Evening Out

Another word I love is evening
for the balance it implies, balance
being something I struggle with.
I suppose I would like to be more
a planet, turning in & out of light
It comes down again to polarities,
equilibrium. Evening. The moths
take the place of the butterflies,
owls the place of hawks, coyotes
for dogs, stillness for business,
& the great sorrow of brightness
makes way for its own sorrow.
Everything dances with its strict
negation, & I like that. I have no
choice but to like that. Systems
are evening out all around us—
even now, as we kneel before
a new & ruthless circumstance.
Where would I like to be in five
years, someone asks—& what
can I tell them? Surrendering
with grace to the evening, with
as much grace as I can muster
to the circumstance of darkness,
which is only something else
that does not stay.

~Jeremy Radin “Evening”

Let the light of late afternoon
shine through chinks in the barn, moving  
up the bales as the sun moves down.

Let the cricket take up chafing  
as a woman takes up her needles   
and her yarn. Let evening come.

Let dew collect on the hoe abandoned   
in long grass. Let the stars appear
and the moon disclose her silver horn.

Let the fox go back to its sandy den.   
Let the wind die down. Let the shed   
go black inside. Let evening come.

To the bottle in the ditch, to the scoop   
in the oats, to air in the lung   
let evening come.

Let it come, as it will, and don’t   
be afraid. God does not leave us   
comfortless, so let evening come.

~Jane Kenyon “Let Evening Come”

So much of our living is preparing for rest and here I am, fighting it every step of the way.

I resist it mightily:
like my toddler grandson fussing about taking a nap, 
or a youngster devoted to screen time and unwilling to surrender to darkness,
or a parent trying to eke out the last bit of daylight to get the chores done. 

I am comforted by staying busy.
Yet, I was created in the image of One who remembered to rest. 

So must I be “evened out” by Him.
The evening comes – there is no stopping it –
I am to settle into it, to breathe deeply of it,
to close my eyes and drift on the comfort it brings.

When the evening falls
And the daylight is fading
From within me calls
Could it be I am sleeping?
For a moment I stray
Then it holds me completely
Close to home – I cannot say
Close to home feeling so far away
As I walk the room there before me a shadow
From another world, where no other can follow
Carry me to my own, to where I can cross over
Close to home – I cannot say
Close to home feeling so far away
Forever searching; never right I am lost in oceans of night.
Forever hoping I can find memories
Those memories I left behind
Even though I leave will I go on believing
That this time is real – am I lost in this feeling?
Like a child passing through
Never knowing the reason I am home –
I know the way I am home – feeling oh, so far away

Abendlied (Evening Song) translation
Bide with us,
for evening shadows darken,
and the day will soon be over.

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Why Not Stop and Do Nothing For A While

You see them on porches and on lawns
down by the lakeside,
usually arranged in pairs implying a couple

who might sit there and look out
at the water or the big shade trees.
The trouble is you never see anyone

sitting in these forlorn chairs
though at one time it must have seemed
a good place to stop and do nothing for a while.

Sometimes there is a little table
between the chairs where no one
is resting a glass or placing a book facedown.

It may not be any of my business,
but let us suppose one day
that everyone who placed those vacant chairs

on a veranda or a dock sat down in them
if only for the sake of remembering
what it was they thought deserved

to be viewed from two chairs,
side by side with a table in between.
The clouds are high and massive on that day.

The woman looks up from her book.
The man takes a sip of his drink.
Then there is only the sound of their looking,

the lapping of lake water, and a call of one bird
then another, cries of joy or warning—
it passes the time to wonder which.
~Billy Collins “The Chairs That No One Sits In”  from Aimless Love

I don’t take enough time
to do nothing.

I think about doing nothing all the time
but then I do nothing about it.

Too many lonely benches on porches
so many empty chairs
too many vistas unnoticed
so many birds singing with no one listening

all deserve an appreciative audience,
someone who is simply there to see and hear and be.

Perhaps today.
Possibly today.
Maybe, just maybe,
today.

