I want to memorize it all before it changes: the shift of sun from north to south barely balances on our east- west road at equinox.
The flow of geese overhead, honking while waving farewell, the hawks’ screams in the firs, dragonflies trapped in the barn light fixtures several generations of coyotes hollering at dusk.
The pond quiets with cooler nights, hair thickens on horses, cats and dogs, dying back of the garden vines reveals what lies unharvested beneath.
And so we part again, Summer – your gifts were endless until you now have parted ways.
I sit silenced, brooding, waiting for what comes next.
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For seasons the walled meadow south of the house built of its stone grows up in shepherd’s purse and thistles the weeds share April as a secret finches disguised as summer earth click the drying seeds mice run over rags of parchment in August the hare keeps looking up remembering a hidden joy fills the songs of the cicadas
two days’ rain wakes the green in the pastures crows agree and hawks shriek with naked voices on all sides the dark oak woods leap up and shine the long stony meadow is plowed at last and lies all day bare I consider life after life as treasures oh it is the autumn light
that brings everything back in one hand the light again of beginnings the amber appearing as amber ~ W. S. Merwin, “September Plowing” from Flower & Hand
photo by Joel De Waard
When you are already here you appear to be only a name that tells of you whether you are present or not
and for now it seems as though you are still summer still the high familiar endless summer yet with a glint of bronze in the chill mornings and the late yellow petals of the mullein fluttering on the stalks that lean over their broken shadows across the cracked ground
but they all know that you have come the seed heads of the sage the whispering birds with nowhere to hide you to keep you for later
you who fly with them
you who are neither before nor after you who arrive with blue plums that have fallen through the night
Now that it has rained a bit, the light of September is a filtered, more gentle illumination than we have experienced for the past several months of dry summer glare.
It is more lambent: a soft radiance that simply glows at certain times of the day when the angle of the sun is just right, and the clouds are in position to soften and cushion the luminence.
It is also liminal: it is neither before or after, on the threshold between seasons when there is both promise and caution in the air.
Sometimes I think I can breathe in light like this, if not through my lungs, then through my eyes.
It is a temptation to bottle it up with a stopper somehow, stow it away hidden in a back cupboard. Then I can bring it out on the darkest days, pour a bit into a glass, and imbibe.
But for now, I fill myself full to the brim. And my only means of preservation is with a camera and a few words.
So I share it now with all of you to tuck away for a future day. Perhaps you too will be thirsty for a lambent light.
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When I saw the figure on the crown of the hill, high above the city, standing perfectly still
against a sky so saturated with the late- afternoon, late-summer Pacific light
that granules of it seemed to have come out of solution, like a fine precipitate
of crystals hanging in the brightened air, I thought whoever it was standing up there
must be experiencing some heightened state of being, or thinking—or its opposite,
thoughtlessly enraptured by the view. Or maybe, looking again, it was a statue
of Jesus or a saint, placed there to bestow a ceaseless blessing on the city below.
Only after a good five minutes did I see that the figure was actually a tree—
some kind of cypress, probably, or cedar. I was both amused and let down by my error. Not only had I made the tree a person, but I’d also given it a vision,
which seemed to linger in the light-charged air around the tree’s green flame, then disappear. ~Jeffrey Harrison “The Figure on the Hill” from Into Daylight
Who was it who suggested that the opposite of war Is not so much peace as civilisation? He knew Our assassinated Catholic greengrocer who died At Christmas in the arms of our Methodist minister, And our ice-cream man whose continuing requiem Is the twenty-one flavours children have by heart. Our cobbler mends shoes for everybody; our butcher Blends into his best sausages leeks, garlic, honey; Our cornershop sells everything from bread to kindling. Who can bring peace to people who are not civilised? All of these people, alive or dead, are civilised. ~Michael Longley “All of These People” from Collected Poems
Who among us appear in the light-charged air, visible on the crown of the hill of life – who might be mistaken for a martyr or a saint or a visionary, when each one of us is merely a person responsible to a family, committed to help friends, dedicated to serve a community, placed in this world to steady a broken civilization.
There is the simple truth that we need a person with roots deep in the ground, branches that reach up and out, bearing fruit to share with those around us.
But surely not this misery, not this blight, not this trouble, certainly not these murders, which only bears and shares a heart-rending, horrible grief.
