…The world is flux, and light becomes what it touches, becomes water, lilies on water, above and below water, becomes lilac and mauve and yellow and white and cerulean lamps, small fists passing sunlight so quickly to one another that it would take long, streaming hair inside my brush to catch it. To paint the speed of light! Our weighted shapes, these verticals, burn to mix with air and change our bones, skin, clothes to gases. Doctor, if only you could see how heaven pulls earth into its arms and how infinitely the heart expands to claim this world, blue vapor without end. ~Lisel Mueller from “Monet Refuses the Operation” from Second Language
Monet’s corner of a lily pond (1918-1919)
“Heaven pulls earth into its arms…”
We all see things differently, don’t we? What seems ordinary to one is extraordinarily memorable to another.
How might I help others to see the world as I do? How might I learn to adjust my focus to see things as you do?
The world is in flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to muted.
Perhaps the blur from Monet’s cataracts also impedes my vision, creating a deeper understanding, as I use my imagination to fill in what I can’t quite discern.
My heart and mind expands exponentially to claim this world and all that beauty has to offer, while heaven – all this while – pulls me into its arms.
In heaven, my focus will be clear. All will be extraordinarily ordinary.
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…I saw a mom take her raincoat off and give it to her young daughter when a storm took over the afternoon. My god, I thought, my whole life I’ve been under her raincoat thinking it was somehow a marvel that I never got wet. ~Ada Limón from “The Raincoat”
My mother, Elna Schmitz Polis, was born 106 years ago today in the lonely isolation of a Palouse wheat and lentil farm in eastern Washington. She drew her first breath in a two story white house located down a long poplar-lined lane and nestled in a draw between the undulating hills.
She attended a one room school house until 8th grade, located a mile away in the rural countryside, then moved in with her grandmother “in town” in Rosalia to attend high school, seeing her parents only a couple times a month.
It was a childhood which accustomed her to solitude and creative play inside her mind and heart – her only sibling, an older brother, was busy helping their father on the farm. All her life and especially in her later years, she would prefer the quiet of her own thoughts over the bustle of a room full of activities and conversation.
Her childhood was filled with exploration of the rolling hills, the barns and buildings where her father built and repaired farm equipment, and the chilly cellar where the fresh eggs were stored after she reached under cranky hens to gather them. She sat in the cool breeze of the picketed yard, watching the huge windmill turn and creak next to the house. She helped her weary mother feed farm crews who came for harvest time and then settled in the screened porch listening to the adults talk about lentil prices and bushel production. She woke to the mourning dove call in the mornings and heard the coyote yips and howls at night.
She nearly died at the age of 13 from a ruptured appendix, before antibiotics were an option. That near-miss haunted her life-long, filling her with worry that it was a mistake that she survived that episode at all. Yet she thrived despite the anxiety, and ended up, much to her surprise, living a long life full of family and faith, letting go at age 88 after fracturing a femur, which also broke her will to live.
As a young woman, she was ready to leave the wheat farm behind for college, devoting herself to the skills of speech, and the creativity of acting and directing in drama, later teaching rural high school students, including a future Pulitzer Prize winning poet, Carolyn Kizer. She loved words and the power and beauty they wielded.
Marrying my father was a brave and impulsive act, traveling by train to the east coast only a week before he shipped out for almost 3 years to the South Pacific to fight as a Marine in WWII. She must have wondered about the man who returned from war changed and undoubtedly scarred in ways she could not see or touch. They worked it out mostly in silence, as rocky as it must have been at times.
Her episode of Graves’ disease, before I was born, must have been agonizing for both of them and my older sister, as her storm of thyroid overactivity resulted in months of sleepless full time panic. Only thyroid removal saved her, but radical surgeries take their toll. Their marriage never fully recovered.
In their reconciliation after a painful divorce decades later, I finally could see the devotion and mutual respect between life companions who had finally found shared purpose and love.
As a wife and mother, she rediscovered her calling as a steward of the land and a tireless steward of her family, gardening and harvesting fruits, vegetables and us children. When I think of my mother, I most often think of her tending us children in the middle of the night whenever we were ill; her over-vigilance was undoubtedly due to her worry we might die in childhood, as she almost did.
