The room darkened, darkened until our nakedness became a form of gray; then the rain came bursting, and we were sheltered, blessed, upheld in a world of elements that held us justified. In all the love I had felt for you before, in all that love, there was no love like that I felt when the rain began… ~John Updike from “The Blessing” from Collected Poems.
As the rains return, as we shelter together, blessed by the passing years and miles, our unknowns have become known, our understanding breathed in silence.
Though we be gray as the clouds above, our hearts still beat in synchrony each pulsing moment more sacred than the last.
Lyrics: A soft voice, a kind word A tender touch in a hard world Your voice like rain after the seeds are sown Your kindness and grace is all I’ve ever known
We’re not the same, you and me You’re an evergreen and I’m a maple tree Sometimes I’m bare, sometimes I’m sweet You can carry on consistently And in a million little ways, you show How to take two souls and make one home
You love the dirt, I find life in words I sit and think, you relish your work You could teach, teach a master class Without a word you show us how to make a feast from scratch And in a million little ways, you show How to take two souls and make one home And in a million little ways, you show How to take two souls and make one home
A sanctuary for our children A sanctuary for our fears and hopes Here in the wilderness, our world longs for this To be known and loved To be known and loved
Lyrics: In the quiet misty morning When the moon has gone to bed, When the sparrows stop their singing And the sky is clear and red, When the summer’s ceased its gleaming When the corn is past its prime, When adventure’s lost its meaning – I’ll be homeward bound in time
Bind me not to the pasture Chain me not to the plow Set me free to find my calling And I’ll return to you somehow
If you find it’s me you’re missing If you’re hoping I’ll return, To your thoughts I’ll soon be listening, And in the road I’ll stop and turn Then the wind will set me racing As my journey nears its end And the path I’ll be retracing When I’m homeward bound again
Bind me not to the pasture Chain me not to the plow Set me free to find my calling And I’ll return to you somehow
In the quiet misty morning When the moon has gone to bed, When the sparrows stop their singing I’ll be homeward bound again. ~Marta Keen “Homeward Bound”
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The meaning of marriage begins in the giving of words. We cannot join ourselves to one another without giving our word. And this must be an unconditional giving, for in joining ourselves to one another we join ourselves to the unknown. ~Wendell Berry from “Poetry and Marriage” in Standing By Words
Our vows to one another forty-five years ago today:
Before God and this gathering, I vow from my heart and spirit that I will be your wife/husband for as long as we both shall live.
I will love you with faithfulness, knowing its importance in sustaining us through good times and bad.
I will love you with respect, serving your greatest good and supporting your continued growth.
I will love you with compassion, knowing the strength and power of forgiveness.
I will love you with hope, remembering our shared belief in the grace of God and His guidance of our marriage.
“And at home, by the fire, whenever you look up, there I shall be–and whenever I look up, there will be you.”
(our wedding vows for our September 19, 1981 wedding at First Seattle Christian Reformed Church — the last line adapted from Thomas Hardy’s “Far From the Madding Crowd”)
Sometimes our life reminds me of a forest in which there is a graceful clearing and in that opening a house, an orchard and garden, comfortable shades, and flowers red and yellow in the sun, a pattern made in the light for the light to return to. The forest is mostly dark, its ways to be made anew day after day, the dark richer than the light and more blessed, provided we stay brave enough to keep on going in.
We enter, willing to die, into the commonwealth of its joy. ~Wendell Berry from “A Country of Marriage”
…Marriage… joins two living souls as closely as, in this world, they can be joined. This joining of two who know, love, and trust one another brings them in the same breath into the freedom of sexual consent and into the fullest earthly realization of the image of God. From their joining, other living souls come into being, and with them great responsibilities that are unending, fearful, and joyful. The marriage of two lovers joins them to one another, to forebears, to descendants, to the community, to heaven and earth. It is the fundamental connection without which nothing holds, and trust is its necessity. ~Wendell Berry from Sex, Economy, Freedom and Community
We married forty-five years ago today in our Seattle church with Pastor Peter Holwerda officiating, with a small group of family and friends as witnesses.
