Category: communion

Come and See: Lifted Up From the Earth

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“Now my soul is troubled, and what shall I say?
‘Father, save me from this hour’?
No, it was for this very reason I came to this hour.
Father, glorify your name!”

Then a voice came from heaven,
“I have glorified it, and will glorify it again.”
The crowd that was there and heard it said it had thundered; others said an angel had spoken to him.

Jesus said, “This voice was for your benefit, not mine. Now is the time for judgment on this world; now the prince of this world will be driven out. And I, when I am lifted up from the earth, will draw all people to myself.” He said this to show the kind of death he was going to die.

The crowd spoke up, “We have heard from the Law that the Messiah will remain forever, so how can you say, ‘The Son of Man must be lifted up’? Who is this ‘Son of Man’?”

Then Jesus told them, “You are going to have the light just a little while longer. Walk while you have the light, before darkness overtakes you. Whoever walks in the dark does not know where they are going. Believe in the light while you have the light, so that you may become children of light.” When he had finished speaking, Jesus left and hid himself from them.
John 12: 27- 36

And God held in his hand
A small globe. Look he said.
The son looked. Far off,
As through water, he saw
A scorched land of fierce
Colour. The light burned
There; crusted buildings
Cast their shadows: a bright
Serpent, A river
Uncoiled itself, radiant
With slime.
On a bare
Hill a bare tree saddened
The sky. many People
Held out their thin arms
To it, as though waiting
For a vanished April
To return to its crossed
Boughs. The son watched
Them. Let me go there, he said.
~R.S. Thomas “The Coming”

You have answered
us with the image of yourself
on a hewn tree, suffering
injustice, pardoning it;
pointing as though in either
direction; horrifying us
with the possibility of dislocation.
Ah, love, with your arms out
wide, tell us how much more
they must still be stretched
to embrace a universe drawing
away from us at the speed of light.
~R.S.Thomas “Tell Us”

Some ask for the world
and are diminished
in the receiving
of it. You gave me
only this small pool
that the more I drink
from, the more overflows
me with sourceless light.
~R.S. Thomas “Gift”

“Let me go there”
And You did.

Knowing what awaited You.

Your arms out wide
to embrace us~
we who try to grasp
a heaven which eludes us.

This heaven, Your Light
You brought down to us,
knowing our darkness
and our terrible need.

You wanted to come here,
knowing all this.

Holding us firmly
within your wounded grip,
You, the Son,
handed us back to heaven.

I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.

Lyrics:
Light after darkness, gain after loss
Strength after weakness, crown after cross;
Sweet after bitter, hope after fears
Home after wandering, praise after tears

Alpha and Omega
Beginning and the end
He is making all things new
Springs of living water
Shall wash away each tear
He is making all things new
​
Sight after mystery, sun after rain
Joy after sorrow, peace after pain;
Near after distant, gleam after gloom
Love aftеr wandering, life after tomb

Lyrics
Lead, kindly light, amidst the grey and gloom
The night is long and I am far from home
Here in the dark, I do not ask to see
The path ahead–one step enough for me
Lead on, lead on, kindly light.

I was not ever willing to be led
I could have stayed, but I ran instead
In spite of fear, I followed my pride
My eyes could see, but my heart was blind
Lead on, lead on, kindly light.

And in the night, when I was afraid
Your feet beside my own on the way
Each stumbling step where other men have trod
shortens the road leading home to my God
Lead on, lead on,
my God, my God,
lead on, lead on, kindly light.

Flowers of the Sad, Human Mind

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In the high woods that crest our hills,
Upon a steep, rough slope of forest ground,
Where few flowers grow, sweet blooms today I found
Of the Autumn Crocus, blowing pale and fair.
Dim falls the sunlight there;
And a mild fragrance the lone thicket fills.

Languidly curved, the long white stems
Their purple flowers’ gold treasure scarce display:
Lost were their leaves since in the distant spring,

Their February sisters showed so gay.
Roses of June, ye too have followed fleet!
Forsaken now, and shaded as by thought,
As by the human shade of thought and dreams,
They bloom ‘mid the dark wood, whose air has wrought
With what soft nights and mornings of still dew!
Into their slender petals that clear hue,
Like paleness in fresh cheeks; a thing
On earth, I vowed, ne’er grew
More delicately pure, more shyly sweet.