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An Unthinkable Price

No, I will never know
what you saw or what you felt,
thrust into the maw of Eternity,

watching the mortars nightly
greedily making their rounds,
hearing the soft damp hiss

of men’s souls like helium escaping
their collapsing torn bodies,
or lying alone, feeling the great roar

of your own heart.
But I know:
there is a bitter knowledge

of death I have not achieved.
Thus in thankful ignorance,
and especially for my son

and for all who benefit so easily
at so unthinkable a price,
I thank you.

~Michael Burch “Privilege”


(for my father on Memorial Day)

It was only a part of what we knew about you-
serving three long years in the South Pacific,
spoken of obliquely
only if asked about,
but never really answered.

We knew you were a Marine battalion leader,
knew you spent too many nights without sleep,
unsure if you’d see the dawn
only to dread
what the next day would bring.

We knew you lost friends
and your innocence;
found unaccustomed strength
inside a mama’s boy
who once cried too easily and later almost never.

Somehow life had prepared you for this:
pulling your daddy out of bars when you were ten
watching him beat your mama
until finally getting big enough
to stand in the way.

Then Tarawa, Saipan, Tinian beaches
bitterly bloodsoaked
battles won,
to be restored and renewed
as vacation resorts.

We let you go without knowing
your full story–
even Mom didn’t ask.
You could not share the depth
of horror and fear you felt.

It was not shame that kept you silent;
simply no need to revisit
the pain of remembrance.
It was done, finished, you had done your duty.

So as we again set flowers and flag
on your grave,
reunited with Mom after years apart,
I regret so many questions unasked
of a sacrifice beyond imagining,
you having paid an unthinkable price.

Sleep well, Dad,
with Mom now by your side.
I rejoice you finally wakened
to a renewed dawn.

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The Honey of Afternoon Light

How swiftly the strained honey
of afternoon light
flows into darkness

and the closed bud shrugs off
its special mystery
in order to break into blossom

as if what exists, exists
so that it can be lost
and become precious
~Lisel Mueller “In Passing”

Each one of us is like a swelling bud hanging heavy and waiting on the stem —
already but not quite yet.

Such is the late afternoon light of a mid-spring day.
There is an air of mystery in a honeyed moment of illumination
knowing something more is coming.

Not just the inevitable darkness when we all must give up the light to sleep.
Not just opening wide to what we cannot yet understand.
Not just peering through a glass darkly.

Breaking into blossom means opening fully,
into the glow of full ripeness,
to become part of the light itself.

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That Kind of Day

If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary’s cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.
~Billy Collins  “Today”

This is the kind of morning that begs to be admired from dawn’s first moment:  everything emerges from the fog so sharp, vividly bathed in golden light.

It takes my breath away at the same time as it delivers it deep within me.

How might I spring others free as I now have been sprung?

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A Beautiful Softness of Being Human

Sometimes when you start to ramble
or rather when you feel you are starting to ramble
you will say Well, now I’m rambling
though I don’t think you ever are.
And if you ever are I don’t really care.
And not just because I and everyone really 
at times falls into our own unspooling
—which really I think is a beautiful softness
of being human, trying to show someone else
the color of all our threads, wanting another to know 
everything in us we are trying to show them—
but in the specific, 
in the specific of you
here in this car that you are driving
and in which I am sitting beside you
with regards to you 
and your specific mouth
parting to give way
to the specific sweetness that is
the water of your voice 
tumbling forth—like I said 
I don’t ever really mind
how much more 
you might keep speaking
as it simply means 
I get to hear you 
speak for longer. 
What was a stream 
now a river.

~Anis Mojgani “To the Sea”

I always thought
softness was weakness
that by letting my
body relax
or gentleness live
on my fingertips
that I was somehow
letting go
somehow sacrificing
my bravery

now I see, to be soft
is majestically courageous

~Juniper Klatt from I was raised in a house of water

I’ve always wanted to be tougher than I am. So soft, I’m ready to burst into tears too much of the time, whether from sadness, worry, or joy. I wish I could be less transparent with my big feelings.

Yet I wouldn’t change my softness for you. I want to always be unspooling myself, to finally reveal what is underneath all the woven threads.

So much of this life is about having the courage to trust even when things are rocky, to follow the flow of things rather than creating obstruction, to lead when everyone else hangs back, to be gentle when the world needs kindness.

