Watching Ensanguining Skies

Ensanguining the skies
How heavily it dies
  Into the west away;
Past touch and sight and sound
Not further to be found,
How hopeless under ground
  Falls the remorseful day.
~A.E. Houseman from “How Clear, How Lovely Bright”

O’er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold…

~John Greenleaf Whittier from “The Barefoot Boy”

Once I saw a chimpanzee gaze at a particularly beautiful sunset for a full 15 minutes, watching the changing colors [and then] retire to the forest without picking a pawpaw for supper.
~Adriaan Krotlandt, Dutch ethologist in Scientific American (1962)

It was like a church to me.
I entered it on soft foot,
Breath held like a cap in the hand.
It was quiet.
What God there was made himself felt,
Not listened to, in clean colours
That brought a moistening of the eye,
In a movement of the wind over grass.
There were no prayers said. But stillness
Of the heart’s passions — that was praise
Enough; and the mind’s cession
Of its kingdom. I walked on,
Simple and poor, while the air crumbled
And broke on me generously as bread.
R.S. Thomas “The Moor”

How can I feel so warm   
Here in the dead center of January? I can   
Scarcely believe it, and yet I have to, this is   
The only life I have. 
~James Wright from “A Winter Daybreak Above Vence”

Last night was a once a year sunset experience in the dead center of January, following a full day of pouring-rain gray-skies monochrome nothingness.

For twenty minutes our region was blissed to witness an evolving array of crimson and purple color and patterns, streaks and swirls, gradation and gradual decline.

It all took place in silence.  No bird song, no wind, no spoken prayer.
Yet a communion took place – the air broke and fed us like manna from heaven. And so filled to the brim…

May I squander my life no more and instead treasure each moment.

May I vow to cherish God, church, family, friends, and those in my community who are strangers to me.

May I never forget my witness this winter day of the bleeding of the last light of day.

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A Day for Grumbling

I like these cold, gray winter days.
Days like these let you savor a bad mood. 
~Bill Watterson (Creator of Calvin and Hobbes)

Sometimes the mist overhangs my path,
And blackening clouds about me cling;
But, oh, I have a magic way
To turn the gloom to cheerful day—
      I softly sing.

And if the way grows darker still,
Shadowed by Sorrow’s somber wing,
With glad defiance in my throat,
I pierce the darkness with a note,
       And sing, and sing.

I brood not over the broken past,
Nor dread whatever time may bring;
No nights are dark, no days are long,
While in my heart there swells a song,
       And I can sing.

~James Weldon Johnson “The Gift to Sing”

I can grumble and complain with the best of them. There is camaraderie in shared grumbling, as well as an exponential increase in dissatisfaction as everyone around me shares their own particular misery. Some relationships are based on just such collaborative complaining.

But I know better. I’ve seen where grousing leads and I feel the ache in my bones when I’m steeped in it. The sky gets grayer, the clouds become thicker, the night is darker–on and on to its overwhelming suffocating conclusion.

I have the privilege to turn away from being bleak and gloomy and choose joy. I can find the single ray of sun and stand steadfastly within it, to sing out that first note and pierce the darkness.

This is not me putting on a “happy face” — instead joy adopts and inhabits me, holds me close in the tough times and won’t abandon me. Though at times it may hide temporarily behind a cloud, I know it is there even when I can’t see it.

So I gently sing my way out of the gloom and clouds, for when I choose joy over grumbling, I find joy has chosen me.

So breaks the sun earth’s rugged chains,
      Wherein rude winter bound her veins;
So grows both stream and source of price,
      That lately fettered were with ice.
So naked trees get crisped heads,
      And colored coats the roughest meads,
And all get vigor, youth, and spright,
      That are but looked on by his light.
~Ben Jonson “So Breaks the Sun”

May we sing together, always.
May our voice be soft.
May our singing be music for others
and may it keep others aloft.
Sing gently, always.
Sing gently as one.
May we stand together, always.
May our voice be strong.
May we hear the singing and
May we always sing along.
Sing gently, always.
Sing gently as one.
~Eric Whitacre

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An Absence of Secrecy

I came here to study hard things
– rock mountain and salt sea –
and to temper my spirit on their edges. 
“Teach me thy ways, O Lord” is, like all prayers,
a rash one, and one I cannot but recommend. 

These mountains — Mount Baker and the Sisters and Shuksan,
the Canadian Coastal Range and the Olympics on the peninsula — are surely the edge of the known and comprehended world…. 

That they bear their own unimaginable masses and weathers aloft, holding them up in the sky for anyone to see plain, makes them,
as Chesterton said of the Eucharist, only the more mysterious
by their very visibility and absence of secrecy.
~Annie Dillard from Holy the Firm

Sometimes the mountain
is hidden from me in veils
of cloud, sometimes
I am hidden from the mountain
in veils of inattention, apathy, fatigue,
when I forget or refuse to go
down to the shore or a few yards
up the road, on a clear day,
to reconfirm
that witnessing presence.
~Denise Levertov  “Witness”

Even on the days like today when the mountain is hidden behind a veil of clouds, I have every confidence it is there.  It has not moved in the night, gone to another county, blown up or melted down.  My vision isn’t penetrating enough to see it through cloud cover today, but it will return to my line of sight, if not tomorrow, perhaps the next day, maybe not until next week. 

