A Night of Dark Intent

The world is its usual rich self. Disturbed news
Came before sleep, then hours before light, finally
A return to coffee and the joy of unfinished poems.
It is early October, bright leaves falling everywhere.

What could it mean that such sharp leaves fall?
Does it imply that the best are called first?

I don’t want to imply that such abundance of meaning
Exists in me. A lamppost shines over
The ocean. The waves take what they want of the
light.
The rest they give back, to the hospitals and the poor.
~Robert Bly from Morning Poems

Bellingham Bay-photo by Nate Gibson

The shattered water made a misty din.
Great waves looked over others coming in,
And thought of doing something to the shore
That water never did to land before.
The clouds were low and hairy in the skies,
Like locks blown forward in the gleam of eyes.
You could not tell, and yet it looked as if
The shore was lucky in being backed by cliff,
The cliff in being backed by continent;
It looked as if a night of dark intent
Was coming, and not only a night, an age.
Someone had better be prepared for rage.
There would be more than ocean-water broken
Before God’s last Put out the light was spoken.

~Robert Frost “Once By the Pacific”

photo by Nate Gibson at Sendai, Japan

We were staying with our friends Brian and Bette at their cabin on a bluff just above the beach at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami. We walked that stretch, learning of the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away to be burned or buried and scanned acres of wrecked vehicles now piled one on another, waiting to become scrap metal. It was visual evidence of life suddenly and dramatically disrupted.

This was a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round. Yet it looked like a foreign ghostly landscape. Even many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.

It was a powerful place of memories for those who live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy that preceded it.

We want to ask God why He doesn’t do something about the suffering that happens anywhere a disaster occurs – but if we do, He will ask us the same question right back. We need to be ready with our answer and our action. He knows suffering. Far more than we do. He took it all on Himself as His Light on earth was snuffed out, despite His love and joy in His creation.

As Sendai’s citizens slowly recover, the inner and outer landscape is forever altered. What remains the same is the tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.

The Light returned.

In that realization, pain gives way. It cannot stand up to His love and His joy in dispelling the dark.

the rubble still piled on the beach at Tohoku, Japan, a year after the 3/11/11 tsunami
photo by Nate Gibson
Sendai
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Raking and Piling the Past

I.
Cats pad from one sun-warmed
stone to another. Bees lament
the sweet ripe fruit


denied by spring’s late hard frost.
Birds stow mating calls
for another season.


Clouds scribble pithy prose,
criss-cross pages surrendered
by autumn’s azure.


Flower beds brown as they thin
and cricket song stitches  
a coverlet against evening chill.


II.
In my first autumn at home
since I was three
I rustle leaves at my feet
like a past I can rake and pile.
Energized by autumn’s aura
I glean clarity
of what lies fallow
and what I’ve put up for my winter.
~Nancy Jentsch “October Afternoon”

Out through the fields and the woods
   And over the walls I have wended;
I have climbed the hills of view
   And looked at the world, and descended;
I have come by the highway home,
   And lo, it is ended.

 
The leaves are all dead on the ground,
   Save those that the oak is keeping
To ravel them one by one
   And let them go scraping and creeping
Out over the crusted snow,
   When others are sleeping.

 
And the dead leaves lie huddled and still,
   No longer blown hither and thither;
The last lone aster is gone;
   The flowers of the witch hazel wither;
The heart is still aching to seek,
   But the feet question ‘Whither?’

 
Ah, when to the heart of man
   Was it ever less than a treason
To go with the drift of things,
   To yield with a grace to reason,
And bow and accept the end
   Of a love or a season?

~Robert Frost “Reluctance”

As I kick through piles of fallen leaves in the barnyard, I realize how close I am to becoming one of them. Within my own changing seasons, I have flourished and bloomed and fruited, but am now reminded of my fading, withering and eventual letting go.

I find I’m not nearly so bold anymore, instead trembling nervously when harsh winds blow me about, hoping the roots I’ve always depended upon will continue to nourish and sustain me.

This time of year, everything feels transitory — especially me.

