Light splashed this morning on the shell-pink anemones swaying on their tall stems; down blue-spiked veronica light flowed in rivulets over the humps of the honeybees; this morning I saw light kiss the silk of the roses in their second flowering, my late bloomers flushed with their brandy. A curious gladness shook me. So I have shut the doors of my house, so I have trudged downstairs to my cell, so I am sitting in semi-dark hunched over my desk with nothing for a view to tempt me but a bloated compost heap, steamy old stinkpile, under my window; and I pick my notebook up and I start to read aloud and still-wet words I scribbled on the blotted page: “Light splashed…”
It is too easy to be ground to a pulp by the various irritations of the day – aggravations are too easily expressed, worries never seem to wane – all of it sucks gladness out of me.
When my feelings become four-dimensional and surround and drown me, I lose all perspective on what got me out of bed to begin the day.
God is in these intricate details, whether the splash of light on a petal or the smell of rotting compost; it is my job to notice this. It is tempting to look past His ubiquitous presence in all things, to seek out only the elegant grandeur of creation and bypass the plain and smelly and homely.
Yet even what lacks beauty from my limited perspective is worthy of His divine attention. He knows the value and purpose of each thing He created, including me and the things that aggravate me no end – like mosquitos.
The time has come to be refreshed and renewed even when surrounded by decay. His care is revealed in the tiniest way. He is worthy of my attention because I am constantly worthy of His.
If I rise early enough, I can see each new day’s light splash everything awake. By the time I come in to sit down to record my words and photos, I’m thoroughly washed by a fresh dawn. I can scarcely wait to take on what this day will bring.
I can scarcely wait till tomorrow when a new life begins for me, as it does each day, as it does each day.
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Light wakes us – there’s the sun climbing the mountains’ rim, spilling across the valley, finding our faces. It is July, between the hay and harvest, a time at arm’s length from all other time, the roads ragged with meadowsweet and mallow, with splays of seedheads, slubbed and coarse, rough linen. The fields above the house, clotted with sheep all spring, are empty now and froth with flowering grasses, still in the morning light. Birds move around the leafy fields, the leafy garden.
It is the time to set aside all vigil, good or ill, to loosen the fixed gaze of our attention as dandelions let seedlings to the wind. Wake with the light. Get up and go about the day and watch its surfaces that brighten with the sun.
And later, when the light is drowsed and heavy go find the burdened fruit trees where the shade lies splashed and opened-out across the ground. Spread over it a quilt worn soft by other bodies, then curl and fall down into sleep at light.
Awaken to a world of long, loose grass-stems, and leaves above, and birds, breaking out of the leaves. ~Kerry Hardie from “Sleep in Summer”
Saying good-bye to July last week meant admitting summer is already half-baked and so are we–
we who are still doughy, not nearly done enough.
The rush to autumn is breathless. We want to hold on tight to our longish days, fall asleep in the grasses, endure sweaty nights for just a little while longer…
Please, oh please grant us unending light and steady us for the task of getting ready for letting go.
A new series of summer photo notecards from our farm is now available as a thank you gift to you for your financial support of Barnstorming — details here
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Under the harvest moon, When the soft silver Drips shimmering Over the garden nights, Death, the gray mocker, Comes and whispers to you As a beautiful friend Who remembers.
Under the summer roses When the flagrant crimson Lurks in the dusk Of the wild red leaves, Love, with little hands, Comes and touches you With a thousand memories, And asks you Beautiful, unanswerable questions. ~Carl Sandburg “Under the Harvest Moon”
I mistake the sound of a recycling cart hitting the curb
for the latch of our gate and picture him instantly:
my father stumbling into the light of the backyard
to shoot himself.
I’d been looking at the fruit trees and the fire pit,
the loose board of the old fence in the wind.
I’d been thinking of how lost you’d have to be
to believe you knew everything there was to know
about yourself. And now this sound
I mistake for my father going through with it: one
I might hear or see or smell something completely benign and insignificant, but my brain processes it differently, its similarity to past memory or experience bringing it front and center and real again.
