

To Bring the Horse Home…
after Philip Larkin
Is all I’ve wanted past wanting
since I was six and delirious with fever,
an infinitive forged from a night
when giant ladybugs with toothpick
antennae patrolled my wicker nightstand.
Yes, I’ve been with horses since,
travelled illegally with them in trailers,
known certain landscapes only framed
by alert ears, and with one in particular,
spent whole afternoons with her big jaw
heavy on my shoulder. Still, I hatched
plots to bring a horse to the house, to ride
to school, to pasture one or even three
in the garden, shaded by that decorative
willow, which could have used a purpose.
But there were city bylaws in two languages,
and over the years, a dog, stray cats,
turtles, and many fish. They lived, they died.
It wasn’t the same. Fast-forward, I brought
the baby home in a molded bucket seat, but she
lacked difference, attuned as I was, checking
her twenty-four-seven. Now that she’s
grown, I’m reduced to walking city parks
with this corrosive envy of mounted police,
though I’m too old for the ropes test,
wouldn’t know what to do with a gun.
If there’s a second act, let me live
like the racetrack rat in a small room
up the narrow stairs from the stalls,
the horse shifting comfortably below,
browsing and chewing sweet hay.
A single bed with blanket the color
of factory-sweepings will suffice,
each day shaped to the same arc,
because days can only end when
the lock slides free on the stall’s
Dutch door, and I lead the horse in,
then muscle the corroded bolt shut.
That’s what days are for: I cannot rest
until the horse comes home.
~Julie Bruck “To Bring the Horse Home”



The best moment in the barn is in the evening just following the hay feeding, as the animals are settling down to some serious chewing. I linger in the center aisle, listening to the rhythmic sounds coming from six stalls. It is a most soothing contented cadence, first their lips picking up the grass, then the chew chew chew chew and a pause and it starts again. It’s even better in the dark, with the lights off.
I’ve enjoyed listening to the eating sounds at night from the remote vantage point of my bedroom TV monitor system set up to watch my very pregnant mares before foaling. A peculiar lullaby of sorts, strange as that seems, but when all my farm animals are chewing and happy, I am at peace and sleep better.
It reminds me of those dark deep nights of feeding my own newborns, rocking back and forth with the rhythm of their sucking. It is a moment of being completely present and peaceful, and knowing at that moment, nothing else matters–nothing else at all.
If I am very fortunate, each day I live has a rhythm that is reassuring and steady, like the sounds of hay chewing, or rocking a baby. I awake thinking about where my next step will bring me, and then the next, like each chew of sweet hay. I try to live in each moment fully, without distraction by the worry of the unknown.
But the reality is:
life’s rhythms are often out of sync,
the cadence is jarring,
the sounds are discordant,
sometimes I’m the one being chewed on, so pain replaces peacefulness.
Maybe that is why this lullaby in the barn~~this sanctuary~~is so treasured. It brings me home to that doubting center of myself that needs reminding that pain is fleeting, and peace, however elusive now, is forever. I always know where to find it for a few minutes at the end of every day, in a pastoral symphony of sorts.
Someday my hope for heaven will be angel choruses of glorious praise, augmenting a hay-chewing lullaby.
So simple yet so grand.


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