Child of the pensive autumn woods!
So lovely, though thou dwell obscure and lone,
And though thy flush and gaiety be gone;
Say, among flowers of the sad, human mind,
Where shall I ever find
So rare a grace? in what shy solitudes?
~Robert Laurence Binyon “Autumn Crocus”

The late September emergence
of autumn crocus is always sudden,
rising up near the equinox
in the shade of spent peony bushes.

These rare blooms:
tall, tender, bold, and frail,
their incubation triggered by retreating light from above,
unlike their springtime cousins emerging through melting snow.

The autumn crocus waits with thoughtful temerity,
summoned forth from the soil
to remind us the end of summer
is not the end of them or us.

A luminous gift of hope and beauty
borne from a humble bulb;
plain and only soil-adorned.

Slowly unfurling on a pale leggy stem,
the tender lavender petals peel back
to reveal golden crowns of saffron,
brazenly blooming when all else is dying back.

Vulnerable to blustery wind and heavy rains,
they easily wilt, crushed, deeply bruised purple –
under the Sun’s reflection made manifest;
returning defeated, inglorious, fallen, to dust.

Yet we know – they remind us:
they (and we) will rise again.

…we know what is coming behind the crocus. The spring comes slowly down this way; but the great thing is that the corner has been turned. . . It remains with us to follow or not, to die in this winter, or to go on into that spring and that summer.
C.S. Lewis from God in the Dock

A Good Sound

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(for Wendell)

From steady rain we step to sheltered ground
in the dark cathedral of the barn,
breathe in scents of damp wood and hay,
assume a reverent stillness.
The dog, with the sudden confidence
of one engaged, at last, in good work,
trots through the barn’s far doorway
heading seven white-faced ewe lambs.
Not knowing me, they halt, uncertain,
until you smoothly bucket corn
from storage to trough, and they—
as sheep will—follow where hunger leads.
Hard teeth crack dry kernels
in percussive counterpoint,
a muted consort mimicking the fall
of winter rain on wooden shingles.
In entiring darkness, we stand, until
from your post beneath the hayloft beams,
you turn to me, grinning, and say,
That’s a good sound. And it is.
~Brian Volck “Visiting”

Every now and then, I forget to turn off the lights in the barn. I usually notice just before I go to bed, when the farm’s boundaries seem to have drawn in close. That light makes the barn seem farther away than it is — a distance I’m going to have to travel before I sleep. The weather makes no difference. Neither does the time of year.

Usually, after turning out that forgotten barn light, I sit on the edge of the tractor bucket for a few minutes and let my eyes adjust to the night outside. City people always notice the darkness here, but it’s never very dark if you wait till your eyes owl out a little….I’m always glad to have to walk down to the barn in the night, and I always forget that it makes me glad. I heave on my coat, stomp into my barn boots and trudge down toward the barn light, muttering at myself. But then I sit in the dark, and I remember this gladness, and I walk back up to the gleaming house, listening for the horses.
~Verlyn Klinkenborg from A Light in the Barn

…let me live
in a small room
up the narrow stairs from the stalls,
the horse shifting comfortably below,
browsing and chewing sweet hay.
A single bed with blanket the color
of factory-sweepings will suffice,
each day shaped to the same arc, 
because days can only end when
the lock slides free on the stall’s
Dutch door, and I lead the horse in,
then muscle the corroded bolt shut.
That’s what days are for: I cannot rest
until the horse comes home.
~Julie Bruck from “To Bring the Horse Home”

The best moment in the barn is in the evening just following the hay feeding, as the animals are settling down to some serious chewing. I linger in the center aisle, listening to the rhythmic sounds coming from their stalls. It is a most soothing contented cadence, first their lips picking up the grass, then the chew chew chew chew and a pause and it starts again. It’s even better in the dark, with the lights off.

In the past, I’ve enjoyed listening to the eating sounds at night from the remote vantage point of my bedroom TV monitor system set up to watch my very pregnant mares before foaling. A peculiar lullaby of sorts, strange as that seems, but when all my farm animals are chewing and happy, I am at peace and sleep better.

It reminds me of those dark deep nights of feeding my own newborns, rocking back and forth with the rhythm of their sucking. It is a moment of being completely present and peaceful, and knowing at that moment, nothing else matters–nothing else at all.

If I am very fortunate, each day I live has a rhythm that is reassuring and steady, like the sounds of hay chewing, or rocking a baby. I awake thinking about where my next step will bring me, and then the next, like each chew of sweet hay.