Often it is a song, or a smell, or a date on the calendar. It can be an unexpected, sudden sound, like a slammed door or a recorded voice or photo from long ago.
This can lead to time travel back to that previous moment in time, with the feeling of being right there again.
It can be a lovely memory, warm and comforting, or it can be a total nightmare I never want to remember or reexperience.
When it happens to me, to distract from the distress it can cause, I instead admire the stickiness of my stored memories, how powerful chemical connections are between my body and my feelings.
There is poignancy in how I relive those moments of past joy and struggles, trying to capture in words what just happened, all the while knowing, for the rest of my days, some questions will forever remain unanswered.
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Hours and hours of taffy pulled and stretched to the furthest reaches of neighborhood lawns, universe of grasses cool and tickling, cushions for our bodies somersaulting and cartwheeling, tagging you’re it, while somewhere above us
the dimmer switch of Heaven would be turning down to lavender rose and deeper rose, and then the voices of the mothers streaming in through the darkening air to come home, come home. ~Andrea Potos “Summer, Childhood” from Her Joy Becomes
Once when we were playing hide-and-seek and it was time to go home, the rest gave up on the game before it was done and forgot I was still hiding. I remained hidden as a matter of honor until the moon rose. ~Galway Kinnell “Hide-and-Seek 1933” from Strong Is Your Hold.
We all long for home.
As the day wanes, the sky dims to pastels, the breezes pick up, I want to be called home: to warmth, to a good evening meal, to hugs and cozy bed.
No matter what excitement exists outside the four walls of home, I am eager for the comfort of finding my way home.
In the villages and towns all across Japan, there is a traditional folk song played daily in the early evening over loudspeakers in the streets – a reminder to the children of the neighborhood that it is time to give up their games and head home. They stream out of the parks and streets, each to their own house or apartment.
The song that thousands of U.S. soccer fans belted out after the World Cup soccer games was “Take me home, country roads.”
Last night, as I left an evening meeting at our local homeless mission shelter, I passed through the huge room housing over a hundred sleeping people on cots and floor mattresses. The overhead lights had been dimmed, each person safe, warm, fed, and welcome – no longer invisible and hidden away in the woods or alleys.
May we all know how it is to be welcomed home, when overwhelming darkness comes, knowing the Light always returns.
~Lustravit lampade terras~ (He has illumined the world with a lamp) The weather and my mood have little connection. I have my foggy and my fine days within me; my prosperity or misfortune has little to do with the matter. – Blaise Pascal from “Miscellaneous Writings”
Tired and hungry, late in the day, impelled to leave the house and search for what might lift me back to what I had fallen away from, I stood by the shore waiting. I had walked in the silent woods: the trees withdrew into their secrets. Dusk was smoothing breadths of silk over the lake, watery amethyst fading to gray. Ducks were clustered in sleeping companies afloat on their element as I was not on mine. I turned homeward, unsatisfied. But after a few steps, I paused, impelled again to linger, to look North before nightfall—the expanse of calm, of calming water, last wafts of rose in the few high clouds. And was rewarded: the heron, unseen for weeks, came flying widewinged toward me, settled just offshore on his post, took up his vigil. If you ask why this cleared a fog from my spirit, I have no answer. ~Denise Levertov “A Reward” from Evening Train
Flee for a while from your tasks, hide yourself for a little space from the turmoil of your thoughts. Come, cast aside your burdensome cares, and put aside your laborious pursuits. For a little while give your time to God, and rest in him for a little while. Enter into the inner chamber of your mind, shut out all things save God and whatever may aid you in seeking God; and having barred the door of your chamber, seek him. ~Anselm of Canterbury: The Major Works
And so you have a life that you are living only now, now and now and now, gone before you can speak of it, and you must be thankful for living day by day, moment by moment … a life in the breath and pulse and living light of the present… ~Wendell Berry from Hannah Coulter
There were long days during my doctoring years when I would be near tears, physically spent, too fried to keep listening, problem solving, comforting.
