywhere
and I have.

In this journey together,
we inhabit each other,
however long may be the road we travel;
you have become the air I breathe,
refreshing, renewing, restoring~~
you are that necessary to me,
and that beloved.