She never did stop worrying until the last few months. As she became more dependent on others in her physical decline, she gave up the control she thought she had to maintain through her “worry energy” and became much more accepting about the control the Lord maintains over all we are and will become.
I know from where my shyness comes, my preference for birdsongs rather than radio music, my love of naps, and my tendency to be serious and straight-laced with a twinkle in my eye. This is my German-Palouse side–immersing in the quietness of solitude, thrilling to the sight of the spring wheat flowing like a green ocean wave in the breeze and appreciating the warmth of rich soil held in my hands.
My mother came from that heritage and it is the legacy she left with me. I am forever grateful for her unconditional love to the end of her life; her willingness to share the sunshine and warmth of her nest whenever we felt the need to fly back home and shelter, overprotected but safe nonetheless, under her wings.
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I will arise and go now, and go to Innisfree, And a small cabin build there, of clay and wattles made; Nine bean-rows will I have there, a hive for the honey-bee, And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow, Dropping from the veils of the morning to where the cricket sings; There midnight’s all a glimmer, and noon a purple glow, And evening full of the linnet’s wings.
I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements grey, I hear it in the deep heart’s core. ~William Butler Yeats “The Lake Isle of Innisfree”
O gentle bees, I have come to say That grandfather fell to sleep to-day. And we know by the smile on grandfather’s face. He has found his dear one’s biding place. So, bees, sing soft, and, bees, sing low. As over the honey-fields you sweep,— To the trees a-bloom and the flowers a-blow Sing of grandfather fast asleep; And ever beneath these orchard trees Find cheer and shelter, gentle bees. ~Eugene Field from “Telling the Bees”
Here is the place; right over the hill Runs the path I took; You can see the gap in the old wall still, And the stepping-stones in the shallow brook.
There is the house, with the gate red-barred, And the poplars tall; And the barn’s brown length, and the cattle-yard, And the white horns tossing above the wall.
There are the beehives ranged in the sun; And down by the brink Of the brook are her poor flowers, weed-o’errun, Pansy and daffodil, rose and pink.
A year has gone, as the tortoise goes, Heavy and slow; And the same rose blows, and the same sun glows, And the same brook sings of a year ago.
I can see it all now,—the slantwise rain Of light through the leaves, The sundown’s blaze on her window-pane, The bloom of her roses under the eaves.
Just the same as a month before,— The house and the trees, The barn’s brown gable, the vine by the door,— Nothing changed but the hives of bees.
Before them, under the garden wall, Forward and back, Went drearily singing the chore-girl small, Draping each hive with a shred of black.
Trembling, I listened: the summer sun Had the chill of snow; For I knew she was telling the bees of one Gone on the journey we all must go! ~John Greenleaf Whittier from “Telling the Bees”
If you talk to him, he will not pretend to be an ordinary man. He won’t let on he is one who isn’t afraid to hold in his outstretched hands the buzzing gold.
He won’t tell you he is the man who keeps farmers warm in their livelihood, or the man who keeps the grocery shelves full, then adds, simply for good measure, jars of his shining honey. He won’t explain that he is the one who sets his suffering neighbors free from their pain with gifts of jars that sting.
He won’t let on to be the lifegiver or a god. He will pretend he is just an old man with sand-colored hair, a blue truck heavy with breezy hives, and a comb-spinner in his cellar. ~Sidney Hall Jr., from This Understated Land
…The world was really one bee yard, and the same rules work fine in both places. Don’t be afraid, as no life-loving bee wants to sting you. Still, don’t be an idiot; wear long sleeves and pants. Don’t swat. Don’t even think about swatting. If you feel angry, whistle. Anger agitates while whistling melts a bee’s temper. Act like you know what you’re doing, even if you don’t. Above all, send the bees love. Every little thing wants to be loved. ~Sue Monk Kiddfrom The Secret Life of Bees
He calls the honeybees his girls although he tells me they’re ungendered workers who never produce offspring. Some hour drops, the bees shut off. In the long, cool slant of sun, spent flowers fold into cups. He asks me if I’ve ever seen a Solitary Bee where it sleeps. I say I’ve not. The nearest bud’s a long-throated peach hollyhock. He cradles it in his palm, holds it up so I spy the intimacy of the sleeping bee. Little life safe in a petal, little girl, your few furious buzzings as you stir stay with me all winter, remind me of my work undone. ~Heid E. Erdrich, from “Intimate Detail” from The Mother’s Tongue
It was just like I was telling the bees last night. I saw two of them asleep inside the cup of a hollyhock, covered in pollen, just holding each other’s feet, just sleeping in the flower waiting for the sun to warm them so they could fly off. To see two of them curled up like that, it was very sweet. ~Diana Gabaldon/Matt Roberts from the final episode of Outlander TV series
A beekeeper must be a loving and patient person; the bees know who loves them, and who will always be there to care for them.