I needed to feel something other than needed. I needed neediness myself — a sorry place to be for a physician and healer.
Of course it had happened before, many times: middle of the night mothering a vomiting child, middle of the night mothering a frail mother, middle of the night reassuring a frightened patient, middle of the night worried about the state of the world.
Yet morning always comes because God has never left, maybe not bright and shining and wondrous, maybe still hidden behind a fog, maybe not hidden at all but waiting inside my muddled thoughts –
I found if I gently closed the door to all that is not God, I would find Him looking for me and all would become clear.
Text by George Matheson: O Love that will not let me go, I rest my weary soul in thee; I give thee back the life I owe, That in thy ocean depths its flow May richer, fuller be.
O Joy that seeks me through pain, I cannot close my heart to thee; I trace the rainbow through the rain, And feel the promise is not vain, That morn shall tearless be.
When the dawn O’er hill and dale Throws her bright veil, Oh, think of me!
When the laugh With silver sound Goes echoing round, Oh, think of me!
When the rain With starry showers Fills all the flowers, Oh, think of me!
When the wind Sweeps along, Loud and strong, Oh, think of me!
When the earth Sleeping sound Swings round and round, Oh, think of me!
When the night With solemn eyes Looks from the skies, Oh, think of me!”
-Frances Anne Kemble
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At dusk, everything blurs and softens. From here out over the long valley, the fields and hills pull up the first slight sheets of evening, as, over the next hour, heavier, darker ones will follow.
Quieted roads, predictable deer browsing in a neighbor’s field, another’s herd of heifers, the kitchen lights starting in many windows. On horseback I take it in, neither visitor nor intruder, but kin passing, closer and closer to night, its cold streams rising in the sugarbush and hollow.
Half-aloud, I say to the horse, or myself, or whoever: let fire not come to this house, nor that barn, nor lightning strike the cattle. Let dogs not gain the gravid doe, let the lights of the rooms convey what they seem to.
And who is to say it is useless or foolish to ride out in the falling light alone, wishing, or praying, for particular good to particular beings, on one small road in a huge world?
The horse bears me along, like grace, making me better than what I am, and what I think or say or see is whole in these moments, is neither small nor broken. For up, out of the inscrutable earth, have come my body and the separate body of the mare: flawed and aching and wronged. Who then is better made to say be well, be glad,
or who to long that we, as one, might course over the entire valley, over all valleys, as a bird in a great embrace of flight, who presses against her breast, in grief and tenderness, the whole weeping body of the world? ~ Linda McCarriston, “Riding Out at Evening” fromTalking Soft Dutch
photo by Emily Vander Haak
On this, my 72nd birthday, I pray for this troubled world, reminding myself: be well, be glad…
I’m still here by the grace of God who carries not just me on His back through each day, but all earthly burdens.
I pray like a bird embracing the air which lifts its wings, tenderly holding to its breast a soaring freedom to transcend the weeping world.
I have seen so much goodness over 72 years, sometimes through tears of sorrow. I know there will be more joy and sadness before I’m done.
I am grateful, so very grateful to have lived all these years seeing tears shed, then dried, learning how love heals, knowing the only thing to last forever is God’s covenant promise to always carry us home.
photo by Brandon Dielemanphoto by Brandon Dieleman
video by Peter Tamminga
Whilst the world is weeping, let us do our bit. We have the time to sympathise, to listen and to sit. No needless thoughts, of the things we cannot do. But appreciate all the good bits and look at them anew.
The warmth and comfort of our homes, the food we have to eat. The family and friends we have, although we cannot meet. The village that we live in, and the community we share. So precious to us right now, so sit and think and care.
Whilst the world is full of sadness, anxiety and pain, It’s hard to imagine our lives ever carefree again. But nothing lasts forever, the clouds will always clear. Let’s heal the world with love, so the sunshine can appear. ~Sandra Rickman
Lyrics: Drop, drop, slow tears, and bathe those beauteous feet, which brought from heaven the news and Prince of Peace. Cease not, wet eyes, his mercies to entreat; to cry for vengeance sin doth never cease. In your deep floods drown all my faults and fears; nor let his eye see sin, but through my tears.
