It’s strange to be here. The mystery never leaves you. ~John O’Donohue from Anam Cara
We must learn to acknowledge that the creation is full of mystery; we will never entirely understand it. We must abandon arrogance and stand in awe. We must recover the sense of the majesty of creation, and the ability to be worshipful in its presence. For I do not doubt that it is only on the condition of humility and reverence before the world that our species will be able to remain in it. ~Wendell Berry from The Art of the Commonplace: The Agrarian Essays
How did we come here and how is it we remain?
Even when the wind blows mightily, the waters rise, the earth shakes, the fires rage, the pandemic persists…
~we are here, granted another day to get it right. And will we?
It is strange to be here, marveling at the mystery around us – recognizing we are the ultimate mystery of creation, placed here as its witnesses, worshiping in humility, with reverence and obedience.
We don’t own what we see; we only own our awe.
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I live a quiet life in a quiet place. There are many experiences not on my bucket list that I’m content to simply imagine.
I’m not a rock climber or a zip liner or willing to jump out of an airplane. I won’t ride a horse over a four foot jump or race one around a track. Not for me waterskis or unicycles or motorcycles.
I’m grateful there are those who are eagerly wired with alertness for the next experience: adventurers who seek out the extremes of life so the rest of us can sit back and admire their courage and applaud their explorations and achievement.
My mind’s eye and imagination is powerful enough, thanks to the words and pictures of others. I find I’m content to explore the corners of my quiet places, both inside and outside, to see what I can build from what I find right here under my nose.
When the light is right, and I’m open enough to it, what I see is ready to spring right out of the frame.
The difficulty to think at the end of day, When the shapeless shadow covers the sun And nothing is left except light on your fur—
….and August the most peaceful month.
To be, in the grass, in the peacefullest time, And to feel that the light is a rabbit-light In which everything is meant for you And nothing need be explained;
I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides, from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon
How shall the heart be reconciled to its feast of losses?
Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road precious to me. In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: “Live in the layers, not on the litter.” Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written. I am not done with my changes. ~Stanley Kunitz from “The Layers”
A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life—the nation, the city, the neighborhood, the house where the family lives—as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them.
I breathed the air of history all unaware, and walked oblivious through its littered layers. ~Annie Dillard from An American Childhood
…we become whole by having the courage to revisit and embrace all the layers of our lives, denying none of them, so that we’re finally able to say, “Yes, all of this is me, and all of this has helped make me who I am.”
When we get to that point, amazingly, we can look at all the layers together and see the beauty of the whole. ~Parker Palmer from “Embracing All the Layers of Your Life” in On Being
My favorite scenes are ones where there are several “layers” to study, whether it is a still life of petals or a deep landscape with a foreground, middle and backdrop. The challenge is to decide where to look first, what to draw into sharp focus, and how to absorb it all as a whole. In fact, if I only see one aspect, I miss the entire point of the composition. It is wonderfully multi-faceted and multi-layered because that is how my own life is – complex with so much diverse and subtle shading.
If I try to suppress some darker part of my own life I wish to forget and blur out, I ignore the beauty of the contrast with the light that illuminates the rest.
The layers reflect who I was created to be as an image-bearer – complex, nuanced, illuminated in the presence of dark.
Beautifully composed and ultimately transformed.
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In your next letter, please describe the weather in great detail. If possible, enclose a fist of snow or mud,
everything you know about the soil, how tomato leaves rub green against your skin and make you itch, how slow
the corn is growing on the hill. Thank you for the photographs of where the chicken coop once stood,
clouds that did not become tornadoes. When I try to explain where I’m from, people imagine corn bread, cast-iron,
cows drifting across grass. I interrupt with barbed wire, wind, harvest air that reeks of wheat and diesel.
I hope your sleep comes easy now that you’ve surrendered the upstairs, hope the sun still lets you drink
one bitter cup before its rise. I don’t miss flannel shirts, radios with only AM stations, but there’s a certain kind
of star I can’t see from where I am— bright, clear, unconcerned. I need your recipes for gravy, pie crust,
canned green beans. I’m sending you the buttons I can’t sew back on. Please put them in the jar beside your bed.