It was a wedding of two frugal people with little to spend – I sewed my dress and Dan’s shirt from muslin, we grew our own flowers, our families helped potluck the lunch afterward and our tiered carrot cake was made by a friend.
Yet our vows to one another were not frugal and held nothing back. They were extravagant and comprehensive, coming from our hearts and spirits. The music we asked our amazing organist to play (versions below) inspired us by its simplicity and complexity – very much like the families that raised us and the God we worship.
Our vows have taken us from the city to the countryside, to the raising and rejoicing in three amazing children and now soon to be seven grandchildren. We served more than forty years as a public-employed attorney and physician. We have laid down those responsibilities, and picked up the tools of farm and garden along with church and community service for as long as we are able.
We treasure each day of living together in faithfulness, respect, compassion and hope – knowing that how we love and find joy in one another mirrors how God loves and revels in His people.
We pray for many more days to fill us with what endures.
I want to remember us this way— late September sun streaming through the window, bread loaves and golden bunches of grapes on the table, spoonfuls of hot soup rising to our lips, filling us with what endures. ~Peter Pereira from “A Pot of Red Lentils”
Here are versions of the organ music we selected for prelude, processional, recessional and postlude
Whatever is foreseen in joy Must be lived out from day to day. Vision held open in the dark By our ten thousand days of work. Harvest will fill the barn; for that The hand must ache, the face must sweat.
And yet no leaf or grain is filled By work of ours; the field is tilled And left to grace. That we may reap, Great work is done while we’re asleep.
When we work well, a Sabbath mood Rests on our day, and finds it good. ~Wendell Berry “Sabbath Poem X, 1979″
Why do we bother with the rest of the day, the swale of the afternoon, the sudden dip into evening, then night with his notorious perfumes, his many-pointed stars?
This is the best— throwing off the light covers, feet on the cold floor, and buzzing around the house on espresso— and, if necessary, the windows— trees fifty, a hundred years old out there, heavy clouds on the way and the lawn steaming like a horse in the early morning. ~Billy Collins from “Morning”
photo by Krisula Steiger
He had driven half the night From far down San Joaquin Through Mariposa, up the Dangerous Mountain roads, And pulled in at eight a.m. With his big truckload of hay behind the barn. With winch and ropes and hooks We stacked the bales up clean To splintery redwood rafters High in the dark, flecks of alfalfa Whirling through shingle-cracks of light, Itch of haydust in the sweaty shirt and shoes. At lunchtime under Black oak Out in the hot corral, —The old mare nosing lunchpails, Grasshoppers crackling in the weeds— “I’m sixty-eight” he said, “I first bucked hay when I was seventeen. I thought, that day I started, I sure would hate to do this all my life. And dammit, that’s just what I’ve gone and done.” ~Gary Snyder – “Hay for the Horses” from Riprap and Cold Mountain Poems
Sure enough, I’ve gone and done it — spent over 50 years of my life taking care of horses. I hope for at least a few more years of horsekeeping as long as I am able while our three retired, aging Haflingers stick around.
No one said I had to do this and plenty of people saw it as expensive folly, including a few cherished folks who continue to aid and abet my horse ownership.
When I was young and agile and full of energy, I didn’t really project ahead fifty years to see that picking up hay bales, moving manure piles and being bumped or stepped on by a 1000 pound animal is a bigger deal now than it once was.
Fourteen years ago, I wrote the following on this website:
From September through April, I scramble to the top of the hay pile in the barn to push down two bales to feed to our horses, now that the pastures are resting and “left to grace” for the winter. My husband has been busy spreading our composted manure out on the fields to give them an extra fertilizer boost for next spring’s growth.
As farmers, we have to always be thinking one or two seasons ahead: the hay brought into the barn in June or July does not leave the barn until late-autumn. The manure piled up in winter gets spread on pastures the following fall. The tilled cornfields surrounding us are seeded in May and not harvested until October after several months of rain and sun and rain again.
More than practicing forethought, as farmers we know our meager efforts, as tangible as they are, are dependent solely on grace: that there will be enough rain, that there will not be too much rain, that there will be enough days of sunlight, that the seed will sprout, that the machinery will work when needed, that there will be no blight or pests, and that the hay crew will materialize when needed for harvest. So much of this is not due to the labor of our hands, no matter how much we sweat and ache, but due to the great work of the Creator in His Creation.