I try to live in communion, without distraction by the worry of the unknown.

But the reality is:
life’s rhythms are often out of sync,
the cadence is jarring,
the sounds are discordant,
sometimes I’m the one being chewed on,
so pain replaces peacefulness.

Maybe that is why this lullaby in the barn~~this sanctuary~~is so treasured, the chosen place of Jesus’ birth. It brings me home to that doubting center of myself that needs reminding that struggle is fleeting, and peace, however elusive now, is forever. I always know where to find it for a few minutes at the end of every day, in a pastoral symphony of sorts.

Someday my hope for heaven will be angel choruses of glorious praise, augmenting a hay-chewing lullaby.

So simple yet so very, very good.

TEXT
O magnum mysterium,
et admirabile sacramentum,
ut animalia viderent Dominum natum,
iacentem in praesepio!
Beata Virgo, cujus viscera
meruerunt portare
Dominum Iesum Christum.
Alleluia!

TRANSLATION
O great mystery,
and wonderful sacrament,
that animals should see the newborn Lord,
lying in a manger!
Blessed is the virgin whose womb
was worthy to bear
the Lord, Jesus Christ.
Alleluia!

Balancing on a Broken World

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Summer ends now; now, barbarous in beauty, the stooks rise
Around; up above, what wind-walks! what lovely behaviour
Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?

I walk, I lift up, I lift up heart, eyes,
Down all that glory in the heavens to glean our Saviour;
And eyes, heart, what looks, what lips yet give you a
Rapturous love’s greeting of realer, of rounder replies?

And the azurous hung hills are his world-wielding shoulder
Majestic – as a stallion stalwart, very-violet-sweet! –
These things, these things were here and but the beholder
Wanting; which two when they once meet,
The heart rears wings bold and bolder
And hurls for him, O half hurls earth for him off under his feet.
~Gerard Manley Hopkins “Hurrahing in Harvest”

This poem is (in Hopkin’s own words) “the outcome of half an hour of extreme enthusiasm as I walked home alone one day from fishing in the [River] Elwy.”

This afternoon was the colour of water falling through sunlight;
The trees glittered with the tumbling of leaves;
The sidewalks shone like alleys of dropped maple leaves,
And the houses ran along them laughing out of square, open windows.
Under a tree in the park,
Two little boys, lying flat on their faces,
Were carefully gathering red berries
To put in a pasteboard box.

Some day there will be no war,
Then I shall take out this afternoon
And turn it in my fingers,
And remark the sweet taste of it upon my palate,
And note the crisp variety of its flights of leaves.
To-day I can only gather it
And put it into my lunch-box,
For I have time for nothing
But the endeavour to balance myself
Upon a broken world.
~Amy Lowell from “September 1918”

There is no point in seeing without responding; there is no way to respond without seeing.

Christian life and practice require both faith (the sight of the heart) and works (the lurch of the heart toward him in obedience).
~Kathleen Mulhern from “A Christ Sighting” from Dry Bones

Am I the only one who awoke this morning praying
today might be a day of healing between peoples,
when the barbarous becomes beautiful
and we seek to become balanced rather than broken?

A day of
no drone missiles being launched,
no threats of annihilation and winner takes all,
no one gunned down in the street,
no vehicles used as weapons,
no harsh and angry words spoken,
no child misused,
no one sold into slavery,
no one overdosing, abandoned,
homeless and starving.

Am I the only one who awakes and only seeks
to watch the clouds
to praise the heavens
to see the leaves turn color
to take out this one day and taste it
and find that it is good,
then put it away for self-keeping
to share when and if I find someone else
as hungry for grace and mercy as I am,

so as to balance myself somehow
in the beauty of this world while
teetering on its brokenness?

I am not the only one.
I know I am not…

Man Scything Hay by Todd Reifers
Sheaves of Wheat in a Field –Vincent Van Gogh
Wheat Field with Sheaves -Vincent Van Gogh

Such a Glorious Infestation…

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She lingered in that charming little garden
to say hello to the gnomes,
such a glorious infestation!
How few wizards realize just how much we can learn
from the wise little gnomes-
or, to give them their correct names, the Gernumbli gardensi.
‘Ours do know a lot of excellent swear words,’ said Ron…
J.K. Rowling in Harry Potter and the Deathly Hallows

It is hard to say exactly when the first one moved in. This farm was distinctly gnome-less when we bought it nearly forty years ago, largely due to twenty-seven hungry barn cats residing here at the time in various stages of pregnancy, growth, development and aging. It took awhile for the feline numbers to whittle down to an equilibrium that matched the rodent population.

