For seasons the walled meadow south of the house built of its stone grows up in shepherd’s purse and thistles the weeds share April as a secret finches disguised as summer earth click the drying seeds mice run over rags of parchment in August the hare keeps looking up remembering a hidden joy fills the songs of the cicadas
two days’ rain wakes the green in the pastures crows agree and hawks shriek with naked voices on all sides the dark oak woods leap up and shine the long stony meadow is plowed at last and lies all day bare I consider life after life as treasures oh it is the autumn light
that brings everything back in one hand the light again of beginnings the amber appearing as amber ~ W. S. Merwin, “September Plowing” from Flower & Hand
photo by Joel De Waard
When you are already here you appear to be only a name that tells of you whether you are present or not
and for now it seems as though you are still summer still the high familiar endless summer yet with a glint of bronze in the chill mornings and the late yellow petals of the mullein fluttering on the stalks that lean over their broken shadows across the cracked ground
but they all know that you have come the seed heads of the sage the whispering birds with nowhere to hide you to keep you for later
you who fly with them
you who are neither before nor after you who arrive with blue plums that have fallen through the night
Now that it has rained a bit, the light of September is a filtered, more gentle illumination than we have experienced for the past several months of dry summer glare.
It is more lambent: a soft radiance that simply glows at certain times of the day when the angle of the sun is just right, and the clouds are in position to soften and cushion the luminence.
It is also liminal: it is neither before or after, on the threshold between seasons when there is both promise and caution in the air.
Sometimes I think I can breathe in light like this, if not through my lungs, then through my eyes.
It is a temptation to bottle it up with a stopper somehow, stow it away hidden in a back cupboard. Then I can bring it out on the darkest days, pour a bit into a glass, and imbibe.
But for now, I fill myself full to the brim. And my only means of preservation is with a camera and a few words.
So I share it now with all of you to tuck away for a future day. Perhaps you too will be thirsty for a lambent light.
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Yet you, Lord, are our Father. We are the clay, you are the potter; we are all the work of your hand. Isaiah 64:8
From dust to purpose, beauty spins as planned. Love is crafted by surrender when clay trusts the Potter’s hands. ~Jamie Trunnel from “The Potter’s Hands”
For we are God’s handiwork, created in Christ Jesus to do good works, which God prepared in advance for us to do. Ephesians 2:10
The best pottery is never completely perfect, becoming an original, unique piece. It is infused with the potter’s eye and energy, the expert pressure of fingers and palm, with a design and vision coming from the heart and imagination of the potter.
Last night, during our evening church worship, two artists in our congregation, one using words of scripture and the other at a pottery wheel, demonstrated how creating and sculpting a work of pottery is key to understanding how God shapes each one of us, from our beginnings, preparing us in advance for the work we are to do.
Each one is a unique and original individual, formed by the hands of the Artist to become something with a purpose and plan. Even with imperfections, we are created as both beautiful and functional.
His Hands remain around us, holding and molding us to His plan.
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When I saw the figure on the crown of the hill, high above the city, standing perfectly still
against a sky so saturated with the late- afternoon, late-summer Pacific light
that granules of it seemed to have come out of solution, like a fine precipitate
of crystals hanging in the brightened air, I thought whoever it was standing up there
must be experiencing some heightened state of being, or thinking—or its opposite,
thoughtlessly enraptured by the view. Or maybe, looking again, it was a statue
of Jesus or a saint, placed there to bestow a ceaseless blessing on the city below.
Only after a good five minutes did I see that the figure was actually a tree—
some kind of cypress, probably, or cedar. I was both amused and let down by my error. Not only had I made the tree a person, but I’d also given it a vision,
which seemed to linger in the light-charged air around the tree’s green flame, then disappear. ~Jeffrey Harrison “The Figure on the Hill” from Into Daylight
Who was it who suggested that the opposite of war Is not so much peace as civilisation? He knew Our assassinated Catholic greengrocer who died At Christmas in the arms of our Methodist minister, And our ice-cream man whose continuing requiem Is the twenty-one flavours children have by heart. Our cobbler mends shoes for everybody; our butcher Blends into his best sausages leeks, garlic, honey; Our cornershop sells everything from bread to kindling. Who can bring peace to people who are not civilised? All of these people, alive or dead, are civilised. ~Michael Longley “All of These People” from Collected Poems
Who among us appear in the light-charged air, visible on the crown of the hill of life – who might be mistaken for a martyr or a saint or a visionary, when each one of us is merely a person responsible to a family, committed to help friends, dedicated to serve a community, placed in this world to steady a broken civilization.