When these thoughts overwhelm, I tend to hang on tighter rather than simply giving up and letting go. My feet stumble when I try to do the same tasks I did so smoothly years ago. I’m stubbornly wanting things to stay the same, reluctant for a transition to something different.

My only solace is that the heart of man — indeed my own hole-y heart — is transient compared to the holy Heart of the Creator. I am sustained by His steady Pulse, His ubiquitous Circulation, His impeccable Rhythm of Life and Death.

In that I trust.
In that I come to abandon my stubborn reluctance.

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Do Not Look Back

He loved to ask his mother questions. It was the pleasantest thing for him to ask a question and then to hear what answer his mother would give. Bambi was never surprised that question after question should come into his mind continually and without effort. 

Sometimes he felt very sure that his mother was not giving him a complete answer, was intentionally not telling him all she knew.  For then there would remain in him such a lively curiosity, such suspicion, mysteriously and joyously flashing through him, such anticipation, that he would become anxious and happy at the same time, and grow silent.
~Felix Salten from Bambi

A Wounded Deer—leaps highest—
I’ve heard the Hunter tell—
‘Tis but the Ecstasy of death—
And then the Brake is still!
~Emily Dickinson “165″

As the house of a person
in age sometimes grows cluttered
with what is
too loved or too heavy to part with,
the heart may grow cluttered.
And still the house will be emptied,
and still the heart.

Empty and filled,
like the curling half-light of morning,
in which everything is still possible and so why not.

Filled and empty,
like the curling half-light of evening,
in which everything now is finished and so why not.

Beloved, what can be, what was,
will be taken from us.
I have disappointed.
I am sorry. I knew no better.

A root seeks water.
Tenderness only breaks open the earth.
This morning, out the window,
the deer stood like a blessing, then vanished.

~Jane Hirschfield from “The Standing Deer”


My first time ever
seated next to my mother
in a movie theater, just
a skinny four year old girl
practically folded in half
by a large padded chair
whose seat won’t stay down,
bursting with anticipation
to see Disney’s Bambi.

Enthralled with so much color,
motion,  music, songs and fun
characters, I am wholly lost
in this new world of animated
reality when suddenly
Bambi’s mother looks up,
alarmed, from eating
a new clump of spring grass
growing in the snow.

My heart leaps
with worry.
She tells him
to run quickly
for the thicket –
find the safest place where
she has always
kept him warm
next to her.

She follows behind,
urges him to run faster,
not to look back,
don’t ever look back.

Then the gun shot
hits my belly too.

My stomach twists
as he cries out
for his mother,
pleading for her.
I know in my heart
she is lost forever,
sacrificed to save him.

I sob as my mother
reaches out to me,
telling me not to look.
I bury my face
inside her hug,
knowing Bambi
is cold and alone
with no mother
any more.

My mama took me home
before the end.
I could not bear to watch
the rest of the movie 
for years.

Those cries
still echo
in my ears
any time someone hunts and shoots
to kill the innocent.

Now, my own three children are grown,
they have babies of their own,
my mom is gone from this earth.
I can even keep the seat from folding
me in half in a movie theater.

I am nearing my eighth decade, and
there are still places in this world where
mothers and fathers
sons and daughters
grandmothers and grandfathers
sisters and brothers
and babies are hunted down
despite the supposed safety of the thicket~
the sanctuary, the school, the grocery store, the home,
places where we believe we are shielded from violence.

There can be no innocence when any of us may be hunted.

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This Estranging Season

Lord, the time has come. The summer has been so long.
Lay your shadows over the sundials
and let loose the wind over the fields.

Order the last fruits to fully ripen;
give them two more days of southern sun,
urge them to perfection and speed
the last sweetness into the laden vine.

Those who have no house, will not build one now.
Those who are alone will long remain so,
they will rise, and read, and write long letters
and through the avenues go here and there
restlessly wandering, with the leaves drifting down.

~Rainer Maria Rilke “Herbsttag” English translation by Paul Archer from 1902 in the collection Das Buch der Bilder.