Every hay bale I open spills forth His mercy, a reminder of how grateful I am for seed and sun and rain and a barn full of promises.
Despite the hard physical work, fifty years hasn’t changed how I love the smell of a soft muzzle, or seeing my reflection in their eyes.
When I lived in a city apartment so many years ago, I knew I would love to wake up every morning to take care of horses the rest of my life.
Who loves the rain And loves his home, And looks on life with quiet eyes, Him will I follow through the storm; And at his hearth-fire keep me warm; Nor hell nor heaven shall that soul surprise, Who loves the rain, And loves his home, And looks on life with quiet eyes. ~Frances Shaw, “Who loves the rain” from Look To the Rainbow of Grace
Now more than ever you can be generous toward each day that comes, young, to disappear forever, and yet remain unaging in the mind. Every day you have less reason not to give yourself away. ~Wendell Berry from “There is no going back”
What a wonder I was when I was young, as I learn by the stern privilege of being old: how regardlessly I stepped the rough pathways of the hillside woods, treaded hardly thinking the tumbled stairways of the steep streams, and worked unaching hard days thoughtful only of the work, the passing light, the heat, the cool water I gladly drank. ~Wendell Berry “VII” 2015 from Another Day
I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary… ~Margaret Atwood
I stop writing the poem to fold the clothes. No matter who lives or who dies, I’m still a woman. I’ll always have plenty to do. I bring the arms of his shirt together. Nothing can stop our tenderness. I’ll get back to the poem. I’ll get back to being a woman. But for now there’s a shirt, a giant shirt in my hands, and somewhere a small girl standing next to her mother watching to see how it’s done. ~Tess Gallagher “I Stop Writing the Poem”
For Dan’s 73rd birthday…
In this journey together, we inhabit each other, however long may be the road we travel; you have become the air I breathe, refreshing, renewing, restoring~~ you are that necessary to me, and that beloved.
Each year, as we grow older together: grayer, softer, gentler with ourselves, each other, and the world.
I pause to say, on this day you were born, thank you, God, yet again for bringing you to earth so we could meet, raise our three amazing children, and now six grandchildren, with another on the way, walking life together with faith and hope and dreams.
It was your quiet brown eyes I trusted first and just knew I’d follow you anywhere, and I have…
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When it snows, he stands at the back door or wanders around the house to each window in turn and watches the weather like a lover. O farm boy, I waited years for you to look at me that way. Now we’re old enough to stop waiting for random looks or touches or words, so I find myself watching you watching the weather, and we wait together to discover whatever the sky might bring. ~Patricia Traxler “Weather Man”
My father was a skywatcher, cloud-noter, wind-gauger,
trained since birth to check the weather first thing and last. In those last
dim years when all else had left mind and memory, he’d still stare keenly out the car window
as I drove him to neurologist or podiatrist, and exclaim with joy and
satisfaction: Look at those clouds! And I knew right then that watching the sky
was a good way to conduct a life– that reading the outlines of clouds,
lifting a finger to the pulse of breeze coming your way,
is what can hold you close, clasp you tight to the thrum. ~Wendy Ingersoll “Weatherman”
My farm boy still looks at me that way, wondering if today will bring a storm, or a scorcher, or a deluge, and I reassure him as best I can, because he knows me so well in our many years together:
today, like nearly every other day, will be mostly cloudy with occasional sun breaks.
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On the green hill with the river beyond it long ago and my father there and my grandmother standing in her faded clothes wrinkled high-laced black shoes in the spring grass among the few gravestones inside their low fence by the small white wooden church the clear panes of its windows letting the scene through from the windows on the other side of the empty room and a view of the trees over there my grandmother hardly turned her head staring like a cloud at the empty air not looking at the green glass gravestone with the name on it of the man to whom she had been married and who had been my father’s father she went on saying nothing her eyes wandering above the trees that hid the river from where we were a place where she had stood with him one time when they were young and the bell kept ringing ~W.S. Merwin “Widnoon” from The Moon Before Morning
I remember my grandfather as a somber man who slowly rocked in a wooden chair, staying warm by the wood stove.