There is the simple truth that we need a person with roots deep in the ground, branches that reach up and out, bearing fruit to share with those around us.
But surely not this misery, not this blight, not this trouble, certainly not these murders, which only bears and shares a heart-rending, horrible grief.
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They shut the road through the woods Seventy years ago. Weather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath, And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods.
Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate, (They fear not men in the woods, Because they see so few.) You will hear the beat of a horse’s feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods. But there is no road through the woods. ~Rudyard Kipling “The Way Through the Woods”
Nature has a way of covering our offending tracks, given time and left alone.
We think we’ve built a lasting impression, clearing the path for easy passage, forging ahead into the future.
Yet no invitation is needed for the overgrowth to reclaim the road some folks traveled, once upon a time.
Now the old lost road is overwhelmed by the mists and mosses of time; may it stay buried in the past as we pass through, unnoticed and oblivious.
photo by Emily VanderHaak
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The thing is to love life, to love it even when you have no stomach for it and everything you’ve held dear crumbles like burnt paper in your hands, your throat filled with the silt of it. When grief sits with you, its tropical heat thickening the air, heavy as water more fit for gills than lungs; when grief weights you like your own flesh only more of it, an obesity of grief, you think, How can a body withstand this? Then you hold life like a face between your palms, a plain face, no charming smile, no violet eyes, and you say, yes, I will take you I will love you, again. ~Ellen Bass, “The Thing Is” from Mules of Love
...everything here seems to need us —Rainer Maria Rilke
It’s a hard time to be human. We know too much and too little. Does the breeze need us? If you’ve managed to do one good thing, the ocean doesn’t care. But when Newton’s apple fell toward the earth, the earth, ever so slightly, fell toward the apple. ~Ellen Bass from “The World Has Need of You” from Like a Beggar
Fallen leaves will climb back into trees. Shards of the shattered vase will rise and reassemble on the table. Plastic raincoats will refold into their flat envelopes. The egg, bald yolk and its transparent halo, slide back in the thin, calcium shell. Curses will pour back into mouths, letters un-write themselves, words siphoned up into the pen. My gray hair will darken and become the feathers of a black swan. Bullets will snap back into their chambers, the powder tamped tight in brass casings. Borders will disappear from maps. Rust revert to oxygen and time. The fire return to the log, the log to the tree, the white root curled up in the un-split seed. Birdsong will fly into the lark’s lungs, answers become questions again. When you return, sweaters will unravel and wool grow on the sheep. Rock will go home to mountain, gold to vein. Wine crushed into the grape, oil pressed into the olive. Silk reeled in to the spider’s belly. Night moths tucked close into cocoons, ink drained from the indigo tattoo. Diamonds will be returned to coal, coal to rotting ferns, rain to clouds, light to stars sucked back and back into one timeless point, the way it was before the world was born, that fresh, that whole, nothing broken, nothing torn apart. ~Ellen Bass “When You Return” from Like a Beggar
There is so much grief these days so much anger, so much loss of life, so much weeping.
How can we withstand this? How can we know, now, when we are barely able to breathe that we might know – at some point – we might have the stomach to love life again?
This time of year, no matter which way I turn, autumn’s kaleidoscope displays new patterns, new colors, new empty spaces as I watch the world die into itself once again.
Some dying is flashy, brilliant, blazing – a calling out for attention. Then there is the hidden dying that happens without anyone taking notice: just a plain, tired, rusting away letting go.
I spent this morning adjusting to the change in season by occupying myself with the familiar task of moving manure. Cleaning barn is a comforting chore, allowing me to transform tangible benefit from something objectionable and just plain stinky to the nurturing fertilizer of the future.
It feels like I’ve actually accomplished something.
As I scoop and push the wheelbarrow, I recalled another barn cleaning 24 years ago, just days before the world changed on 9/11/01.