First hints of our condition manifest:
Spite in the wind, mist-gauze across the moon,
Light chill, the spider’s filaments, blanched grass,
And two days as warm as the south change nothing at all.
A morning comes when you know this cannot end well.
Soon it will be no time for gathering in gardens
All too soon, my dears, it will be the weather
For Brahms quintets, for leaves drifting triste past the windows
Of those in their rooms alone for the duration,
For whom this is no time to build. Those now alone
Are going to remain so through this estranging season
Of reading, of writing emails as detailed as letters,
Of watching dry leaves grow sodden on empty pavements.
Rilke said this in lines that I last read in Edinburgh
With my most beautiful aunt in her later age
When, many things gone, she remembered those verse in German.

~Peter Davidson “September Castles”

Enter autumn as you would 
a closing door. Quickly, 
cautiously. Look for something inside 
that promises color, but be wary 
of its cast — a desolate reflection, 
an indelible tint.
~Pamela Steed Hill  “September Pitch”

Summer has packed up, and moved on without bidding adieu or looking back over its shoulder. Cooling winds have carried in darkening clouds. I gaze upward to see and smell the change.  Rain has fallen, long overdue, yet there is temptation to bargain for a little more time.  Though we needed this good drenching, there are still potatoes to pull from the ground, apples and pears to pick, tomatoes not yet ripened, corn cobs too skinny to pick. 

I’m just not ready to wave goodbye to sun-soaked clear skies.

The overhead overcast is heavily burdened with clues of what is coming: earlier dusk, the feel of moisture, the deepening graying hues, the briskness of breezes, the inevitable mud and mold.  There is no negotiation possible. I need to steel myself and get ready, wrapping myself in the soft shawl of inevitability.

So autumn advances with the clouds, taking up residence where summer left off. Though there is still clean up of the overabundance left behind, autumn will bring its own unique plans for an exhilarating display of a delicious palette of hues.

Lord, the time has come. The truth is we’ve seen nothing yet.

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Blossoming with Loss

I let her garden go.
let it go, let it go
How can I watch the hummingbird
Hover to sip
With its beak’s tip
The purple bee balm—whirring as we heard

It years ago?
The weeds rise rank and thick
let it go, let it go

Where annuals grew and burdock grows,
Where standing she
At once could see

The peony, the lily, and the rose
Rise over brick

She’d laid in patterns. Moss
    let it go, let it go
Turns the bricks green, softening them
By the gray rocks
Where hollyhocks
That lofted while she lived, stem by tall stem,
Blossom with loss.

~Donald Hall, “Her Garden” from White Apples and the Taste of Stone

photo by Josh Scholten

As fall now brings gray mornings
heavy with clouds
and tear-streaked windows,
I pause, melancholy
at the passage of time.

Whether to grieve over
another hour passed
another breath exhaled
another broken heart beat

Or to climb my way
out of deepless dolor
by starting the work of
planting next spring’s garden

It takes sweat
and dirty hands
and yes,
tears from heaven
to make it flourish,
but even so
– just maybe –
my memories
so carefully planted like seeds
might blossom fully
from the soil of loss.

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Serving Some Good Purpose

We are the hollow men
    We are the stuffed men
    Leaning together
    Headpiece filled with straw.

~T.S. Eliot from “The Hollow Men”

Here is the scarecrow, see him stand
Upon the newly planted land;
A figure rugged and forlorn,
A silent watcher of the corn.

His dangling legs, his arms spread wide,
A lone man of the countryside;
Uncouth, the butt of pen and tongue,
Unheralded, unsought, unsung.

To you, old scarecrow, then this lay
To cheer you on your lonely way;
Would that all men, their whole lives through,
Served some good purpose same as you.

~Annie Stone “The Scarecrow” (written on her 103rd birthday)

Once I said to a scarecrow, “You must be tired of standing in this
lonely field.”


And he said, “The joy of scaring is a deep and lasting one, and I
never tire of it.”


Said I, after a minute of thought, “It is true; for I too have
known that joy.”


Said he, “Only those who are stuffed with straw can know it.”

