To Keep Looking Out

Dawn comes later and later now,
and I, who only a month ago
could sit with coffee every morning
watching the light walk down the hill
to the edge of the pond and place
a doe there, shyly drinking,

then see the light step out upon
the water, sowing reflections
to either side — a garden
of trees that grew as if by magic —
now see no more than my face,
mirrored by darkness, pale and odd,

startled by time. While I slept,
night in its thick winter jacket
bridled the doe with a twist
of wet leaves and led her away,
then brought its black horse with harness
that creaked like a cricket, and turned

the water garden under. I woke,
and at the waiting window found
the curtains open to my open face;
beyond me, darkness. And I,
who only wished to keep looking out,
must now keep looking in.
~Ted Kooser “A Letter in October”

God knows we seek out light
these autumn mornings

praying to see multicolors filling the lines outside;
my face a shadow in a blackened window pane

Some mornings we can only see our own reflection
mirrored by darkness, startled by time, as we wonder what comes next.

God knows, as each year passes, we need His Light illuminating us as we look beyond ourselves, but even more as we look within.

Revealing the Inner Tree

If we could,
like the trees,
practice dying,
do it every year
just as something we do—
like going on vacation
or celebrating birthdays—
it would become
as easy a part of us
as our hair or clothing.

Someone would show us how
to lie down and fade away
as if in deepest meditation,
and we would learn
about the fine dark emptiness,
both knowing it and not knowing it,
and coming back would be irrelevant.

Whatever it is the trees know
when they stand undone,
surprisingly intricate,
we need to know also
so we can allow
that last thing
to happen to us
as if it were only
any ordinary thing,

leaves and lives
falling away, the spirit, complex,
waiting in the fine darkness
to learn which way
it will go.
~Grace Butcher, “Learning from Trees” from Poetry of Presence

And is it not enough that every year
A richly laden autumn should unfold
And shimmer into being leaf by leaf,
It’s scattered ochres mirrored everywhere
In hints and glints of hidden red and gold
Threaded like memory through loss and grief,
When dusk descends,when branches are unveiled,
When roots reach deeper than our minds can feel
And ready us for winter with strange calm,
That I should see the inner tree revealed
And know its beauty as the bright leaves fall
And feel its truth within me as I am?

It is not yet enough. So I must try,
In my poor turn, to help you see it too,
As though these leaves could be as rich as those,
That red and gold might glimmer in your eye,
That autumn might unfold again in you,
Feeling with me what falling leaves disclose.

~Malcolm Guite from “And is it Not Enough?”

If I were to die as a leaf does,
I would want to change my clothes just bit by bit,
overnight oozing gradually to scarlet,
bleeding into the green a little bit more,
until I’m so unrecognizable,
I’ll seem brand new.

That would be ideal.

The reality is a fading to grey and brown,
my edges withered and torn,
bug-bitten with holes and weather-beaten bruised,
dangling and fearful of letting go
and so forgotten.

So I remember:
no one, not one, falls
without its Maker knowing.
No one, not one, dies
without being made brand new.

It’s Half Past October

What can l say, now that summer’s gone,
with the weight of its heat,
its thick blanket of humidity,

the cacophony of zinnias, marigolds, salvia?
Now the sky is clear blue and cloudless,

that sure one-note that can only mean October.
You’re gone.
The leaves turn gold in the calendar’s rotisserie,
giving up their green, and the burning bushes
have ignited, struck their book of matches.

It’s enough to make the heart break, isn’t it?
We keep going down the one road, there’s no turning back.
~Barbara Crooker “Now” from Small Rain

…the golden hour of the clock of the year.
Flowers that were once bright as a box of crayons
are now seed heads and thistle down.
All the feathery grasses shine in the slanted light.
…time to draw the drapes against the wind,
time to hunker down.
Summer’s fruits are preserved in syrup,
but nothing can stopper time.
No way to seal it in wax or amber;
it slides though our hands like a rope of silk.
~Barbara Crooker from “And Now it’s October” from Small Rain.

It’s half-past October, the woods
are on fire, blue skies stretch
all the way to heaven. Of course,
we know that winter is coming, its thin
winding sheets and its hard narrow bed.
But right now, the season’s fermented
to fullness…
~Barbara Crooker from “Reel” in The Book of Kells

Another October. The maples have done their slick trick
of turning yellow almost overnight; summer’s hazy skies
are cobalt blue.
I want to praise things
that cannot last. The scarlet and orange leaves
are already gone, blown down by a cold rain,
crushed and trampled. They rise again in leaf meal

and wood smoke.
I want to praise everything brief and finite.
night falls swiftly, tucking us in her black velvet robe,
the stitches showing through, all those little lights,
our little lives, rising and falling.
~Barbara Crooker from “Equinox”

This slow fading away of October
renders us transient ourselves-

only visitors here,
no laying down claims,
simply passing through
enjoying the scenery,
knowing this too won’t last…

Yet it is sweet
~let me say it again~
oh so sweet
while we’re here.

What Else is There?