In the mean time, our horse numbers increased from three to seven to over fifteen with a resultant exponential increase in barn chores. One spring thirty years ago, I was surprised to walk in the barn one morning to find numerous complex knots tied in the Haflingers’ manes. Puzzling as I took precious time to undo them, literally adding hours to my chores, I knew I needed to find the cause or culprit.

It took some research to determine the probable origin of these tight tangles.  Based on everything I researched, they appeared to be the work of Gernumbli faenilesi, a usually transient species of gnome preferring to live in barns and haylofts in close proximity to heavy maned ponies. In this case, as the tangles persisted for months, they clearly had moved in, lock, stock and barrel. The complicated knots were their signature pride and joy, their artistic way of showing their devotion to a happy farm.

All well and good, but the extra work was killing my fingers and thinning my horses’ hair. I plotted ways to get them to cease and desist.

I set live traps of cheese and peanut butter cracker sandwiches, hoping to lure them into cages for a “catch and release”. Hoping to drive them away, I played polka music on the radio in the barn at night. Hoping to be preemptive, I braided the manes up to be less tempting but even those got twisted and jumbled. Just as I was becoming ever more desperate and about to round up more feral cats, the tangling stopped.

It appeared the gnomes had moved on to a more hospitable habitat. Apparently I had succeeded in my gnome eradication plan. 

Or so I thought.

Not long after, I had the distinct feeling of being watched as I walked past some rose bushes in the yard. I stopped to take a look, expecting to spy the shining eyes of one of the pesky raccoons that frequents our yard to steal from the cats’ food dish. Instead, beneath the thorny foliage, I saw two round blue eyes peering at me serenely. This little gal was not at all intimidated by me, and made no move to escape. She was an ideal example of Gernumbli gardensi, a garden gnome known for their ability to keep varmints and vermin away from plants and flowers. They also happen to actively feud with Gernumbli Faenilesi so that explained the sudden disappearance of my little knot-tying pests in the barn.

It wasn’t long before more Gardensi moved in, a gnomey infestation. They tend to arrive in pairs and bunches, bringing their turtles and dogs with them, like to play music, smoke pipes, play on a teeter totter, work with garden tools, take naps on sun-warmed rocks and one even prefers a swing, day and night through all four seasons. They are a bit of a rowdy bunch and always up for a party, but I enjoy their happy presence and jovial demeanor. I haven’t yet heard any bad language as we have a “keep it clean” policy about bad words around here. They seem quite hardy, stoically withstand extremes in weather, wear masks when asked and only seem fearful when hornets build a nest right in their lap.

As long as they continue to coexist peaceably with us and each other, keep the varmints and their knot-tying cousins away, and avoid bad habits and swear words, I’m quite happy they are here. Actually, I’ve given them the run of the place. I’ve been told to be cautious as there are now news reports of an even more invasive species of gnome, Gernumbli kitschsi, that could move in and take over if I’m not careful. In fact, several new little fellows moved into my hanging baskets and back into the barn this week – someone obviously had put the word out this is a great place to winter over. Now I need to watch for more mane tangles again.

A gnome explosion.

I shudder to think.  There goes the neighborhood.

photo by Tomomi Gibson

Forty-Five Years Ago Today

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The meaning of marriage begins in the giving of words.
We cannot join ourselves to one another without giving our word. And this must be an unconditional giving,
for in joining ourselves to one another
we join ourselves to the unknown.
~Wendell Berry from “Poetry and Marriage” in Standing By Words

Our vows to one another forty-five years ago today:

Before God and this gathering, I vow from my heart and spirit that I will be your wife/husband for as long as we both shall live.

I will love you with faithfulness, knowing its importance in sustaining us through good times and bad.

I will love you with respect, serving your greatest good and supporting your continued growth.

I will love you with compassion, knowing the strength and power of forgiveness.

I will love you with hope, remembering our shared belief in the grace of God and His guidance of our marriage.

“And at home, by the fire, whenever you look up, there I shall be–and whenever I look up, there will be you.”

(our wedding vows for our September 19, 1981 wedding at First Seattle Christian Reformed Church — the last line adapted from Thomas Hardy’s  “Far From the Madding Crowd”)

Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.