Then I left him, not knowing whether he had complimented or belittled me.

A year passed, during which the scarecrow turned philosopher.

And when I passed by him again I saw two crows building a nest
under his hat.

~Kahlil Gibran “The Scarecrow”

“I’ve seen myself, Mother Rigby! I’ve seen myself for the wretched, ragged, empty thing I am. I’ll exist no longer.”

Snatching the pipe from his mouth, he flung it with all his might against the chimney, and at the same instant sank upon the floor, a medley of straw and tattered garments, with some sticks protruding from the heap and a shriveled pumpkin in the midst. The eyeholes were now lustreless but the rudely carved gap that just before had been a mouth still seemed to twist itself into a despairing grin, and was so far human.

“Poor fellow!” quoth Mother Rigby, with a rueful glance at the relics of her ill-fated contrivance. “My poor, dear, pretty Feathertop! There are thousands upon thousands of coxcombs and charlatans in the world made up of just such a jumble of worn-out, forgotten and good-for-nothing trash as he was, yet they live in fair repute, and never see themselves for what they are. And why should my poor puppet be the only one to know himself and perish for it?”

“I could easily give him another chance, and send him forth again tomorrow. But no! His feelings are too tender–his sensibilities too deep. He seems to have too much heart to bustle for his own advantage in such an empty and heartless world. Well, well! I’ll make a scarecrow of him, after all. ‘Tis an innocent and useful vocation, and will suit my darling well; and if each of his human brethren had as fit a one, ‘twould be the better for mankind.”
~Nathaniel Hawthorne from “Feathertop”
(the story of a scarecrow brought to life)

We don’t see many real working scarecrows around anymore. Corn and grain fields are so vast and abundant, the loss of a few kernels to raccoons or crows is not devastating to the farmer, so why frighten them away?

Instead, scarecrows have become the stuff of cheerful autumn decorations, standing alongside cornstalks and hay bales on porches, scaring no one. Or they are portrayed as horribly sinister and menacing in Halloween movies and haunted houses – a poor scarecrow’s original purpose twisted to frighten away far more than hungry critters.

Perhaps scarier, as our election season progresses, we’re seeing “hollow” politicians portraying themselves as something far more than they really are. We watch them “lean together, headpiece filled with straw.” It doesn’t take long to be exposed as “wretched, ragged, and empty.”

The worthy politician with good goals and purpose “seems to have too much heart to bustle for his own advantage in such an empty and heartless world.” Sometimes they decide to simply retire into obscurity and the garden.

…or they should…

The honest and genuine scarecrow returns to his post in the cornfield – such an innocent and useful vocation. If only we each had as fit a job, it would be all the better for mankind.

(A personal note: back in 1972, I combined Eliot’s “Hollow Men” and Hawthorne’s “Feathertop” in a scarecrow-themed interpretive reading that garnered Washington State’s top high school prize, sending me to nationals at Wake Forest in North Carolina. There I, a true country bumpkin, was soundly and deservedly trounced by far more talented high schoolers from all over the country.

At least I was able to say “I went to nationals…,” a very “hollow men” thing to claim.)

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Reading the World

Hear me: sometimes thunder is just thunder.
The dog barking is only a dog. Leaves fall
from the trees because the days are getting shorter,
by which I mean not the days we have left,
but the actual length of time, given the tilt of earth
and distance from the sun. My nephew used to see
a therapist who mentioned that, at play,
he sank a toy ship and tried to save the captain.
Not, he said, that we want to read anything into that.
Who can read the world? Its paragraphs
of cloud and alphabets of dust. Just now
a night bird outside my window made a single,
plaintive cry that wafted up between the trees.
Not, I’m sure, that it was meant for me.
~Danusa Laméris “Night Bird” from Poetry

These days, I tend to read meaning into nearly everything.

Somehow, I imagine a purpose for whatever takes place, whether quotidian and mundane, or the dramatic and unforgettable. It seems to me I should derive meaning from all around me, learn from it, be inspired by it, or grieve over it.

