A Tree with Happy Leaves

Last night
the rain
spoke to me
slowly, saying,
what joy
to come falling
out of the brisk cloud,
to be happy again
in a new way
on the Earth!

That’s what it said
as it dropped,
smelling of iron,
and vanished
like a dream of the ocean
into the branches
and the grass below.

Then it was over.
The sky cleared.
I was standing
under a tree
with happy leaves,
and I was myself,


and there were stars in the sky
that were also themselves
at the moment
my right hand
was holding my left hand
which was holding the tree
which was filled with stars
and the soft rain–

imagine! imagine!
the long and wondrous journeys
still to be ours.
~Mary Oliver “Last Night the Rain Spoke to Me”

I’m walking under the trees
walking in and out of their shadows
walking step by step under the trees
so the leaves on their lowest branches
graze my bare head
as I walk slowly under the trees
so close to me they could have
their arms around my shoulders,
walking under the guardian trees.

I’m walking under the trees
plucking a leaf
and putting it in my pocket
so I won’t forget walking
under the cloak of these trees
thinking of nothing else
but the trees and me walking
under all their leaves and branches
walking all morning under the trees.
~Billy Collins “Walking Under the Trees”

I’m fortunate to have grown up in the land of trees, here in the Evergreen State of Washington. I spent hours and hours just walking or riding my horse in the woods of my childhood home. When I moved away to a state without many trees, I felt abandoned and lonesome. I had to find my way back.

Sometimes the woods can feel claustrophobic and I need to see a horizon to be aware of the comings and goings of the sun. Fortunately, on this farm where we raised our children, we can move easily from one to the other.

Each day, I’m reminded of the wondrous journey I am on. As a child, I always imagined living in a place of happy leaves. Growing up, I looked until I found it.

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Doing This Hard Thing

I finished loading the woodshed today. Every year
I tell myself, This is it, the last time. It’s just too
much work, too painful, and I’m too old.
And then, the next year, when fall rolls
around, the air gets cold, and the geese go south, I
load the woodshed again.

How long will this go on? I’m seventy-two.
Every year it takes me longer to recover,
yet every year I keep doing it.

It’s just, now that I’m done, I can go out into
the woodshed, sit in a chair, and look at all those
neatly stacked rows, six and a half feet high, six feet
long and sixteen inches deep, two sets of rows like that,
left and right, four full cord — not much by some standards —
but enough to keep us warm all winter.

When I go out and look at what I’ve done, I get such a deep
sense of satisfaction from this backaching labor that I can’t

imagine a year without going through all that pain again.
~David Budbill, “Loading the Woodshed” from Tumbling toward the End.

Long-johns top and bottom, heavy socks, flannel shirt, overalls,
steel-toed work boots, sweater, canvas coat, toque, mittens: on.


Out past grape arbor and garden shed, into the woods.
Sun just coming through the trees. There really is such a thing


as Homer’s rosy-fingered dawn. And here it is, this morning.
Down hill, across brook, up hill, and into the stand of white pine


and red maple where I’m cutting firewood. Open up workbox,
take out chain saw, gas, bar oil, kneel down, gas up saw, add

bar oil to the reservoir, stand up, mittens off, strap on and buckle
chaps from waist to toe, hard hat helmet: on. Ear protectors: down,

face screen: down, push in compression release, pull out choke,
pull on starter cord, once, twice, go. Stall. Pull out choke, pull on


starter cord, once, twice, go. Push in choke. Mittens: back on.
Cloud of two-cycle exhaust smoke wafting into the morning air


and I, looking like a medieval Japanese warrior, wade through
blue smoke, knee-deep snow, revving the chain saw as I go,


headed for that doomed, unknowing maple tree.
~David Budbill”Into the Winter Woods”, from Happy Life

The other day, I was visiting with a recently widowed neighbor who is now well into her 70’s. She said she had finished loading her woodshed and was now ready for winter, dependent on wood stove heat over the next 6 months or so. She is someone who takes her independence seriously after her husband died, having lived in the same house for over fifty years – not at all ready to move into town to an apartment or condo, much less assisted living. She assists herself, thank you very much, even if it means climbing a step ladder to overhead-toss the firewood chunks onto the top row, and later to pull them down again to haul into the house to the stove.