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Whence comes Solace?—Not from seeing What is doing, suffering, being, Not from noting Life’s conditions, Nor from heeding Time’s monitions; But in cleaving to the Dream, And in gazing at the gleam Whereby gray things golden seem.
II
Thus do I this heyday, holding Shadows but as lights unfolding, As no specious show this moment With its irised embowment; But as nothing other than Part of a benignant plan; Proof that earth was made for man. ~Thomas Hardy “On a Fine Morning”
Whence comes Solace? Cleaving to the dream, gazing at the gleam…
nothing other than Part of a benignant plan; Proof that earth was made for man.
I had to look up “benignant” – it is like being told a concerning tumor is “benign” – granting gracious kindness and beneficence in the midst of deep-seated worry.
A new lease on life.
We forget our original task of caring for the Garden. Having soiled our own nest, we can’t abandon earth for another greener, brighter, happier planet. Of all the planetary options in this infinite universe, we were placed right here for good reason, and here we remain.
Our solace: all that ordinarily seems gray gleams golden illuminated by the Light shining down on our shadowy selves.
Even when the news headlines are dismal, when our individual struggles are great, when human history seems to keep repeating itself, our Creation is purposeful, eternally preserved through divine sacrifice.
The solace of gray shadows melts to gold: as part of the overall “benignant plan” we have been given our life back.
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All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered. ~Kenneth Grahame, The Wind in the Willows
Beyond Mágdalen and by the Bridge, on a place called there the Plain, In Summer, in a burst of summertime Following falls and falls of rain, When the air was sweet-and-sour of the flown fineflower of Those goldnails and their gaylinks that hang along a lime; . . . . . . . . The motion of that man’s heart is fine Whom want could not make píne, píne That struggling should not sear him, a gift should cheer him Like that poor pocket of pence, poor pence of mine. . . . . . . . . ~Gerard Manley Hopkins “Cheery Beggar”
Busy old fool, unruly sun, Why dost thou thus, Through windows, and through curtains call on us?
Thy beams, so reverend and strong Why shouldst thou think? I could eclipse and cloud them with a wink, But that I would not lose her sight so long; If her eyes have not blinded thine, Look, and tomorrow late…
Thou, sun, art half as happy as we, In that the world’s contracted thus. Thine age asks ease, and since thy duties be To warm the world, that’s done in warming us. Shine here to us, and thou art everywhere; This bed thy center is, these walls, thy sphere. ~John Donne from “The Sun Rising”
My father, when he was surprised or suddenly impressed, would blurt “Great day in the morning,” as though a revelation had struck him. The figure of his speech would seem to claim some large event appeared at hand, if not already here; a mighty day or luminous age was flinging wide its doors as world on world revealed their wonders in the rapturous morning, always new, beginning as the now took hold. ~Robert Morgan “Great Day in the Morning” from Terroir
Every time I open my eyes as dawn streams through the window, as I listen for the voice of yet another morning while the sun rises to warm the world –
I am reminded how precious is this moment ~this “great day in the morning” ~ how intensely grateful I am for each breath and each heartbeat gifted to me, a cheery beggar
We are created to experience this realization: we are, everyone of us, beloved.
We are meant to wonder breathless at this burst of summer, to keep watch for each new dawn, waiting to see what will happen next.