I was one of three or four friends left cleaning over ninety stalls after a Haflinger horse event that I had organized at our local fairgrounds. Some people had brought their horses from over 1000 miles away to participate for several days, including a Haflinger parade through our town on a quiet Sunday morning.
There had been personality clashes and harsh words among some participants along with criticism directed at me as the organizer that I had taken very personally. As I struggled with the umpteenth wheelbarrow load of manure, tears stung my eyes and my heart.
I was miserable with regret, feeling my work had been futile and unappreciated.
One friend had stayed behind with her young family to help clean up the large facility and she could see I was struggling to keep my composure. Jenny put herself right in front of my wheelbarrow and looked me in the eye, insisting I stop for a moment and listen:
“You know, none of these troubles and conflicts will amount to a hill of beans years from now. People will remember a fun event in a beautiful part of the country, a wonderful time with their Haflingers, their friends and family, and they’ll be all nostalgic about it, not giving a thought to the infighting or the sour attitudes or who said what to whom. So don’t make this about you and whether you did or didn’t make everyone happy. You loved us all enough to make it possible to meet here and the rest was up to us. So quit being upset about what you can’t change. There’s too much you can still do for us.”
Jenny had no idea how wise her words were, even two days later, on 9/11.
During tough times since (and there have been plenty), Jenny’s advice replays, reminding me to cease seeking appreciation from others or feeling hurt when harsh words come my way.
She was right about the balm found in the tincture of time. She was right about giving up the upset in order to die to self and self absorption, and instead to focus outward.
I have remembered.
Jenny herself did not know that day she would subsequently spend six years dying while still loving life every day, fighting a relentless cancer that was only slowed in the face of her faith and intense drive to live.
She became a rusting leaf gone holy, fading imperceptibly over time, crumbling at the edges until she finally had to let go. Her dying did not flash brilliance, nor draw attention at the end. Her intense focus during the years of her illness had always been outward to others, to her family and friends, to the healers she spent so much time with in medical offices, to her firm belief in the plan God had written for her and those who loved her.
So Jenny let go her hold on life here. And we reluctantly let her go. Brilliance cloaks her as her focus is now on things eternal.
You were so right, Jenny. The hard feelings from a quarter century ago don’t amount to a hill of beans now. The words you spoke to me that day taught me to love life even when I have no stomach for it.
All of us did have a great time together a few days before the world changed. And manure transforms over time to rich, nurturing compost.
I promise I am no longer upset that I can’t change what is past nor the fact that you and so many others have now left us.
But we’ll catch up later.
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After nourishment, shelter and companionship, stories are the thing we need most in the world. Philip Pullman
You’re going to feel like hell if you wake up someday and you never wrote the stuff that is tugging on the sleeves of your heart: your stories, memories, visions, and songs–your truth, your version of things–in your own voice. That’s really all you have to offer us, and that’s also why you were born. ~Anne Lamott in a TED Talk
Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. ~Annie Dillard from “Write Till You Drop”
I began to write after September 11, 2001 because that day it became obvious to me I too was dying, albeit more slowly than the thousands who vanished that day in fire and ash, their voices obliterated with their bodies.
So, nearly each day since, while I still have voice and a new dawn to greet, I speak through my fingers and my camera lens to others dying around me.
We are, after all, terminal patients, some more imminent than others, some of us more prepared to move on, as if our readiness had anything to do with the timing.
Each day I too get a little closer, so I write in my own voice and share photos of my world as a way to hang on a while longer, yet with a loosening grasp. Each day I must detach just a little bit, leaving a small trace of my voice and myself behind.
Eventually, through unmerited grace, so much of me will be left on the page there won’t be anything or anyone left to do the typing.
There is no moment or picture or word to waste.
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Let me remember you, voices of little insects, Weeds in the moonlight, fields that are tangled with asters, Let me remember, soon will the winter be on us, Snow-hushed and heavy.