I asked her why she continued to do such hard physical work when she has sons who live nearby as well as the means to hire help if she needed it. She also could choose to install a furnace, making it easier to stay warm.

She told me she likes to look at the stack every day when she does her farmyard chores, which include bringing in her day’s worth of wood. It gives her a deep sense of satisfaction to know that she was able to neatly stack several cords of wood under cover for yet another year, just as she has done year after year after year. It is a reminder of what she is capable of doing on her own, now that she is alone.

It makes her feel good to look at the fruit of her labor.

And that, of course, is reason enough to keep doing a hard thing. We each work at living out our days the best we can despite how painful they can be. We are blessed to be able to do it.

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A Love for Lightness

…I have been younger in October
than in all the months of spring
walnut and may leaves the color
of shoulders at the end of summer
a month that has been to the mountain
and become light there
the long grass lies pointing uphill
even in death for a reason
that none of us knows…

my love is for lightness
of touch foot feather
the day is yet one more yellow leaf
and without turning I kiss the light
by an old well on the last of the month
gathering wild rose hips
in the sun
~W. S. Merwin from “The Love of October”

A wind gusts through shedding branches
stripping them bare
and carrying the leaves to fields
far away, to a diverse gathering
they have never known before:
chestnut, cherry, birch, walnut, apple, alder,
maple, parrotia, pear, oak, poplar, cottonwood
suddenly all sharing the same fate and grave,
each wearing a color of its own,
falling, falling, soon to blend with others.

There is an exquisite lightness in letting go
of all that feels familiar and safe,
for reasons none of us can actually comprehend.

Can’t help “falling” in love and falling in leaf…

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Go Help Your Dad

It was hard work, dying, harder
than anything he’d ever done.

Whatever brutal, bruising, back-
Breaking chore he’d forced himself

to endure—it was nothing
compared to this. And it took

so long. When would the job
be over? Who would call him

home for supper? And it was
hard for us (his children)—

all of our lives we’d heard
my mother telling us to go out,

help your father, but this
was work we could not do.

He was way out beyond us,
in a field we could not reach.

~Joyce Sutphen, “My Father, Dying” from Carrying Water to the Field: New and Selected Poems.

We will grieve not, rather find                     
Strength in what remains behind;                     
In the primal sympathy                     
Which having been must ever be;  
                   

Thanks to the human heart by which we live,
Thanks to its tenderness, its joys, and fears,
To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears.
~William Wordsworth from “Ode: Intimations of Immortality from Recollections of Early Childhood”

Pouring the sidewalk by hand
Grouting the tile perimeter
In the very bottom, installing a drain
The best dive ever…

Nearly twenty-seven years ago
we watched at your bedside as you labored,
readying yourself to die and we could not help
except to be there while we watched you
move farther away from us.

This dying, the hardest work you had ever done:

harder than handling the plow behind a team of draft horses,
harder than confronting a broken, alcoholic and abusive father,
harder than slashing brambles and branches to clear the woods,
harder than digging out stumps, cementing foundations, building roofs,
harder than shipping out, leaving behind a new wife after only a week of marriage,
harder than leading a battalion of men to battle on Saipan, Tinian and Tarawa,
harder than returning home so changed there were no words,
harder than returning to school, working long hours to support family,
harder than running a farm with only muscle and will power,
harder than coping with an ill wife, infertility, job conflict, discontent,
harder than building your own pool, your own garage, your own house,
harder than your marriage ending, a second wife dying of cancer,
and returning home asking for forgiveness.