That chair now sits empty in our home.
For most of his life, Grandpa drank heavily, but he wasn’t just any drunk. He was a mean drunk. Surly, cursing, prone to throwing things and people, especially at home.
Grandma used to say he learned to drink in the logging camps and I suspect that is true. He started working as a logger before he was fully grown, dropping out of school, leaving home around age sixteen and heading up to the hills where real money could be made.
He learned how to cut down huge old growth Douglas Fir trees, skid them down the hills using a team of horses, and then roll them onto waiting wagons to be hauled to the mills.
He lived with a group of men who surfaced once or twice a month from the hills to take a bath, bootleg booze during prohibition then try to avoid being arrested and thrown in the local pokey. Once in awhile, they maybe went to church with their womenfolk.
Mostly, being a logger taught him how to curse and drink.
He headed home to his father’s homestead farm with muscles and attitude a few years later, and started the process of felling trees, creating a “stump farm” that was a challenge to work because huge “old growth” stumps dotted the fields and hills next to muddy Similk Bay. He slowly worked at blasting them out of the ground so the land could be tilled.
It proved more than he had strength and motivation to do, so his fields were never very fruitful on that rocky hillside. He mostly grew hay for his own animals. He went to work in the local saw mill to make ends meet.
He cleaned up some when he met my grandmother, who at eighteen was seven years younger, and eager to escape her role as chief cook and bottle washer for her widowed father and younger brother. She was devout, lively and full of energy and talked constantly while he, especially when sober, preferred to let others do the talking. It was an unusual match but he liked her cooking and she was ready to be wooed to escape the drudgery of her father’s household.
They settled on the stump farm and began raising a family, trying to eke out what living they could from the land, from the sporadic work he found at the saw mill, and every Sunday, took the wagon a mile down the road to the Bible Church where they both sang with gusto.
He still drank when he had the money, blowing his pay in the local tavern, and stumbling in the back door roaring and burping, falling into bed with his shoes on. Grandma was a teetotaler and yelled into his ruddy face about the wrath of God anytime he drank, their four children hiding when the dishes started to fly, and when he would whip off his belt to hit anyone who looked sideways at him.
When their eldest daughter took sick and died of lymphoma at age eight despite the little doctoring that was available, Grandpa got sober for awhile. He saw it as punishment from God, or at least that is what Grandma told him through her sobs as she struggled to cope with her loss.
Over the years, he relapsed many times, losing fingers in his work at the mill, and losing the respect of his wife, his children and the people in the community. Grandma took the kids for several months to cook in a boarding house in a neighboring town, simply to be able to feed her family while Grandpa squandered what he had on drink.
Reconciled over and over again, Grandma would come back to him, sending their only son to fetch him from the tavern for the night. My Dad would bicycle to that dark and smoky place, stand Grandpa up and guide him staggering out to their truck for the weaving drive home on country roads. On more than one occasion, Grandpa, belligerent as ever, would resist leaving and throw a punch at his boy, usually missing by a mile.
But once the boy grew taller and strong enough to fight back, managing to knock Grandpa to the ground in self-defense, the punching and resistance stopped. The boozing didn’t.
Grandpa sobered up for good while his boy fought in the war overseas in the forties, striking a bargain with God that his boy would come home safe to work the farm as long as Grandpa left alcohol alone. It stuck and he stayed sober. His boy came home. Grandpa saw it as a promise kept and became an elder in his Bible Church, taught Sunday School and gave his extra cash to the church rather than the tavern. He and Grandma donated a house on their property to the church for a parsonage.
Some twelve years later, sitting in a Christmas Sunday School program one Christmas Eve, Grandpa leaned toward Grandma; she saw his face broken out in sweat, his face ashen.
“It’s hot in here, I need air, “ he said and collapsed in her lap.
He was gone, just like that. He left the rest of his family behind while he sat in church, sober as can be, on the day before Christmas.