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The thing is to love life, to love it even when you have no stomach for it and everything you’ve held dear crumbles like burnt paper in your hands, your throat filled with the silt of it. When grief sits with you, its tropical heat thickening the air, heavy as water more fit for gills than lungs; when grief weights you like your own flesh only more of it, an obesity of grief, you think, How can a body withstand this? Then you hold life like a face between your palms, a plain face, no charming smile, no violet eyes, and you say, yes, I will take you I will love you, again. ~Ellen Bass, “The Thing Is” from Mules of Love
...everything here seems to need us —Rainer Maria Rilke
It’s a hard time to be human. We know too much and too little. Does the breeze need us? If you’ve managed to do one good thing, the ocean doesn’t care. But when Newton’s apple fell toward the earth, the earth, ever so slightly, fell toward the apple. ~Ellen Bass from “The World Has Need of You” from Like a Beggar
Fallen leaves will climb back into trees. Shards of the shattered vase will rise and reassemble on the table. Plastic raincoats will refold into their flat envelopes. The egg, bald yolk and its transparent halo, slide back in the thin, calcium shell. Curses will pour back into mouths, letters un-write themselves, words siphoned up into the pen. My gray hair will darken and become the feathers of a black swan. Bullets will snap back into their chambers, the powder tamped tight in brass casings. Borders will disappear from maps. Rust revert to oxygen and time. The fire return to the log, the log to the tree, the white root curled up in the un-split seed. Birdsong will fly into the lark’s lungs, answers become questions again. When you return, sweaters will unravel and wool grow on the sheep. Rock will go home to mountain, gold to vein. Wine crushed into the grape, oil pressed into the olive. Silk reeled in to the spider’s belly. Night moths tucked close into cocoons, ink drained from the indigo tattoo. Diamonds will be returned to coal, coal to rotting ferns, rain to clouds, light to stars sucked back and back into one timeless point, the way it was before the world was born, that fresh, that whole, nothing broken, nothing torn apart. ~Ellen Bass “When You Return” from Like a Beggar
There is so much grief these days so much anger, so much loss of life, so much weeping.
How can we withstand this? How can we know, now, when we are barely able to breathe that we might know – at some point – we might have the stomach to love life again?
This time of year, no matter which way I turn, autumn’s kaleidoscope displays new patterns, new colors, new empty spaces as I watch the world die into itself once again.
Some dying is flashy, brilliant, blazing – a calling out for attention. Then there is the hidden dying that happens without anyone taking notice: just a plain, tired, rusting away letting go.
I spent this morning adjusting to the change in season by occupying myself with the familiar task of moving manure. Cleaning barn is a comforting chore, allowing me to transform tangible benefit from something objectionable and just plain stinky to the nurturing fertilizer of the future.
It feels like I’ve actually accomplished something.
As I scoop and push the wheelbarrow, I recalled another barn cleaning 24 years ago, just days before the world changed on 9/11/01.
I was one of three or four friends left cleaning over ninety stalls after a Haflinger horse event that I had organized at our local fairgrounds. Some people had brought their horses from over 1000 miles away to participate for several days, including a Haflinger parade through our town on a quiet Sunday morning.
There had been personality clashes and harsh words among some participants along with criticism directed at me as the organizer that I had taken very personally. As I struggled with the umpteenth wheelbarrow load of manure, tears stung my eyes and my heart.
I was miserable with regret, feeling my work had been futile and unappreciated.
One friend had stayed behind with her young family to help clean up the large facility and she could see I was struggling to keep my composure. Jenny put herself right in front of my wheelbarrow and looked me in the eye, insisting I stop for a moment and listen:
“You know, none of these troubles and conflicts will amount to a hill of beans years from now. People will remember a fun event in a beautiful part of the country, a wonderful time with their Haflingers, their friends and family, and they’ll be all nostalgic about it, not giving a thought to the infighting or the sour attitudes or who said what to whom. So don’t make this about you and whether you did or didn’t make everyone happy. You loved us all enough to make it possible to meet here and the rest was up to us. So quit being upset about what you can’t change. There’s too much you can still do for us.”
Jenny had no idea how wise her words were, even two days later, on 9/11.
During tough times since (and there have been plenty), Jenny’s advice replays, reminding me to cease seeking appreciation from others or feeling hurt when harsh words come my way.
She was right about the balm found in the tincture of time. She was right about giving up the upset in order to die to self and self absorption, and instead to focus outward.