We enter, willing to die,
into the commonwealth of its joy.
~Wendell Berry from “A Country of Marriage”

…Marriage… joins two living souls as closely as, in this world, they can be joined. This joining of two who know, love, and trust one another brings them in the same breath into the freedom of sexual consent and into the fullest earthly realization of the image of God. From their joining, other living souls come into being, and with them great responsibilities that are unending, fearful, and joyful. The marriage of two lovers joins them to one another, to forebears, to descendants, to the community, to heaven and earth. It is the fundamental connection without which nothing holds, and trust is its necessity.
~Wendell Berry from Sex, Economy, Freedom and Community

We married forty-five years ago today in our Seattle church with Pastor Peter Holwerda officiating, with a small group of family and friends as witnesses.

It was a wedding of two frugal people with little to spend – I sewed my dress and Dan’s shirt from muslin, we grew our own flowers, our families helped potluck the lunch afterward and our tiered carrot cake was made by a friend.

Yet our vows to one another were not frugal and held nothing back. They were extravagant and comprehensive, coming from our hearts and spirits. The music we asked our amazing organist to play (versions below) inspired us by its simplicity and complexity – very much like the families that raised us and the God we worship.

Our vows have taken us from the city to the countryside, to the raising and rejoicing in three amazing children and now soon to be seven grandchildren. We served more than forty years as a public-employed attorney and physician. We have laid down those responsibilities, and picked up the tools of farm and garden along with church and community service for as long as we are able.

We treasure each day of living together in faithfulness, respect, compassion and hope – knowing that how we love and find joy in one another mirrors how God loves and revels in His people.

We pray for many more days to fill us with what endures.

I want to remember us this way—
late September sun streaming through
the window, bread loaves and golden
bunches of grapes on the table,
spoonfuls of hot soup rising
to our lips, filling us
with what endures.
~Peter Pereira from “A Pot of Red Lentils”

Here are versions of the organ music we selected for prelude, processional, recessional and postlude

Pale Applesauce Clouds

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The kitchen is sweet with the smell of apples,
big yellow pie apples, light in the hand,
their skins freckled, the stems knobby
and thick with bark, as if the tree
could not bear to let the apple go.
Baskets of apples circle the back door,
fill the porch, cover the kitchen table.

My mother and my grandmother are
running the apple brigade. My mother,
always better with machines, is standing
at the apple peeler; my grandmother,
more at home with a paring knife,
faces her across the breadboard.
My mother takes an apple in her hand,

She pushes it neatly onto the sharp
prong and turns the handle that turns
the apple that swivels the blade pressed
tight against the apple’s side and peels
the skin away in long curling strips that
twist and fall to a bucket on the floor.
The apples, coming off the peeler,

Are winding staircases, little accordions,
slinky toys, jack-in-the-box fruit, until
my grandmother’s paring knife goes slicing
through the rings and they become apple
pies, apple cakes, apple crisp. Soon
they will be married to butter and live with
cinnamon and sugar, happily ever after.
~Joyce Sutphen, “Apple Season” from Coming Back to the Body.

I liked how the starry blue lid
of that saucepan lifted and puffed,
then settled back on a thin
hotpad of steam, and the way
her kitchen filled with the warm,
wet breath of apples, as if all
the apples were talking at once,
as if they’d come cold and sour
from chores in the orchard,
and were trying to shoulder in
close to the fire. She was too busy
to put in her two cents’ worth
talking to apples. Squeezing
her dentures with wrinkly lips,
she had to jingle and stack
the bright brass coins of the lids
and thoughtfully count out
the red rubber rings, then hold
each jar, to see if it was clean,
to a window that looked out
through her back yard into Iowa.
And with every third or fourth jar
she wiped steam from her glasses,
using the hem of her apron,
printed with tiny red sailboats
that dipped along with leaf-green
banners snapping, under puffs
of pale applesauce clouds
scented with cinnamon and cloves,
the only boats under sail
for at least two thousand miles.
~Ted Kooser “Applesauce” from Delights and Shadow

1.

Through the night
the apples
outside my window
one by one let go
their branches and
drop to the lawn.
I can’t see, but hear
the stem-snap, the plummet
through leaves, then
the final thump against the ground.