There is no question in my mind he knew he was forgiven. He headed home one more time, not weaving or swerving but traveling straight and narrow.
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The night of the Perseid shower, thick fog descended but I would not be denied. I had put the children to bed, knelt with them, and later in the quiet kitchen as tall red candles burned on the table between us, I’d listened to my wife’s sweet imprecations, her entreaties to see a physician. But at the peak hour— after she had gone to bed, and neighboring houses stood solemn and dark— I felt no human obligation and went without hope into the yard. In the white mist beneath the soaked and dripping trees, I lifted my eyes into a blind nothingness of sky and shivered in a white robe. I couldn’t see the outline of the neighbor’s willows, much less the host of streaking meteorites no bigger than grains of sand blazing across the sky. I questioned the mind, my troubled thinking, and chided myself to go in, but looking up, I thought of the earth on which I stood, my own scanty plot of ground, and as the lights passed unseen I imagined glory beyond all measure. Then I turned to the lights in the windows— the children’s nightlights, and my wife’s reading lamp, still burning. ~Richard Jones “The Manifestation”
Perhaps as a child you had the chicken pox and your mother, to soothe you in your fever or to help you fall asleep, came into your room and read to you from some favorite book, Charlotte’s Web or Little House on the Prairie, a long story that she quietly took you through until your eyes became magnets for your shuttering lids and she saw your breathing go slow. And then she read on, this time silently and to herself, not because she didn’t know the story, it seemed to her that there had never been a time when she didn’t know this story—the young girl and her benevolence, the young girl in her sod house— but because she did not yet want to leave your side though she knew there was nothing more she could do for you. And you, not asleep but simply weak, listened to her turn the pages, still feeling the lamp warm against one cheek, knowing the shape of the rocking chair’s shadow as it slid across your chest. So that now, these many years later, when you are clenched in the damp fist of a hospital bed, or signing the papers that say you won’t love him anymore, when you are bent at your son’s gravesite or haunted by a war that makes you wake with the gun cocked in your hand, you would like to believe that such generosity comes from God, too, who now, when you have the strength to ask, might begin the story again, just as your mother would, from the place where you have both left off. ~Keetje Kuipers“Prayer”
Flung is too harsh a word for the rush of the world. Blown is more like it, but blown by a generous, unending breath. ~Annie Dillardfrom Pilgrim at Tinker Creek
How could it be possible?
The five year old me had a sudden terrifying revelation that I would some day cease to walk this earth.
The much older me is more afraid of the faster and faster rush of the days than of their end.
The world hurtles through space and time at a pace that leaves me breathless. Throughout my seventy-plus years, I have felt flung all too frequently, bruised and weary from hurry and hubbub.
I have need of Someone to stop me for a moment, sit down and begin the Story again with me, starting right where we left off.
Now, with retirement from daily work obligations: breathing space. I’m lifted lighter, drifting where I’m blown, less weighted down by the next thing to do and the next place to be.
Instead I can just be… part of the story to be told, part of the wonder. Blown by breath that loves, fills and nurtures, a generous promise hopeful and fulfilled.
I’m grateful for the opportunity to see, even in the dark, a manifestation of glory and love just beyond my vision, praying that one day I will see and know it clearly.
The old me ~ Blown upon.
If only the five year old me could have known.
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Though I know well enough To hunt the Lady’s Slipper now Is playing blindman’s-buff, For it was June She put it on And grey with mist the spider’s lace Swings in the autumn wind, Yet through this hill-wood, high and low, I peer in every place; Seeking for what I cannot find I do as I have often done And shall do while I stay beneath the sun. ~Andrew Young “Lady’s Slipper Orchid”
Everything is beautiful and I am so sad. This is how the heart makes a duet of wonder and grief. The light spraying through the lace of the fern is as delicate as the fibers of memory forming their web around the knot in my throat. The breeze makes the birds move from branch to branch as this ache makes me look for those I’ve lost in the next room, in the next song, in the laugh of the next stranger. In the very center, under it all, what we have that no one can take away and all that we’ve lost face each other. It is there that I’m adrift, feeling punctured by a holiness that exists inside everything. I am so sad and everything is beautiful. ~Mark Nepo “Adrift” from Inside the Miracle: Enduring Suffering, Approaching Wholeness
Under the pines, near the murmuring brook, I know the wild orchids grow, Fair and pure in their shady nook, A page in God’s own wonderful book With a message for me to know.