In your next letter, please send seeds and feathers, a piece of bone or china you plowed up last spring. Please promise I’m missing the right things. ~Carrie Shipers, “In Your Next Letter” from Cause for Concern
For our children (and now their children) who have left the farm, now living far away:
I want to be sure you are missing the right things about this incredible place.
There is so much about a farm that is worrisome, burdensome, back-breaking and unpredictable. Don’t miss those things.
Miss what is breath-taking, awe-inspiring and heart-swelling.
We miss you more than we can ever say, indeed an intensive “missing” that can’t be expressed in words. So I send this to you and you’ll understand.
Let us step outside for a moment As the sun breaks through clouds And shines on wet new fallen snow, And breathe the new air. So much has died that had to die this year. We are dying away from things. It is a necessity—we have to do it Or we shall be buried under the magazines, The too many clothes, the too much food.
Let us step outside for a moment Among ocean, clouds, a white field, Islands floating in the distance. They have always been there. But we have not been there.
Already there are signs. Young people plant gardens. Fathers change their babies’ diapers And are learning to cook.
Let us step outside for a moment. It is all there Only we have been slow to arrive At a way of seeing it. Unless the gentle inherit the earth There will be no earth. ~May Sarton from “New Year Poem”
Whenever you find tears in your eyes, especially unexpected tears, it is well to pay the closest attention. They are not only telling you something about the secret of who you are, but more often than not God is speaking to you through them of the mystery of where you have come from and is summoning you to where, if your soul is to be saved, you should go next. ~Frederick Buechnerfrom Beyond Words
This year I have been paying close attention to what makes me weep. During 2020, I have had more than ample opportunity to find out — from my tears — the secret of who I am, where I have come from, and for the salvation of my soul, where I am to be next.
My pockets contain hand sanitizer and kleenex, stowed right next to my mask.
In previous years, my tears flowed while spending time with far-flung children and grandchildren for the holidays — reading books and doing puzzles together and reminiscing about what has been and what could be. It was about singing grace together before a meal and my voice breaking with precious words of gratitude. My tears certainly had to do with bidding farewell until we meet again — gathering them in for that final hug and then that difficult letting-go and waving goodbye as they round the corner and disappear.
This year, that had to happen on a screen or from behind masks. No hugs hello or goodbye. None of the usual ways we celebrate together. I feel bereft as have countless other families around the globe. Some never had opportunity to say their final goodbye – too much has died this year.
As our children grew up, we encouraged them to go where their hearts told them they were needed and called to go, even if thousands of miles away from their one-time home on this farm. And so they went.
I too was let go once and though I would try to look back, too often in tears, I learned to set my face toward the future, seeking how the sun might break through the clouds in my life. It led me to this marriage, this family, this farm, this work, this church, to more tears and heartbreak, to more letting go. And it will continue if I’m granted more years to weep again and again with gusto and grace.
This year my tears flow for what could not be. For too many families, their tears flow for who now is missing and will never return. My tears flow for the pain and sadness of disagreement and angry words.
Spreading faster than COVID is the viral expansion of toxic misinformation and conspiracy theories sowing doubt and distrust. Masks are useless to protect people exposed to a deficiency of simple common sense.
So this is where I must go next: to love so much and so deeply that my tears might make a small difference to those around me, like the sun breaking through the clouds.
From the tawny light from the rainy nights from the imagination finding itself and more than itself alone and more than alone at the bottom of the well where the moon lives, can you pull me
into December? a lowland of space, perception of space towering of shadows of clouds blown upon clouds over new ground, new made under heavy December footsteps? the only way to live?
The flawed moon acts on the truth, and makes an autumn of tentative silences. You lived, but somewhere else, your presence touched others, ring upon ring, and changed. Did you think I would not change?
The black moon turns away, its work done. A tenderness, unspoken autumn. We are faithful only to the imagination. What the imagination seizes as beauty must be truth. What holds you to what you see of me is that grasp alone. ~Denise Levertov “Everything that Acts is Actual”
Within these days of early winter is disappearance of our familiar world, of all that grows and thrives, of new life and freshness, of hope slipping away in a scurry for survival.
Then there comes this moment of softness amid the bleak, a gift of grace and beauty, a glance of sunlight on a snowy hillside, a covering of low misty puffs in the valley, a moon lit landscape, a startling sunrise, clouds upon clouds and then I know the actual world is seized with Your Truth because You have grasped hold of it and won’t let go.