Sometimes two
at once, or one
right after another.
During long moments of silence
I wait
and wonder about the bruised bodies,
the terror of diving through air, and
think I’ll go tomorrow
to find the newly fallen, but they
all look alike lying there
dewsoaked, disappearing before me.

2.

I lie beneath my window listening  
to the sound of apples dropping in

the yard, a syncopated code I long to know,
which continues even as I sleep, and dream I know

the meaning of what I hear, each dull  
thud of unseen apple-

body, the earth  
falling to earth

once and forever, over  
and over.
~ Li-Young Lee “Falling: The Code” from Rose

I tell you, folks, all politics is like applesauce.
~Will Rogers

Once again, it’s applesauce season on our farm. The number of windfall apples lying on the ground is exponentially increasing, so I can put off the task no longer.

The old apple trees in our orchard are primarily antique varieties rarely grown any longer. I have the choice of a number of varieties: a Baldwin or two, some Pippins, a few Kings, and some Dutch Mignons, a russet apple undistinguished in appearance, not at all pretty, and easy to pass by for something more showy.

It takes no time at all to fill several large boxes. Sadly, some apples are already beyond hope; they lay rotting, half consumed by hornets, slugs, deer, possum, raccoons and other critters — so I let them be.

The task of washing, peeling and coring organic apples is time consuming. They require a fair amount of preparation: the bruised spots must be cut out, as well as the worm holes and tracks. The apples are cut to the core and sliced into the simmering pot to be stirred and slowly cooked down to sauce. Before long, before my eyes, together they become a pale yellow mash, blending their varied flavors together.

However the smooth sweetness of this wonderful sauce is owed to the Dutch Mignon. It is a sublime sauce apple despite its humble unassuming appearance. Used alone, it would lack the “stand out” flavors of the other apple varieties, but as it cooks down, it becomes a foundation allowing the other apples to blend their unique qualities.

If I’m feeling really homespun, I marry the sublime with cinnamon and sugar, to create something happily ever after.

So it should be with the fellowship of diverse people and so should it be during a painful political season.

We are bruised, wormy, but salvageable. We are far better together than we are separate. And through the process, with perhaps a sprinkle of cinnamon and sweetness, we are transformed into something far better than how we began.

A Power Secret, Holy, and Fleet

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God empties himself
into the earth like a cloud.
God takes the substance, contours
of a man, and keeps them,
dying, rising, walking,
and still walking
wherever there is motion.
Annie Dillard from “Feast Days” in Tickets for a Prayer Wheel

Divinity is not playful.
The universe was not made in jest
but in solemn incomprehensible earnest.
By a power that is unfathomably secret,
and holy, and fleet.
There is nothing to be done about it,
but ignore it,
or see. 
~Annie Dillard from Pilgrim at Tinker Creek

What does it feel like to be alive?
Living, you stand under a waterfall…
It is time pounding at you, time.
Knowing you are alive is watching on every side
your generation’s short time falling away
as fast as rivers drop through air,
and feeling it hit.

I had hopes for my rough edges.
I wanted to use them as a can opener,
to cut myself a hole in the world’s surface, and exit through it.
~Annie Dillard from An American Childhood

What I have been after all along
is not an explanation but a picture.
This is the way the world is, altar and cup,
lit by the fire from a star that has only begun to die.
My rage and shock at the pain and death
of individuals of my kind is the old, old mystery,
as old as man but forever fresh,
and completely unanswerable.
~Annie Dillard from Pilgrim at Tinker Creek

I came here to study hard things – rock mountain and salt sea –
and to temper my spirit on their edges.

“Teach me thy ways, O Lord” is, like all prayers, a rash one,
and one I cannot but recommend.

The Cascade Range, in these high latitudes, backs almost into the water. There is only a narrow strip, an afterthought of foothills and farms sixty miles wide, between the snowy mountains and the sea.
These mountains — Mount Baker and the Sisters and Shuksan,
the Canadian Coastal Range and the Olympics on the peninsula —
are surely the edge of the known and comprehended world….