The way the trees empty themselves of leaves,
let drop their ponderous fruit,
the way the turtle abandons the sun-warmed log,
the way even the late-blooming aster
succumbs to the power of frost—


this is not a new story.
Still, on this morning, the hollowness
of the season startles, filling
the rooms of your house, filling the world
with impossible light, improbable hope.


And so, what else can you do
but let yourself be broken
and emptied? What else is there
but waiting in the autumn sun?

~Carolyn Locke “What Else?” from The Place We Become

So this is how life goes:

we are sowed, set down roots, bud and grow and flower and bloom and fruit and flourish,

then dry and change and wither and empty and break away
to be carried off beyond this air and water and soil.

We thrive where we are planted,
do what we could with a little nurture,
then transcend the here and now.

So shall we plant the next generation in healthy soil.
May we weed and water and feed as needed.
May we never seek to overshadow the sun
but step aside so its light fully shines on whoever comes next.

A Strange Blurring of Seasons

Van Gogh – “Avenue of Plane Trees near Arles Station”

After Van Gogh
Things are growing strange these days,
like Van Gogh’s yellow trees. Oh, do not
be surprised by these yellow immensities,
how out of proportion things in the picture seem.
What you see in a way makes sense:
the enormous, barren trees eclipsing
the unimportant buildings at Arles station,
the people all small, shadow-like, cast
to the side. Perhaps Van Gogh should have
left us out entirely, but then who would
be left to blame for the strange blurring
of the seasons in the forefront, the way
summer bleeds into autumn, the forests
burning deep into the winter, those winters
where the snow piled so high, we were all
nearly buried alive. Soon we’ll vanish,
and no picture will even exist—unless,
unless someone will answer (who will dare
to answer), where in the world is spring?
~Jodi Hollander “Avenue of Plane Trees”

Who might dare to answer:
where in the world is spring?


Who can know with any certainty?
Sometimes it feels like time skips forward
and a whole season is left behind.

The signs of the seasons might blur so there is no telling
whether it is fall or spring without a calendar.

Are those trees just leafing out or simply trying to shed?
Is the sunset’s golden glow from an early October light or April?

I can’t feel the movement of the earth under my feet.
It needs to slow its spin on its axis
and lengthen its orbital oval trip around the sun
so I have more minutes in the day and more weeks in a year.

But, of course, that would make a huge mess of things.
It is a good thing I’m not the design engineer.

It is as it is,
and meant to be this way.

Though it may be blurry to me,
it is clear and good and intentional to God.
So He dares to answer where in the world is spring?
Only He knows precisely where we are in the heavens…

Balancing on a Broken World

Summer ends now; now, barbarous in beauty, the stooks rise
Around; up above, what wind-walks! what lovely behaviour
Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?

I walk, I lift up, I lift up heart, eyes,
Down all that glory in the heavens to glean our Saviour;
And eyes, heart, what looks, what lips yet give you a
Rapturous love’s greeting of realer, of rounder replies?

And the azurous hung hills are his world-wielding shoulder
Majestic – as a stallion stalwart, very-violet-sweet! –
These things, these things were here and but the beholder
Wanting; which two when they once meet,
The heart rears wings bold and bolder
And hurls for him, O half hurls earth for him off under his feet.
~Gerard Manley Hopkins “Hurrahing in Harvest”

This poem is (in Hopkin’s own words) “the outcome of half an hour of extreme enthusiasm as I walked home alone one day from fishing in the [River] Elwy.”

This afternoon was the colour of water falling through sunlight;
The trees glittered with the tumbling of leaves;
The sidewalks shone like alleys of dropped maple leaves,
And the houses ran along them laughing out of square, open windows.

Under a tree in the park,
Two little boys, lying flat on their faces,
Were carefully gathering red berries
To put in a pasteboard box.


Some day there will be no war,
Then I shall take out this afternoon
And turn it in my fingers,
And remark the sweet taste of it upon my palate,
And note the crisp variety of its flights of leaves.

To-day I can only gather it
And put it into my lunch-box,
For I have time for nothing
But the endeavour to balance myself
Upon a broken world.
~Amy Lowell from “September 1918”

There is no point in seeing without responding; there is no way to respond without seeing.

Christian life and practice require both faith (the sight of the heart) and works (the lurch of the heart toward him in obedience).
~Kathleen Mulhern from “A Christ Sighting” from Dry Bones

Am I the only one who awoke this morning praying
today might be a day of healing between peoples,
when the barbarous becomes beautiful
and we seek to become balanced rather than broken?

A day of
no drone missiles being launched,
no threats of annihilation and winner takes all,
no one gunned down in the street,
no vehicles used as weapons,
no harsh and angry words spoken,
no child misused,
no one sold into slavery,
no one overdosing, abandoned,
homeless and starving.

Am I the only one who awakes and only seeks
to watch the clouds
to praise the heavens
to see the leaves turn color
to take out this one day and taste it
and find that it is good,
then put it away for self-keeping
to share when and if I find someone else
as hungry for grace and mercy as I am,

so as to balance myself somehow
in the beauty of this world while
teetering on its brokenness?