How do we live out the days we have left – an unknowable number?
I want to not miss a thing, knowing, through inattention and distraction and carelessness, I have missed so much over the past seventy years.

Even so, here I am now, reading the world for all it has to offer – even the fine print – trying to make sense of the messiness, the orneriness, the unexplainable, and the breathtaking.

Surely it is the only way to know what is true. I need to witness it all, and wonder.

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The Fire and Rose Are One

The soul’s sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time’s covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable Zero summer?

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;


And all shall be well and
All manner of thing shall be well
When the tongues of flames are in-folded
Into the crowned knot of fire
And the fire and the rose are one.

~T.S. Eliot – from “Little Gidding” from the Four Quartets

To think that this meaningless thing was ever a rose,
Scentless, colourless, this!
Will it ever be thus (who knows?)
Thus with our bliss,
If we wait till the close?


Though we care not to wait for the end, there comes the end
Sooner, later, at last,
Which nothing can mar, nothing mend:

An end locked fast,
Bent we cannot re-bend.

~Christina Rossetti “Summer is Ended”

As a 3rd grader in November 1963, I learned the import of the U.S. flag being lowered to half mast in response to the shocking and violent death of our President. The lowering of the flag was so rare when I was growing up, it had dramatic effect on all who passed by — 

our soul’s sap quivers

— something very sad had happened to our country, something or someone had tragically ended, warranting our silence, our stillness, and our grief.

For the twenty-two years since 9/11/01, our flag has spent significant time at half mast, most often due to our own home-grown mass shooting terrorism. When I see it flying low, I’m befuddled instead of contemplative, puzzling over what the latest loss might be as there are so many, sometimes all happening in the same time frame. We no longer are silenced by this gesture of honor and respect; we certainly are not stilled when personally and corporately instigating and suffering the same mistakes against humanity over and over again.

We are so bent. Will we ever be mended again?

Eliot wrote these prescient words of the Four Quartets in the midst of the WWII German bombing raids that destroyed so many people and neighborhoods. Perhaps he sensed the destruction he witnessed would not be the last time in history that evil visits the innocent, leaving them in ashes. There would be so many more losses to come, not least being the horror of 9/11/01.

There remains so much more sadness to be borne, such abundance of grief. Our world has become overwhelmed and stricken. Yet Eliot was right: we have yet to live in a Zero summer of endless hope and fruitfulness, of spiritual awakening and understanding. Where is it indeed? When will the summer Rose of beauty and fragrance rise again?

We must return, as people of faith to Eliot’s still point to which we are called on a remembrance day such as today. We must be stilled; we must be silenced. We must grieve the losses of this turning world and pray for release from the suffering we cause and we endure. Only in the asking, only in the kneeling down and pleading, are we surrounded by God’s unbounded grace.

Only then will His Rose bloom, once again recognizable.  

“Zero Summer” imagines the unimaginable horror of Hiroshima and Nagasaki, and yet points to epiphanic awakening that transcend human imagination at the same time. T.S. Eliot, who coined this term in his “Four Quartets,” longed for that eternal summer, birthed out of the “still point,” where imagination is met with grace and truth.
~Makoto Fujimura

“There Are No Words” written on 9/11/2001
by Kitty Donohoe

there are no words there is no song
is there a balm that can heal these wounds

that will last a lifetime long
and when the stars have burned to dust
hand in hand we still will stand because we must

in one single hour in one single day
we were changed forever something taken away
and there is no fire that can melt this heavy stone
that can bring back the voices and the spirits of our own

all the brothers, sisters and lovers all the friends that are gone
all the chairs that will be empty in the lives that will go on
can we ever forgive though we never will forget
can we believe in the milk of human goodness yet

we were forged in freedom we were born in liberty
we came here to stop the twisted arrows cast by tyranny
and we won’t bow down we are strong of heart
we are a chain together that won’t be pulled apart

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August Ends with a Quick Kiss

The foliage has been losing its freshness through the month of August, and here and there a yellow leaf shows itself like the first gray hair amidst the locks of a beauty who has seen one season too many.
~Oliver Wendell Holmes from Songs of Many Seasons 1862-1874