Dying was the hardest of all
as no amount of muscle or smarts or determination
could stop it crushing you,
taking away the strength you relied on for 73 years.

So as you lay helpless, moaning, struggling to breathe,
we knew your hard work was complete
and what you left undone was up to us
to finish for you.

Ben packaged in a paper bag by Grandpa Hank
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Seeking What Could No Longer Be Found

photo by Kate Steensma

Though I know well enough
To hunt the Lady’s Slipper now
Is playing blindman’s-buff,
For it was June She put it on
And grey with mist the spider’s lace
Swings in the autumn wind,
Yet through this hill-wood, high and low,
I peer in every place;
Seeking for what I cannot find
I do as I have often done
And shall do while I stay beneath the sun.
~Andrew Young “Lady’s Slipper Orchid”

My grandmother’s house where my father was born had been torn down. She sold her property on Fidalgo Island near Anacortes, Washington to a lumber company – this was the house where all four of her babies were born, where she and my grandfather loved and fought and separated and finally loved again, and where we spent chaotic and memorable Thanksgiving and Christmas meals.  After Grandpa died, Grandma took on boarders, trying to afford to remain there on the homesteaded wooded acreage on Similk Bay, fronted by meadows where her Scottish Highland cattle grazed.   Her own health was suffering and she reached a point when it was no longer possible to make it work. A deal was struck with the lumber company and she moved to a small apartment for the few years left to her, remaining bruised by leaving her farm.

My father realized what her selling to a lumber company meant and it was a crushing thought. The old growth woods would soon be stumps on the rocky hill above the bay, opening a view to Mt. Baker to the east, to the San Juan Islands to the north, and presenting an opportunity for development into a subdivision. He woke my brother and me early one Saturday in May and told us we were driving the 120 miles to Anacortes.  He was on a mission.

As a boy growing up on that land, he had wandered the woods, explored the hill, and helped his dad farm the rocky soil.  There was only one thing he felt he needed from that farm and he had decided to take us with him, to trespass where he had been born and raised to bring home a most prized treasure–his beloved lady slippers from the woods.

These dainty flowers enjoy a spring display known for its brevity–a week or two at the most–and they tend to bloom in small little clusters in the leafy duff mulch of the deep woods, preferring only a little indirect sunlight part of the day.  They are not easy to find unless you know where to look. 

My father remembered exactly where to look.

We hauled buckets up the hill along with spades, looking as if we were about to dig for clams at the ocean.  Dad led us up a trail into the thickening foliage, until we had to bushwhack our way into the taller trees where the ground was less brush and more hospitable ground cover.  He would stop occasionally to get his bearings as things were overgrown.   We reached a small clearing and he knew we were near.  He went straight to a copse of fir trees standing guard over a garden of lady slippers.

There were almost thirty of them blooming, scattered about in an area the size of my small bedroom.  Each orchid-like pink and lavender blossom had a straight backed stem that held it with sturdy confidence.  To me, they looked like they could be little shoes for fairies who may have hung them up while they danced about barefoot.    To my father, they represented the last redeeming vestiges of his often traumatic childhood, and were about to be trammeled by bulldozers.  We set to work gently digging them out of their soft bedding, carefully keeping their bulb-like corms from losing a protective covering of soil and leafy mulch.  Carrying them in the buckets back to the car, we felt some vindication that even if the trees were to be lost to the saws, these precious flowers would survive.

When we got home, Dad set to work creating a spot where he felt they could thrive in our own woods.  He found a place with the ideal amount of shade and light, with the protection of towering trees and the right depth of undisturbed leaf mulch.  We carefully placed the lady slippers in their new home, scattered in a pattern similar to how we found them.  Then Dad built a four foot split rail fence in an octagon around them, as a protection from our cattle and a horse who wandered the woods, and as a way to demarcate that something special was contained inside.

The next spring only six lady slippers bloomed from the original thirty.  Dad was disappointed but hoped another year might bring a resurgence as the flowers established themselves in their new home.  The following year there were only three.  A decade later, my father himself had left farm and family, not looking back.