May I always be soft enough if you need a cushion to land upon and a pillow to rest your thoughts.

The sun went down and the moon came out
On the day that you were born
The stars were more than we could count
On the day that you were born
On a morning that was old and new
On the day that you were born
The world opened up to welcome you
On the day that you were born

It’s all mystery and motion
How the wheels of this world open
There were gentle rains and summer storms
On the day that you were born

The winds blew patterns through the trees
On the day that you were born
The waters wandered toward the sea
On the day that you were born

The redbuds fade and bloom again
On the day that you were born
The birds knew where and they knew when
On the day that you were born

In the clouds and vapor and the quiet lakes
On the day that you were born
In the deepest currents and waves that break
On the day that you were born

In the prayers and psalms that whisper through the trees
In the secret places only God can see
In the things we feel but cannot be said
We all hold hands and bow our heads

Seasons pass and seasons grow
On the day that you were born
There were things we’ll never know
On the day that you were born
But love is all and love is true
On the day that you were born
And love will always welcome you
On the day that you were born
~Carrie Newcomer

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Hard to Say

Sometimes I like to hide in the word
foxgloves – in the middle of foxgloves.
The xgl is hard to say, out of the England
of its harbouring word.
Alone it becomes a small tangle,
a witch’s thimble, hard-to-toll bell,
elvish door to a door. Xgl
a place with a locked beginning
then a snag, a gl
like the little Englands of my grief,
a knotted dark that locks light
in glisten, glow, glint, gleam
and Oberon’s banks of eglantine
which closes in on the opening
of Gulliver whose shrunken gul
says ‘rose’ in my fatherland.
Meanwhile, in the motherland, the xg
is almost the thumb of a lost mitten,
an impossible interior, deeper than forests
and further in. And deeper inland
is the gulp, the gulf, the gap, the grip
that goes before love.

~Zaffar Kunial “Foxglove Country” from England’s Green

I can get lost in a word when considering its origins. Sometimes it is how it looks on the page or screen that sucks me in, other times it is how it rolls off the tongue, or how it fits amid other words, like a musical note in a symphony. At times a word can seem an argle-bargle of nonsensical sounds, as if I’m listening to a foreign language.

This poem dissects an ordinary word like foxglove into letters and sounds in a way I have never considered, so that the flowers growing wild in our yard contain unexpected depth and width. Even eglantine is an elegant way to describe wild rose blossoms.

I love looking deep into the pinkish speckled innards of foxglove, lined up just-so in bell-like columns on a stem. I love the thought they were named as if they were little mittens a fox might happen to step into for a trot down the road. I love the thought of foxgloves being part of a glowing glistening fairy world that I only imagine in my dreams. I love that I have written prescriptions of foxglove derivatives for decades for patients who needed the rhythm-controlling properties of digitalis.

So here’s to nonsense, to words that are hard to say, and words that contain mysteries and fairytales within their letters, especially this particular word that actually spells out Love.

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From Tuft to Tuft

There were a few dozen who occupied the field
across the road from where we lived,
stepping all day from tuft to tuft,
their big heads down in the soft grass,
though I would sometimes pass a window
and look out to see the field suddenly empty
as if they had taken wing, flown off to another country.

Then later, I would open the blue front door,
and again the field would be full of their munching
or they would be lying down
on the black-and-white maps of their sides,
facing in all directions, waiting for rain.
How mysterious, how patient and dumbfounded
they appear in the long quiet of the afternoon.

But every once in a while, one of them
would let out a sound so phenomenal
that I would put down the paper
or the knife I was cutting an apple with
and walk across the road to the stone wall
to see which one of them was being torched
or pierced through the side with a long spear.

Yes, it sounded like pain until I could see
the noisy one, anchored there on all fours,
her neck outstretched, her bellowing head
laboring upward as she gave voice
to the rising, full-bodied cry
that began in the darkness of her belly
and echoed up through her bowed ribs into her gaping mouth.