Over my soul murmur your mute benediction, While I gaze, O fields that rest after harvest, As those who part look long in the eyes they lean to, Lest they forget them. ~Sara Teasdale from “September Midnight”
The tumult and the shouting dies; The Captains and the Kings depart: Still stands Thine ancient sacrifice, An humble and a contrite heart. Lord God of Hosts, be with us yet, Lest we forget—lest we forget! ~Rudyard Kipling from “Recessional”
If I were called upon to identify briefly the principal trait of the entire twentieth century, here too, I would be unable to find anything more precise and pithy than to repeat once again: Men have forgotten God. ~Aleksandr Solzhenitzyn from his 1983 acceptance speech for the Templeton Prize
Lest I forget…
I look long in the eyes I lean to…
whether a loved one, or the mountains, or summer-weary fields, or the face of God Himself.
I cannot risk forgetting Who must be remembered — He is encased in my heart like a treasured photograph, like a precious gem, like a benediction soothing me quiet when anxious.
It is His ultimate promise: Neither will He forget me – looking long in my eyes that lean in to Him.
[And the Lord answered] Can a woman forget her nursing child, that she should not have compassion on the son of her womb? Yes, they may forget, yet I will not forget you. Isaiah 49:15
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Cork, Ireland Poetry in small language is like a church bell in some remote village tolling mutely in the evening through the musty provincial air self-obliviously and quite self-sufficiently —one might add— if it weren’t for the pair of those ragged sheep huddled before the rain on the empty lot in front of a stone barn bobbing their whitish little heads here and there just to let you know that regardless of medium the message will always arrive at the destination. ~Damir Šodan“Poetry in Small Language” translated from the Croatian by James Meetze
Sometimes poetry needs no words. It might be bells ringing from a church belfry, or raindrops streaming like tears on my face. It is how the light plays across the clouds, or watching new lambs leap together. Unless I’m watching or listening for it, I might miss the poetry in the air altogether. Yet somewhere, someone does, sometime. It finds just the person who needs it at that moment.
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The sweetest thing in all my life has been the longing — to reach the Mountain, to find the place where all the beauty came from — my country, the place where I ought to have been born. Do you think it all meant nothing, all the longing? The longing for home? For indeed it now feels not like going, but like going back. ~ C. S. Lewis, Till We Have Faces
The soul must long for God in order to be set aflame by God’s love. But if the soul cannot yet feel this longing, then it must long for the longing. To long for the longing is also from God. ~Meister EckhartfromFreedom from Sinful Thoughts
I tend to get distracted, losing my sense of purpose and the reason I’m here; I become too absorbed by the troubles of the moment, or dwelling on the troubles of the past, or anticipating the troubles of tomorrow.
My feelings end up overwhelming all else – am I uncomfortable? restless? discouraged? peevish? worried? empty?
When my spirit grows cold, I need igniting. I long for the spark of God to set me aflame again, even at the risk of getting singed.
We’re all His kindling ready to be lit. I long for longing at the beginning and ending of every day.
Lyrics: From the love of my own comfort From the fear of having nothing From a life of worldly passions Deliver me O God
From the need to be understood From the need to be accepted From the fear of being lonely Deliver me O God Deliver me O God
And I shall not want, I shall not want when I taste Your goodness I shall not want when I taste Your goodness I shall not want
From the fear of serving others From the fear of death or trial From the fear of humility Deliver me O God Deliver me O God
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In 2012, we stayed with our friends Brian and Bette at their cabin on a bluff just above the Pacific Ocean at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami.
As we walked that stretch of beach, we heard the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away a year later, to be burned or buried. There were acres of wrecked vehicles piled one on another, waiting to become scrap metal.
It was visual evidence of life so suddenly and dramatically disrupted and carried away.
This had been a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round and, in ongoing recovery efforts, struggling to be restored to something familiar. Yet it looked like a foreign ghostly landscape. Many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.
Tohoku is a powerful place of memories for those who still live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy and contentment that preceded it.
We are tempted to ask God why He doesn’t do something about the suffering that happened in this place or anywhere a disaster occurs –but if we do, He will ask us the same question right back. We need to be ready with our answer and our action.
God knows suffering. Far more than we do. He took it all on Himself, feeling His pain amplified, as it was borne out of His love and joy in His creation.
This beautiful place, and its dedicated survivors have slowly recovered, but the inner and outer landscape is forever altered. What remains the same is the pulsing tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.
With that realization, pain will finally give way, unable to stand up to His love, His joy, and our response to His sacrifice.
We can call Him up anytime and anywhere.
bent gate at Sendai beach -2012
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