Sometime after the divorce, when my mother had to sell the farm, I visited our lady slipper sanctuary in the woods for the last time in the middle of May, seeking what I hoped might still be there, but I knew was no longer.  The split rail fence still stood, guarding nothing but old memories.  No lady slippers bloomed. There was not a trace they had ever been there.  They had simply given up and disappeared.

The new owners of the farm surely puzzled over the significance of the small fenced-in area in the middle of our woods.  They probably thought it surrounded a graveyard of some sort.

And they would be right – it did.

An embroidery I made for my father after he replanted the lady slippers — on the back I wrote “The miracle of creation recurs each spring in the delicate beauty of the lady slipper – may we ourselves be recreated as well…”

Once more, once more into the sunny fields
Oh, let me stray!
And drink the joy that young existence yields
On a bright, cloudless day.
Once more let me behold the summer sky,
With its blue eyes,
And join the wild wind’s voice of melody,
As far and free it flies.
Once more, once more, oh let me stand and hear
The gushing spring,
As its bright drops fall starlike, fast and clear,
And in the sunshine sing.
~Frances Kemble “A Farewell”

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What Did I Know?

Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.

I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,

Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?
~Robert Hayden “Those Winter Sundays”

As a child growing up,
I was oblivious
to the sacrifices my parents made
to keep the house warm,
place food on the table,
teaching us the importance of being steadfast,
to crack the door of opportunity open,
so we could walk through
to a better life
and we did.

It was no small offering
to keep dry seasoned fire and stove wood always at the doorstep,
to milk the cows twice a day,
to grow and preserve fruits and vegetables months in advance,
to raise and care for livestock,
to read books together every night,
to sit with us over homework
and drive us to 4H, Cub Scouts and Camp Fire,
to music lessons and sports,
to sit together for meals,
and never miss a Sunday
to worship God.

This was their love,
so often invisible,
too often imperfect,
yet its encompassing warmth
splintered and broke
the grip of cold
that can overwhelm and freeze
a family’s heart and soul.

What did I know? What did I know?
Too little then,
so much more now
yet still – never enough.

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But Right Now

Maybe night is about to come
calling, but right now
the sun is still high in the sky.

It’s half-past October, the woods
are on fire, blue skies stretch
all the way to heaven. Of course,
we know that winter is coming, its thin
winding sheets and its hard narrow bed.

But right now, the season’s fermented
to fullness, so slip into something
light, like your skeleton; while these old
bones are still working, my darling,
let’s dance.
~Barbara Crooker, “Reel” from The Book of Kells

I’ve never been much of a dancer; we were taught square dancing in grade school when we were kids so I could do-si-do with the best of them.

The non-descript dancing of the sixties and seventies never appealed to me – it was kind of like writhing in place, sometimes alone, sometimes in parallel with another body.

Our church used to hold once a year square dances in November along with a harvest dinner, gathered in a school gymnasium, so my husband and I learned to Virginia Reel up and back and be sore the next day. Those were the days…

But right now, we watch our trees dance this time of year, getting more naked with each passing day and breeze. They sway and bow and join limbs, their bare bones grasping one another in preparation for their cold and narrow winter bed, wrapped in the shroud that will give way, yet again to the green leaves of spring, only a few months away.

A book of beauty in words and photography, available to order here:

October Colors Shout and Sing

After the keen still days of September, 
the October sun filled the world with mellow warmth…
The maple tree in front of the doorstep burned like a gigantic red torch. 
The oaks along the roadway glowed yellow and bronze. 
The fields stretched like a carpet of jewels, 
emerald and topaz and garnet. 
Everywhere she walked the color shouted and sang around her…
In October any wonderful unexpected thing might be possible.
~Elizabeth George Speare from The Witch of Blackbird Pond

On this early morning
gray clouds lie heavy and unrelenting
hovering low over the eastern hills,
when a moment’s light snuck out from under the covers
throwing back the blankets
to glow golden over the mountain.