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All day the stars watch from long ago my mother said I am going now when you are alone you will be all right whether or not you know you will know look at the old house in the dawn rain all the flowers are forms of water the sun reminds them through a white cloud touches the patchwork spread on the hill the washed colors of the afterlife that lived there long before you were born see how they wake without a question even though the whole world is burning ~W.S. Merwin “Rain Light”
Well-away and be it so, To the stranger let them go. Even cheerfully I yield Pasture, orchard, mowing-field, Yea and wish him all the gain I required of them in vain. Yea and I can yield him house, Barn, and shed, with rat and mouse To dispute possession of. These I can unlearn to love. Since I cannot help it? Good! Only be it understood, It shall be no trespassing If I come again some spring In the grey disguise of years, Seeking ache of memory here. ~Robert Frost from “On the Sale of My Farm”
the farm where I grew up in east Stanwoodthe Stanwood farm from the road
From the road, each of the two small farms where I grew up in western Washington state (Stanwood and Olympia) look nothing like they did in my childhood. When I drive past now, whether on Google Earth virtually or for real, the outbuildings have changed and are unfamiliar, fences pulled down, the trees exponentially taller or gone altogether, the fields no longer well-tended. Instead the familiarity is in the road to get there, the lean into the curves, the acceleration in and out of dips, the landscape which triggers a simultaneous comfort and disquiet deep in my DNA.
Though my brother once stopped and got permission to look around our long-ago childhood home, and sent me pictures that looked barely recognizable, I myself have never stopped to knock; instead I have driven slowly past to sense if I feel what I used to feel in these places. My memories are indeed triggered but feel a bit as if they must have happened to someone else.
I have the same feeling when driving past my parents’ childhood farms on Similk Bay on Fidalgo Island and in the Palouse wheat fields. Part of me belongs to these places even though they have never been truly “mine” – only part of sweet memories from my own childhood.
barn on Olympia farmOlympia housethe driveway to my mother’s Palouse farm where she grew upmy mother’s childhood home in Spring Valley, the Palouse
One clinic day years ago, I glanced at the home address of a young man I was about to see for a medical issue and I realized he now lived in my childhood home located over 100 miles away. When I greeted him I told him we had something in common: we had grown up under the same roof, inside the same walls, though children of two different generations.
He was curious but seemed skeptical — how could this gray-haired middle aged woman know anything about his home? He told me a bit about the house, the barn, the fields, the garden and how he experienced it felt altogether strange to me. He and I had shared nothing but a patch of real estate — our recollections were so completely disparate.
The two daughters of the family who sold our current farm to us over thirty years ago have been back to visit a time or two, and have driven by whenever they are in the area. Many things remain familiar to them but also too much has changed – it is not quite the same farm they remember from their childhood. I know it aches to visit here but they do let me know when a photo I post has a particular sweet memory for them.
I worry for the fearsome ache if someday, due to age or finances, we must sell this farm we cherish ~ this beloved place our children were raised, animals bred and cared for, fruit picked from an ancient orchard, plants tended and soil turned over. It will remain on the map surely as the other two farms of my past, visible as we pass by slowly on the road, but primarily preserved in the words and photos I harvest here.
Only be it understood, It shall be no trespassing If I come again some spring In the grey disguise of years, Seeking ache of memory here.
There will always be hoping something will still remain familiar on the map of my memory. After all, there is no such beauty as the place where I belonged – now and forever ago.
Tell me, where is the road I can call my own That I left, that I lost So long ago? All these years I have wandered Oh, when will I know There’s a way, there’s a road That will lead me home
After wind, after rain When the dark is done As I wake from a dream In the gold of day Through the air there’s a calling From far away There’s a voice I can hear That will lead me home
Rise up, follow me Come away, is the call With the love in your heart As the only song There is no such beauty As where you belong Rise up, follow me I will lead you home ~Michael Dennis Browne
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O! my heart now feels so cheerful as I go with footsteps light In the daily toil of my dear home; And I’ll tell to you the secret that now makes my life so bright— There’s a flower at my window in full bloom.
It is radiant in the sunshine, and so cheerful after rain; And it wafts upon the air its sweet perfume. It is very, very lovely! May its beauties never wane— This dear flower at my window in full bloom.
Nature has so clothed it in such glorious array, And it does so cheer our home, and hearts illume; Its dear mem’ry I will cherish though the flower fade away— This dear flower at my window in full bloom.