Let me enjoy this late-summer day of my heart while the leaves are still green and I won’t look so close as to see that first tint of pale yellow slowly creep in. I will cease endless running and then look to the sky ask the sun to embrace me and then hope she won’t tell of tomorrows less long than today. Let me spend just this time in the slow-cooling glow of warm afternoon light and I’d think I will still have the strength for just one more last fling of my heart.
– John Bohrn ” Late August

August rushes by like desert rainfall,
A flood of frenzied upheaval,
Expected,
But still catching me unprepared.
Like a match flame
Bursting on the scene,
Heat and haze of crimson sunsets.
Like a dream
Of moon and dark barely recalled,
A moment,
Shadows caught in a blink.
Like a quick kiss;
One wishes for more
But it suddenly turns to leave,
Dragging summer away.
– Elizabeth Maua Taylor “August”

Everything is made to perish;
the wonder of anything at all is that it has not already done so.
No, he thought.
The wonder of anything is that it was made in the first place.
What persists beyond this cataclysm of making and unmaking?

~Paul Harding from Tinkers

Earthly contentment
~perhaps a house stayed dry in a flood
or a forest was passed over in a wildfire
or a devastating diagnosis was averted
or a bank account contained sufficient funds
or gray hairs remain successfully hidden~
won’t last.

Like a quick kiss, it is done and gone, and cannot last.

May I not settle for comfort and contentment
but seek to fill
my overwhelming needs
with what will not perish,
even as the leaves turn yellow
and the light begins to fade,
and rest assured
as the seasons pass, altering the landscape,
I too must be changed.

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Finding Refuge

When the wind
turns and asks, in my father’s voice,
Have you prayed?

I know three things. One:
I’m never finished answering to the dead.

Two: A man is four winds and three fires.
And the four winds are his father’s voice,
his mother’s voice . . .

Or maybe he’s seven winds and ten fires.
And the fires are seeing, hearing, touching,
dreaming, thinking . . .
Or is he the breath of God?

When the wind turns traveler
and asks, in my father’s voice, Have you prayed?
I remember three things.

One: A father’s love
is milk and sugar,
two-thirds worry, two-thirds grief, and what’s left over
is trimmed and leavened to make the bread
the dead and the living share.

And patience? That’s to endure
the terrible leavening and kneading.


And wisdom? That’s my father’s face in sleep.

When the wind
asks, Have you prayed?
I know it’s only me
reminding myself

a flower is one station between
earth’s wish and earth’s rapture, and blood
was fire, salt, and breath long before
it quickened any wand or branch, any limb
that woke speaking. It’s just me
in the gowns of the wind,

or my father through me, asking,
Have you found your refuge yet?
asking, Are you happy?

Strange. A troubled father. A happy son.
The wind with a voice. And me talking to no one.

~Li Young Lee “Have You Prayed?”

I pray because I can’t help myself.
I pray because I’m helpless.
I pray because the need flows out of me all the time — waking and sleeping.
It doesn’t change God — it changes me.

~C.S. Lewis

I never did hear my father pray out loud except for saying grace together as a family before our dinner meal. Once he described a prayer he uttered while hunkering in a trench on the island of Tarawa during WWII: if God could see him safe through the three years of combat, he would turn his life to over to God and become a preacher of the Word.

He came home safe, his body still whole but he could see the harsh reality of his foxhole promise: agriculture teachers made better incomes than preachers. He had a family to support so he became a high school FFA teacher. I’m not sure he ever forgave himself for not keeping his word, even when God did. I figure the world needs good farmers as much as good preachers and he trained his share of farmers over the decades, including me.

I learned to pray out loud at our small church as we spend part of every evening service praying out loud for the needs of our church people, our community and our world. It still does not come easily or naturally to me, yet I hope our children, having heard their parents pray out loud, have learned they are not just talking to the wind when they speak to God aloud, when helpless, when weary, when joyful, when thankful.

Praying changes everything.

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