I know this and have faith it is true – the mountain does not keep itself a secret.

On the days when I am not bothering to look for it, too preoccupied so walk right past its obvious grandeur and presence, then it reaches out to me and calls me back, refocusing me. 

There are times when I turn a corner on the farm and glance up, and there it is, a silent and overwhelming witness to beauty and steadfastness.  I literally gasp at not noticing before, at not remembering how I’m blessed by it being there even at the times I can’t be bothered.

It witnesses my lack of witness and, so in its mysterious way of being in plain sight, stays put to hold me fast yet another day.  And so I keep coming back to gaze, sometimes just at clouds, yearning to lift the veil, and as a result, lift my veil, just one more time.

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Clutching Stardust

The true harvest of my daily life is somewhat as intangible and indescribable as the tints of morning or evening.  It is a little star-dust caught, a segment of the rainbow which I have clutched.
~Henry David Thoreau

Painting the indescribable with words necessitates subtlety, sound and rhythm on a page.  The best word color portraits I know are by Gerard Manley Hopkins who created  through startling combinations:  “crimson-cresseted”, “couple-colour”, “rose-moles”, “fresh-firecoal”, “adazzle, dim”, “dapple-dawn-drawn”, “blue-bleak embers”, “gash gold-vermillion”.

I understand, as Thoreau does,  how difficult it is to harvest a day using ordinary words.   Like grasping ephemeral star trails or the transient rainbow that moves away as I approach, what I hold on the page is intangible yet very real.

I will keep reaching for the rainbow, searching for the best words to preserve my days and nights forever, for my someday greatgrandchildren, or whoever might have the patience to read.

After all, in the beginning was the Word, and there is no better place to start.

More beauty in words and photography is found in this book available here:

Full of Mystery

It’s strange to be here. The mystery never leaves you. 
~John O’Donohue from Anam Cara

We must learn to acknowledge
that the creation is full of mystery;
we will never entirely understand it.
We must abandon arrogance
and stand in awe.
We must recover the sense
of the majesty of creation,
and the ability to be worshipful in its presence.
For I do not doubt that it is only
on the condition of humility and reverence before the world
that our species will be able to remain in it.
~Wendell Berry from  The Art of the Commonplace: The Agrarian Essays

How did we come here and how is it we remain?

Even when the wind blows mightily,
the waters rise,
the earth shakes,
the fires rage,
the pandemic persists…

~we are here, granted another day to get it right. And will we?

It is strange to be here,
marveling at the mystery around us –
recognizing we are the ultimate mystery of creation,
placed here as its witnesses,
worshiping in humility, with reverence and obedience.

We don’t own what we see;
we only own our awe.

Looking for a beautiful book to own or give? This is available to order here:

Wired With Alertness

Edmund Darch Lewis – Susquehanna
Agnes Wallace by Robert Sivell

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.


Not in July or any month
have I had the pleasure — if it is a pleasure —
of fishing on the Susquehanna.


I am more likely to be found
in a quiet room like this one —
a painting of a woman on the wall,


a bowl of tangerines on the table —
trying to manufacture the sensation
of fishing on the Susquehanna.


There is little doubt
that others have been fishing
on the Susquehanna,


rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.


But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,


when I balanced a little egg of time
in front of a painting
in which that river curled around a bend


under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana


sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.


That is something I am unlikely

ever to do, I remember
saying to myself and the person next to me.


Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,


even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame. 
~Billy Collins Fishing On The Susquehanna In July

A Hare in the Forest by Hans Hoffman (Getty Museum)
Susquehanna by Jasper Francis Cropsey
Hayfield–oil painting by Scott Prior http://www.scottpriorart.com

I live a quiet life in a quiet place. There are many experiences not on my bucket list that I’m content to simply imagine.

I’m not a rock climber or a zip liner or willing to jump out of an airplane. I won’t ride a horse over a four foot jump or race one around a track. Not for me waterskis or unicycles or motorcycles.

I’m grateful there are those who are eagerly wired with alertness for the next experience: adventurers who seek out the extremes of life so the rest of us can sit back and admire their courage and applaud their explorations and achievement.

My mind’s eye and imagination is powerful enough, thanks to the words and pictures of others. I find I’m content to explore the corners of my quiet places, both inside and outside, to see what I can build from what I find right here under my nose.

When the light is right, and I’m open enough to it, what I see is ready to spring right out of the frame.

The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—

….and August the most peaceful month.

To be, in the grass, in the peacefullest time,
And to feel that the light is a rabbit-light
In which everything is meant for you
And nothing need be explained;

You become a self that fills the four corners of
night.
~Wallace Stevens, from “A Rabbit As King of the Ghosts”

More of my images along with Lois Edstrom’s ekphrastic poetry can be found in this book, available for order here:

To Live in the Layers

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon

How shall the heart be reconciled
to its feast of losses?


Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.

In my darkest night,
when the moon was covered

and I roamed through wreckage,
a nimbus-clouded voice
directed me:

“Live in the layers,
not on the litter.”

Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.

I am not done with my changes.
~Stanley Kunitz from “The Layers”

A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life—the nation, the city, the neighborhood, the house where the family lives—as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them.

I breathed the air of history all unaware, and walked oblivious through its littered layers.
~Annie Dillard from An American Childhood

photo of Wiser Lake and Mt. Baker by Joel de Waard

…we become whole by having the courage to revisit and embrace all the layers of our lives, denying none of them, so that we’re finally able to say, “Yes, all of this is me, and all of this has helped make me who I am.”

When we get to that point, amazingly, we can look at all the layers together and see the beauty of the whole.
~Parker Palmer from “Embracing All the Layers of Your Life” in On Being

My favorite scenes are ones where there are several “layers” to study, whether it is a still life of petals or a deep landscape with a foreground, middle and backdrop. The challenge is to decide where to look first, what to draw into sharp focus, and how to absorb it all as a whole. In fact, if I only see one aspect, I miss the entire point of the composition. It is wonderfully multi-faceted and multi-layered because that is how my own life is – complex with so much diverse and subtle shading.

If I try to suppress some darker part of my own life I wish to forget and blur out, I ignore the beauty of the contrast with the light that illuminates the rest.

The layers reflect who I was created to be as an image-bearer – complex, nuanced, illuminated in the presence of dark.

Beautifully composed and ultimately transformed.

Enjoying Barnstorming posts like this? You can order this book from Barnstorming here:

Missing the Right Things

In your next letter, please describe
the weather in great detail. If possible,
enclose a fist of snow or mud,

everything you know about the soil,
how tomato leaves rub green against
your skin and make you itch, how slow

the corn is growing on the hill.
Thank you for the photographs
of where the chicken coop once stood,

clouds that did not become tornadoes.
When I try to explain where I’m from,
people imagine corn bread, cast-iron,

cows drifting across grass. I interrupt
with barbed wire, wind, harvest air
that reeks of wheat and diesel.

I hope your sleep comes easy now
that you’ve surrendered the upstairs,
hope the sun still lets you drink

one bitter cup before its rise. I don’t miss
flannel shirts, radios with only
AM stations, but there’s a certain kind

of star I can’t see from where I am—
bright, clear, unconcerned. I need
your recipes for gravy, pie crust,

canned green beans. I’m sending you
the buttons I can’t sew back on.
Please put them in the jar beside your bed.

In your next letter, please send seeds
and feathers, a piece of bone or china
you plowed up last spring. Please
promise I’m missing the right things.

~Carrie Shipers, “In Your Next Letter” from Cause for Concern

For our children (and now their children) who have left the farm, now living far away:

I want to be sure you are missing the right things about this incredible place.

There is so much about a farm that is worrisome, burdensome, back-breaking and unpredictable. Don’t miss those things.

Miss what is breath-taking, awe-inspiring and heart-swelling.

We miss you more than we can ever say, indeed an intensive “missing” that can’t be expressed in words. So I send this to you and you’ll understand.

Human Merely Being

i thank You God for most this amazing
day:for the leaping greenly spirits of trees
and a blue true dream of sky; and for everything
which is natural which is infinite which is yes

(i who have died am alive again today,
and this is the sun’s birthday; this is the birth
day of life and of love and wings: and of the gay
great happening illimitably earth)

how should tasting touching hearing seeing
breathing any–lifted from the no
of all nothing–human merely being
doubt unimaginable You?

(now the ears of my ears awake and
now the eyes of my eyes are opened)
~e.e. cummings

This human merely being
is leaning, threatening to fall over,
nearly broken.

You have created this amazing day
to show Your Face
to hear Your voice.

My ears awake
and my eyes open
to the unimaginable You,
O God.



Light That Almost Speaks

A Light exists in Spring
Not present on the year
At any other period –
When March is scarcely here


A Color stands abroad
On Solitary Hills
That Science cannot overtake,
But Human Nature feels.


It waits upon the Lawn;
It shows the furthest Tree
Upon the furthest Slope we know;
It almost speaks to you.


Then as Horizons step,
Or Noons report away,
Without the Formula of sound,
It passes, and we stay:


A quality of loss
Affecting our Content,
As Trade had suddenly encroached
Upon a Sacrament.
~Emily Dickinson – 85- Part two: Nature

Maybe it is the particular tilt of the globe on its axis,
or the suffusion of clouds mixing
with the perpetually damp atmosphere
or perhaps the knowledge
darkness no longer claims us

but the lighting of March melting into April
has its own sacred whispering voice.a

We are immersed in it but it belongs
framed on gallery walls for perpetuity
to be admired at any time of the year,
whenever we need the soft cushion of golden pastels.

Surrounded by sacrament without and within,
our life in the Lord
gently glows.