Oft I gaze upon this flower with its blossoms pure and white. And I think as I behold its gay costume, While through life we all are passing may our lives be always bright Like this flower at my window in full bloom. ~Lucian Watkins“The Flower at My Window”from Voices of Solitude
Details of the life of poet Lucian Watkins are few: a black man born in 1879 in Virginia, educated as a teacher, a writer and poet, then served as a U.S. Army Sergeant during WWI in the Philippines and France, dying of an unknown illness in Fort McHenry hospital in 1921.
He leaves behind only a handful of poems, including the one above.
Among the sparse information available about Lucian are three letters written by him. This was a young man who earnestly wanted to have both a writing career and a “bread-winning vocation.” He describes feeling compelled to compose poetry, no matter what else he accomplishes.
The obvious challenges he faced – –as a black man looking for a suitable place to live in Illinois so he can attend a college where there are no other people of color nearby, –as a veteran of a most horrific war, –as a creative mind trying to find a way to make a living.
He writes passionately about the aspirational purity of a white flower outside his window. Its bright radiance represents what he longs for in his own life.
From his letter to President Bissell of Bissell Colleges in Effingham, Illinois in 1919 after President Bissell is unable to assist in finding him a place to live, having suggested that the war veteran might consider “doing light housekeeping” – essentially live as a servant in a white household:
“About this matter of a boarding place. While I had hoped to obtain board with a member of my own race in Effingham, I had not thought it imperative that I should do so. I feel sure that there is enough Christianity in Effingham to provide that a brother-stranger in their midst shall not die of hunger.
What would Jesus do?
It seems that some places in the south they rise more readily to our American ideal of democracy than in the North and Middle-West. ‘The Richmond Planet’ of Richmond, Va., states that ‘right here in Richmond, the capital of the late Confederacy, colored soldiers are welcomed to aristocratic Westhampton, and with no sigh of racial discrimination or antipathy to their being there.’
What is the matter with Illinois?
I am not sure as to what your question involves. We shall talk it over when I arrive. There must be a way that is just and that will be good for all concerned. Very respectfully, signed Lucian B. Watkins“
**This man was not only a poet. He was a statesman.**
And a few months later, to the Editor of Crisis Magazine, the publication for the NAACP:
I have tried my best to forget poetry since being here – this with the hope I could the better prepare for a sure-enough bread-winning vocation. But the spell is on me again. With me, this thing is a madness. I hope you understand me, as it is really a painful matter that I have never expressed to anyone before. I have always felt that people can never know as to what this fever means.
Had I the world to give, I would give it freely for my ability to concentrate my mental and physical forces on real money-earning work as I seem compelled to do in the making of a quatrain. Now unless I can get away from this verse-making obsession, I must fail in everything, because success as a poet means very little, in a material way, even for those who are called masters in the art.
I hope you will pardon me for this much of your time I have taken.
Though Lucian Watkins’ life was cut short by an unknown illness, and his portfolio of poetry is small, he is nonetheless a gift to generations of future poets and readers.
This black artist did not let the inevitable rainfall in his life discourage his world view; he himself is radiant with illumination, showing a budding cheerfulness. His work reminds us:
Something as simple as observing a resilient flower outside our window can help heal painful hurts and fulfill our deepest longing.
Something as basic as seeing life through different perspectives or lenses can make all the difference in how we feel about our existence.
In his writing, Lucian Watkins draws a thin line between joy and sorrow, embracing joy in a simple white flower in full bloom — before it, as will we all, fades away.
From this low-lying valley; Oh, how sweet And cool and calm and great is life, I ween, There on yon mountain-throne—that sun-gold crest!
From this uplifted, mighty mountain-seat: How bright and still and warm and soft and green Seems yon low lily-vale of peace and rest! ~Lucian Watkins “Two Points of View”
Flower gleam and glow let your power shine make the Clock reverse bring back what once was mine What once was mine Heal what has been hurt change the fate’s design Save what has been lost bring back what once was mine what once was mine ~Healing Song from Tangled