Come in the Spring to that beautiful bower And pause by the moss and the fern To study. And know from the little flower God’s promise of hope is ready to shower On those who will trust and learn.
Over the land, with colors so bright, Leaves whirl in the chill, fitful breeze. The gurgling brook, ice-coated and white; Ferns, mosses and orchids have vanished from sight, Dead and lost in the Winter’s first freeze.
In weakening faith and hopeless despair, Black winters of woe hold my soul. For death is the end; and each mortal must share The fate of the orchids that once blossomed there. Oblivion marketh the goal.
Hold thy hope, faithless soul, for again in the Spring Neath the pines, the wild orchids will bloom. Struggle upward toward God, thy Creator and King. The Saviour is risen and Nature doth sing, Christ overcomes death and the tomb! ~Joseph Pullman Porter “Wild Orchids”
How strange to find you where I did along a path beside a road, your legs in graceful green dancing to music made by wind and woods.
Like ladies from a bygone age, you left your slippers there to air in dappled shade, while you, barefoot, relaxed your stays, let loose your hair.
The treasures of this world might be as simple as an orchid’s bloom; how sad that so much time is spent in filling coffers for the tomb.
If only life could be so fresh and free as you in serenade, we might learn we value most those things found lost in woodland shade. ~Mike Orlock “Lady Slipper Serenade (in 4/4 time)”
My grandmother’s house where my father was born had been torn down. She sold her property on Fidalgo Island near Anacortes, Washington to a lumber company – this was the house where all four of her babies were born, where she and my grandfather loved and fought and separated and finally loved again, and where we spent chaotic and memorable Thanksgiving and Christmas meals. After Grandpa died, Grandma took on boarders, trying to afford to remain there on the homesteaded wooded acreage on Similk Bay, fronted by meadows where her Scottish Highland cattle grazed. Her own health was suffering and she reached a point when it was no longer possible to make it work. A deal was struck with the lumber company and she moved to a small apartment for the few years left to her, remaining bruised by leaving her farm.
My father realized what selling to a lumber company meant and it was a crushing thought. The old growth woods would soon be stumps on the rocky hill above the bay, opening a view to Mt. Baker to the east, to the San Juan Islands to the north, and presenting an opportunity for development into a subdivision. He woke my brother and me early one Saturday in May and told us we were driving the 120 miles to Anacortes.
He was on a mission.
As a boy growing up on that land, he had wandered the woods, explored the hill, and helped his dad farm the rocky soil. There was only one thing he felt he needed from that farm and he had decided to take us with him, to trespass where he had been born and raised to bring home a most prized treasure–his beloved lady slippers (Calypso bulbosa) from the woods.
These dainty flowers enjoy a spring display known for its brevity–a week or two at the most–and they tend to bloom in small little clusters in the leafy duff mulch of the deep woods, preferring only a little indirect sunlight part of the day. They are not easy to find unless you know where to look.
My father remembered exactly where to look.
We hauled buckets up the hill along with spades, looking as if we were about to dig for clams at the ocean. Dad led us up a trail into the thickening foliage, until we had to bushwhack our way into the taller trees where the ground was less brush and more hospitable ground cover. He would stop occasionally to get his bearings as things were overgrown. We reached a small clearing and he knew we were near. He went straight to a copse of fir trees standing guard over a garden of lady slippers.
There were almost thirty of them blooming, scattered about in an area the size of my small bedroom. Each orchid-like pink and lavender blossom had a straight backed stem that held it with sturdy confidence. To me, they looked like they could be little shoes for fairies who may have hung them up while they danced about barefoot. To my father, they represented the last redeeming vestiges of his often traumatic childhood, and were about to be trammeled by bulldozers. We set to work gently digging them out of their soft bedding, carefully keeping their bulb-like corms from losing a protective covering of soil and leafy mulch. Carrying them in the buckets back to the car, we felt some vindication that even if the trees were to be lost to the saws, these precious flowers would survive.