Only a minute of unexpected light underneath the gray
gone in a heartbeat
(as are we) yet
O!  the Glory when we too are luminous.

A book of beauty in words and photography, available to order here:

Dwelling On What Has Been

The house had gone to bring again
To the midnight sky a sunset glow.
Now the chimney was all of the house that stood,
Like a pistil after the petals go.

The barn opposed across the way,
That would have joined the house in flame
Had it been the will of the wind, was left
To bear forsaken the place’s name.

No more it opened with all one end
For teams that came by the stony road
To drum on the floor with scurrying hoofs
And brush the mow with the summer load.

The birds that came to it through the air
At broken windows flew out and in,
Their murmur more like the sigh we sigh
From too much dwelling on what has been.

Yet for them the lilac renewed its leaf,
And the aged elm, though touched with fire;
And the dry pump flung up an awkward arm:
And the fence post carried a strand of wire.

For them there was really nothing sad.
But though they rejoiced in the nest they kept,
One had to be versed in country things
Not to believe the phoebes wept.
 ~Robert Frost “The Need of Being Versed in Country Things”

The field of my childhood farm (1954-59) with the red barn visible on the right. The house was destroyed by fire in the mid-60s but the barn was spared

photo by Harry Rodenberger

My family sold our first farm in East Stanwood when my father took a job working for the state in Olympia, moving to supervising high school agriculture teachers rather than being a teacher himself. It was a difficult transition for us all: we moved to a smaller home and a few acres, leaving behind a large two story house, a huge hay barn and chicken coop as well as large fields and a woods where our dairy cows had grazed.

Only a few years later, the old farmhouse burned down but the rest of the buildings were spared. It passed through a few hands and when we had occasion to drive by, we were dismayed to see how nature was taking over the place. The barn still stood but unused it was weathering and withering. The windows were broken, birds flew in and out, the former flower garden had grown wild and unruly.

This was the place I was conceived and learned to walk and talk, where I developed my love for wandering in the fields and respecting the farm animals we depended upon. I remember as a child of four sitting at the kitchen table looking out the window at the sunrise coming rising over the woods and making the misty fields turn golden.

Yet now this land has returned to its essence before the ground was ever plowed or buildings were constructed. It no longer belongs to our family (as if it ever did) but it forever belongs to our memories.

I am overly prone to nostalgia, dwelling more on what has been than what is now or what I hope is to come. It is easy to weep over the losses when time and circumstances reap circumstances that become unrecognizable.

I may weep, but nature does not. The sun continues to rise over the fields, the birds continue to build nests, the lilacs grow taller with outrageous blooms, and each day ends with a promise of another to come.

So I must dwell on what lies ahead, not what perished in the ashes.

photo by Harry Rodenberger

A book available from Barnstorming — information about how to order here

Rippling of the Land

The air was soft, the ground still cold.
In the dull pasture where I strolled
Was something I could not believe.
Dead grass appeared to slide and heave,
Though still too frozen-flat to stir,
And rocks to twitch and all to blur.
What was this rippling of the land?
Was matter getting out of hand
And making free with natural law,
I stopped and blinked, and then I saw
A fact as eerie as a dream.
There was a subtle flood of steam
Moving upon the face of things.
It came from standing pools and springs
And what of snow was still around;
It came of winter’s giving ground
So that the freeze was coming out,
As when a set mind, blessed by doubt,
Relaxes into mother-wit.
Flowers, I said, will come of it.
~Richard Wilbur “April 5, 1974”

As the ground softens with the warming sun,
so do I.
Winter freeze was comforting
as nothing appeared to change, day after day.

Neither did I,
staying stolid and fixed and frozen.

But now the fixed is flexing its muscles,
steaming in its labor,
greening and growing transformed.

So must I,
giving ground
and birth
to blooms.