I am not the only one.
I know I am not…

Man Scything Hay by Todd Reifers
Sheaves of Wheat in a Field –Vincent Van Gogh
Wheat Field with Sheaves -Vincent Van Gogh

An Acceptance of Decline

In the evening there were flocks of nighthawks
passing southward over the valley. The tall
sunflowers stood, burning on their stalks
to cold seed, by the still river. And high
up the birds rose into sight against the darkening
clouds. They tossed themselves among the fading
landscapes of the sky like rags, as in
abandonment to the summons their blood knew.
And in my mind, where had stood a garden
straining to the light, there grew
an acceptance of decline. Having worked,
I would sleep, my leaves all dissolved in flight.
~Wendell Berry “September 2”

And when I rise, let me rise
Like a bird, joyfully.
And when I fall, let me fall,
Like a leaf, gracefully, without regret.
And when I stand, let me stand,
Like a tree, strong and tall.
And when I lie, let me lie,
Like a lake, peacefully, calm and still.
And when I work, let me work,
Like a bee, wholeheartedly.
And when I play, let me play,
Like a breeze, fresh and cool, light and clear.

~adapted from Wendell Berry’s “When I Rise” in The Mad Farmer Poems

The thistles, rooted out, throng in again;
The single regal rose is mobbed by weeds;
The plums, the pears, the ripening apples, rain
In the sun; and past summer plants new seeds.

Here, or there, these common yearly things
Repeat, repeat, and gardens do not range:
Yet thistles, roses, fruit trees, birds, and stings
Come to an end, and the church bells sound a change.

These many soft declensions of the day,
So hard to take to heart, bear life away.
~Dunstan Thompson from “Passage”
from Here At Last Is Love

This end-of-summer winding down,
a descent into shorter days and longer nights,
this preparation for autumn austerity,
reminds me to accept my own slow decline ~
an emptying husk
once so full of fruit and seed,
now clinging to what is left of me ~
still filled with the joys, the tears, the eyes
of a brimming-over heart.

Waking with the Light

Light wakes us – there’s the sun
climbing the mountains’ rim, spilling across the valley,
finding our faces.
It is July,

between the hay and harvest,
a time at arm’s length from all other time,

the roads ragged with meadowsweet and mallow,
with splays of seedheads, slubbed and coarse, rough linen.
The fields above the house, clotted with sheep all spring,
are empty now and froth with flowering grasses,
still in the morning light. Birds move around
the leafy fields, the leafy garden.

It is the time
to set aside all vigil, good or ill,
to loosen the fixed gaze of our attention
as dandelions let seedlings to the wind.
Wake with the light.
Get up and go about the day and watch
its surfaces that brighten with the sun.

And later, when the light is drowsed and heavy
go find the burdened fruit trees where the shade
lies splashed and opened-out across the ground.
Spread over it a quilt worn soft by other bodies,
then curl and fall down into sleep at light.

Awaken to a world of long, loose grass-stems,
and leaves above,
and birds, breaking out of the leaves.

~Kerry Hardie from “Sleep in Summer”

Saying good-bye to July last week
meant admitting summer is already half-baked
and so are we–

we who are still doughy,
not nearly done enough.

The rush to autumn is breathless.
We want to hold on tight
to our longish days,
fall asleep in the grasses,
endure sweaty nights
for just a little while longer…

Please, oh please
grant us unending light
and steady us for the task
of getting ready for letting go.

A new series of summer photo notecards from our farm is now available as a thank you gift to you for your financial support of Barnstorming — details here

Light Becomes What It Touches

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller from “Monet Refuses the Operation” from Second Language

Monet’s corner of a lily pond (1918-1919)

“Heaven pulls earth into its arms…”

We all see things differently, don’t we?
What seems ordinary to one is extraordinarily memorable to another.

How might I help others to see the world as I do?
How might I learn to adjust my focus to see things as you do?

The world is in flux;
my delight and dismay flows
from moment to moment,
from object to absence,
from light to darkness,
from color to muted.

Perhaps the blur from Monet’s cataracts
also impedes my vision, creating a deeper understanding,
as I use my imagination to fill in what I can’t quite discern.

My heart and mind expands exponentially
to claim this world and all that beauty has to offer,
while heaven – all this while – pulls me into its arms.

In heaven, my focus will be clear.
All will be extraordinarily ordinary.

Challenging the Dull and the Dead

…every year
the dull and dead in us
meets our Easter challenge:

to be open to the unexpected,
to believe beyond our security,
to welcome God in every form,
and trust in our own greening.
~Joyce Rupp from Out of the Ordinary: Prayers, Poems, and Reflections for Every Season

The challenge after each Easter
is to go back to my everyday routine
as if nothing momentous has happened
when, in fact, everything has happened.

There is laundry to do
floors to mop
groceries to buy
a barn to clean
taxes to pay.

Nothing seemingly has changed –
yet…
everything is changed.

Now I know why,
though dull and dead and pruned,
after each and every Sabbath, I sprout green ~
I am alive only
because He is.