When we got home, Dad set to work creating a spot where he felt they could thrive in our own woods. He found a place with the ideal amount of shade and light, with the protection of towering trees and the right depth of undisturbed leaf mulch. We carefully placed the lady slippers in their new home, scattered in a pattern similar to how we found them. Then Dad built a four foot split rail fence in an octagon around them, as a protection from our cattle and a horse who wandered the woods, and as a way to demarcate that something special was contained inside.
The next spring, only six lady slippers bloomed from the original thirty. Dad was disappointed but hoped another year might bring a resurgence as the flowers established themselves in their new home. The following year there were only three. A decade later, my father left our farm and family, not looking back.
Sometime after the divorce, when my mother had to sell the farm, I visited our lady slipper sanctuary in the woods for the last time in the middle of May, seeking what I hoped might still be there, but I knew was no longer.
The split rail fence still stood, guarding nothing but old memories. No lady slippers bloomed. There was not a trace they had ever been there. They had given up and disappeared.
The new owners of the farm surely puzzled over the significance of the small fenced-in area in the middle of our woods. They probably thought it surrounded a graveyard of some sort.
And they would be right – it did.
An embroidery I made for my father after he replanted the lady slippers — on the back I wrote “The miracle of creation recurs each spring in the delicate beauty of the lady slipper – may we ourselves be recreated as well…”
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Eventually balance moves out of us into the world; it’s the pull of rabbits grazing on the lawn as we talk, the slow talk of where and when, determining what and who we will become as we age.
We admire the new plants and the rings of mulch you made, we praise the rabbits eating the weeds’ sweet yellow flowers.
Behind our words the days serve each other as mother, father, cook, builder, and fixer; these float like the clouds beyond the trees.
It is a simple life, now, children grown, our living made and saved, our years our own, husband and wife,
but in our daily stride, the one that rises with the sun, the chosen pride, we lean on our other selves, lest we fall into a consuming fire and lose it all. ~Richard Maxson, “Otherwise” from Searching for Arkansas
i carry your heart with me (i carry it in my heart) i am never without it(anywhere i go you go, my dear; and whatever is done by only me is your doing, my darling) I fear no fate (for you are my fate, my sweet) I want no world (for beautiful you are my world, my true) and it’s you are whatever a moon has always meant and whatever a sun will always sing is you
here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows higher than soul can hope or mind can hide) and this is the wonder that’s keeping the stars apart
May the sun bring you new energy by day, May the moon softly restore you by night, May the rain wash away your worries, May the breeze blow new strength into your being.
May you walk gently through the world, And know it’s beauty all the days of your life. ~Apache Blessing
Our days are slower now, less rushed, more reading and writing, walking and pondering, taking it all in and wondering what comes next.
I am so grateful not to hurry to work every day, planning how I should parcel out each moment when my energy and strength is waning.
Should I stay busy cooking, cleaning, sorting, giving away, simplifying our possessions so our children someday won’t have to? Might our grandchildren tire of my attention? Or should I find ways to be of service off the farm to feel worthy of each new day, each new breath?
This time of life is a gift of grace, waking most days with no agenda and few appointments. What comes next remains uncertain, as it always has been. In my busyness, I simply didn’t pay enough attention before.
So I lean lest I fall. I notice beauty and write about it. I carry as many hearts as I can hold. I keep breathing lest I forget how.
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I loved you before I was born. It doesn’t make sense, I know.
I saw your eyes before I had eyes to see. And I’ve lived longing for your ever look ever since. That longing entered time as this body. And the longing grew as this body waxed. And the longing grows as the body wanes. The longing will outlive this body.
I loved you before I was born. It doesn’t make sense, I know.
Long before eternity, I caught a glimpse of your neck and shoulders, your ankles and toes. And I’ve been lonely for you from that instant. That loneliness appeared on earth as this body. And my share of time has been nothing but your name outrunning my ever saying it clearly. Your face fleeing my ever kissing it firmly once on the mouth.
In longing, I am most myself, rapt, my lamp mortal, my light hidden and singing.