An old Celtic tradition necessitates sharing any news from the household with the farm’s bee hives, whether cheery like a new birth or a wedding celebration or sad like a family death. This ensures the hives’ well-being and continued connection to home and community – the bees are kept in the loop, so to speak, so they stay at home, not swarm and move on to a more hospitable place.
Each little life safe at home, each little life with work still undone.
Good news seems always easy to share; we tend to keep bad news to ourselves so this tradition helps remind us that what affects one of us, affects us all.
These days, with instant news at our fingertips at any moment, bad news is constantly bombarding us. Like the bees in the hives of the field, we want to flee from it and find a more hospitable home.
Our Creator (the ultimate Beekeeper) says personally to each of us: “Here is what has happened. All will be well, dear one. We will navigate your life together.”
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It doesn’t have to be the blue iris, it could be weeds in a vacant lot, or a few small stones; just pay attention, then patch a few words together and don’t try to make them elaborate. This isn’t a contest but the doorway into thanks, and a silence in which another voice may speak. ~Mary Oliver“Praying” from Thirst
Now that I’m free to be myself, who am I? Can’t fly, can’t run, and see how slowly I walk. Well, I think, I can read books.
Well, I can write down words, like these, softly.
It doesn’t happen all of a sudden, you know.
“Doesn’t it?” says the wind, and breaks open, releasing distillation of blue iris.
And my heart panics not to be, as I long to be, the empty, waiting, pure, speechless receptacle. ~Mary Oliver from The Blue Iris
To plunge headlong into the heart of a blossom, its amber eyes inscrutably focusing on your own, magnified by a lens of dew. Whose scent, invisible, drowns you in opulence, and for which you can find nothing adequate to say.
You sense that you are loved wholly, yet are quite unable to understand why. But then, you lift your face, creased with the ordinary, to a heaven that is breaking into blue, and find your contentment utterly beyond telling, unspeakable, uncontained. ~Luci Shaw from “Speechless” from Sea Glass
Now that I’m free to be myself, I’m also free to tell about how creased with the ordinary, I notice things I passed by before.
Fleeting moments become more precious, as I long to be – while time pours through my fingers.
It doesn’t have to be the blue iris, it doesn’t have to be glistening raindrops, but today it is both…
I fall headlong into their depths, through a doorway into thanks, lost in their earthbound ethereal beauty, to a heaven that is breaking into blue.
Oh, and so grateful to Mary and Luci, I am no longer a speechless receptacle without words…
Resurrection of the little apple tree outside my window, leaf- light of late in the April called her eyes, forget forget— but how How does one go about dying? Who on earth is going to teach me— The world is filled with people who have never died ~Franz Wright “On Earth”from Walking to Martha’s Vineyard
The year Dylan’s mother died I picked sprays of apple blossom, wound its pink, off-white shades in raffia for you to take to him.
Every year it’s out I think of us, the children, how apples bring the tree so low, until they thud to the lawn, drumming the end
of summer. The blossom was heavy when Dylan’s mother was dying – old wood doing its best again – and he, like you, was so young. ~Jackie Wills “Apple Blossom”
Is there anything in Spring so fair As apple blossoms falling through the air?
When from a hill there comes a sudden breeze That blows freshly through all the orchard trees.
The petals drop in clouds of pink and white, Noiseless like snow and shining in the light.
Making beautiful an old stone wall, Scattering a rich fragrance as they fall.
There is nothing I know of to compare With apple blossoms falling through the air. ~Henry Adams Parker “Apple Blossoms”
Jesus, Apple of God’s eye, dangling solitaire on leafless tree, bursting red.