I have remembered.
Jenny herself did not know that day she would subsequently spend six years dying while still loving life every day, fighting a relentless cancer that was only slowed in the face of her faith and intense drive to live.
She became a rusting leaf gone holy, fading imperceptibly over time, crumbling at the edges until she finally had to let go. Her dying did not flash brilliance, nor draw attention at the end. Her intense focus during the years of her illness had always been outward to others, to her family and friends, to the healers she spent so much time with in medical offices, to her firm belief in the plan God had written for her and those who loved her.
So Jenny let go her hold on life here. And we reluctantly let her go. Brilliance cloaks her as her focus is now on things eternal.
You were so right, Jenny. The hard feelings from a quarter century ago don’t amount to a hill of beans now. The words you spoke to me that day taught me to love life even when I have no stomach for it.
All of us did have a great time together a few days before the world changed. And manure transforms over time to rich, nurturing compost.
I promise I am no longer upset that I can’t change what is past nor the fact that you and so many others have now left us.
But we’ll catch up later.
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After nourishment, shelter and companionship, stories are the thing we need most in the world. Philip Pullman
You’re going to feel like hell if you wake up someday and you never wrote the stuff that is tugging on the sleeves of your heart: your stories, memories, visions, and songs–your truth, your version of things–in your own voice. That’s really all you have to offer us, and that’s also why you were born. ~Anne Lamott in a TED Talk
Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. ~Annie Dillard from “Write Till You Drop”
I began to write after September 11, 2001 because that day it became obvious to me I too was dying, albeit more slowly than the thousands who vanished that day in fire and ash, their voices obliterated with their bodies.
So, nearly each day since, while I still have voice and a new dawn to greet, I speak through my fingers and my camera lens to others dying around me.
We are, after all, terminal patients, some more imminent than others, some of us more prepared to move on, as if our readiness had anything to do with the timing.
Each day I too get a little closer, so I write in my own voice and share photos of my world as a way to hang on a while longer, yet with a loosening grasp. Each day I must detach just a little bit, leaving a small trace of my voice and myself behind.
Eventually, through unmerited grace, so much of me will be left on the page there won’t be anything or anyone left to do the typing.
There is no moment or picture or word to waste.
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In 2012, we stayed with our friends Brian and Bette at their cabin on a bluff just above the Pacific Ocean at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami.
As we walked that stretch of beach, we heard the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away a year later, to be burned or buried. There were acres of wrecked vehicles piled one on another, waiting to become scrap metal.
It was visual evidence of life so suddenly and dramatically disrupted and carried away.
This had been a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round and, in ongoing recovery efforts, struggling to be restored to something familiar. Yet it looked like a foreign ghostly landscape. Many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.
Tohoku is a powerful place of memories for those who still live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy and contentment that preceded it.
We are tempted to ask God why He doesn’t do something about the suffering that happened in this place or anywhere a disaster occurs –but if we do, He will ask us the same question right back. We need to be ready with our answer and our action.
God knows suffering. Far more than we do. He took it all on Himself, feeling His pain amplified, as it was borne out of His love and joy in His creation.
This beautiful place, and its dedicated survivors have slowly recovered, but the inner and outer landscape is forever altered. What remains the same is the pulsing tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.
With that realization, pain will finally give way, unable to stand up to His love, His joy, and our response to His sacrifice.
We can call Him up anytime and anywhere.
bent gate at Sendai beach -2012
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Knowing God without knowing our own wretchedness makes for pride. Knowing our own wretchedness without knowing God makes for despair. Knowing Jesus Christ strikes the balance because he shows us both God and our own wretchedness. ~Blaise Pascalfrom Pensées
We yearn for perfection, to be flawless and faultless, unblemished, aiming for symmetry, remaining straight and smooth.
Life serves up something far different and our eye searches for what is broken like us: to find the cracks, scratches and damage, whether it is in a master’s still life portrait replete with crawling flying insects and broken blossoms, or in the not so still life of what is around us.
Somehow Christ bridges Himself between God and us, becoming a walkway for the wretched.
In the beginning we were created unblemished, image bearers of perfection.
No longer.
We bear witness to brokenness with our shattered lives, fragile minds and weakening bodies. It is our leaks and warts that stand out now.