That they bear their own unimaginable masses and weathers aloft,
holding them up in the sky for anyone to see plain,
makes them, as Chesterton said of the Eucharist,
only the more mysterious by their very visibility and absence of secrecy.
~Annie Dillard from  Holy the Firm

Some unwonted, taught pride diverts us from our original intent, which is to explore the neighborhood, view the landscape,
to discover at least where it is that we have been
so startlingly set down, if we can’t learn why.
~Annie Dillard from Pilgrim at Tinker Creek

The shadow’s the thing.
If I no longer see shadows as “dark marks,” as do the newly sighted,
then I see them as making some sort of sense of the light.
They give the light distance; they put it in its place.
They inform my eyes of my location here, here O Israel,
here in the world’s flawed sculpture,
here in the flickering shade of the nothingness
between me and the light.
~Annie Dillard from Pilgrim at Tinker Creek

We are here to abet creation and to witness it,
to notice each thing so each thing gets noticed.
Together we notice not only each mountain shadow
and each stone on the beach but we notice
each other’s beautiful face and complex nature
so that creation need not play to an empty house.
~Annie Dillard from The Meaning of Life (1991 Life Magazine)

But time is one thing we have been given,
and we have been given to time.
Time gives us a whirl.
We keep waking from a dream we can’t recall,
looking around in surprise,
and lapsing back, for years on end.
All I want to do is stay awake,
keep my head up, prop my eyes open,
with toothpicks, with trees. …
You don’t run down the present…
You wait for it, empty-handed, and you are filled.
~Annie Dillard from Pilgrim at Tinker Creek

An infant is a pucker of the earth’s thin skin; so are we.
We arise like budding yeasts and break off;
we forget our beginnings.
A mammal swells and circles and lays him down.
You and I have finished swelling;
our circling periods are playing out,
but we can still leave footprints in a trail whose end we do know.
~Annie Dillard from For the Time Being

The world is wilder in all directions,
more dangerous and bitter,
more extravagant and bright.
We are making hay
when we should be making whoopee;
we are raising tomatoes
when we should be raising Cain or Lazarus.
~Annie Dillard from Pilgrim at Tinker Creek

Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed?

Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts?

Why are we reading, if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage and the hope of meaningfulness, and press upon our minds the deepest mysteries, so we may feel again their majesty and power?

What do we ever know that is higher than that power which, from time to time, seizes our lives, and which reveals us startlingly to ourselves as creatures set down here bewildered?

Why does death so catch us by surprise, and why love?

We still and always want waking.
~Annie Dillard from “Write Till You Drop”

Annie Dillard passed into glory yesterday at age 81, finally witnessing firsthand the holy and sacred mysteries she pondered in her writings.

Since 1974, I have been indebted to her God-given gifts of observation and unique ability to share precisely perfect words to describe how she felt about what she saw. In 1976, she did a reading locally – I was amazed at her insistence that we all have the power to open our eyes to this place we have been set down, to witness all that is secret, holy and fleet in our existence…

She indeed left her mark while living, teaching and writing here in Whatcom County for a time nearly fifty years ago…

All the photos on this page are from my collection of pictures I’ve taken here in Whatcom County, as I can imagine this scenery inspired Annie in her writing while she was here.

We are invited by Christ Himself to “come and see.” (John 1:39)

We weren’t conceived by random happenstance –

We are here because we were earnestly needed and wanted,
by a power and divinity with a capacity for love and compassion
beyond anything we are capable of.

We aren’t a cosmic joke,
or random couplings of DNA.
We aren’t pawns in the universe’s chess game.

We have the capacity to see
the image of God in one another,
as well as in the mirror,
yet we ignore with our own eyes,
His shimmering reflection.

…beauty and grace are performed
whether or not we will or sense them.
The least we can do is try to be there…
~Annie Dillard from Pilgrim at Tinker Creek

Mountains are giant, restful, absorbent.
You can heave your spirit into a mountain
and the mountain will keep it, folded,
and not throw it back as some creeks will.
The creeks are the world with all its stimulus and beauty;
I live there. But the mountains are home.
~Annie Dillard from Pilgrim at Tinker Creek

Emerging Transformed

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The ghosts swarm.
They speak as one 
person. Each
loves you. Each
has left something undone.

Today’s edges
are so sharp

they might cut
anything that moved.

The way a lost
word

will come back
unbidden.