As he drops New Eden dawns and once again we Adams choose: God’s first fruit or death. ~Christine F. Nordquist “Eden Inversed”
But in fact Christ has been raised from the dead, the firstfruits of those who have fallen asleep.For as by a man came death, by a man has come also the resurrection of the dead.
For as in Adam all die, so also in Christ shall all be made alive.But each in his own order: Christ the firstfruits, then at his coming those who belong to Christ. 1 Corinthians 15:20-23
The rain eased enough to allow blades of grass to stand back up refreshed, yet unsuspecting, primed for the mower’s next cutting swath.
Clusters of pink tinged blossoms sway in response to my mower’s pass. Apple buds bulge on snagging branches, showering me from their hidden raindrop reservoirs collected within each blushing petal cup.
My face anointed by perfumed apple tears when I tend to forget – forget– this first fruit is offered, not forbidden, hanging from the tree, broken so our hearts will drop too, bursting open red with Him.
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When I take the chilly tools from the shed’s darkness, I come out to a world made new by heat and light.
Like a mad red brain the involute rhubarb leaf thinks its way up through loam. ~Jane Kenyon from “April Chores” from Collected Poems
…a pruning knife’s hooked blade biting through the stalks with a flick of her wrist and a quick snap.
The one time I tried this I sliced deep into my thumb knuckle at first swipe. We were both red inside, me, the rhubarb. That’s the stuff I didn’t really think about at ten, how everything bleeds; how everything must die somehow— the stupid ones poisoned, the hard workers heart-worn and wrecked.
We ate the rhubarb raw, stripped of all its leaves. Dipped in sugar, it still lingered bitter on our tongues as some inoculation against the worst of what was yet to come. ~Matthew Burns from “Rhubarb”
Over the last two weeks, the garden is slowly reviving, and rhubarb “brains” have been among the first to appear from the garden soil, wrinkled and folded, opening full of potential, “thinking” their way into the April sunlight.
Here I am, wishing my own brain could similarly rise brand new and tender every spring from the dust rather than leathery and weather-toughened, harboring the same old thoughts and patterns. Indeed, more wrinkles accumulate on the outside of my skull rather than the inside.
Still, I’m encouraged by my rhubarb cousin’s return every April. Like me, it may be a little sour in need of some sweetening, but its blood courses bright red and it is very very much alive.
and just because this is fun but has nothing to do with rhubarb…
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Oh let me fall as grain to the good earth And die away from all dry separation, Die to my sole self, and find new birth Within that very death, a dark fruition, Deep in this crowded underground, to learn The earthy otherness of every other, To know that nothing is achieved alone But only where these other fallen gather.
If I bear fruit and break through to bright air, Then fall upon me with your freeing flail To shuck this husk and leave me sheer and clear As heaven-handled Hopkins, that my fall May be more fruitful and my autumn still A golden evening where your barns are full. ~Malcolm Guite “Unless a Grain of Wheat Falls Into the Ground and Dies”
…new life starts in the dark. Whether it is a seed in the ground, a baby in the womb, or Jesus in the tomb, it starts in the dark. ~Barbara Brown Taylor from Learning to Walk in the Dark
The ground is slowly coming to life again; snowdrops, crocus, and daffodils are surfacing from months of dormancy, buds are swelling, the spring chorus frogs have come from the mud to sing again and birds now greet the lazy dawn.
The seed shakes off the darkness surrounding it. Growth begins.
I too began a mere seed, plain and simple, lying dormant in the darkness of my mother’s body.
Just as the spring murmurs life to the seed in the ground, so the Word calls a human seed of life to stir and swell, becoming both an animate and intimate reflection of Himself.
I was awakened in the dark to sprout, bloom and fruit, to reach as far as my tethered roots allow, aiming beyond earthly bounds to touch the light.
Everything, everyone, so hidden; His touch calls us back to life. Love is come again to the fallow fields of our hearts.
This year’s Barnstorming Lenten theme is Ephesians 3:9:
…to bring to light for everyone what is the plan of the mystery hidden for ages in God, who created all things…
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Meanwhile his disciples urged him, “Rabbi, eat something.”But he said to them, “I have food to eat that you know nothing about.”Then his disciples said to each other, “Could someone have brought him food?”