To restore our lost relationship with Him, Christ strikes the balance and bridges the gap; He hung broken to mend us, to lift and carry us over the chasm, binding us to Him forever.
Needing them still, I come when I can, this time to the sea where we share a room: their double bed, my single. Morning fog paints the pale scene even paler. Lace curtains breathing, the chenille spread folded back, my father’s feet white sails furled at the edge of blue pajamas. Every child’s dream, a parent in each hand, though this child is fifty. Their bodies fit easily, with room to spare. When did they grow so small? Grow so small— as if it were possible to swell backwards into an earlier self.
“Her Room” by Andrew Wyeth in the Farnsworth Art Museum
My parents have been gone now for some time, my father 30 years, my mother, nearly 17 years. Their dying was a long process of counted breaths and pauses. I witnessed their bodies curling into themselves, shrinking smaller, worn down by illness and age.
I still miss them as I’m reminded of them by the events of my own life, still wanting them to take me by the hand as I navigate my own daily path.
After mom’s death, those possessions not distributed to family members have remained packed up and stored in our barn buildings. I know it is well past time to deal with their stuff as I become keenly aware of my own graying and aging.
In the house, next to where I write, is a box of over 500 letters written by my mother and father between 1941 and 1945. The letters began as they were getting to know each other at college, going from “pinned” to “engaged” and continue for three and a half more years after a hurried wedding Christmas Eve 1942. By mid-January 1943, my newly minted Marine officer father shipped out to spend the next three years of his life fighting on the battlefields of Saipan, Tinian and Tarawa in the Pacific Ocean, not to return again to the states until late summer of 1945.
My mother wrote her letters from the small rural eastern Washington community of Colville, living in a “teachers’ cottage” with other war wives who taught school while waiting for their husbands to return home – or not.
It took me a decade to find the courage and time to devote to reading these letters they treasured and never threw away. I sorted them unopened by postmark date into some semblance of order and sat down to start at the very beginning, which, of course, is my beginning as well. I opened each one with some trepidation and a lump in my throat about what I might find written there. I worried I may find things I didn’t want to know. I hoped I would find things that I desperately needed to know.
Most of all I wanted to understand the two people who became my parents within the coiled shell of their forty years together, though broken by a painful divorce which lasted a decade. Having lived through that awful time with them, I want to understand the origin of a love which eventually mended their cracked shell of companionship, gluing them back together for five more years before my father died.
As I ponder their words, I too cross a bridge back to them both, my ear pressed to the coiled shell of those fading voices, as if I might still hear the sea, at times bringing them closer, then pulling them farther away.
AI image created for this post
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On Sundays, when the rain held off, after lunch or later, I would go with my twelve year old daughter into town, and put down the time at junk sales, antique fairs.
There I would lean over tables, absorbed by lace, wooden frames, glass. My daughter stood at the other end of the room, her flame-coloured hair obvious whenever— which was not often—
I turned around. I turned around. She was gone. Grown. No longer ready to come with me, whenever a dry Sunday held out its promises of small histories. Endings.
Spirit of irony, my caustic author of the past, of memory,—
and of its pain, which returns hurts, stings—reproach me now, remind me that I was in those rooms, with my child, with my back turned to her, searching—oh irony!— for beautiful things. ~Eavan Boland from “The Necessity for Irony” in The Lost Land.
How is it we look past the golden treasure right in front of us, the beauty gifted generously to us, to pursue the glittery with no value in the long run?
If my history of misplaced focus be forgiven, it is only because of your own golden and generous grace – ironically, always the most beautiful object of my searching.
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…today, the unseen was everything. The unknown, the only real fact of life. All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered. ~Kenneth Grahame, The Wind in the Willows
Purposefully lost in the willow stillness of a late summer meadow in the deer-filled dusk—a silver evening following a blue and amber day. ~Tim Hawkins “Purposefully Lost” from West of the Backstory
I search for the unseen, purposely lost, hoping to find meaning in the unknown.
I am bewildered by this life much of the time. Anyone looking at what I share here sees my struggle each day to discern how to make this sad and suffering world a little bit better place.
I have little to offer you other than my own wrestling match with the mysteries we all face.
Then, when a light does shine out through darkness, when a deer steps out of the woods into the meadow, I am not surprised.
I simply need to pay attention. Illumination was there all the time, but I needed the eyes to see its beauty laid bare, brave enough to show itself even brighter in the light of day.
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