You’re not interested
in it now,

only
in knowing
where it’s been.
~Rae Armantrout from “Unbidden” in Versed

I wish for you the blessing
of a room where strangers sit
breathing unashamed
into a chosen silence

Not the gasping breath
of travelers on a crowded plane
or the tenuous wheeze
of the waiting room

May you know the power
of those who have decided
to submit to the silence
to enter the mystery
be consumed by it
and emerge transformed

May you belong among those
who inhale the stillness
as if it is keeping us
because it is
keeping us alive
~Bethany Lee, “To Enter the Mystery” from Etude for Belonging: poems for practicing courage and hope

The grace of God means something like:
Here is your life.
You might never have been, but you are…
Here is the world.
Beautiful and terrible things will happen.
Don’t be afraid.
I am with you.
~Frederick Buechner in “Wishful Thinking and later” in Beyond Words

We are hard pressed on every side, but not crushed;
perplexed, but not in despair;
persecuted, but not abandoned;
struck down, but not destroyed…

Therefore we do not lose heart.
Though outwardly we are wasting away,
yet inwardly we are being renewed day by day.
For our light and momentary troubles
are achieving for us an eternal glory
that far outweighs them all.

So we fix our eyes not on what is seen,
but on what is unseen.
For what is seen is temporary,
but what is unseen is eternal.
-2 Cor 4:8-9, 16-18

I believe like a child
that suffering will be healed and made up for,
that all the humiliating absurdity of human contradictions
will vanish like a pitiful mirage
…that in the world’s finale,
at the moment of eternal harmony,
something so precious will come to pass
that it will suffice for all hearts,
for the comforting of all resentments,
for the atonement of all the crimes of humanity,
for all the blood that they’ve shed;
that it will make it not only possible to forgive
but to justify all that has happened.
~Fyodor Dostoevsky from The Brothers Karamazov

Twenty-five years ago,
a day started with bright sun above
and ended in tears and bloodshed below.

This is a day for recollection;
we live out a remembrance of
the torrential red that flowed that day;

A quarter century later,
our streets both near and far-away
still course with the blood of innocents,
so what have we learned from all this?

That terrible day’s edges were so sharp
we all bled;
still bearing the scars,
we need comforting.

So do not be afraid:
you are not alone.

We breathe and weep and love
as we remember that day,
emerging inevitably transformed.

This Failing Light

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Day after day, day after still day,
The summer has begun to pass away.
Starlings at twilight fly clustered and call,
And branches bend, and leaves begin to fall.
The meadow and the orchard grass are mown,
And the meadowlark’s house is cut down.

The little lantern bugs have doused their fires,
The swallows sit in rows along the wires.
Berry and grape appear among the flowers
Tangled against the wall in secret bowers,
And cricket now begins to hum the hours
Remaining to the passion’s slow procession
Down from the high place and the golden session
Wherein the sun was sacrificed for us.

A failing light, no longer numinous,
Now frames the long and solemn afternoons
Where butterflies regret their closed cocoons.
We reach the place unripe, and made to know
As with a sudden knowledge that we go
Away forever, all hope of return
Cut off, hearing the crackle of the burn-
ing blade behind us, and the terminal sound
Of apples dropping on the dry ground.
~Howard Nemerov “Summer’s Elegy” from Collected Poems

As far as I can see this autumn haze
That spreading in the evening air both ways,
Makes the new moon look anything but new,
And pours the elm-tree meadow full of blue,
Is all the smoke from one poor house alone
With but one chimney it can call its own;
So close it will not light an early light,
Keeping its life so close and out of sight
No one for hours has set a foot outdoors
So much as to take care of evening chores.
The inmates may be lonely women-folk.
I want to tell them that with all this smoke
They prudently are spinning their cocoon
And anchoring it to an earth and moon
From which no winter gale can hope to blow it,—
Spinning their own cocoon did they but know it.
~Robert Frost “The Cocoon”

The summer ends, and it is time
To face another way. Our theme
Reversed, we harvest the last row
To store against the cold, undo
The garden that will be undone.
We grieve under the weakened sun
To see all earth’s green fountains dried,
And fallen all the works of light.
You do not speak, and I regret
This downfall of the good we sought
As though the fault were mine. I bring
The plow to turn the shattering
Leaves and bent stems into the dark,
From which they may return. At work,
I see you leaving our bright land,
The last cut flowers in your hand.
~Wendell Berry “The Summer Ends” from A Timbered Choir.

I too regret the closed cocoon,
so seemingly safe at the time —
once launched before being ready,
there is no returning.

In this fading, failing light, I feel undone,
weepy at harvest, gathering urgently,
not wanting anything to go to waste,
trying to memorialize it all as it changes.

I part again from you, Summer –
your gifts seemed endless
until you yourself ended –
a reminder that someday,
so must I.

photo by Bob Tjoelker