“My food,” said Jesus, “is to do the will of him who sent me and to finish his work. Don’t you have a saying, ‘It’s still four months until harvest’? I tell you, open your eyes and look at the fields! They are ripe for harvest. Even now the one who reaps draws a wage and harvests a crop for eternal life, so that the sower and the reaper may be glad together.Thus the saying ‘One sows and another reaps’ is true. I sent you to reap what you have not worked for. Others have done the hard work, and you have reaped the benefits of their labor.”
Many of the Samaritans from that town believed in him because of the woman’s testimony, “He told me everything I ever did.” So when the Samaritans came to him, they urged him to stay with them, and he stayed two days.And because of his words many more became believers.
They said to the woman, “We no longer believe just because of what you said; now we have heard for ourselves, and we know that this man really is the Savior of the world.” John 4: 31-42
The grower of trees, the gardener, the man born to farming, whose hands reach into the ground and sprout, to him the soil is a divine drug. He enters into death yearly, and comes back rejoicing. He has seen the light lie down in the dung heap, and rise again in the corn. His thought passes along the row ends like a mole. What miraculous seed has he swallowed that the unending sentence of his love flows out of his mouth like a vine clinging in the sunlight, and like water descending in the dark? ~Wendell Berry “The Man Born to Farming” from Farming: A Handbook
My dad had a standard sign-off whenever I called my parents long-distance once a week from college.
He always said, “you know what you’re there for…”
At first I puzzled over that phrase. I knew I was in school to study and get a degree, but what was going to happen after that was still an unknown. Yet the weekly reminder was a good one. He was telling me that I was a seed sown in rich soil, and what I learned would help me grow and thrive as long as I remembered to put my roots down and drink deeply from that well of knowledge.
So it was with the Samaritan woman at the well – Jesus waited for her in the heat of the day for a reason. She was a seed sown, meant to bring others to share in the harvest of the good news she had heard.
So we too are here for a purpose. We truly need one another, to become interwoven and linked, both visibly and invisibly.
I am woven around you and you around me; together we grow and thrive when tended and — just as intended.
But more than anything, we need our Gardener. We are sown, nurtured, grown under His care. He knows what we are here for, and now, so do we.
I am reading slowly through the words in the Book of John over the next year. Once a week, I invite you to “come and see” what those words might mean as we explore His promises together.Past posts can be found by searching “Come and See” on this blog.
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Now the green blade riseth, from the buried grain, Wheat that in dark earth many days has lain; Love lives again, that with the dead has been: Love is come again like wheat that springeth green.
When our hearts are wintry, grieving, or in pain, Jesus’ touch can call us back to life again, Fields of our hearts that dead and bare have been: Love is come again like wheat that springeth green. ~ John Macleod Campbell Crum – two stanzas from “Now the Green Blade Riseth”
…times of dormancy and deep rest are essential to all living things. Despite all appearances, of course, nature is not dead in winter– it has gone underground to renew itself and prepare for spring. Winter is a time when we are admonished, and even inclined, to do the same for ourselves.
Our inward winters take many forms–failure, betrayal, depression, death. But every one of them, in my experience, yields to the same advice: “The winters will drive you crazy until you learn to get out into them.” Until we enter boldly into the fears we most want to avoid, those fears will dominate our lives. But when we walk directly into them–protected from frostbite by the warm garb of friendship or inner discipline or spiritual guidance–we can learn what they have to teach us. Then, we discover once again that the cycle of the seasons is trustworthy and life-giving, even in winter, the most dismaying season of all. ~Parker Palmer from Let Your Life Speak: Listening for the Voice of Vocation
Why did “Let It Go” from the Disney movie “Frozen” resonate as a universal pop anthem some ten years ago?
Maybe we needed the call to emerge from our dormancy, to reach out in our God-given ability to overcome challenges, despite everything the outward and inward winters blow at us.
I trust, from all I’ve learned in His Word — I have only gone underground temporarily and will soon emerge restored in renewal.
The cold never bothered me anyway? Yes, of course it did, but it is not the end of my story.
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