Then I knew that she was only announcing
the large, unadulterated cowness of herself,
pouring out the ancient apologia of her kind
to all the green fields and the gray clouds,
to the limestone hills and the inlet of the blue bay,
while she regarded my head and shoulders
above the wall with one wild, shocking eye.

~Billy Collins “Afternoon with Irish Cows”

Most of my life I have lived surrounded by cows. I have great appreciation for their pastoral presence, and know well their nosiness and their noisiness.

There isn’t anything else that sounds like a cow in heat. Nothing.
Especially in the middle of the night.

There is the fascination of following a meandering cow path through a field –where there is no such thing as a straight line.

And there isn’t anything quite as riveting to a cow than a human approaching the gate.

During our farm stays in Ireland and Scotland a few years back, we made a point to get to know the local bovines, just for comparison’s sake. At home we raised Scottish Highland cattle, so we felt we could speak their language, even if they were Belted Galloways rather than Highlanders. Sure enough, we were just as riveting to them as they were to us.

We have talked about getting a couple of furry cows again for the farm. It’s been awhile since we hosted some here. I’m nostalgic for their reassuring cud chewing, their soft flap of ear, their round transparent eyes, but most of all watching the acrobatics of a tongue that wraps itself around a clump of grass while grazing and can reach up and clean out a moist nose.

A wondrous creature — the bovine – true magnificence and mystery in their cowishness.

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An Unignorable Silence

photo by Barb Hoelle

Once I am sure there’s nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence,

Move forward, run my hand around the font.
From where I stand, the roof looks almost new-
Cleaned or restored? Someone would know: I don’t.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
“Here endeth” much more loudly than I’d meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate, and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation – marriage, and birth,
And death, and thoughts of these – for whom was built
This special shell? For, though I’ve no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;

A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognised, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.
~Philip Larkin from “Church-going”

Even an empty shell of a church invites in silent witness-
even those of us who struggle with unbelief,
who stop only to rest a moment, to mock or sigh,
breathe in the musty history of such a place.

Over the centuries, there has been much wrong with churches,
comprised as they are of fallen people
with broken wings and fractured faith.
They seem anachronistic, from another time and place,
echoing of baptisms and eucharist, weddings and funerals.

Yet we still return, fragmented souls that we are,
acknowledging the flaws in one another
as we crack open to spill our own.

What is right with the church goes beyond silence:
Who we pray to, why we sing and feast together on
the grace and generosity of His Word.
We are restless noisy people joined together
as a body bloodied, bruised, redeemed.

Dear Lord of Heaven and Earth,
look out for us in our motley messiness,
rain down Your restless love upon our heads,
no matter how frowsty a building we worship in,
or how we look or feel today.

Be unignorable, so we might come back, again and again.

We stand, stirred, in silence,
simply grateful to be alive,
to raise our hands together,
then sing and kneel and bow
in such an odd and humble house,
indeed a home God might call His own.

pulpit peonies

The old church leans nearby a well-worn road,
Upon a hill that has no grass or tree,
The winds from off the prairie now unload
The dust they bring around it fitfully.

The path that leads up to the open door
Is worn and grayed by many toiling feet
Of us who listen to the Bible lore
And once again the old-time hymns repeat.

And ev’ry Sabbath morning we are still
Returning to the altar waiting there.
A hush, a prayer, a pause, and voices fill
The Master’s House with a triumphant air.

The old church leans awry and looks quite odd,
But it is beautiful to us and God.
~Stephen Paulus

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As Good As Ever

One day, something very old
happened again. The green
came back to the branches,
settling like leafy birds
on the highest twigs;
the ground broke open
as dark as coffee beans.

The clouds took up their
positions in the deep stadium
of the sky, gloving the
bright orb of the sun
before they pitched it
over the horizon.

It was as good as ever:
the air was filled
with the scent of lilacs
and cherry blossoms

sounded their long
whistle down the track


It was some glad morning.
~Joyce Sutphen “Some Glad Morning”

Amazing that it happens yet again each May:

the ground yields up a rich
and blinding verdancy,
the air scented with perfumed bloom,
the clouds strewn and boiling over on the horizon.

It is enough to overwhelm and enchant us
into waking up early for another day,
just to see what lies in store.

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